nacho marco lands on feline for this fourth release. acid bay is an acid trip through different electronic landscapes. coyu, ferenc and mm(nacho marco & angel molina) give their own re-interpretations from this superlative track.

kht 008 is coming from no less than the man who is called * the prince of techno* by his peers. and that is for a reason: blake was part of the first wave of detroit techno artists and dis and contributed to the techno movement from the mid 80s. tracks like “when a dream becomes u” or “our love” are milestones of electronic music, his style, which he calls “poetry and rhythm” is distinctive. for killekill house trax he delivers the acid life ep which comes along with two strong, acid driven tracks, the a-side darker and more chicago-oriented with its rhythmical focus and the punchy kick, the b-side more detroit-ish with its uplifting chords. timeless!

after the successful debut ep from giovanni damico and tomson, we play wax brings you their second release: a showcase of one of italy’s most talented and productive new-kid-on-the-block. degio’s “questione interiore” offers up for enjoyment 3 club-ready acid-infused house bangers, while his good friend alessio collina gets deep, down and dirty on the remix duty.
to visually complement the sound, our talented romanian designer lar pavel puts his signature on yet another eye-catching custom-designed artwork, all on professionally mastered and carefully crafted black gold.

sexy floorfriendly acid house

big round of applause for these three heaters and adesse version auspicious debut on lets play houses lph white!

uks main acid export has to be chris moss acid. over the course of the last fifteen years he has released a stream of uncompromising, top notch acid on all sorts of labels. we are super proud he has now joined the ranks of the nyh fam with these four heavy hitting cuts. the nazareth ep brings some of his best work to date together, dark and dense monolithic slabs of hard acid!

das label acid jazz leitet eine neue Ära ein. es wird nicht nur ein großer teil des back catalogues wiederveröffentlicht, sondern auch zeitgenössische bands veröffentlichen brandneue alben. zu diesen gehören new street adventure. sänger und gitarrist nick corbin gründete die band 2007 mit dem anspruch pop und moderne soul-einflüsse elegant zu verbinden. nach dem album -no hard feelings- ist dies der zweite streich unter der flagge von acid jazz. mit -stubborn sons- sieht sich die band in der tradition von curtis mayfield oder the jam, beides acts die das politisch unruhige klima ihrer jeweiligen dekaden - die 70er und 80er jahre - in ihrer musik verarbeiteten und kritisierten. so sind die texte kritisch, die musik hingegen erstaunlich groovy.

todd osborn & tadd mullinix return for part 3 of their analogue acid project! more info to follow.

just jack are back again with 4 tracks of dopeness, courtesy of cocoons first lady dana ruh. on the a side, dana provides 3 cuts, of deep, dreamy house. whilst on the flip - chicagos, steven tang steps up on remix duties under his obsolete music technology moniker, tangs squelchy acid remix is only available on wax! very limited vinyl copies, so dont sleep!

minimalistic art sublabel, 0000, kicks things off with scribble acid, an ep from man at the top, brayan valenzuela. title track scribble acid is a mixture of acid sounds and saturated kicks combined to create an industrial techno line. 0000 differs, highlighting the simpler sound of acid. error makes use of metallic percussion to devastating effect but is lined with pauses in all the right places to allow you to breathe.

emotional rescue presents the final part of their suns of arqa trilogy with two of their deepest world dubs in acid tabla and asian rebel. capturing their fusion of folk, reggae and dance to perfection, these heavy vibrations are backed with pulsating remixes from adrian sherwood and the hyphen collective

we dont have much info to give about vicram, partly because the artist doesn t want us to communicate the few things we know. but this is his first ep. its super raw - not necessarily rough. raw like a piece of sushi, an unpolished unvarnished beautiful piece of wood, raw like those bare drum machines and simple acid lines. almost naive, like those early 90s idm-techno record we cherish but with a very different angle. as usual, we liked vicram because we dont really understand how he makes his music.

in november last year, undo released “disconnect”, his third album. a charming long-player that has won very good feedbacks and reviews. now it’s time to unveil the first ep with remixes from the album. a great and variate package including reworks from friends and artists he admires as mexican iñigo vontier, russian dimitri veimar and belgium cabaret nocturne. there’s also a new mix by undo himself.

acid pauli is a name synonymous with certain aesthetic towards electronic music culture - both a part of the unhooked generation of that grew up experiencing his revelatory sets at places like bar 25 and fusion, and yet deeply rooted in musicality and adventurousness. bld, the second full album from martin gretschmann, (aka acid pauli), builds on his already impressive back catalogue which spans back to 2005, and includes a debut album released on nicolas jaar’s clown and sunset. over the course of the eight tracks here, gretschmann explores some of the many facets that have made him one of the most trusted artists in his field. released on his own (and nico stojan’s) label ouïe - the album is the perfect expression of the imprint’s commitment to diverse, exciting sounds, freed of the conventions of traditional club music. the album covers a number of moods and emotions, from dystopian carnivalesque vibes to moments of high intensity, through to deep melancholia and synth laden ambience. gretschmann’s well documented love of the sampler shines throughout - tracks are textured and colored with different hues from his extensive sound palette, whether it’s a part of his more psychedelic moments, or concentrated on his innate knowledge of dancefloor dynamics. as such bld sits together as a complete piece of music - to be relished just as much by blissed out home listeners as the left-field dancers.

aelfric michael avery has been a self-reliant artist for a long time. the canadian producer has been exploring underground acid and rough, homemade techno since releasing his first material as avery monarch back in 1994. however it wasn’t until more than ten years later that his music would surface again on his own napalm enema label. napalm enema has also carried work by the likes of faltydl, paul blackford and mrs jynx. avery has released just as much music under his acid elf guise, most notably appearing alongside +10 acid crew (jodey kendrick) for the sought-after bruvs acid ep, and now the alias makes a welcome return to vinyl with four essential tracks from the archives. there’s a subdued, hypnotic and delirious quality to the productions on this ep for arma, ranging from the uneasy delay pulses of fetus to the metallic clamour of urban wasteland, but most importantly they’re all injected with a distinctive personality that stands apart from the 303-tweaking masses.

this record definitely takes a bit more of a layered approach - natan h offers us yet another unique, immersive, and charismatic release for acid camp records. acid camp records is rolling through again, this time with an artist known for his atmospheric and cosmic-oriented tracks, natan h. conveying inspiration for this record, just a little nod to extrasensory experiences and perception, is undoubtedly fitting for acrs second release. the opening track, atmosphere, breaks away from 4/4 timing with o-kilter drums that traverse into a heavier beat, pushing the track forward just to bring it right back at the end. followed up with a remix from techno serialist, conforce. through his use of a low pass filter, polyrhythms, and fervor conforce delivers a track nothing short of the prototype for driving techno. remote view pt. i turns out an ambient break and taking the listener to a space of the ethereal and planetary. the ep closes with remote view pt. ii, which incorperates layers of hi-hats, delayed strings, and synths that alternate throughout the arrangement in syncopation.

frankfurts favourite roman flu&#776,gel returns to phonica records with the black acid ep, a four tracker of flu&#776,,,,gels signature black magic.

this is the return of sfv acid??s smooth and elastic funk as the single-edition jazzchamber ep, previously released with the doep 12 inch combo. three outright killer tracks on a black 10 inch with a risograph printed inlay designed by sfv acid himself and a bright blue innersleeve and chrome sticker by the bakk summer specialists.

matrixxman has been a dekmantel regular for a couple of years now. the san francisco producer continues to impress with a new triptych for dekmantel records. over the course of three eps (rhythm, acid, polyphony), charles mccloud duff displays his versatile and original take on house and techno. the concept of the triptych is to explore the range within the confines of a particular limitation. this second ep sector ii: acid- shows an exercise in acid. similarly, the tb-303 may conjure certain knee-jerk reactions at a glance, but acid has the potential to cover a broader palette of emotion than one might initially expect. sector ii holds three squirming 303 sequences and the classic rhythmic drum programming of arrival, bad acid and i am matrix. rites on the other hand is more subtle and fluent, swinging with hazy acid flourishes and dynamic syncopation.

oakland-based dj/producer (100% silk / as you like it) teams up with fellow bay area fixtures cm-4 & jason kendig (honey soundsystem) for an ep of banging melodic tracks straddling the line between house & techno + a touch of acid.

after a first collaboration focusing on the city of angels, la legend john tejada and acid innovator tin man (johannes auvinen), this time brooding on the latters home city, and formers birthplace, vienna. the austrian capital is known as the city of music and the city of dreams, two broadly aligning concepts that go far in describing this beguiling 12-inch. the four songs were mixed down live to 2 tracks, created in the real world without a daw, or multi tracking, which has really captured the spirit of performance and improvisation. succeeding railjet, a tense drum workout, comes bim, referring to the colorful trams that run through vienna. here, auvinen sculpts his 303 into near-pizzicato form. the acid box is accompanied by stately pads making for one of the duo’s most memorable tracks yet. the next cut, danube nights, references the mighty, ancient river, the flow motion mirrored by a couple of widescreen acid lines. a pensive lead and some melancholy chords emerge, but the drums roll right along like the water- tough enough for a heaving floor with a hint of fragility for the headphones. the record concludes with the acidic prater allee, named after idyllic, sprawling park on the banks of the danube. the duos love letter to vienna is well-suited for travel, for the dance and for dreaming.

tin man drops a series of six twelve inches with some hot juicy liquid acid tracks in his welknown style.... hypnotic, trippy, ultra seductive and addictive tracks! hot stuff for these cold winter days!

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 2 of 6 limited releases by the tin man!!

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 3 of 6 limited releases by the tin man!! e1 undertow acid f1 drenched acid f2 oily acid

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 4 of 6 limited releases by the tin man!!

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 5 of 6 limited releases by the tin man!! i1 washing acid j1 diving acid

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 6 of 6 limited releases by the tin man!!

doubled with a social network and technology addiction, life tends to be each day more and more mechanical. bionic life in a static system reflect mattias feeling about this matter of fact. human will soon tend to be machined: automatically, resuming their feeling to a simple emoticon. mattia is giving us his vision of this near future with these 4 tracks, proposing us some atmospheric and melodic pads and robotic electro rhythms added to the finest futuristic acid lines.

hot on the heels of system of survivals latest album and exclusively on vinyl comes the d-votion ep to get physical music. the influential house duo present cuts from the album, d-votion and no time to waste,d-votion is laid out first a deep and groovy dancefloor track with low end grit and a funky swing it its step. a collaboration with salvatore stallone the track is very moving and nearly impossible to resist. no time to waste plays a hypnotically rhythmic synth over a steamy stage of sweaty percussion. next we turn to the brand new vinyl-exclusive acid house number phantom power for a heavy dose of midnight action. with a very technoid feel, the acids presence suspensefully builds a tension throughout while the bassline chugs the track further. next surfbit joins to present searching for a wave, another track featured on the album. this one shines more sun with warm synths, soft vocals and gentle melodies. the collaboration ends the ep on a warm note, a special sound for a special dancefloor moment.

lossless releases # 004, 005 & 006 all bundled up for one special price!

af is introducing echo 106 to the family and fans of analogue techno should investigate. the swiss duo debuts on analogical force after many fine releases on lux records, jamal moss co-op mathemathics and appearances on brokntoys or 030303. shifting multiverse ep is one of the strongest released by the schn

here it is, the 12th disc on hotline recordings, ringing off two wicked & wild dancefloor abstractions from none other than gantz.
tut-tut situation has been doing the rounds on dubplate for some time now, with the bandulu massive, commodo, etch and the likes giving this one big support from day one – we’ve seen dancefloors bruk out like a bunch of confused nutters to this one… it’s a certified soundsystem banger for wrong’uns.
on the flip, gantz comes with a new direction of style, dipping into the acid-drenched rave sound of the 90’s with his own set of information. rugged, distorted rhythms grind up against an infectious melody and love’d up vocals, once again, this is proper party gear for all twisted minds (and legs even).

los angeles based acid camp records launches now with its debut release, simics: corot-7b. the seattle-based artists full-length ep, features four original tracks along with a remix of the records single corot-7b by john tejada.

new 12 inch from the acid mercenaries. previous releases on the infamous panzerkreuz from the haque. 6 track and 5 locked grooves of uncompremised acid!

excellent repress action from this huge album !!! very rare

vinyl only release - slamming acid / techno monster

third wave of acid avengers, introducing this time umwelt and v_3.378.

love notes from brooklyn offers up this platter from a very exciting new brooklyn artist, subtenant. as it says on the tin, the artisanal acid ep is heavy on the 303 squelches and emotional content. each track has a unique pairing of soul and heavy acid funk. evergeen soul is the clear lead track here, using a female snippet to keep this otherwise tough little number dancefloor friendly. this track is then reworked by detroit underground darling, d marc cantu, who pitches things up into funky rave territory. the flip side sees the title track feature the most soulful chords on the entire record, and then on the b2 the artist himself takes to the mic on know how it feels. this whole ep feels live and direct from the brooklyn underground.

die -ground floor- 4-track-ep ist das erste neue n.o.w. material seit vier jahren und sein erstes dancefloor-offering seit über einer dekade. mit den vier neuen tracks offenbart george evelyn seine tiefe verwurzelung in der clubkultur und im detail in den bereichen dancefloor, footwork, house und ibiza-nightlife.

after the great ep -young and stupid-, ann clue & boris brejcha are back with their second single release -acid attack“. bringing back the classical 303 in one club banger and diving into a more deep melodic atmosphere in the second one called -roadtrip-.

we fade to grey / move any montain cover versions... fade to grey goes in a superb creative way to use vocodaz and finish with a bloody acid flyingaway trance feeling... b side goes techno, agressive and hard, dancefloor and powerfull screwdriver force !

after 20 years as a dj and several releases on labels just like anthony rother´s datapunk, dave clarke´s whitenoise or co-labs with gez varley from lfo, frank kusserow took a longer break from the active electronic music scene. in the meantime he produced tons of new tracks that result in his new and vinyl only imprint sprow recordings.

acidworx continue it s mysterious vinyl journeys and our long awaited acid9 is here ! this time we bring you two irresistible cuts of banging, acid driven techno on the a-side, an atmospheric acid journey on b1, and a funky acid tech dj tool on the b2.

gazel is one of those tunes that went viral from the very first minute. djs like baris k, ata or acid arab are still playin this tune since it was made in 2013. mehmet aslan and dario rohrbach finally managed to create with gazel this kind of tune that blows away every dance floor. the impact was not only on the dance floor. several threads on social media appeared with videos, desperately looking for the track id. but there were also the ones, that had to rip it of a set of baris k, so they can play it. the b-side goes definetly deeper when alma negra is able to make a tune you want to open your set. on this gem they combine northafrican folklore sounds with classic deephouse drumpatterns and trippy synths. fleeting wax has managed to put together some of the most promising artists of the hour, having dario rohrbach on board who is part of the alma negra collective and will hit this year with promising releases for example on yoruba. this release is going to find his way in many dj-bags and wont leave it so fast

nice price deal !!! ultraphat hypnotic groovin techhouse / acid house... incl chicken lips rmx

for that second split ep, we welcome again two young producers from the french scene. on your right, voiron, already seen on cracki records or rave or die, who composed for that ep two powerful tracks with devastating doom kicks. on your left, botine, who signs his first release with two -sensitive acid- tracks as he describes it himself.

after releasing one of lobster theremin’s biggest eps in the shape of “rules”, we’re please to finally see panthera krause back in the lobster den with a trippy, head-spinning white label of lucid house and acid.
drawing from a spectrum of electronic-island tropes blended with early 90’s rave, krause develops the chunky mpc-led sound of that first ep by adding layers of shimmer synth work, clanging piano samples, intergalactic acid processing and proper brain-churning drones from beyond the purple sea.

dave the drummer and marcello perri get together once again with 2 tracks of techno goodness.
in safe hands: this is a hard bass-driven industrial kick-drum groove which meets some carefully placed vocal loops and a piercing high synth shot which gives the track a distinct warehouse party vibe. this track is going to detonate those dance floors!
acid future: this is the first time a squelchy acid line has ever featured on a hydraulix release. a tough rumbling reverberated drumbeat, firing on all cylinders with a squelchy 303 sat on top. it’s even got a voice and some reversed bits of 303! what more could you ask for?