vancouvers indie-electronic duo humans announce their highly anticipated full-length album noontide set for release on february 24th, 2015 via hybridity music. comprised of producers robbie slade and peter ricq, the duos sound has been called infectious, smartly crafted, and a force live. produced by nik kozub (shout out out out out), noontide is a showcase of their innovative mix of heavy electronics with modern pop sensibilities. the album is carefully constructed, building upon the bands restless aesthetic experimentation.

jimi tenor has made an instrumental album mysterium magnum with the finnish national jazz orchestra, umo. umo is a professional 16 piece orchestra. specialized in jazz and contemporary rhythm music. throughout it s history umo has had a focus on finnish composers and has performed hundreds of compositions that were made especially for umo.

another neat aural object has been sighted on turntables lately dealing with listeners on dancefloors and at beyond typical event horizons. the moving groove of this vinyl always comes to you vibrating, moody and murky. caring for you in every moment and every located area.

over two decades ago, roland leesker would play and produce with artists that are legends today. slaving away with ricardo villalobos in his living room, creating loops with john selway at new york s satellite basement, working as a light jockey for joe jam and marc spoon, cooking the heat together with cajmere and ata at the wild pitch club, or running various record shops around the globe. since then, he’s invested much of his time, knowledge, heart and soul into electronic music to further the scene and support the art. now, he’s returned to the studio with his production partner philipp maier also known as sante to bring you a new instant classic, ‘my warehouse’ in a way, you could say ‘my warehouse’ has been in the making for 25 years. in that time roland leesker has studied the music, gathering inspiration from the sounds, people and experiences along the way and putting them all together to create his perfect sound. ‘my warehouse’ is a bass-laden house killer, with intense kicks and a gritty, in-your-face bassline.

aus music continue their expeditious release schedule and follow up records from dj t., youandewan and geeeman with another addition to the label from saints & sonnets boss michael dodman aka huxley. having released a slew of eps through aus as well his debut album blurred back october 2014, huxley returns with a cross-genre 12inch that demonstrates perfectly why hes remained a long term staple for the label. few artists have held their ground as well as huxley. across an acclaimed catalogue thats seen releases on hypercolour, 2020 vision and tsuba he has managed to astutely touch on many bases whilst constantly keeping his output fresh and relevant. now - 6 years since his breakthrough collaboration with ethyl on cecille numbers, huxley reaffirms his position at the top of the tree and presents his 2.0 ep: 4 prime-time cuts bursting with powerful drum work, charming vocal samples and tape driven synths all deftly arranged to do serious damage on the floor.

jah cure is one of the most influential reggae acts today, with hits in the real roots and caribbean pop formats. known for his iconic hooks and street-poet verses, his songs contrast gritty tales of urban struggle with sun-kissed romantic ballads. in the tradition of jamaican reggae, his stories bridge social commentary with uplifting hopefulness. there is playful spirit to his music that has endured the real life challenges of prison, probation and redemption. *the cure* is his seventh album and the fourth for vp records and presents the thoughts, feelings and contradictions of a true reggae artist. anticipation for the album is especially strong in jah cures touring markets where and in support of the release he will tour europe and south america in the summer of 2015. a music video for *made in california* will be serviced to terrestrial and online media outlets to support the album launch internationally.

since 2010, jackie house aka jacob sperber has been driving the a&r side of the san francisco dance-music troupe running the hnytrx label and producing remixes with other members under the honey name. putting label duties on hold in 2013 sperber cocooned into his music studio, entering as a brave brunette and exiting as an ambitious blonde. * stydive * is jackie s debut to wax and has as much house-party in it as it does warehouse 4am. with a vocal sample nod to punk s past, * stydive* pogo dances to dusty and stuttering live/analog drum rhythms and skips along a rude and infectious bass-line. bound to find lovers of all persuasions for its dub-esque qualities, instantly recognizable hook, and open relationship with house music, this tune begged to have it s own side. that said, there is always room for some matrixxman who takes stydive to a strobe lit south of market darkroom in his remix on the b. spurting erotic lazers around a cavernous kick, this tune finishes off even the most experienced edger.

the mekanism s vinyl only label worx gets it second outing courtesy of tijn, a uk born rising star of house music. his music is straight on point house that has addictive qualities has won vinyl fans over with his recent eps on his own haus wax and 124 black. here he offers 3 club cuts plus a jacking remix from house of warez of the lead track 9090. house of the highest order.

collectors item! one side high quality black vinyl and other side picture disc. very unique. figure continues its new limited edition hybrid disc x.5 series with a special 2 track offering from johannes heil. >kykeon i< represents an unabashed, smiles-abound floor-filler with one of heil s most joyful and accessible productions to date. a perfect heady cocktail of slamming 90s drums and uplifting housestab melodies, the german producer has really struck a chord here with this future club-classic. the spaced out stepping beats of >kykeon ii< then, sit in welcome contrast to the all out madness of its bigger brother. subtle, intelligent techno formations rise and swell, based around a similar melodic framework to that found in part i. another masterclass from one of the most talented producers in the business.

special warehouse find original pressing. only 160 units available. classic and essential killer record from mikael stavostrand. played by ricardo villalobos, dixon, raresh ... lick my deck is run by shaun soomro and matt jolley. pushing boundaries and developing the sound, a label focused on releasing intelligent and provocative electronic music. die a little starts of with a groove that wont let you go building into 4/4 drive, katous vocals set off the track with a real warmth but with a dark edge behind them. dark eyes has a sexy dirty feel to it. a thrusting bass line and obsessive vocals that hypnotize you into a deeper engagement

over the past years bézier has seen releases under the dark entries record imprint with the most recent telomeres ep this year. the title track &#30342,,,, or pronounced * mina* translates from japanese to * everyone*. mina is a journey through space with the initial ascent marked by a moody window of time in which uncertainty dominates the mindset of the passengers. once they break through the atmosphere and are proceeding as planned they land on the final destination, an interplanetary discotheque. mina was recorded this year with mark pistel on the helms for mixing and features sf drummer kevin woodruff of tussle fame providing live drumming for the last portion of the track. along with the title track the b-side includes tracks previously released on compilations but appear here for maximum record playing enjoyment. * serengeti drive* which appeared on honey soundsystems earlier hnytrx compilation of queer dancefloor artists is the slow burner of the group. * mysteries of the deep* which appeared in the jacktone cassette compilation of bay area electronic stars is the soundtrack to an underwater expedition. both tracks were recorded, produced and mixed by robert in his home sf studio in 2009.

back by public demand.. this nyc label has pressed a limited run of these 2 classic cuts on 100% virgin black vinyl, comes in a manila sleeve with large centre hole.

the a&r edits return with a double-header from hot digits head honcho fingerman. the brighton producer grew up listening to his parents enviable steely dan record collection and for his comeback outing on a&r has retouched the de la soul-sampled classic, peg. a tight circle of djs have road tested this rework over recent times and we ve been inundated with requests for its release. in 1970, new york session drummer bill curtis merged the fatback jazz beat of new orleans into a street funk band and signed his outfit to perception records. over the next decade, they incorporated jazz and disco into their signature funk style, before moving in an r&b direction in the 80s. during this period, american pop success proved elusive, but the group made regular appearances in the uk singles chart, hitting the top twenty three times with (are you ready) do the bus stop , (do the) spanish hustle and i found lovin it s the latter, an anthem on the uk black music scene in 1984, that has been served up here by fingerman, a staple at his casablanca jazz club residency in brighton and now available on wax for the first time.

alex niggemann s aeon label mirrors the peak time djs sets that the supremely talented berliner plays, staying focused on conjuring up the spirit of classic and timeless house and techno, updating it and cre- ating new boundless possibilities for the future. since launching the label in 2013 alex has been gradually building a family of like-minded creative individuals to keep the aeon ethos moving ever forward.

first vinyl of the fresh new label pantruche, this label has been created to extend the musical ressources of the label d.ko records, heart of the parisian young generation of producers and djs. this various artist presents new comers as pieuvres, bad rey & mézigue with the participation of tin man on « villettion acid ». detroit inspiration, parisian determination.

die kooperation zwischen roedelius und müller entstand nach einer gemeinsamen konzertreihe 2012 in paris - mit weitgehend improvisierten auftritten. entstanden ist nun mit *imagori* ein album, das dem bisherigen werk beider musiker ein völlig neues kapitel hinzufügt. das album erscheint auf pink transparentem vinyl.

constantly turning around itself, the winding melody of vertere turns outward and inward at the same time, bringing the listener on a journey outward while mirroring a simultaneous labyrinthine journey inward. like the word itself, vertere, with its roots in the latin word verto (which itself takes its roots in the earlier sanskrit word, vartayati) it signifies the very nature of change itself. it means both to turn and reflect inward and yet also move forward — a call to action for setting in motion new things. a paradox at first glance but also perhaps a surprisingly accurate description of the destructive and reconstructive nature of creation. an apt metaphor for this bright new collaboration between established life and death artists mind against and the new artist project of federico maccherone, aka somne. on remix duties, when you have an artist of the caliber of tobias freund, you don t need to ask for anything more and with his outstanding remix of vertere he very clearly shows why. this long time mainstay of the electronic music scene has managed to stay not just relevant but on the cutting edge longer than most with respected releases on some of the most seminal imprints to be putting out music in the world of underground dance music. with vertere he takes what s already top quality material and somehow manages to turn it inward and in his own unique way elevate it to another level entirely. with a relentless beat and a sonic force that is hard to describe with mere words the tobias. remix of vertere comes out of the gate like a runaway machine rapturously drunk on its own self awareness. it marches ever forward, full of fervor, and will surely be driving dance floors both large and small to the euphoric edge of the ecstatic state.

f.s. blumm aka frank schültge from berlin has been making marvelous music for many years now. be it solo like on his latest album (pingipung in 2013) as part of the subtle folk-duo -bobby & blumm- or as a sound- scape researcher at the side of nils frahm. but even though f.s. blummbastic sees the light of day for the very first time in this release, the combina- tion of dub and blumm is not new: he is part of the quasi dub development (qdd). the collective around blumm and luca fadda from new york recently released the album -little-twister vs stiff-neck- with features by lee scratch perry or lady ann on pingipung in 2014. these -riddims and biscuits- came to live during the creation of material for future qdd-concerts. f.s. blummbastic played all instruments himself, rhythm guitar, organ and of course bass to send the results the the colleagues in new york. soon it was clear: these riddims have the most impact in their reduced form. theyd like to stand alone and get played back loudly. for the drums f.s. blummbastic brought helmut erler aka hey from hey-Ø-hansen into the qdd cosmos. not only did he bang the drums, but he has also mixed, mastered and cut the vinyl of this album.

founded way back in 91, z records have since amassed a lauded and plentiful collection of singles, albums and compilations. run by dave lee aka joey negro, the label has enjoyed success through his unique ability to foster the principles of underground dance music whilst also remaining mindful of commercial appeal. through various compilations, mr lee has consistently delved deep into the heart of a specific genre or era and selecting a lesser-known series of tracks that give a real insight into the spirit and energy that made that point in time special. whether it’s been gogo, brit funk, boogie, italo house or straight up disco, he has mined deep into his extensive bank of influences and also enlisted the help of some of his most clued-up comrades in offering some unforgettable collections of classics. next up - he pulls together a collection of his favourite moments across a definitive decade for house and garage: the 90’s.

san jose native (now berlin based) lady blacktronika aka akua marcelle grant is the latest edition to the meda fury family - described by resident advisor as the first lady of deep house, her slow but steady rise has resulted from a slew of smoky, beatdown inflected workouts, topped with her sultry vocals, and infused with a sense of her personal struggles and hardships.

already played by ricardo villalobos, raresh, baaz, dj sneak, djebali, ame, ....
home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep released upfront on vinyl-only terms and produced exclusively on analogue equipment. home invasion continue his quest this time with 3 new tracks freshly made last month by franck roger.. exploring some more funky stuff on the -the drift-, a track that will be pressed full side 45 rpm on the wax to get the maximum dynamic as possible, a sure shot killer for this summers gigs. on the b side we got a purely kind of detroit deep vibe on -why- and -bankal- is here to close the ep in a more abstract-ishhhh way... we really hope that you will enjoy this new one

founded way back in 91, z records have since amassed a lauded and plentiful collection of singles, albums and compilations. run by dave lee aka joey negro, the label has enjoyed success through his unique ability to foster the principles of underground dance music whilst also remaining mindful of commercial appeal. through various compilations, mr lee has consistently delved deep into the heart of a specific genre or era and selecting a lesser-known series of tracks that give a real insight into the spirit and energy that made that point in time special. whether it’s been gogo, brit funk, boogie, italo house or straight up disco, he has mined deep into his extensive bank of influences and also enlisted the help of some of his most clued-up comrades in offering some unforgettable collections of classics. next up - he pulls together a collection of his favourite moments across a definitive decade for house and garage: the 90’s.

we welcome back subjected for his debut ep on sleaze records! the berlin based artist has been on fine form of late, releasing on esteemed techno labels like electric deluxe, polegroup and of course his own vault series imprint. this is subjected at his best, featuring 3 quality original tracks and a great remix by new scottish talent deepbass.

set to smash the summer and beyond, mele debuts his single, ambience on redlights highly acclaimed label, lobster boy records. soaring with a soulful vocal and an indelible drum groove, that takes us on a journey through house and carnival heritage, splicing in his trademark sound. with a residency on the diplo and friends, radio 1 show and support for the track from gorgon city, disclosure, tiga, jackmaster, skream, redlight and annie mac, mele has created a soon-to-be sought after dance formula, and exercised the production of a track that cannot fail to make people move

a renowned producer from the barcelona scene, pedro vian has taken a significant step forward in his career with the creation of modern obscure music. from this platform he is able to shape his vision of today’s electronica, releasing material from likeminded artists while creating his own sound, combining silky dance rhythms with an experimental approach and dark atmospheres. so far vian has collaborated with artists like alex trochut, ital, hieroglyphic being, sunny graves and federico sancho, among others. pedro vian is the new alter ego for pettre, who has already released tracks on hivern and for several years was one half of the duo aster, the exciting project whose house music still echoes in the eardrums of its fans. this time pedro vian presents black toms ep, a new release accompanied with inga copeland and pye corner audio reinterpretations. the publication of this record will be in mid june. cover photographs by adria cañameras

in 1997 the vienna, austria based live act syncmode was founded and formed by bernd rausch & sascha sadat guscheh. their first 2 eps were self released between 2001–2003 and continue to play an important role in their reclusive production ethic. they continue collaborations with a close knit operation between 24seven and breakin stevens, which has directly triggered them to surpass the common duo and develop into a collective of changing members, which include the latest fixed members christof winkler and sonny blake. this ep is stripped down to a mix of live synthesis and heady synth-sync and machine drum trickery as it touches on past and future electronic music production techniques and solidifies these four tracks on a solid 12&#8243, vinyl. very rare and limited! due-out-in-summer-2015!

rushin is an artist who has the cool confidence and patience to let ideas slowly simmer, and knows that this simmering process is essential for his distinct sonic seasonings to truly and positively affect the body and mind.

the exotic * sombra india* gets to works with slick guitar licks and a driving beat, enhanced with powerful and captivating vocals from eduardo castillo. already a firm favourite of damain lazarus and luciano, this has been getting a huge response on dance floors this summer. on the flip and the cut-up afro-house * sanura* is highly exotic driving monster of a tune, no messing around, straight to the dance floor!
german native sis shot into the limelight in 2008 with releases on cecille and ricardo villalobos label * sei es drum*, which up until that point had only showcased ricardos own productions. no stranger to the crosstown rebels catalogue, he delivered the first ever rebellion release and then later the * round pen ep* on crosstown rebels in the summer of 2012 and the more recent * slider* on rebellion. other productions have appeared on esteemed labels such as cocoon, 8bit, connaisseur, get physical, with a more recent album on cocolino.

carl finlow could be regarded as one of the cornerstones of not only 20/20 vision, but also of british electronic music. his boundary pushing, electro-tinged productions under the random factor alias make for essential 20/20 listening, as does his work as 1/4 of 2020soundsystem. while this year has been about looking to the future of the label, we also felt it was important that we looked deep into our history and revisited one of our all time classic records: random factor – broken mirror. on the a side carl has prepared a new ‘revisted’ version for this release and this is accompanied by the original version from 1999. for the remixer we thought long and hard about someone we felt would be suitable. someone with pedigree in the electro scene, who would feel as passionate as we do about making this release something truly special. there was only really one person we wanted and luckily when we contacted legowelt he was a big fan of the original track and was super keen to get onboard the project. we hope you enjoy these two pioneers of the electro scene going head to head x

hugo frederick has been bubbling under the surface of melbournes incredibly strong electronic scene for years. now its his turn to suit up for an immense 12inch on plastic world full of euphoria and pianos. soaring on an intricate combination of whirling ambient undercurrents, classic 90s house pianos and a deep understanding of house music and the groove that exists within it, hugo fredericks debut ep skin is truly something to behold.

special repress , after the huge * lucky star ship * 12 inch from moon man, anotherday return with their third release. a track that will forever go down in chicago house history - * fear tha world * by unsung chicago hero houz mon is credited as being the first ever ghetto house track. originally released in 1993 on beat boys, and despite an awful pressing quality, the original release the has been selling on discogs between £50 and £90 due to its painfully limited pressing. ripped from the original dat, we would like to present * fear * for the first time on vinyl in 21 years - and the first time ever on beautiful virgin vinyl!

repress !!! since launching in early 2014, the hong kong-based homesick series an offshoot of cliche records has provided disco djs with some of the strongest edits of recent times reverential but floor-friendly reworks that get the right balance between re-mastered original parts and house-friendly additional beats. this third volume comes from borrowed identity, a house producer whose edits and productions have appeared on an impressive list of labels. these four reworks are predictably tidy, soulful and groovy, with familiar disco and soul staples being given loose but heavy rearrangements. picking highlights is tough given the high quality threshold, but we re particularly taken with the vibraphone-laden party shuffle of run run run- and lowslung afro-disco strut of you cant change a man-

180 gr , vinyl only , remixes from odd & radiq
tvir is a vinyl only label based in ukraine. translated from ukrainian tvir means composition. our second release comes from two moscow based musicians. victor lihonosov (rabotnic) is the owner of antrakt label, resident of rodnya club and kirill silantyev (sil) is more known for his work in the duo easy changes. this first collaboration of these talented artists brings us the real minimal techno music vibe. the two originals tracks showcase a clear yet peculiar sound. first remix on a side from odd boys danny and damian has a deep and strong melody coupled with some smooth bass lines. radiq aka yoshihiro hanno showcases his talent in the second remix on b side featuring some traditional japan minimal sounding. those who appreciate true quality techno won t be disappointed. the artwork for the ep is inspired by ukrainian folklore influences.

shadeleaf drop their eighth release in what is now established as essential catalogue ! joseph caserta (now known simply as caserta) is a multifaceted dj & producer based out of boston, massachusetts, who has worked with razor n tape, soul clap records, midnight riot, bbe, and kon s star time imprint. ricky is a little slice of traditional est coast, soundsystem house - a simplistic but textured workout aimed squarely at the floor, with it s lascivious narration and repetitive hook the jeep mix harks back to those 90 s b2 beats mixes on the big apple s prodigious hip hop output... digging royalty and a bona-fide master of the art of the re-edit kon handles the first of the b side re-rubs stripping things back a little and letting the bump and hustle ride to an altogether more hypnotising and atmospheric destination finally label boss that man monkz adds more than a little sheffield grit to proceedings, amping the rhythm section and laying out a deadly bass line... another shadeleaf sureshot !

daniel.t. has been subtly making waves over the past few years as one half of the la duo cosmic kids with releases on labels including throne of blood, let s play house and dfa. a record collector and selector at heart, 2015 has seen him flesh out his solo productions with world-leaning contributions to chit chat s brazilian tinged 12 and american standard s african summer stunner. young adults brings daniel into the fold for his debut tetrachromat mini-lp spanning a sprawling spectrum of sounds, but unified by a signature west-coast sheen. opener mission hill morning stretches its arms in the early am mist, tetrachromat jogs steadily toward the horizon and planetesimal accelerates the mph in the drop top down pch. on the flip, laced takes a smoke break down a dusty dirt road, akoussah sprinkles some sultry spice and the sun & the sky sits back while the sea sips up the last remaining daylight.

for it’s 16th (!!!) release, dixon avenue basement jams continues to bolster it’s local infantry with fresh, new blood, this time with the addition of a young but well-seasoned individual hailing from the hinterland of greater glasgow and going by the name of big miz. if you happen to live within an 8 mile radius of a blue lagoon, the chances are you will have already been acquainted with the bold miz, most likely through the longstanding and legendary clubnight/crew he’s a resident & founding member of: offbeat. the length & breadth of offbeat’s tastes also reflects his flexibility as a producer. tracks presented here, such as “good thing” strike a fine balance between good ol’ motor city funk and chi-town oddities such as vincent floyd’s more obscure cuts on d.m, while the velocity increasing “solange” comes like the result of a three-day theo studio session fuelled by bad speed. his talent for catering to the dance has clearly paid dividends when it comes to his productions, with the nuance and instinctive touch he presents us with on his debut dabj 12” clearly marking him from the start line as an already formidable & stand-out force in the heady and increasingly cramped world of house & techno.

why does my mind circle around you? why do planets wonder what it would be like to be you? this time vakula explores the universe of the man who was searching for a world where there were women and children obeying the moon but faced the reality with its wisdom, and fever, and sickness. and faced it too soon. the music and voices are all around us. choose, the croon, the ancient ones. the time has come again . the album is vakula s thoughts in time and out of season dedicated to morrison, the poet, the musician, the soft mad child, the great man. enter again the sweet forest, enter the hot dream, come with us. everything is broken up and dances*

new to the stay underground it pays gang, the eighth release on the label comes from none other than octo octa! you know him from his prolific run on 100% silk, and more recently for his ep on gerd jansons running back label at the top of the year. the man from brooklyn serves up 4 slices of that u.s. experimental house sound we love so much. on the a side, we have two versions of octo octa’s melancholic title track, requiem for the body. both as good as the other, it’s gonna be split for a lot of listeners on which is better. while both versions share certain elements, the second plays down the long keys of the first versions in favour of some stabby chord patterns. either way, proper 4 a.m. business!on the flip, we get a bit more ethereal with times two (loose version). simple yet effective, this one has a lot of atmosphere with those delayed vocal cuts over that late 80s bassline. closing out the record is when home. this one is a bit of a stomper at first until it brings in the lighter synth elements halfway through. someone, somewhere will have an epiphany listening to this track. if its you reading this, send in the results on the back of a postcard. all in all, another killer release that feels straight at home in the stay underground it pays catalogue

already featuring on two earlier prrukblk samplers and on the digital imprint, it was just a matter of time for his 12 inch solo-debut to come, von grall presents his *no contact ep* on the planet rhythm black imprint. the paris-based producer has been pushing forward his characteristic deep & atmospheric sound over the past two years and has proven to be one of the strong upcoming forces of the label. next to the great claudio prc remix on the a-side, the release features three original tracks ranging from the dancefloor-driven *quadratic* to the trippy *no contact* and even deeper into dark atmospheric sounds on *molecular collison* - making this ep another strong addition to the prrukblk catalog!

dropping ahead of the release of tim deluxes new studio lp the radicle, love is is the next single taken from the album, presented here in its original form as well as an additional dub version. a jazz-fueled, bluesy masterpiece with a heart wrenching vocal sublime live instrumentation and incredible production values, love is demonstrates just how far tim deluxe has come as an artist, and is indicative of the quality of the album as a whole.

two essential slices of top notch 70s soul from classic lp ‘hutson ii’ two essential sides from one of my favourite 70s vocalists, leroy hutson. his album hutson ii has never been out my dj bag in 20 years, im on my third copy. for the a side

boogiefuturo presents another essential edits disc, ransacking the record boxes for those trippy disco oddities, crucial boogie joints and new-wave gems, to be given the once over by a trusted master of ceremonies. justin van der volgen has always delivered the goods, be it his edit work for labels like golf channel or eric duncan’s keep it cheap label, or his truly special dj sets, and on bf005, the brooklyn based maestro gets suitably hallucinatory with his brace of edits here. two vocal cuts, steeped in that decadent 80s production flair and bombastic groove, grandiose songs for heroes, saints & sinners, edited with love by one of the scene’s most respected aficionados.

repress 2015 ... with dubsteps big push into the mainstream, stirring up all manner of hybrids, variants and mutations, its worth remembering that some have been creating fresh twists on the current generation of global bass music from its very inception. paul rose, aka scuba, and his hotflush label have, since 2003, had experimentation and genre-collision etched into the very structures of everything they do. putting out key tunes by the core pioneers of dubstep, but also by true outliers like mount kimbie, joy orbison and sepalcure, hotflush has created a sense of absolute consistence in diversity: multiple sounds united by true craftsmanship and high-tech expression of complex emotion. joining the uk underground to the deep-rooted techno culture of berlin, where rose is now resident, the label is a vital nexus in the flow of musical information that is fuelling the current innovative climate. so next time you hear someone talking about >post<- this or >future<- that, consider that maybe the times are just catching up with hotflush. back and 4th features ten brand new tracks from bass musics most innovative producers, as well as a collection of essentials from hotflushs recent catalogue. the compilation is presented in double-cd and as a triple 12 inch vinyl release.

that man is sabb, a tech house producer from kosovo who has eight plus years of experience of turning out infectious club tracks. he has done so on labels like noir and saved, and here serves up a great single that comes with remixes by dennis ferrer and detlef.

180 gr vinyl... jose padilla s so many colours has been one of the albums of the year for many. the remix package for lollipop features luscious remixes from i:cube, dream2science and a special 12 inch version from original producer telephones.

dig deep in the house underground and discover diamonds like steven wobblejay! well known for his partnership with pablo valentino as creative swing alliance (wolf music, faces, tsuba a.o.), steve has also a lot to offer solo. its raw, funky and techy, its a shake your tingz sound, its all in there! thats what we love about his sound. so we put it on wax. simple as that. shake your tingz! we do, we do!

jordan peak fits the instinkt brand like a glove. this grenade of a release has concrete boots that will be smashing holes in dance floors for months to come. ‘drums for days’ is the most powerful release on this label to date with two tracks combing some stunning drum programming and the trippiest vocal hook you’ll hear this year. new-school house with just the right amount of nostalgia done in the classy way only jordan peak is capable of.

the first release of full pupp slipts, a new kind in our lovely fpinternasjonal smaland has finally arrived. weve set up this little offshoot basically to let tracks by separate artists carpool together instead of waiting for each artist to finish off a full ep. the finished tracks will(at least in theory)end up quicker in your record bag and youll get a cool combo of tracks for each release. for the first release youll get full pupp regular blackbelt andersen serving up the much requested dolphin sandwich and on the flip debutante and full pupp prospect christian enghs gives you kyllingsmak.

metereze keeps a steady path of releases and this time around it is young star vincent iulian who picks up the ball and delivers four astounding tracks on his four quarters ep. also a native of bacau like dubtil and raresh among others vincent has already released on labels like naural or moment.
started is probably the grooviest of them all and for sure youve heard it before if you’ve been attending the right parties. breaking the boundries between techno and house this is a true masterpiece. on the same side he also shows a more relaxed atmosphere filled with jazzy percussions and easy synths. stors kinda makes you stop and dream for a while.
first on side b we have another dancefloor monster. no more is is driven by a hypnotic synth and infused with enough drums to keep you on the move for the whole 7 minutes. le van a cantar keeps the catchy driving mood but this time iulian explores a more broken path. bubbly voices, snares and a haunted synth emerging now and then make this corner as interesting as the rest.
four quarters is a must have for any serious collector. not to mention if you are a dj.