are you deep in tha groove? amazing bouncing and groovin 4 tracker. after the successful volume 1 eyepatch is back with an ass shacking and rhythm hunting vinyl.

two essential techno players. the bek audio imprint hits double figures on this release, showcasing label-boss gary beck while also welcoming the sounds of mark reeve. mark reeve has made appearances on labels like soma, cocoon & traum and is an artist that gary has been supporting in many of his recent dj sets. gary beck sets the pace with >ars poetica<, the rugged opening track on this release. rasping off-beat bass and unnerving vocal samples join toughened drums and percussion to create a full-bodied fix. on the flip, mark reeve makes his first appearance on bek audio with his >fabula< track. a clean, smooth and grooving lesson in restrained and delicate production, fabula utilises icy cold atmospheres with warm and unwavering rhythm.

marco bernardi is back on clone royal oak with a beautiful three track ep! tracks that are a nice blend of his roots in glasgow and detroit techno stirred into a nice personal outing that show his talents. the ep features slowly building tracks that keep the tension high with bernardis trademark melodies layered over basic house rhythms with a raw edge. the beauty and magic of electronic dance music captured by marco bernardi!

by 1982 new wave angry-man joe jackson had already broadened his attentions to a more diverse sound. >night and day< is a tribute to the tin pan alley style songwriting of cole porter and george gershwin, both early heroes of the english singer.
with more emphasis on keys & percussion than his earlier work, >night and day< became a hybrid of latin rhythms and jazzy horns & pianos, with stylish synths & splashy pop that perfectly reflects the new york of the early 80s. riding on the single >steppin out<, for which he was nominated for a grammy, the album crept to the number 4 position on the american and number 3 in the british charts, and eventually went gold. this is the first vinyl edition since 1985!
pressing on 180 grams audiophile vinyl, comes in gatefold sleeve.

russian house queen nina kraviz executed a mass seduction with her deep and sexy, spaced out debut lp on rekids earlier this year. now the label drops the single aus featuring a trio of stirring remixes by legends dj qu, the rhythm odyssey and of course, matthew edwards aka radio slave.

the moritz von oswald trio operates at the bleeding edges where musical lineages collide. feeling for the shared heartbeat that pulses through dub, techno and jazz, it seeks out points of contact before exploding them outward into hypnotic explorations of rhythm, texture and tone. after two previous studio albums and one live album through honest jons, the trio - moritz von oswald, max loderbauer (nsi / sun electric) and sasu ripatti (vladislav delay / luomo) - returns with fetch, their most fully-realized voyage yet into these in-between worlds.

part 2/2! mit beginn der warmen jahreszeiten melden sich auch die jungs von simple as that records zurück. anlaesslich ihres 10. release jubilaeums lassen sie mit neuem design den fruehling einkehren. melodische rhythmen bringen nicht nur die knospen zum sprießen, sondern wecken auch die letzten tanzwuetigen aus dem winterschlaf. wie auch schon in den neun vorherigen releases, geben auch hier wieder freunde ihre stuecken zum besten. welch erfreulicher zuwachs der satr familie. auf die naechsten 10! vielen dank ihr banausen! >es ist fruehling. wunderbar. nicht mehr lang und der sommer ist da.<

this third outing expands further the mosso musical range, presenting alejandro mosso in some of his most rhythmic and yet, dreamiest atmospheres. unlike mosso002, which got the producer to hunt in his forgotten documents, both airs present on this record have been impetuously developed over the last few months. on the a-side, pleamar is a driving number which boots with a hypnotic metallophone pattern, slowly giving way into a electro (rga)nic piano fest, which in turn twists itself into bent, crushed and perverted synth whistles. this a-side has been designed keeping the lower half of the body in mind, offering full waves of joy and jubilation! now that you are grounded enough, how about flipping that record and meeting us on bajamar - low tide, litterally. on the shores of this b-side is where a wonderful landscape of shimmering spray and glistening stars await you. here again alejandros ability to bring together biotic and mechanic in a homogeneous unity is best revealed. in a magical tour de force, bajamar sends tingles from the base of your heels, up and all along your spine, into your crown, triggering instant wonder, reveries and realisations.

nach touren rund um den globus kehrten eleanore und jason zurück in ihr abgedunkeltes studio und arbeiteten an dem hypnotisierendem nachfolger zu ihrem beeindruckenden debüt. >red night< wirkt wie eine meditation über trennung und wiederfindung, über fast verloren gegangene liebe und die lang nacht zu ihr zurück. der thith sound vermählt furchtlos minimalismus und abstraktion mit grossartigen melodien. eindringliche stringarrangements werden von treibenden rhythmen und eleanores faszinierender stimme überrannt. >red night< ist ein trip durch die schwarze grossstadtnacht, in der zeit sich dehnt, geschwindigkeit bricht, und gitarren in donner und herzklopfen eintauchen, bei immer intensiver werdenden vocals, je länger die nacht dauert. nach jüngsten auftritten mit odd future und kid cudi, mit den yeah yeah yeahs, james murphy und squarepusher werden thith jetzt auch bei uns ihr neues album ausgiebig live präsentieren!

mit seinem longplay-debüt tritt der produzent und sänger aus sacramento endlich mal selbst ins licht der Öffentlichkeit. als mitmusiker von zach hill, techniker und co-produzent der dirty projectors und gitarrist für marnie stern stand raleigh moncrief stets in der zweiten reihe, auf >watered lawn< rückt er ganz nach vorn. selbst gemachter elektronik-soul, sich vortastende psychedelic, das ganze im steten wechselspiel aus hell und dunkel und folkig intim vorgetragen. dabei schmiegt sich moncriefs herzschmerziger falsett an westafrikanische gitarren, synthie-effekte und verhallte beats. aus melodien werden rhythmen, aus moll wird dur, aus r&b grunge. und manchmal klingt es wie ein in acetat getauchtes stück von panda bear.
limitiert auf 1000 kopien, inklusive mp3-downloadcode

counter pulse stays substantial to the underground model & presents a mysterious alias by the scandinavian artist lodbrok. in contrast to other vinyl labels today counter pulse show no agenda to pick up the current trends and safe-name remixers to gain quick sales. feukt call ep is precisely all that in a nicely shaped up four tracker release including a remix by henning baer from sonic groove, plus a remix from and from black sun records. ponderous irregular rhythms with a focus on erosion & intense hi-hat patterns with cautiously arranged stabs is what this ep is all about.

julien bracht kommt aus frankfurt am main und hat vor kurzem begonnen seine ersten produktionen zu veröffentlichen. seit frühester kindheit interessiert er sich jedoch für drums und live percussion und wenn man eines seiner live sets verfolgt wird man schnell merken, dass er diese fähigkeiten auch gekonnt nutzt indem er eine bandbreite verschiedener live drums in seine live sets integriert. die a seite >taiko< sorgte auf der timewarp im märz bereits für einigen trubel und wir sind sicher, dass man von julien in zukunft noch einiges an spannenden sounds und rhythmen hören wird. watch out

energy loaded raw techno anthems. kawl them bombs! next installment of the killer kawl series by lee holman brings four menacing tracks of dark edgytechno. kawl 4.0 opens the ep with a looping percussion piece which builds and builds with concussive intent. 4.1 continues with a solid groove, rasping synth stabs and a grotty industrial technoid bassline to devestating effect. kawl 4.2 takes a different route and rhythmically changes direction back and forth, intensifying with precision as the track meanders through to conclusion. the final track of the ep is 4.3, a deeper affair with bursts of white noise, a murky bassline and an emotive hypnotic lead line captivating its way to stunning completion.

full pupp helps another new outfit into the saddle. even though esteemed norwegian dj ole martin vilberg aka omar v and robin craaford, one half of dance disorder with baby g (bpitch, eskimo) are hardly young guns, they gang up together for the first time on complete: a blinding cut that harks back to the time with good ol jack was still the young buck and closely associated with uncle electro funk: tough beats, hyperactive claps, a jittering bass and a catchy, squeaking melody are still rattling bones if masterfully pieced together as it is done here. the guy most closely related to the italo sound out of the whole norwegian disco bunch chucks the more intricate original rhythm but goes hypertechnicolor and widescreen on the synth parts boosting up the originals melody, throwing in a nod to happy station and a hi-energy bassline.

coming up on claap we welcome a new name on the label.bodj is an upcoming producer from athens (gr).a fresh face in the scene, bodj has already had a couple of releases under his belt and caused some serious heat with his blisters ep back in 2010!every day is an easy and very classy house cut. quite emotive with flowing rhythm patterns,it is an ode to every day lovin!on the remix duties,these days afficionado and man of the moment argy takes the track into a sweatier territory with his nyc dub mix.while, the love mix explores a more romantic side of the original track.label head gummihz rounds up the package with a bubbly night fever mix.a filtered disco house take,reminiscent of french house in the late 90s.top tip!

just be, formerly known as bushwacka! drops second base on get physical this month. a collection of percussion heavy soundscapes to entertain your thoughts as the night turns to day. hold on, wait a minute is a heavy track for heavy dance sessions in the late night dark places we love to frequent. just be provides the perfect sound to company us on our journey into the vibe as it opens itself and displays its mechanical insides. an edgy percussive rhythm dominates second base, the second track of the ep, in its opening moments leading us deep into a forest of sound. theyre not playing games here, this is the deep night. touch me is a percussive wonder from rainsticks to bongos an organic feeling floats throughout. the bassline pushes on unwaivering and determined to move you to your feet in any situation.

comeme means a body that gives itself away. everynow and then worldwide heralds of the loony beats, ritmo lunatics and self-styled electronic primitives join in for a nightlife fiction to become reality. this collective fantasy, utterly devoted to the dark side of the mirror ball, keeps a certain wanderlust. so, if you happen to have your globe at hand, let us twist the ball around and spotlight the places of comeme, episode 15.

original senegalese mbalax music produced by mark ernestus, incl. instrumental versions.

we think everything we release on frijsfo is fresh. at the same time we believe it doesnt hurt to stay in touch with your roots, which is something buzzin10 does in a fascinating way. we cant tell you much about this young producer from east london, a publicity-shy individual whose music we first heard thanks to his older brother. but we do know he pieces together rhythms by sampling fragments from old tape packs – mainly garage nations late 90s recordings of some of the best djs of all time, including dj ez, karl tuff enuff brown, dj luck & mc neat, and ray hurley.
dj support so far comes from sully, desto, oslek, warlock, kingthing, resketch, rk and ltf (wifey ldn), cardopusher, valta, dusk & blackdown

brill smoothin / soulful deep / disco house

following the war cry of their fi rst single >speeddance<,reptile youth return with another sublime 7inch for hfn music.the second single taken from their upcoming album >black swan born white< sees the youth expand their sound towards a grandiose post-punk pop. already a live favourite at their increasingly intense gigs, mads damsgaard kristiansen vocals soar above the funk-driven robo-rhythm, while an instantly addictive melody references their newwave roots.on the b side, londons futuristic psychedelic no-wavers s.c.u.m provide a remix that drenches the vocals in waves of reverb and suspense, before the track explodes into a churning power riff.

bodi bill - what remixes (apparat & thomalla) in 2011, there was no way to get around bodi bill - and it will continue in 2012. right on time for summer, the band releases two exciting remixes of their hit-single what on their own label krakatau. luminary apparat and young talent thomalla have chosen the smoothest and breeziest track of the album to rework it with verve and experimentiveness. the tracks differ considerably, and yet there are parallels between both artists: they share a vision, an affinity for progressiveness and audible enthusiasm in each track. apparat - who released his very successful album the devils walk in 2011 - breathes autumnal coolness and depth into this summery number.the result is thrilling, unexpected and spine-tingling. thomalla also rejects construction kit primetime-techno and shows his remarkable talent in two very unlike versions of what. with his overwhelming desire to experiment and discover, he created tracks to dance to, that move beyond the typical minimum radius. this record gathers pop and electronic avant-garde: the record-label and artists wanted to fathom the boundaries of rhythmics and harmony - and they clearly succeeded. here, two exceptional musicians show their vision of electronic dance music, enthralling, fascinating and exciting!

praterei might not be the most prolific of labels, but the quality is always way above the quantity. the fourth release on the viennese imprint comes from local boys done good the new tower generation, with a heady two track offering that fits right in with the labels ethos of focusing on the essence of house. the amusing titled >horny goat weed< is a perm twisting delight, with the grainy string sample remoulded to align with the loose jacking rhythms and rave indebted keys. >trembolon< finds the new tower generation in an altogether mellower mood, building with poise from its sonorous beginnings to a glorious mid point crescendo of rising synth lines.

producer, dj and post-production engineer stepan chernov (aka kammerton) can safely be named a musical multitalent. stepan has pianist and kapellmeister degrees and already collaborated with numerous live bands and projects. his serpentine ep is a fresh breath of detroit influenced house with spacious dub synthlines and mesmerizing groove. the title tune >serpentine< is a slow burner and sets the tone for the record with dreamy synth progressions, discreetly jazzy keys, squelched chords and solid 4/4 rhythm. while >mistress < is an intuitively constructed dub-house killer, the kind of ever-morphing detroit stabs makes this ep irresistible. >winergy< concludes the serpentine journey from moscow to detroit and traps you in the subtly intricate and hypnotic groove of that new wave of russian deep

on >work that shit party<, a fingers inc. style rhythm buttresses a two-note riff, a crackling male voice filtering in from the ether. a pinging keyboard zips around before that two-note flicker expands and contracts, warps and wheedles. but around halfway in, a female vocal refrain of >gonna work it out< breaks fat lacerations into pinholes, blaring keyboards seeping in through the gaps and crevices. then, as with >d117<, it is the congealing of all these disparate elements: a work it out from fischerspooners lizzy yoder sashaying with the two-note riff, the keyboards bouncing off the ceiling, and flaring hi-hats fraying the surface played by pat mahoney (lcd soundsystem). each portion is given its due, only to make the ensuing combination that much more enthralling.

sleep ds bacon ep is the next offering from sydneys excellent death strobe imprint. sleep d are a couple of young cats from melbourne, the production duo are sure to be an integral part of the deep house explosion coming from their city, spearheaded by the likes of tornado wallace, fantastic man and the melbourne deepcast crew. the record has a range of flavours all tied together by a fundamental warmth and soulfulness. the title track flows and floats in a dreamlike state, whilst simultaneously nailing the groove from beat one. bubbles vs the cat takes it up a notch, entering the club realm with rich bass and tight rhythms. their remix of chet fakers love & feeling is certain to give any dance floor a collective orgasm, oozing an erotic strangeness as it heaves and thrusts away, while ischa has a tickle of techno thrown into the mix and, despite its druggy sedation, has a hidden energy for dancing feet. one limited pressing.

owain k from wales is starting his new deeper techno and hi-tech soul project ktrl on 200 records. title track a1 >colonius< brings together brash filtered rhythms, towering chords, haunting melodies and pumping bass - a jam of epic proportions. followed by the smooth chords of >aufstieg< on a2, this deeply soul fuelled ride sweeps you to the next level. inspired by the classic sounds of lil louis, flipside b1 >bützchen< pays homage to a true school master with its warm embrace and layered melodies. finishing off in style, the old school vibes of b2 >offen< makes way for a slow bass driven groove that builds through dub influenced synth washes and filtered sweeps

psychoskunk recordings introduces error etica. error etica is victor martinez..is main musical project which has the essence on the deeper side of life. experimental, deep and dark sounds, departure from the hard rhythmic on behalf of way of understanding techno now a days, a sound carefully crafted and skillfully developed, without losing the essence of the label. complete album on digital format and 4 tracks on vinyl with special rmx from: obtane, paul boex and agony forces.

new release by brommage dub on a fresh new label created by jean-louis huhta. brommage dub is one of swedens most creative exports. consisting of two veteran producers, jesper dahlbäck and jean-louis huhta, brommage dub journeys deep into uncharted dubbed out techno territory that is both powerful and meditative.

nice price deal !!! part 1/2! mit beginn der warmen jahreszeiten melden sich auch die jungs von simple as that records zurück. anlaesslich ihres 10. release jubilaeums lassen sie mit neuem design den fruehling einkehren. melodische rhythmen bringen nicht nur die knospen zum sprießen, sondern wecken auch die letzten tanzwuetigen aus dem winterschlaf. wie auch schon in den neun vorherigen releases, geben auch hier wieder freunde ihre stuecken zum besten. welch erfreulicher zuwachs der satr familie. auf die naechsten 10! vielen dank ihr banausen! >es ist fruehling. wunderbar. nicht mehr lang und der sommer ist da.<

das sollen still flyin sein? das soll diese band sein, die damals auf ihrem debüt die indie-welt mit einem charmant-kruden mix aus pavement, rocksteady und new romantic verwirrte? das klingt ja wie scritti politti! oder prefab sprout. oder frühe tears for fears... und der bass? der klingt wie new order! wow! seit der ersten zoot woman, nein, dem les rhythmes digitales-album >darkdancer< haben wir kein album mehr gehört, das dermaßen 80er-retro und jetzt! zur gleichen zeit ist.
inklusive cd-version des albums.

stryker matthews is a new york city based producer and dj by way of northern california by way of southern california. drawing influences from most of the continents with people living on them, he works to create rhythmically focused music that moves hips and spills drinks. stryker grew up in san juan capistrano, ca playing guitar and drums in a string of bands who mastered the fine art of garage-based rocking before moving to the bay area and finding an interest in club music as a new class of producers with fresh takes on dance production began to flood the world wide web. upon completing his first set of original tracks, he caught the ear of dubstep pioneer, skream, who signed the tunes to his imprint, disfigured dubz.

morphology is back on semantica with his trademark sound, his moody atmosphere, beautiful melodies and rhythmic beats that we have come to love.

moan is ready to rock the floor with this amazing ep signed with the duo larry peters and miguel lobo.original tracks with nice and melodic perc groove and amazing vocal shot, great to be played in every moment! re-up duo on their reshape keep the funky mood of the voice adding a concrete and rolling rhythm, a dancefloor killer tune!the second remix is by the famous jordan peak, with a solid, locked in groove and plenty of well-defined, silvery tech house percussions.

thinking too much/where the helios is juk juks second release on nommos. thinking too much is the most direct juk juk release so far. its peak time fare, aimed squarely at the dancefloor. the dreamy intro will fool the unsuspecting, sucking them in and propelling them on a tripped out ride on a techno ghost train, buffered by a cushion of warm throbbing bass. where the helios is the real dream side. a floating, hallucinogenic, spaced out drift, driven by a crisp, pared back rhythm and a gorgeous, woozy vocal- led melody. juk juks first release for nommos was unwrap/fall and before that his debut, winter turn spring/frozen, was put out by kieran (four tet) hebden on his highly regarded text label. all juk juks output to date has been critically acclaimed, coverage including fact magazine, pitchfork, mix mag, abeano, the fader amongst others. his releases have also received significant club and radio plays including mainstream radio 1 support from admirers giles peterson and rob da bank, who has promised support for this release. four tet said the room went off when playing thinking too much at a recent event.

straight from germany, this talented producer delivered some of the best deep house music around. entitled >the first floor ep<, it starts with >show me< which is one of those eminently soulful house tracks with a sparse approach to production, all the elements sounding so crisp and distinct in the mix but judged perfectly. whilst >rooted< is a louche head nodder supreme. on the flip side, with >got that< hes creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >defense< showcases hes excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. and to last,>trouble< is all brisk, upright percussive layers splayed over swooping disco filtration. nicks approaching house from various angles and tempos and naturally theres plenty of deft usage of samples, such an ep just demonstrate how on top of their game skylax / wax classic is right now - big tip!

following last years triumphant debut on untolds imprint hemlock, brighton based producer guy andrews is back with his first 12 inch for hotflush recordings. a superb followup to his 2011 auditory missive, the wait / hands in mine merges percussive elements with heavy basslines resulting in two dark dancefloor cuts. shuffling and persistent, side a is bass-driven track filled with arpeggiated goodness, while on the flip, andrews shows off his ability to manipulate genres by using a bass kick and frenzied rhythmic percussion to dial up an atmospheric tune. with recent acclaim from xlr8r, resident advisor and truants along with dj and radio support from the likes of benji b, l-vis 1990, brackles, sound pellegrino, shortstuff, benjamin damage and throwing snow, guy andrews is on the rise. lookout for another 12 inch via hotflush this fall.

ander-traxx is a fresh label operating out of glasgow with the intent of releasing righteous underground house, and although mainly a platform for the labels founder alex-ander to showcase his own productions, ander-traxxs remit also includes the presentation of unknown talent for future releases. for this first release, alex steps up to the plate to deliver because of me, followed by 3 remixes from artists born and raised in glasgow. the original kicks things off with its intro of glacial pads and jittery hats, before quickly delving into a seriousely deep groove brimming with melodic layers. although because of me gives a strong nod to the recent developements of producers like omar s and kyle hall, it undoubtedly has the hallmarks of an alex-ander production, his unique arrangements coming to the forefront while still complimenting the crisp percussion that drives the track forward. carlos nilmmns (co founder of the formidable solab production unit) mix is a much more off-kilter and submerged affair. nilmmns plays down the epic quality of the original and adds chugging rhythmics and sweetcured piano work for a lesson in divine repetition. mesumas feedback mix goes in for the dancefloor attack, not surprising for a gentleman whos previous work has seen releases on hardgroove and seventh sign. rolling toms and a booming kick meet aquatic vocal samples and spectral harmonicas, and will still please those partial to deeper sounds. last up to give because of me the rework treatment is meschi (lunar disko, lux, snuff traxx), who mixes his chicago influenced analogue stylings perfectly with the source material. stripped down crescendos build up to a euphoric drop, and meschis elated melodies bring another twist to this excercise in deep funk. because of me is one of those rare e.ps that works just as well in a non-club enviroment as it does on the dancefloor. with this warning shot, alex-ander will surely be capturing the ears of many in 2012 and beyond.

j.a.m. traxx is a vinyl only label inspired by synth and analog machines, spacey- hypnotic atmospheres and everything is showing a genuine passion for complex rhythm and going against! limited to 250 copies.

joker has been riding a rocket propelled trajectory with an exponential rise in popularity since he first caught the attention of underground djs and bloggers alike, back in 2007. signed to major player 4ad for his debut lp >the vision<, dropping late last year joker has won the hearts and minds of both respected underground players and pop-loving youth alike. here he returns to his home imprint for a rare excursion away from 4ad with the monstrous, infectious fresh cut rhythm that is our lead track >skitta<. you know it must be a big lead if when you flip for the aa side and find the almighty newham generals featuring in secondary place! >i think you should know< sees footsie and d double roll out a shoulder popping beat in fine style while fans of all things instrumental can also enjoy an extended instrumental version of the same track. huge release all round.

played and supported by norman nodge, samuli kemppi, inigo kennedy, samuel l session, colin dale, dvs1, developer, alan fitzpatrick, cassegrain, markus suckut, phil kieran, max_m and more. darkcell shows the new release on vinyl, just the third for his own label. his style is clearly defined. one track signed by the labels owner, and others two tracks signed myk derill (reform, knotweed, etc). darkcell transmitted in its track an atmosphere of modern techno. a slow techno rhythm, repetitive with something of psychedelic. a sort of brainwashing that will lead to total body hypnosis. the two tracks by myk derill are the same style. the first track (apply) is definitely very rough with a syncopated rhythm . the second (contemporary) is much more in the direction of dub-techno. only high quality in the fluxus records vinyl.

disc 3 of 4 with more edits and overdubs by joaquin joe claussell.

searle comes back to mowar for his second release. while his mind transfer ep was a darker workout, his new she moves ep show a deeper dubbed side of his productions. the title track perfectly combines the dub aesthetics and simple basic channel effectiveness with sweet infatuating stabs and scapes. this ones for the deeper and more sensual moments on the dancefloor. melancholy goes even deeper emotionally layering a steady slightly jacking rhythm with edgy melancholic atmospherics and melodies. on the flipside russ gabriel, who remixed on the very first mowar release back in 2008, reworks she moves in a stripped hypnotic mover, slightly more thumping for those sexy hips. last track tunneling is what searle would call a 5 am groover for the die-hards who want to be embraced by the sensuality of deep emotional techno.

for the labels 14th release, memento welcomes the collaboration of italys finest house enthusiasts pastaboys, who bring their love of dance musics black roots and afro-american soul sounds, combined with an exquisite european-influenced sense of rhythm and melodies.>tresca< evolves around a sweet italo-disco bass that sends the listener back to the 70s: a soundtrack to a sleazy underground movie, with nightmare-ish synth chords in the background.strong claps and percussion build the tension up to a donna summer-esque break, leading the track to an anthemic climax ready to shake the asses of all the party people out there.

brilliant 4 track remix vinyl sampler with hot remixes from oskar offermann, moomin, christopher rau, lowtec...

played and supported by markus suckut,inigo kennedy,dvs1,drumcell,angel molina,arnaud le texier,ness,cio d or,xpansul,bcr boys and more.for pleasure records shows the fourth release on vinyl. it confirms the class to propose pure dub-techno.an original track signed by alessandro verrina & ander plau (labels owners).an endless journey into the deeper atmosphere.voices coming from far away, creating a beautiful atmosphere almost mystical.absolutely rhythmic old school, where clap and hi-hat rule over everything. the remix of roberto bardini trasforms the track in a soft poetry, never heavy.nikita zabelin signing the second remix with much darkern atmosphere,its a version with a very personal view!for pleasure records walks the right direction!

merc 009 sees another mark e 2 tracker with snow walker & environment. snow walker combines an uptempo relentless percussive hard nosed rolling drum rhythm, running parallel with shimmering disco lights, synth blobs and a messed up yeti vocal nag, nestling comfortably somewhere between the black country and the black forest. environment however pushes itself all deepness and glory with electronic female vox, looping sub bass boogie and a slow sasquatch techno sensibility.

(ltd 500cps complete with deluxe packaging and 180g vinyl) two long years after their debut cult classic (illuminations / dont eat the apricots), latin drumming and modular synthesis.hungry ghost return.

100 copies worldwide. limited edition vinyl with hand printed cover and paper bandarole. warm rhythmic echoes of a steady synth pulse spans the vast side. a bass line surface midway and falls into place. electronic dub sits firmly on the second side. waves of bass washes ashore as the sun sets over the caribbean islands.