four new and exclusive disco remixes from joey negro as part of his remixed with love series reworking classics from lonnie liston smith, gwen mccrae and wardell piper.

limited to 500 copies (numbered) worldwide.brian cavender aka seafoam released his first ep on rue de plaisance last year, -confusion camouflage-, that was dedicated to his recent productions. a second release on the sub-label rue de plaisance re-issue, «lost tape 98 project», is a selection of tracks never previously released that we found on an old dat. today, we present the third part of our collaboration with seafoam « collected works 1999-2005 » it s a selection of our favorite tracks from his back catalogue on labels like guidance,straylight, lo -rise... that is also coming to rue de plaisance re-issue imprint(03).

we present to you the second release on minor notes recordings. this is the brainchild of moscow s guydee, who is part of the new breed of excellent house artist s coming out of russia at the moment. romantik ep is an intimate groove collection direct from the heart of anton bogomolov aka scruscru, based in nizhny novgorod. scruscru has been quietly going about his business for the past few years releasing on labels like vintage, jazzve & vensa recordings. he s an actor in both his everyday life and music. on this wax you can find all shades of his emotion accurately packed into his true school house beats. the ep comes complete with 4 cuts that will rock any dancefloor including a remix from traxsource number 1 deep of 2017 black loops with a divine take of finding all your love to round the package off nicely. dj support - laurent garnier, gerd, dj nature, hot toddy, jimpster, aroop roy, seven davis jr., simbad, lay-far, jacques renault, art of tones, shur-i-kan, and many many more.

the all star team at acid camp has been touring around the world in search for inspiration. theyve created new and engaging tracks for you to share with your favorite dance floor or your private listening environment of choice. find part one and two of our new series at your favorite record shops. a limited run of colored vinyl will be available at acid camps bandcamp.

the all star team at acid camp has been touring around the world in search for inspiration. theyve created new and engaging tracks for you to share with your favorite dance floor or your private listening environment of choice. find part one and two of our new series at your favorite record shops. a limited run of colored vinyl will be available at acid camps bandcamp.

the frankonia ep is the result of the collaboration between nils weimann and martin glowacz, which started many years ago. side a serves two different, powerful tracks. frankonia comes with warm atmospheres and spaces. driven by the interaction of bass and synth lines, wrapped in some subtile delayed textures. lower has a rollin bass structure, combined with smashing vocals and surrounded by resonating marbles. side b belongs paul agripa’s interpretation of frankonia. he’s also known as a part of ragrip and comoji. the remix takes you on a 13 minutes trip, carried by a harmonic baseline, extended spaces and melodies. play it loud! early support by cezar, sedee, vlad arapasu.

die menschen sind unsicher. sie fürchten die zukunft. sie suchen einen anker, an dem sie sich festhalten können. einen leuchtturm, der ihnen den weg weist, sie brauchen etwas, an das sie wieder glauben können. immer mehr verlieren das vertrauen in überholte instanzen und halten nach etwas neuem, etwas kräftigem ausschau.
sie finden analog mechanics.
die drei jungs begnügten sich bislang damit, mit geistig behinderten babyschimpansen klettertouren zu veranstalten, sozial benachteiligte kinder zu segnen, heilmittel gegen unheilbare krankheiten zu entwickeln (sie verkauften sie aber nicht an den mainstream, denn der ist wack) und selbstfindungsseminare (meistens klettergarten) für mc s mit unangemessenem selbstbild durchzuführen. all das füllte sie nicht aus. also bestiegen sie den himalaya ohne sauerstoffflaschen und bauten ein zelt auf. wilczynski klopfte dabei derart rhythmisch auf die zeltstangen, wildstyle kratzte sich ebenso unnachahmlich am kopf, dass das röcheln von onetake problemlos als rap-part durchging.
der rest ist geschichte.

part of the orphans collection, available on its own for first time. newly remastered and pressed on 180 gram translucent blue vinyl, housed in a gatefold sleeve. record store day 2018 exclusive.

rickard jäverling, born and raised in borlange, sweden, and now living and working in stockholm is a wayward and productive musician. besides releasing material under his own name, jäverling is/has been part of constellations such as dodens dal, liljor and jäverling von euler. album 3, released on hoga nord rekords is his third solo album. album 3 breathes psychedelia, dub, swedish folk, progg and continental vintage electronic music. the songs on this album are in a way like a compilation of short stories rather than chapters in a novel. the common factor in this album is jäverlings exquisitely worked out melodies and the warm, round production but the songs can, due to the rich storytelling qualities of each one of them, almost be regarded as small albums of their own! the music made by richard jäverling is an embrace, a relative with a house by the swedish west coast or a day off, midweek in april. this album is inviting and calming but also as solid and mighty as a dalecarlian beech tree.

!k7 are pleased to announce forest swords as the next curator of the ever essential dj-kicks series. following acclaimed albums on ninja tune and tri angle, soundtrack and installation work, and remixes of the likes of bjork, matthew barnes aka forest swords has curated a 25-track compilation that draws a line between past inspirations and his current peers. like much of his own output, his dj-kicks skirts around pristine electronics and embraces more organic textures: 80s post punk (anna domino, dead can dance), classic 90s british electronica (orbital, mira calix), and smokey digi-dub (rhythm & sound), all rub up alongside some of the most forward-facing producers working today (demdike stare, laurel halo, fis). the compilation sifts through rhythms, shifting speeds and emotions: from pop icon neneh cherrys primal thudding to the zombified throb of exclusive forest swords track crow via deena abdelwaheeds clattering deconstructions to the euphoric two-step of djrum. its a collection of tracks that feels as restlessly curious and weighty as barnes own work. the double vinyl release includes a download code.

eshu, the production collective and record label from nijmegen are back with their next offering. their 12th release is a various artists release that features blm, joburg and steven siwalette alongside label members ivano tetelepta and jocelyn abell. it comes on the heels of teteleptas absorbing dub techno album, senang, and is another high class offering. nijmegen based siwalette is first, previously contributed to the label as part of sys. his stragglers is a sparse but atmospheric track with industrial drones and slowly turning drums taking you through a desolate factory late at night. his second offering is alien encounter which is just as it sounds - a spooky, unsettling bit of cinematic sound design with menacing bass and icy pads all growing in loudness until they eventually consume your mind. lastly on the a-side, uk producer and fear of flying label boss blm lays down a skeletal groove thats embellished with beautiful, yawning synths. scattered little details and fx making this a cavernous piece that encourages your mind to wander and get lost. on the flip, jocelyn abell and ivano tetelepta cook up a heavyweight, mid tempo bit of dub techno with sharp hits and rolling kicks lulling you into a trance. last of all, the emerging j?burg picks up the pace with a perfectly chiselled bit of rock solid dub with looping drums and icy hi hats sinking you deep into its midst. this is an excellent ep that packs in a range of fascinating sounds for both the home and the club.

throughout ibadan records deeply-rooted new york history and its ongoing transcendent surge into the future, there are certain special moments in house music history to acknowledge. this brings us to our 138th ibadan records installment by kerri chandler. kerri chandler was one of the many artists who benefited from jerome sydenhams artistic direction. the two initially met in 1991, when sydenham was a part of the a&r team that signed chandlers debut single to atlantic records. after sydenham founded ibadan records in 1995, the two collaborated on several groundbreaking projects that stand as a testament to house music history and to their long-lasting friendship. chandlers early career evolved through illustrious house remixes and productions. tracks like drink on me, shoe-b-doo, while were young and aint that a bitch truly exemplify the trailblazing and original innovative spirit of kerri chandler and the birth of his signature sound. presenting new york chronicles vol. ii

vinyl part 1 of 3

vinyl part 2 of 3

vinyl part 3 of 3

album nummer 8 von paul !! any questions ?

‘family horror x good times’ is an extensive 15 tracks compilation, where the leipzig label reflects on an intense and impassioned decade. kann asked close friends and long time idols to play their part to the full to complete the third edition of the label’s family horror compilation series. the outcome is a clear snapshot of the musical inclinations of the three label founders, sevensol & map.ache (aka manamana) and bender, encapsulating an idiosyncratic, modern house sound that demands an emotional response. the compilation comes rounded off by a booklet of photographs from ria aka lux which just like the music captures some of the beautiful ‘good times’ from this very special period, this time on paper.

since the release of their critically acclaimed debut album in 2013 on names you can trust, la mecánica popular has quietly been contemplating the evolution of the group s sound, philosophy, and overall approach to making music. band leader efraín rozas experimental nature has continually pushed the boundaries of his own definition of not only latin american music, but its broader relationship with music s global culture and history. the sound of -psychedelic salsa- that lmp helped capture in their debut was destined for further outside-the-box interpretations, and with the formation of a new quintet lineup over the last few years, lmp began to incorporate a more free, improvised and instrumental-focused performance of rozas increasingly radical compositions. the band subsequently took this liberated approach directly into the studio, recording roza cruz live, in its entirety. it was a cathartic experience, a necessary methodology for the new album s concept that embraced the intimate performance of its players and did away with standard techniques of isolation and overdubs. the evolution of the band s sound on roza cruz brings forth a blend of styles rarely heard together, a touch reminiscent of electric-era miles davis or eddie palmieri at his most experimental, as the driving force of timbales and congas provide a bed for a wave of lush, analog amplification that mirrors the dueling leads of fuzz guitar and electric piano. but as far out as those instruments take the listener, the raw rhythm the clave always keeps it tethered to the earth and the dance, a cerebral yet visceral gift for the mind and feet.

one of the biggest sampling innovators and the pioneer of electronic music in eastern europe max vincent initially played in belgrade s max & intro band whose first single: -we design the future- from 1985 remained one of the most wanted electronic records from this part of europe . . in 2015, discom has released -the future has designed us- a lifework compilation of previously unreleased songs from 1984 to 2002. the new archival release max vincent- beograd is a lost lp album which consists of 8 previously unreleased tracks made in period 1986-1999 which max wanted to use in a single concept album.

esteban adame cut his teeth djing at the ditch parties and house parties of east la in the 90s. he then moved to detroit to apprentice with mad mike banks, performing as part of los hermanos and galaxy to galaxy. more than twenty years on, he still lives and breathes music. this is his debut record for mister saturday night records, raw and joyful.

classic pop songwriter nick heywards critically acclaimed ninth album, woodland echoes, harvested an abundance of rave reviews from critics and fans alike. an album of exceptional warmth and intimacy full of paeans to nature, it debuted at no. 4 on the official independent album chart. described by mojo as a top 10 single and the best track on the album, the stars is the third single from woodland echoes and is heywards first exclusive for record store day. its echo of itchy pop-funk recalls his early days as frontman of new wave group haircut 100, a foundational part of the 80s pop explosion. exclusive b-side everyone & everything, brings a swirling psychedelic 90s vibe to the nature pop fest and carries on the stars theme of our universal interconnectedness with everything. limited rsd 2018 release on transparent 10 inch vinyl with download code included.

for over 4 years, david coccagna aka chaperone has been a constant part of great circles, as musician, art director, and muse. with snapback balaclava he once again fully embodies all of those roles, delivering three inspiring tracks, selecting his remixers with specific attention to their musical histories, and designing his cover art. across the a-side, chaperone scrapes away at the grit – personal grit, the grit of anxiety, and philly grit. these are meditations on loops, and loops on meditations. each one appears on the surface to be a brief quote, but time dilation takes over, and minutes later we discover that chaperone has welcomed us into and back out of his own healing moment. like chaperone s p o n d release grcr-009, the b-side of snapback balaclava is a great circles extended family affair with a trio of diverse remixes that expose and exploit fragments of the chaos chaperone so carefully contained. hitoshi kojima thrive reinterprets pulse feels swells beating with relentless syncopated rhythms and synth lines that hang like massive string drones. m//r lays down a signature percussion ensemble palette, zeroes in on otherwise peripheral elements of grit neglect, and then deftly navigates sea change with both. matt korvette and sean mcguinness of philly punk band pissed jeans open up the pit and finish the story, taking femur baseball bat to its literal and brutal potential with monstrous vocals and kicks.

exclusive transparent yellow double lp in gatefold sleeve with downloade code included, set for record store day. by popular request volume 2 of motown funk first issue of volume 2 and it begins on vinyl. a pipin’ hot motown selection of acid drenched psychedelic soul, blaxploitation soundtracks, straigght ahead funk, easy listening and superlative soul.

since the early 1990s, keyboard player jessica lauren has been a familiar part of london s alternative music scene. jessica s keyboard skills have augmented the live performances and studio recordings of world renowned artists such as jean carne, tom browne, dexter wansel and james mason, japan s united future organisation, and uk soul diva juliet roberts. her previous freestyle album jessica lauren four (2012) highlighted jessica s minimalist approach, something rare and refreshing in the jazz world: she instills her compositions and playing with a refined sense of space which makes her music as much about what she doesn t play as what she does.

roxymore returns with the latest instalment in her thoughts of an introvert series. the first part, which hit stores in 2017, was born out of introspection and a yearning for solitude. tracks like prodrome, which refers to symptoms indicating the early onset of an illness, seemed to reflect a global weariness, a head-nodding, late night search for comfort and respite. on part 2 though, a new energy is evident in the tracks. this is not what you think shrugs and fizzes with resilience, it feels like a maniacal, primal release from frustration and anguish. run feet finds an even more optimistic, upbeat bounce, not far from the stomping house euphoria of her first outing for dba, organ smith, but with the newfound confidence of an artist who is pushing both technology and style to the outer limits. mythical technology meanwhile, is a dancefloor-ready paean to technos own futurist manifesto.

nat wendell launches the depth of my soul label with a confident slab of deepness that should draw plenty of heat on the peaks and troughs of the house music landscape. -the way- is a crisply produced pumper, revolving around a seductive little lead line and the haunting titular vocal hook - there s a whiff of tech in the make up of the track, but the groove is all house. -theoretics- follows down a similar path, keeping things moody and mechanical without disposing of the funk, and then it s down to -release your soul- to bring a little light into proceedings with some mellow keys and dubby flourishes.

steve stoll, the man behind proper back again on orbe, the well known madrid techno based label. limited to 300 copies on red vinyl

ltd fullcover edition! steve stoll, the man behind proper back again on orbe, the well known madrid techno based label. limited to 300 copies on red vinyl

2018 repress - british murder boys aka surgeon and regis bomb the floor and burn the speakers. no compromise - this is raw, this is pure, this is techno.

vactrol park are kyle martin and guido zen. besides responsible for 2 unforgettable eps on esp institute in 2015 & 2016 under this alias, kyle and guido are prolific producers, with kyle being part of spectral empire (alongside black merlin), as well as half of land of light (with johnny nash) and more, while guido has been producing under the alias of brain machine amongst others. since malka tuti has been a fan of all of the above, it is no surprise the duo found its way into the ever growing family. with an lp scheduled later in 2018, this ep, self titled, is a door into the sound of vactrol park and its evolution - ever deeper, abstract, and mature. always clear, coherent and flowing, never boring. expect big things from this duo, as their live show, incorporating self-built modular synths and effects is destined for greatness…

phillys instant funk are one of salsouls most well-known and respected groups. appearing on the legendary tsop label in 1976 the outfit was renowned for their ultra-tight musicianship and for backing disco icon bunny sigler as his group. the late 1970s saw them sign to nycs salsoul label and this is the point where this compilation comes to life. i got my mind made up was the groups opening shot on salsoul and was a huge hit for them, helped in part by a super long, stripped back and funked out remix by paradise garage jock larry levan. this track and a whole host of others feature on this amazing compilation and snapshot of one of disco s toughest rhythm sections, boasting all their hits and some stellar mixes from levan, tom moulton, john morales, francois kevorkian, shep pettibone and more! this whole selection features the mixes in their 12inch glory, unedited, end to end, as intended. a truly essential package for the die-hard disco aficionado or for those who are exploring this most important movement in dance music for the first time. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco. fully authorised and approved by salsoul records.

lk unleashes part two of his double ep series for shall not fade entitled ‘beautiful feelin’. housed in full sleeve artwork, with inner disco bag.

around 6 months after the success of the first lateral fragments vinyl, pjotr g & dubiosity return for part two. they continue where they left off, serving some deep, melodic vibes on tabula rasa and outage. with turmoil, the duo takes a bit of a different approach. the warm synths make way for some more hypnotic, raw vibes. petter b delivers a truly grand remix for turmoil, which is as fitting to lateral fragments as it is to your sets.

this publication from blind allies is comprised of 6 tracks. this is the first release from series where records are made on modular synthesizers. it includes a part from live jam by philet, journey to the world of obscure feeling from igors vorobjovs & void cells and cosmic adventure by redstripedown. dancefloor killer by tunnel, a tale from hhnoi and a flashback to soviet electronic music from marta smilga. this release will take you away to a parallel universe. vinyl only.

part two of the ep features the motor city drum ensemble remix, and the original “in a silent mix” version from 1999, a track out of its time when released on allen’s sole record “black voices”. a long serving dekmantel veteran, danilo plessow was there from the start. after compiling the first selector’s compilation last year, mcde turns tony allen’s masterpiece in a jam, with added house beats, giving the funk number the edit treatment. the final mix sounds like the kind of track you would hear mcde play in one of his sets as he’s firing up the heat. the organ sounds and trumpets are left high in the mix, to create an unforgettable hook that resonates throughout, in complete motor city style.

the barcelona based record store and label run by dj bruce lee is very proud to release the first work from tr, a well known dj in the madrid underground scene. tr was responsible for one of the remixes from the first release on the label. that remix was techno, but his tastes embrace many different styles as we can see now. multi ep is the second release on rhythm control barcelona where tr, colaborates with causmin lizou on the keyboard for the b side tracks. the a side contains 2 90s infuenced breaks and electro tracks titled bassaur and eah (part 1.2 & 3). the b side contains 2 detroit influenced house tracks, fingers de pollo and gitroit highlights. a producer worth following without a doubt!

dimensional people is by it’s nature a collaborative album. originally premiering as a spatial composition using object-based mixing technology playing with the possibilities of sonic design (4d sound) and collective musicianship, the recording expands upon these ideas. dimensional people expresses itself as a dynamic 50-piece orchestra, telling a story in sound. mouse on mars offer sound as a means to encourage open-minded societies, aided by cutting-edge technology including their own mominstruments music software or a spatial mixing technique called object based mixing, with which a spatial version of the work was created. it is a conceptual puzzle composed around one harmonic spectrum within one rhythmic scheme, mostly in the tempo of 145bpm (inspired by chicago footwork, so the dance ?oor is not entirely absent). looking ahead, dimensional people will also be realized through installation, presenting the work as an immersive listening experience, as well as performance.

to say the past 2 years have been busy for peggy gou would perhaps be an understatement. prolific both in the studio and behind the decks, 2016 saw the release of no less than four eps across three labels. her two-part ‘art of war’ series on rekids was interspersed with a contribution to ‘phonica white’ series of 12”s.

the inimitable seth troxler is next up on his own influential label with something of a milestone release: his finally physical ep is a precursor to a compilation album, this is then, due in may this year. this is then will be a typically unique celebration of seths 10 years as a major force in the europe underground scene. it will draw a line in the sand on the first part of the michigan born artists recording career before he embarks on the next chapter. this preceding ep features four productions that were never properly released and they serve as a taster to the forthcoming compilation, with two originals and two remixes, one of which comes under seths lesser used alias, thrill cosby.

back to the future and northern velkommens to bro morken. eps for prins blud thomas full pupp show early production chops, but its his residency as part of oslos jaeger crew where the range of styles is truly showcased. appearances on trushmix series and his recent road trippin cassette for l.i.e.s last year show depth(charge) dj on a roll, but its setting up the moonlighting label where vibes came alive via some electro bass tribal sub bass wonder. jungle dialects! all and more over these 5 cuts afro-bump-shuffle-rat-tat-hats-acid-stab-meets-storyville-dark-tom-toms-pads-relentless-hypnotic-down-down-electro-italo-endings-and-bass!

after the original comes the remix. or in this case three. i:cube, chinaski and aera help you refresh your memory and re-draw drawn from memory from benjamin fröhlichs second part of the rude movements series. its one single track, but every remixer has taken his very own approach and came up with a new interpretation. the iconic french producer and permanent vacation long time favourite, i:cube, transformed the original into a soul warming and heart melting late night bomb that lets the sun appear even in the darkest places. chinaski out of frankfurt, well known from his releases on live at robert johnson and uncanny valley, fuses italo disco with a john carpenter-style soundtrack aesthetic and an infectious bassline completed by a full on guitar solo in the break. aera, fresh from releasing his album on permanent vacation, is slowing down the tempo, rearranging the layers of the original and adding a bubbly and underwater atmosphere that let the dub stabs shine. three different versions that may represent different memories of one long night.

the raw jacking sexiness of ghetto house has always played a big role in the killekill universe. so its high time to put out our first release which goes that direction. italian andrew soul is an artist we have been watching for a while already. when he sent the demo with the extremely raw and dirty tunes that you find on the a-side of this 12inch, the decision was easy: killer stuff which makes you bounce immediately we want to put this out! the b-side comes from dirtbox, who is also one half of snuff crew and therefore has been part of the killekill family for a while already. actually almost from the start. being the musical wizard he is, he can not only make house and acid music and anything else you could think of, but also class a ghetto house. maybe even more classic than andrew souls side but ranging from the percussive style of smmfd and work that to the raw energy of fukk it is definitely in no way less original. shake dat ass!

ultra tight & rare soul / funk stylings from mississippis natural high outfit. originally released in 1979 on the chimneyville label, an obscure soul imprint operating as part of the miami malaco label family tree. this one has it all lush strings and orchestration, tight as rhythm section, amazing songwriting and everything else in-between. amazing that this group only cut one lp and a handful of singles. the talent on display here is truly of another level and one wonders how such an album came to be. either way, this is an amazing set of rarest of rare grooves and the lp has been a heavily coveted item by the rare record cognoscenti in the past. this is a 100% legit repress, made in conjunction with the rights holders and remastered to the highest possible standard, a truly essential record for fans of quality underground soul & funk. now s your chance to bag a copy for a decent price! quality all around

after a short break in the african wilderness, black rox return for part 4 of this acclaimed series. date with the rain sees soft rocks turn in an 11 minute one for the lion king manipulation of a joyous and uplifting jam that fuses traditional rhythms (think a humm-ba-ba) and vocals that are underpinned with a strong 4/4 kick.on the flip side,roots unit perform some major surgery with a pump up the jam reconstruction on le beat is technotronic. crazy percussive jungle rhythms and wonky vocal hooks rule the roost until it merges into a future techno-techno amazonian world.

manchester producer andy hanley has had one previous outing on ruf kutz but now hes adopted the haners alias to kick off the misadventures label with an assured grip of warm, discoid funk shot through with a healthy dose of 80s production finish. heaven is definitely the most dancefloor ready track a shimmering slice of laid back disco house with plenty of hooks and a dreamy, slightly dubbed out atmosphere. girl is more audacious, slowing the tempo right down and riding on a brittle beat and a heavily reverbed dose of island boogie. you keeps things slow and easy for the gentle part of the night a consummate smooth groover.

originally released in 2007. now remastered and for the first time ever available on vinyl. featuring guest appearances by trixie whitley, alex callier (hooverphonic), johannes verschaeve (the van jets), krewcial and more.

- amazing and lovingly crafted box
- red colored vinyl in 180g
- strong limited numbers worldwide
- very special printed banderole
- each vinyl in a fullcover printed sleeve - more than 40 tunes - 10 vinyl -

alex.do is best known as part of the dystopian collective, where he works alongside scene leaders such as rødhåd and recondite in pursuing a focused strain of contemporary club music loaded with emotional depth to match its functionality. this attitude comes through in spades on dusted, where do presents a selection of tracks that tap into all four corners of the night.