2 tasty reworks of some classic house tracks reworked for todays dancefloors by the mysterious chemist.
villalobos, raresh and sven väth have all been battering it from the initial white labels

nach drei vielgelobten eps auf 20:20 vision veröffentlicht john clark aka debukas nun auch sein debütalbum auf dem label. i am machinery ist ein gelungenes elektronisches clubwerk zwischen house und techno geworden, das weitere lobeshymnen hervorrufen wird.

three slices of lush from russia with love. the original track, described by mixmag as *a cross between phoenix and empire of the sun*, gets heavy treatment from swiss future classic and kitsune&#769,,,,, heroes pharao black magic, who delivers a pounding yet hypnotic, bass-heavy mid-tempo tune. lovemonk darlings space ranger keep it equally hypnotic, but bring back the speed and embed the melancholic vocals in some uplifting, moving yet club-banging sounds.

heavy phunky disco house and superb spheric detroitish tracks.

since the early 80s maddisco has been heavily into hip hop and electro, recording his favourite stuff from the radio until the late 80s when he started collecting vinyl and djing, chicago house and detroit techno were the first genres he went for after hearing them at the club rip in clink street, quickly followed by balearic, disco, funk, dub and ambient music some of which he heard at danny ramplings club shoom

madteos return to morphine. really expanding his electronic pallet for this one and going into some heady experimental realm

here we go with the *eine stadt frisst ihre helden* e.p., four rough and raw techno machines down from the evil subsea dungeons by the label head himself aka syntax error. every track tells a story out of the snorky life from christian in snorkcity giessen! el expreso de cerveza, do a beer pub tour in giessen and you definitely know that this means. *mad insomnia causing insects* contains samples which are provided by mad matze from his south america holiday, real monster quadrills noice! if this is not freaking you out, the *freak wave* will do, breaking over your head that crashes you on the deepest underground as possible. if this is not enough, enjoy some *döret talk* from the backstage! more dört that you can expect! this e.p. absolutely says eat my shorts and go fuck yourself! to be or not to be snorky! that is the question!

first vinyl pressing limited to 500 copies on white vinyl, including download coupon.
ricardo tobar is releasing his long awaited debut album treillis on established french label desire (ike yard, monoton, live skull, keluar, deathday, egyptology, etc). inspired by mysticism & noise, ricardo uses old drum machines, analog equipment and also samples he has been storing since some years to create dirty sounding drums, modulated synth sounds and keeping far away from the more expected and polished sounds most artists are using.

he/at (pronounced “heat”) is a new project from an established uk producer. this is the second he/at ep to date, following on from the *a death in the family ep* release earlier this summer. limited to a vinyl-only pressing of 500 (which sold out immediately), it was not repressed, bringing he/at to the attention of the techno community. *a terrible misunderstanding ep* contains 4 tracks of fresh, raw, bass-heavy techno as tempered and toughened as it is controlled, as melodic as it is intricate. this ep continues to build upon the rich history of proper techno from middle england, and also unfolds the next chapter in the rise of he/at…

there are certain moments and event that can redefine a nation and a culture. the 1987 1988 acid house explosion was such a moment in our time that it did capture a nation and a forged a new era in modern music. acid was such a taboo in the late 80s in the uk that law officials thought that the music insight mass use of acid and everyone would space out, and that was far from the truth. but what is true that some guys from chicago created a sound that the world einbraced and continues to embrace to this day.

bleary faces is the debut ep of berlin based fabian dikof. as a youngster he learned his first basic skills in producing and deejaying from mr. andre lodemann himself. all of the tracks featured here are on a slow-house tip without losing their ruff edge through a massive bass foundation. it is all about progresssion with a strong emotional build up. deep-house veteran vincenzo is on remix duties here. he re-creates the main track bleary faces with a new theme enhancing the original with some more disco-influenced touches.

fabrice lig on dj bones subject detroit label backed with killer remixes from aaron carl and dj bone! allegedly stored in the subject archives for some time, *hmong dignity* is finally unleashed and the original will be familiar to anyone that has witnessed a dj bone set in recent years.

expect some great techno tracks with the typical handwriting of alex under.

redhsapes is on a roll!here a massive track on present his own label. one-sided vinyl that at some point simply will not be available anymore (even tho its not limited, or pressed on 180grams vinyl or any hyped sales stuff.... just a massive techno tune for the vinyl heads out there!).

hamsa intenational are hitting us with some obscure and analog live jams for club use only. rigid grooves that transform subtly by the use of frequency cuts and vocal chops make bodytalk an interesting lo-fi sounding yet energetic jam for peak hours and after. the analog warmth thats filling up the speaker cans comes straight out of old machines and a tape recorder.

here is dj spiders first lp available on 12 inch vinyl. this double pack is drenched in original, deep house music for those who like sample based tracks. stunning live instrumentation is on display here as well with some appearances from the likes of boyd jarvis, sly scott, dub poet infinity and spider himself.

west norwood cassette library, aka bob bhamra, has been digging through the vaults of his extensive production library, serving up this delightful double pack of gems and nuggets. some of these tracks have been buried deep for a few years, others have been dubplate only for a while, so you are definitely opening up a pandoras box of delights here.

people must jam is our sydney based warehouse party that we have been running for five years. the ethos behind the night initially, was to bring djs to australia that we wanted to hear but that had never been, and to put them on in intimate spaces and let them dig deep into their collections to play whatever they wanted. over the years we have brought rahaan, al kent, leo zero, mark seven, trusme, frank booker and more to australia for the first time to play. floor jammers vol. 1 is the first in a series of eps from some of our favourite past and future guests. the record is pressed on 180gm vinyl and strictly limited to 300 copies.

hardcore legend dj ruffneck debutes with a brandnew album on his own imprint. that hardcore and drum n bass mix very well is already prooved by labels like prspct, one seven five and union. some even have an own new name put to the genre, crossbreed is born. this double 12inch album feat. collaberations from artists from both genres and is an absolute must for all the crossbreed fans. limited repress without the cd for the true vinyl collectors.

acid diaper as he was descriped by the prspct crew earlier this year: there is quite some mystery surrounding this new producer. even us at prspct hq have no idea who he is and where he is from. he has chosen to keep his identity secret to the world. kind of like batman but instead of fighting bad people this vigilantes goal is to terrorize the world with pure audio violence. 4/4, acid, gabber dnb designed to torture the average mainstream music listener. however, us deranged individuals at prspct hq fucking love it and can assure you. his tunes rock out hard!

maksim dark, well known for his own label shinocs music, strikes with his new ep >undercraus< on the frankfurt based label >la boheme recordings<. as you can hear from the first seconds, he combines timeless minimal at its best with mostly dark energies to some ass-shaking dancefloor weapons. the first 300 vinyls got an special add on, as always! so hurry up! early support from: animal trainer, joseph capriati, shlomi aber and many more...

as a label manager a lot of music reaches you ears. some you get especially attached to. this release is one of those. the two italian producers massprod and herva (bosconi, delsin) has together produced some music that feels very unique and different.

cassegrain & tin man are a deadly combination. old school acid lines programmed by one of the greatest masters in this field meet a super modern techno sound design by cassegrain, who have made themselves a name in the last years for producing some of the finest in dark and experimental techno. for the follow up to their debut release on killekill they have put together three tracks that are outstand- ing. high & low is a slowly swelling minimalistic acid epos of over 10 minutes length which proves the mas- tership of tin man in programming acid loops of eternal quality. 8 beats length only, but constantly evolving. no chance for boredom. the b-side starts with sex kit, a dark acid stomper with a chirping percussion which is well suitable for the peaktime dancefloor, followed by sand maze, a sublte minimalistic ambient acid piece, that winds its way into total dissolution. we are quite sure that this is the way acid should sound in 2013.

romanthony - let me show you love (2013 remixes) following on from the much hyped (plays on tong/mosca/todda t shows) and big selling re-works of bring u up, glasgow underground dust off let me show you love, arguably romanthonys biggest club hit (outside of one more time, and hand it over to gerd, oliver $, gavin herlihy & laura jones, mia dora and label owner kevin mckay for some 2013 touches. this 12inch features gerd, kevin mckay and oliver $.

as the principal collaborator alongside jason swinscoe in the cinematic orchestra, phil france is responsible for some of the most heartrendingly beautiful music created in recent times. co-writing, arranging and producing on the cinematic orchestra albums including everyday, man with the movie camera, ma fleur and also the triple award winning soundtrack for the crimson wing nature documentary, frances skills have always extended beyond his bass-lines

tenth release of the promising imprint focussing on warm and soulful vibes between indie, house, soul and downbeat. some well known producers showing their soft skills with own productions or edits / re-works they ever wanted to do. vinyl only! limited edition of 600 copies! comes in clear plasticsleeve!

absent from the shelves of record shops for some four years, the detroit wax label operated by eddie fowlkes resurfaced in style with last years unsung hero ep. thats what makes a track represents the seventh detroit wax transmission from fowlkes and sees the producer offer up a double does of his own distinct technosoul sound. lead track *thats what i think about* starts with a deep beat and then expands neatly, adding further rhythmic detail and a killer vocal hook: this is what makes a song cool, special. complementing this, *computer* has fowlkes on hypnotic form, mixing deep beats with cosmic sounds which are again elelvated by his usage of vocals...

late night tales and bonobo were pretty much made for each other, it just took them a while to both realise it. stepping forward into the compiler’s spotlight for the 33rd edition is simon green – aka bonobo – a musician, producer and dj perfectly suited to soundtrack an evening spent reclining to some parallel beats.
heavyweight 180 gram double vinyl plus 12x12 inch print of the cover art and download code for the mixed and unmixed tracks.

next vierzehnnullvier release. ivan iacobucci provides some quality tunes.

a demo tape, sent to capitol records by the trash company in the early 90s, garnered this curt response from then president of the r&b division, joy bailey: some music was never meant to be heard. thug records returns with one of the most intriguing releases to grace the catalogue so far. not restricted by any one scene, max monroe of the trash company produces a hypnotic medley of original hard edge rhythm & blues, soul dance and classic psychedelic punk wave textures. armed with a condition known as synesthesia meaning he perceives sounds, words and letters in terms of color and a 4 track cassette recorder, the trash company has spent the last 30 years as a bedroom recording genius.

dj steef, the mysterious edit maestro is back with an eclectic four-track killer ep on his own biomix label : a1 is based on some 80s classic thriller soundtrack, with a sexy female voice and epic synths. the slo-mo a2 is very funky, with a deeeeeeep bass and tropical percussions. b1 is a disco killer that will make clap his hands and stomp his feet any average dancer! b2 is some kind of balearic and catchy edit with spanish lyrics and a hypnotic loop

*regular & irregular* is a collection of five unfolding tracks, that reveal themselves through hidden sections, like walking through a foreign city at night hearing snatches of life. these tracks were created over a two year period and represent andys further exploration of melodic, rhythmic, and sonic ideas, some with instrumental parts contributed by fellow fallingup (the bristol club night andy runs) crew members typesun and jay l. spread over 2×12 inches, this is the 7th release in 2013 from idle hands following on from esteemed releases by outboxx, rhythmc theory, kevin mcphee and strategy. this is andys first release since his acclaimed 12 inch for peverelists punch drunk label.

second part of the series represented by great collaboration of two romania finest : mihigh & arapu
usual set: 180 gram, vinyl only, with some special sounds on both sides
supported by: raresh, cristi cons...

huge support from : ricardo villalobos, zip, tobi neumann, sylphe, dan ghenacia, troy pierce, dubfire and many more....
concealed sounds is a brand new label from the copenhagen based producer and dj martinez. the label is set up as a platform for the more deeper shade and experimental sound of techno and house music. it will feature releases by martinez himself, but also showcase some new talents as well as well known colleagues from the scene. and as the label name suggests each release will include a hidden sound, beat, groove or ambient piece. the first release comes courtesy of martinez, and its called: hollow ep. it starts off with a 14 minute piece of modern modular based techno. deep hypnotic rhythms lay down the foundation while high pitched noisy metallic sounds build over the hollow groove, before the baseline kicks in to lift everything to another level. the piece finally breaks down completely, to an almost horror-film-soundtrack like ambience before the groovy rhythms find their way back to bring the track to life again

3 rough, rugged, and raw tunes in which the waveforms are stopping eardrums and woofers, meanwhile experimenting but still staying true to the chicago ethos. man, you just got hit with some guerilla shit!

in the 1970s the american composer henry flynt started a series of pieces under the title >new american ethnic music<. in so doing he worked together native styles of music such as blues, country or hillbilly with electronic production methods to make something altogether new. so far in germany it has never been attempted to rework folklore electronically for a compilation. however, this picture changes if one redefines the idea of who the population is. incomers have brought new >national anthems< to germany, which means - even the portuguese fado, the african gnawa, the croatian klapa or the vietnamese quan ho are these days at home in germany. with the cultural project >heimatlieder aus deutschland< (native songs from germany) founded by former spex editor mark terkessidis and label manager jochen kühling all the various styles of traditional folk music now found in germany has been collected. thirteen of the songs recorded for the project have now been transformed by contemporary electronic producers to present a >new german ethnic music<. but why remixes? for one thing electronic music has recently focused a lot on the past (ghost music, hypnagogic pop etc.) – electronic editing is well suited to follow the effects of the immigrant music which the >imaginary national anthems< has created. furthermore the projects instigators were curious how >electronic musicians< would handle folk music and folk songs which is a hugely difficult task. to this end artists were sought out who could get along with the idea of each music style and who are known to already have experimented with the human voice. the results are as varied as the music styles and djs involved. some melodies remain completely intact while others are abstracted beyond recognition. margaret dygas associative approach ensured that she presents a polish song about a girls arranged marriage with a claustrophobic feeling. with his remix of the marrabenta of mozambique mark ernestus has continued the rhythmic experiments he is known for with jeri jeri. thomas mahmoud translated gnawa into dub and finaly ulrich schnauss turned the song of the italian chorus of >donni so< into a hymn for the horizon-expanding power of migration.hopefully this compilation will also expand some horizons.

royal dusts self titled debut album has already become an underground favorite and immediately following the release were the rumored whispers of a remix ep coming this fall. well the time has come to put some truth to the matter and proudly announce the royal dust remixes ep featuring mixes from two of the industries most acclaimed artists: ricardo villalobos and the brandt, bauer, frick ensembles paul frick.

william kouam djoko returns to voyage direct with deflourished. after a year with a lot of high highs and some deep lows, william found himself on the dance floor listening to a set by chicago footwork specialists dj rashad & dj spinn.

french label meant serve up another ep from their fast rising montreal based duo vosper. made up of edouard le and christopher byron, the pair excels in analogue funk, have also released on throne of blood and here get remixed by items & things man marc houle. taking some of their cues from the likes of drexcyia and mark bell, the duo have a sound somewhere between darkened techno and physical ebm.

pomelos newest outing is delivered by the nyc based producer extraordinaire brendon moeller, a real master in the field of techno and dub, also well known for his productions under the monikers beat pharmacy and echologist.despite his 10 albums and over 50 singles released for some of the best labels out there, it is three of brendon’s strongest tracks to date that have made it on his reconcile ep. the ep’s title track promises a subtle fusion of house and techno through a loosly swinging techno groove, and duly delivers with echoing chord cascades and spluttering sound effects. machiavellian impulse picks up the intensity with a more direct, pounding beat, to which stuttering, spacious stabs add an element of deepness and dub. loudness sustain decay finally has a whole side to itself, starting out as a lofty house mover, with a pulsing wild pitch synths slowly adding tension until the track’s wild finale.

massively anticipated debut album from ron morelli, founder/boss of acclaimed brooklyn label l.i.e.s. (resident advisor #1 label of the year 2012, amongst many other accolades), *spit* is the first in a trio of related releases from morelli due on hospital productions in the coming months. the album features 8 electronic variants, from house and industrial tape experiments to saturated metallic beat tracks. mastered and cut by matt colton at alchemy. there is so much that could be said about ron morelli, his l.i.e.s. label, or the fact that his debut album comes to you via hospital productions, but instead, here are some words from the man himself: i m a regular guy, enjoy a good steak, drinking beer, and occasionally a game of pro basketball, republican talk radio ... you know ... all the good stuff.

solar activity on dikso ! label boss daniel solar returns with a new ep and some helping hands from stee downes on the mic, florian kruse & nils nuernberg with the mixer and berlin homie mario aureo on the composition. the tracks are ranging from disco to house, from mild to wild and should keep the audience from start to finish.

our favourite swedish house duo is back…more dirty than ever! the follow-up to the previous eps moody & trapped is nothing short of brilliant. waisted with its plucked strings is classic deep house held together by a bumpy groove, soulful vocals & slick keyboard but still maintaining the formula that defines dirtytwo and their finest work to date. talking 2 u is where dirtytwo gets deep down and gritty. chunky house chords, a meaty bassline, cut-up voice samples in full basement effect. flip over for the hard on edit of talking 2 u which goes one step further adding some acid lines and a raw basement feeling. a dub for those who seek a more raw and heavier tool. local talk is talking to you!

jubeis debut metalheadz album *to have & have not* is out soon!
the album features collaborations with some of the biggest names in the electronic bass music genres, and the sampler which is out now is no exception, as j:kenzo joins forces with jubei for *visions*. *rufige 11* is as the name suggests, a tribute to the metalheadz sound of goldies rufige kru!

neil landstrumm returns to dont with a collection of some of his finest and most groundbreaking tracks from the tresor era of the mid to late 90s… also included is an alternative version of tension in new york, made at the same time but never released. what with the current resurgence in real techno, the time is right to show the kids of today, what was going on in the 90s and how it still freaks the frame and gets the dancefloor moving all these years later!

a synthetic love life is an 8 track compilation of experimental tunes & sonic art in retrospect from 1996-2013. mathematics label boss/founder jamal moss releases some of his more challenging tunes on the mathematics plus side label. limited pressing, hand stamped with printed insert.

we are very proud to welcome back one of our greatest artists and good friend scott monteith aka deadbeat. scott origal comes from canada but now lives in berlin for some years. the track mercy cage comes in two versions. the original track is stumping powerfull techno track, with the typical deadbeat feeling, dubby elements and heavy chords, perfect for the peaktime hour on the dancefloor.
pressing on yellow coloured & marbled vinyl.

morris audio continue releasing uk producers and new talents. this time its up to illyus! glasgow based illyus brown has released on sccucci manucci already and now hes on morris audio with some sexy house tunes

merkur releases its 6th ep which has a new, different approach compared to the last eps for which it has gained much praise during the past 5 years. the a-side >theme of mercury< was produced by label founder shingo suwa and akirahawks, who is known for the unique re-edit label house mannequin. the two of them mainly perform at homopatik in berlin. theme of mercury is a hypnotic track which was created with some broken old synth and sends your mind on an intergalactic odyssey, before diving into the deepest ocean on a journey to forget about space and time. the first track of the b-side is a remix from ducerey ada nexino aka yuji kondo, also known for his work under both his own name and as a half of steven porter on semantica. the remix fastens up the mix by repetitive pulsating synths, giving the beat an industrial modern atmosphere and letting the crowd heating up. the second track on the flip-side, called >barsoom<, is a solo production by shingo and completes the whole package. the functional work of a cut up 303 acid line with raw bass and a running groove creates an insistent and deeply pressured feeling. vinyl only, limited to 300 copies.