berliner martin dawson and polish duo catz n dogz join forces to bring us this fierce three track ep entitled no nights. the first track on this release is no nights. brimming with warm pads and an accusing, dark lo-fi synth line this version has a deep vibe to it and the ability to really get under ones skin. following this the berlin-polish team hit us with no nights (beatz mix) a catchy tech-house number with a lo-fi synth line sporadically accompanied by a melodically decending dubby synth. combined with the crisp vocal line this makes for a very promising track. no days, the last track on this release gets straight to business with distorted vocals and a menacing bassline that intertwine throughout the track. varying rhythmical flourishes keep it interesting, while tripped out synthesized sounds guarantee to get any dancefloor grooving. we couldnt be more pleased with the results of this tenacious trio and we look to the future in hope that they are already planning further collaborations.

this album is a first for nina simone. it features nina accompanying herself at the keyboeard. there is no instance of overdubbing the organ and some others dubbing her voice and of clapping and tambourines, but in this album everything is done solely by nina simone with no outside help.

never losing the musics immediate physicalness out of sight, the driving, bass-heavy energy of alex picones tracks set club floors on fire. still in his twenties, hes been a dj for fifteen years. having never aimed at quick fame, his career is exemplary in its endurance and commitment: he hosted parties in his hometown of padua and became resident at seminal italian clubs. after a stopover on ibiza he now resides in berlin. alex picones first record under his real name is also his first release on cadenza and his most successful so far. the three tracks of fahrenheit tie in with the overboiling force of floppy and furby. while the rattling snaredrum adds a humorous touch, the uplifting groove of inside out pushes on the limits of the energy levels of contemporary house music. yet the heart of the track is the relentless bassline, which liquefy ones body and melds the crowd and the whole club in one torrential stream of tension. with lost in burning man, alex picone fuses an oldschool electro groove in his house beats. this unexpected encounter might remind one of kevin saundersons hiphouse sound. but instead of indulging in nostalgia, the breakbeats add a provoking, startling touch to the track. with the rotary bassline and the playful jaws harp of mandarin, the ep ends on a comical note. alex picones second cadenza is a challenge to a certain house sound that became too accommodating and glossy. his musics driving force pushes the crowd beyond the threshold of the established into a space of limitless indulgence

easy and the center of the universe we already know from their recent flogsta danshall 7 inch release and some skweee compilers,remember legend of selda on skweee tooth?this new release on harmonia is as the previous ones infected with arabian soundbites. we recognize the details from our nights in the medina of marrakesh, we slip into our caftan, smoke the water pipe and drink mint tea,and are bodypoppin like an egyptian. no kiddin, this record is so imaginative and so true to its style that you cant go any other way. details of the percussion on halloumi are so good with the details in the orchestration (references to uom kalthoum records come to mind) the pitch and modulation wheels used intensive. with this release easy & center of the universe prooves again that skweee is one of the most evolving styles at the moment. this is exotic and exiting music.

ltd handmade cover ... telrae welcomes soundseeker, noise controller,full time musician, van bonn. he has written two tracks for telrae. both of them are constructed like a theatre play.. each tone is intentionally-on purpose- generated and set in its propper place to create a symbiotic effect... which you realise once you give them time to interact… and create something which might be just one element in a chainreaction. van bonns definition of techno dub. you could say van bonns has written the most abstract release so far for telrae and you could be right. the two tracks are not written for functional reasons, but are very functionel for the ones that seeks for similar feelings such as, deepness,landscapes of sound or just snapshots in which time stands still. these tracks come from far away to be discovered by likeminded people. dive into the world of van bonn.

the somewhat mysterious ld nero debuts with a release on peter fords venerable trelik imprint. the nites out ep is dipped in the kind of glossy production sheen that one expects to hear from a seasoned producer, with opening jam >nite out (dusk dub)< nailing that early 90s, stripped back house sound with effortless aplomb. the deep and hypnotic drum programming undulates next to neat organ stabs forming for a truly rhythmic dancefloor jacker. flip over for the dawn dub of the same track, with both name and sound suggesting this ones aimed squarely at those still standing and/or dancing come sunrise. this time a more ethereal atmosphere permeates, with a refreshing live and un-sequenced feel to the production

original singer creetin back on vocals, their best material since >rat in a maze<!
comes on violet marbled vinyl.

deep house and tribal beats with remixes from jt donaldson. jt donaldson and adam pickrell (white lotus society) team up with zimbabwean artist hati monetsi to create a unique work entitled >ceremony<. spoken in her native tongue of shona, hati pens a passionate tribute to loved ones who have passed while jt and adam frame her words with their elegant, deep musical production.the original mix features driving tribal beats while the techno mix is presented in a vintage detroit style. jt also provides two key bonus remixes: a straightforward house mix and a lovely early 90s deep house mix that pays homage to the early beginnings of the beloved music we all have come to love. timeless. support from fish go deep, scope, oliver desmet, jask, nathan g, groove assassin, marques wyatt, deron delgado, soul minority, john hawley

so far all 50 weapons releases have been either remixes of or by modeselektor and moderat, or split 10inches like the ones by humanleft & benjamin damage and earlier this year the fantastic elan vs falty dl record. 50weapons008 marks the first ever 50 weapons solo release by an artist. ladies and gentleman, cosmin trg, the man who never fails, presents two mighty techno weapons, striking, classic and modern at the same time.

as nang completes its first two years on the planet things are going pretty well. we are certainly not getting rich in financial terms but the love of the music and plaudits are warming our souls to the core. along the way we have also managed to work with some amazing artists and introduce some mighty-fine new ones to the world so it is with great pleasure that we bring you the 2nd installment of our >array< series. it is a stock-take of the best nang tunes from the past year, some previews on future hits and some tracks we just had to release!

danish producer martinez rarely fails to surprise club music lovers with his versatile views on techno and house. his very special enthusiasm enables him to seize new musical territory with every release. with his debut record on cadenza, his house sound develops another depth, a more general view of the ever evolving tension between life and music. the mzuzu ep is all about bass. the bass is all around, the bass gushes into every corner of the club, it pervades concrete and iron. while the low frequencies deal ruthlessly with architecture, they are kind to us humans. the basslines put the dancers in a conforting state of hypnosis which might be an unconscious reminder of the long gone time when one still rested in ones mothers womb. it arouses the memory of a state when one is completely merged with the surroundings. martinez reorganises the structure of house music: the lashing grooves cease to be the center of the tracks. martinez moves the heartbeat of the music from the beats to the bass. its firmness releases the other elements of the tracks, creating a free-spirited feeling. freed from their regular task the grooves are enabled to be rough and open. instead of trying to control the crowd, they ravish us with their liberating energy. the tracks rarely need anything else. the icing on the cake consists in tiny vocal samples. creating an irritating athmosphere, they put us in a state of constant curiosity. disolving completely into the flow of the tracks, the human voices become pure sound. >mzuzu chant< & >adagio< are for the beautiful moments when the dancing crowd detaches itself from time and space

here we go again! driving forces recordings is proud to announce another great release by our friends chris hope & andre walter, who again shared forces to create 2 pure and evil techno tracks. the original version of >i take< is a super long & hypnotic tune with great and endless rising synths. this is pure peaktime madness for crowded club nights.
the remix comes from nobody less than naples uprising superstar sasha carassi. with releases supported by the ones like adam beyer, alan fitzpatrick, joseph capriati, len faki and countless others, sasha stands for quality in every respect. no question that he delivered a real bomb here too in his very special & unique trademark big room style.
>collateral damage< is another brutal piece of music in the typical way only andre walter is able to do. with all its rawness this track perfectly reminds on his early days and works with frankfurt based technolegend chris liebing. this is simply sick! be aware!all tracks were heavy road tested for months now and are 100% club smashers for sure!

named after my daughter whos voice is on both tracks. orignal produced by ebb & flow (joe babylon and warren cowley), remixed by orlando voorn.
>detroit beatdown tribute< (produced by joe babylon) is dedicated to the ones that inspired me to start working on tracks again after 12 years off. thanks mike, delano and norm! remix by xdb of metrolux music (germany) who has also remixed norm talleys >cosmic waves<.

new york, chicago, detroit? nop, boring shizzle!! just try miami!! sun, butts, flamingos and music! only an idiot can think this way! the bar is for sure the answer to the question: what is the most important part of the house? so what is more obvious than crowning a house-track with a vocal by the person who enhances life to the bar and to the party as well as the dj? luna city express wants to build a monument for the ones bearing this responsible task and say thank you, together with enliven deep acoustics. they want to pay homage to the person every visitors welfare depends on! so just imagine the bartender not only leverages your drinkable luck but also sings for you! not only sing, just utterly make the party to an unforgettable experience which makes the dancefloor to a trivial idea. everybody who is pleasured by this record is forced by associations which will make her or him hugging the person behind the bar!!

>amigo< is the sound of friendly nature – deeply rooted in the music of latin america, and at the same incorporating latest recording technologies, this is the music for both extensive club use and advanced home listening. few minutes into its gentle, shimmering aura – and it becomes clear that this is the final and most perfect record of any latino-techno artist. submerged in warm, mid-tempo percussion arrangements, piers tracks leave a lot of room to breathe and let go of ones imagination – forming a soundtrack to virtually any activity an open mind can undertake.

the long term, super-productive story of class-act producers phonique and tigerskin continues with the next installment on ladies & gentlemen. over 4 tracks (and one more digital bonus) the pair explore their passionate, freaky and funky sides in this, perhaps the most functional release on the label yet! phonique throws us two hot ones with sandman and longdrink. the former skips through tripping, tooly and percussive territories while the latter goes all out with addictive rolling bass and hedonistic synth passages. marrying an old-school flavour with high-end, modern moments, phoniques side of this unmissable 12inch is just as strong as his legendary dj sets! tigerskin then takes centre stage with loop back in time and tonys riff. >in time< grows from a rolling drum array into a surging disco fueled killer, that whisks us away to a brighter age with its soaring strings!

430 west records embarks on an epic journey revisiting classic tracks from its 20 year history with 2010 reworkings. first in the series are remixes of octave ones seminal techno track >meridian< and their absolute floor killer >dema<. both tracks were exclusively reworked for their present >20 years into the future< tour and have already moved crowds all through europe, singapore, and north america. a must have for fans of funky techno

toris moon picks up a rhythm feel the new school of minimal techno has developed over the years and fuses it with michaels interpretation of techno. &#8232,,pascal feos has remixed >toris moon< and has incorporated a stronger house feel he has also highlighted in his recent released album.&#8232,,&#8232,, the b-side sees the release of an peak time hymn, bold beats, restrained chords that keep making their way to the surface step by step putting a chill on ones skin.

after a long break, enemy is back with a brand new limited release. the limited ones are the very special releases on enemy that have been tested on dustins dj sets all over the world. this collab with mark broom is one funky tune that keeps on rocking from start till end. incredible driving, with a throbbing bassline and perfectly timed percussion. flip it over for the special edit select vs. gary beck remix!! great release once again from the enemy camp!

hello there, not much to say about this release, we are just so proud to present the techno legend of detroit anthony shake shakir on astro lab recordings, after the last release by astro zntn with a remix of shit robot, we are back with this new 12 inch. crazy good track by the man with 3 solid remixes. first one is by detroit based osborne and the 2 other ones by our mates photonz.

who is maetrik and just how does he get his beats and bleeps to sound so good? we cant be the only ones asking this question as recently eric comes on a string of big hits for audiomatique and mothership. erics been banging out stormers of late, but with dumb-unit its different. here we do our typical du magic and present something a little bit slankier, a wee bit dirtier, and a tad more tripped out. something that dancers and freaks can equally get their head around, something that will blast through the sound systems straight through the summer! and so without further ado we suggest you dig in ... and get ready ...

propose, oppose, and dispose with this real rude hardcore smash by the wishmaster & promo! italian energy and dutch hardcore meeting each-other face to face in two tracks on the a-side that this duo created together. rudely coming to you with rigid skill, stacked synths and hall-devouring kicks. the b-side contains >time to rise up< by promo and >bottle< by the wishmaster, leaving nothing to the imagination when it comes to expressing ones aggressive attitude. a slice of hardcore mastery, heres the moment to revolt!

aniligital music is back at it with anthony mansfield and tal m. klein and their evil ways! building upon the successes of their previous collaborations, the villainous duo raises the stakes and take things deeper with this enigmatically titled three tracker. ciento ocho is spanish for 108, the tempo of the first track on the ep. a creepy crawly builder with 8-bit roots that culminate in a huge funk breakdown with an insidious bass hook (if you have any doubt,just fast forward 3 minutes into the track) next up is desayuno en timpanis which we think means breakfast at timpanis in spanish. needless to say this ones heavy on the percussive elements, including of course lots and lots of timpani drums. desayuno en timpanis gets going pretty quickly and doesnt let up. check the flanged upright bass breakdown for extra bigness! purely non-stop huge sound system busting dancefloor action. speaking of floor fillers, have we shown you our tiger bomb? bomba de tigre is the definitely the deepest track on the ep, but lest anthony and tal rest on the laurels of their 808 kicks and 303 basslines, this tigre is a stalking beast that explodes in a vicious classic house attack!

gavin herlihy is back on cadenza, and he comes bearing what can only be seen as an instant anthem. remember those foam toys, the ones where you just had to add water, and theyd swell into wonderful, unexpected shapes? back burner is a lot like that, but no water needed: just a needle in the groove, or a laser across the aluminum, is enough to send this sucker ballooning to enormous proportions.

feat. exclusive unreleased remixes from a mountain of ones critically acclaimed long player >institute of joy< - on ltd edition white vinyl.

including la roux >colourless colour (the subs remix)<, the ones >flawless<, dan black feat. kid cudi >symphonies (dada life remix)< and ame >rej<.

eye of the storm seduces your mind with words while filtered melody wraps itself around your body. >unveiling you< & >at your discretion< have enough energy for the early dancers and the ones that stay all night.

nice price deal !!! expanding on the success of forward strategy group, label boss smear has fashioned the new minimalist outfit, retail & leisure, with a new addition of the fsg corporate family. retail & leisure is in many ways the polar opposite of fsg, ditching their trademark dense, heavy techno in favour of simplicity, space and a more systematic approach to composition. side a strips right down to the bare essentials, leaving little more than an ice-cold rhythm, bleep and hiss, creating a deep mix-tool for fans of artists such as mika vainio and sleeparchive. the b side features a remix by fsgs latest recruit adrian ross. mechanical scrapes and clangs mesh with deep, pressing kicks to create a sound which is dense and impenetrable. ross is a unique entity in techno: with a genuine outsiders take on the genre, he is an exciting prospect and a great asset to the group. the final track is r&ls take on dubstep, with dry, chalky percussion, discordant siren and churning bass. snares spin, shuffle and shatter against the tracks main, oppressive rhythms. the record ends with some valuable advice on where one should position ones feet

naked musics nude dimensions part 3. originally released in 2001. includes tracks by deep sensation, miguel migs, satin souls, jersey street and many more plus a special weekender remix on jersey streets step into the light.

clausells excellent, in demand percussive house pieces that were only available as a 5x12inch box, available now as single 12inch releases!

after releasing the excellent >wormhole< on japan excursion joint 3, the most talented stefny gives us her debut solo archipel 12 inch, >echinodon<, featuring remixes from bruno pronsato and isomer transition.
this package, by all means, is set to infinitely clutch and grab ahold of many a mind. >echninodon< is wonderfully fanged, each maxilla locked and loaded, ready to capture the entirety of the minds resources and set it into intricate motion. it possesses a hypnotic prowess of such a level which makes it difficult if not impossible to shift ones attention away from it. if lucid dreaming is possible while one is awake, waking dreams within wakefulness, this is sure to cause just such a condition to arise, leading to deliciously formed headscapes where every scene is endlessly novel and created out of the finest of mental interior brushstrokes and every individual shade and colour is endless in its depth.

great road songs are driven by a yearning for the distant city that can only come from those that dont live there and like all the best ones, way to la feels dreamlike and timeless. claremont 56 start 2010 with a single from their latest signing, bison, made up of holger czukay, ursa major, paul mudd murphy and benjamin smith. the first release takes you on a trippy rock fuelled journey to the west coast of america, via stuttgart and holloway. on the a side, way to las bass throbs insistently, engines growl and bubble and tom petty power chords flash by in a swirl of czukay reverb, fading like treacle. ursa major is at the wheel, her voice soothing. she knows where shes going. cocooned in the cracked leather of the passenger seat beside her, nobody can stop you. you re on your way. side b takes to the highway with a darker sound. holger czukay puts his foot to the floor, pushing his mix up a gear and rounding off an essential debut release. like the perfect road trip sunset, this release is epic and unforgettable. like all claremonts this will be fly of the shelf...again!

the second half of the great lengths remixes package offers 3 more vividly contrasting interpretations of album tracks. almost a year on from the release of his debut album >one< and with >saviour of techno< plaudits still bouncing off concrete walls, berghain lynchpin ben klock turns in a remix of is this insanity that distills everything inspirational about both the club and city he calls home. spaceapes cracked vocal is welded to a sort of cavernous piston driven groove while traces of the originals melody fractured into the briefest of shards fight their way to the surface only to sink back into the percussive smog. located well outside of the heavily scrutinised uk hype centres, manchesters rising star illum sphere continues to hone his already distinct sound on the flipsides brilliant orange reworking. a clanking off kilter groove rubs up against an extended mutation of the original melody that pushes the track towards a poignant climax, evoking all the ache of reaching for the stars and landing squarely on ones face.

zernell and goodking are back with the second volume of their grimy edits series! this ones a monster with a ferocious double action edit that we challenge any disco head to id! a little motown, a little funk, another essential release from grimy.

joe clausell has long been one of new york city’s busiest dance figures, thanks to his work in all areas of the house community: as a highly respected dj, producer, remixer, and label-head. after a decade long break from releasing a full length, here’s ‘un.chained rhythums part 1’ with a mix of worldmusic and afro/latin inspired club tracks

with five beat pharmacy albums and almost a dozen vinyl releases on francois ks deep space imprint, this dubby and eclectic project of brendon moeller needs no introduction.
chugging along at 120bpm, underpinned by a thick sub-dub bassline and a modulating maurizio-style synth cord arpeggio, pump is a hypnotic slap of deep smoky house with some memorable hooks to boot. swirling rhodes keyboards and a slick piano riff serve as a lovely counterpoint to the swinging funk of the hi-hat groove. forever morphing and evolving, the stready and unrelenting groove are guaranteed to keep heads bobbing and toes tapping!
the first remix here is by echospace head honcho, stephen hitchell under his intrusion guise. stripping away and re-contextualizing the key elements in the track, hitchell crafts a warehouse-style dj-tool that subtlely weaves its way into ones subconscious via a delightful psychedelic keyboard hook.
londons bearweasel takes a similar approach, except with a much more pronounced beat track superbly trippy atmosphere. a top notch dj tool thats likely to be spun worldwide.
all round a quality release with enough sensibility and character to be played for years to come.

after a brief hiatus, we return with a delicate slice of wax that epitomises what ldr stands for ? new, original music from hardworking, young artists. after the success of datas >blowpipe< on ld5 and a string of genre-busting releases on labels like metalheadz, critical, revolution and tempa, data brings us a grimy gem in the form of >liberty city blues<. incident from hungary and paul sg from austria blew us away with this track which featured on our recent knowledge magazine cover cd mix.
>liberty city blues< is a minimalistic piece of jungle music reminiscent of early photek or source direct. from the outset the tune just bubbles with menace and keeps on building and evolving throughout. a pure bass-heavy slice of proper jungle.
>autumn drops< is a soulful roller that shows that this crew are ones to watch in 2010. full of melancholy, icy vibes and a subtle basslinethat gets right under your skin, this track is a firm favourite for this year.

palette recordings celebrates its 13 year anniversary with a release by the duo that started it all for the label. no giant mix compilation or collection of remixes, just another example of what has built the foundation of palette over the last 13 years. john tejada & arian leviste have been collaborating for over 18 years now. with this release the duo in a way come full circle, combining some of their oldest production techniques with newer ones. its been a long road for these 2 seeing styles and trends change, equipment and technology come and go over the years, but what has remained a constant is their vision of electronic music. >messenger< with its subtle intro of modular synths and rhythmic pads breaks out of its sinister drop full force into a multi dimensional crowd pleaser. the stabs continue to build energy while layered drum programming and modulating synth lines escalate the tracks energy. on the flip, >observer< continues with a fierce pace that harkens back to the days of palette 4, combining vintage synth stabs and drum machines recreating that classic vibe which is gaining such momentum again these days. the difference here is these guys were around at the time already releasing music that would garner them such high acclaim over the years.

who would have thought it, techno djs playing filtered house... well, earlier this year it happened, and it was pittos >feelin< that caused the sensation. the original and superb dub, has gone on to become one of the biggest club releases of 2009.whispered rumour of a remix package has abound, and these were confirmed with early copies of a district one remix finding support amongst the dutch elite.well now its time to confirm the rumour, and not only bring you the district one remix, but bolster the package with a devastating remix from the master, joris voorn. edwin oosterwal and voorns rejected label keep on delivering the hits. long may it continue!

the process of artistic creation is fundamentally determined by the environment of the artist. some cities and geographical locations are synonymous with the artistic techniques and crafts in which their populations became specialized. the muted and subtle sunsets of monets paintings are nothing else but a truthful interpretation of the actual nuances of a parisian twilight - along with a great dose of the artistic wizardry.
these cities and their artistic communities, are the legendary ones that remain in history. defending a fantastic track record in electronic music throughout recent times, rosario - the capital city of the santa fe province in argentina - is one of these places.
franco cinelli, nico purman, andres zacco and jorge savoretti are the leading figures who have, over the last decade, turned rosario into the great sound lab that it is. while developing their own sound and story individually, these boys never forget about their common origin, and the vibe that truly unites them together. on this occasion, they all come around remixing their young friend capes >le post< ep.
this record is pure mother of pearl. it is a tribute to rosario and its prolific actors.

already licensed to 8bit reasons pt. 2! hot on the heels of chelonis r. jones the cockpit, and not ones to let us rest, marc romboy and his systematic recordings return with the next instalment from their hit making production line. with the release of robert babiczs album immortal changes set for early 2010, marc has decided to wet our appetites with the delicious sounds of astor. to back the fantastic original, systematic have created what could be, the finest mix package of 2009. the brazilian genius gui boratto takes the original on an epic, groove-lead tech journey with the most beautiful of breakdowns. shur-i-kan turns in one of his finest mixes to date, with a diamond draped, cosmic funk workout that is crying out for sunshine and beautiful women. finally, glimpse takes astor on sub-laden flamenco journey of wonderment…

limited edition sampler 12 inch to his album >we are the ones we ve been waiting for< (hs-019). tracklisting here is >axion< (exclusive to this 12), no time for gravity waves, buzz 101 and glow (these will be on the cd full length, not the vinyl album). >axion< is a modern club banger with hypnotic loops, chopped vox and stripped drum action. >no time for gravity waves< is a laid-back, textured house jam, >buzz101< is an energetic jazz-tinged workout, while >glow< is a classic slice of soulful techno. check!

releasing >jeffer< as the first single is quite unsual regarding other power tracks that feature robot voices but who cares really anyway? berlin buddies modeselektor made their version of >jeffer< and themself say it sounds like the good days of audion when he is not so minimal - and they make it to the point. mdslktrs remix is a full on techno mix but playable for house or new rave djs as well. it extends every genres bouderies and presents a sound that everybody can meet at. on the flip you get para ones epic version which shows that he is still top of his game. after his classic remix for boys noize >my head< he answers >jeffer< with this banger. para one is pushing the good feeling of the original track to another level by adding new melodies and an epic breakdown in the middle of his mix. 2 killer remixes!

mind-blowing pure and crafty techno killer tunes from well known samuli kemppi. he released on ostgut ton, pakkas-levyt, frozen north, and now on prologue! his beats in >droning< step in like the usual ones, but all of a sudden it turns into something new making your feet stomping behaviorally. circling and clanking sound chasing from left to right and up and down, right into your hypothesis - to activate the whole body. no change with the b-ones. perfect electronic music hand-picked from prologue! trust us and cover your heads! no one can hear your echo ...

massive percussive flute track!! will be a weapon in the hands of the big ones...

excentric off-shoot rekluse has had a great start so far with carl cox, hell, slam, laurent garnier, james lavelle, technasia, stacey pullen andanderson noise all regularly supporting the label. the previous 4 releases have shown the labels sound to be developing rather nicely with a consistent ear for high production quality alongside a drive for exciting and unconventional electronic music for the dancefloor.the 5th release for the label is supplied by loco & jam, 2 guys who have been really making a name for hemselves in 2009, already with a release on >italo business< under their belts and their remix of henry von s propaganda that has made it s way onto carl coxs >space 2009< compilation. with forthcoming releases penned for >hedgehog< and for umeks >sixteenofive< imprint these guys from limavady, northern ireland are definitely ones to watch out for. >medusa< has been fergie & mr henry von s secret weapon since they first got hold of it, never failing to completely destroy any club that has had it pumped through its soundsystem, as well as support from king unique & the japanese popstars who have been behind it since day one. the a sideis backed with 2 seriously strong cuts that show l&js ability in the studio to take things up a notch (whats the matter) or to twist things up somewhat(virus).

moxie say: we got hipped to the life of a party last year during a breaking contest in nyc, one of those old school ones in the bronx. it was pure ecstasy! so we extended the good part, so the trip would last longer. the idea was to combine party life with two other breakers tracks to form a steppers package and then mj died... browsing back through his catalogue we were reminded of two other sweet 70s tracks: the funky hum along and dance and the smoother, but dangerously infective let me show you (the way to go). the result is moxies tribute to mj. may he be with us forever. thank you for the inspiration and joy you gave us.

some 2003 proggy stuff by pete heller!1 taken from the nrk mix cd!!