tech-droppers fronts a coil of six acidic, harmonizing, well programmed, whizzing and straight to the bone dance punchers. the string of snappy snares, rainy cymbals, steps of cuts & drops, as well as the sequenced balance of high flying chords, rolling rhythms and solidly sectioned stabs keeps all tracks absolutely straight to the point.
sextet (1982) will be released on clear orange vinyl (with download code included) in a textured sleeve replicating the original factory release. dark and brooding, yet bright and funky, sextet is a firm favourite amongst the critics and saw a certain ratio refine the experimentation of the first two albums and deliver a masterpiece that is as off-kilter and weird as it is commercial and pop.
after a number of dance-flooresque releases and live performances as a modern day acidhouse crooner, your planet is next stops the sequencer and takes a trip off the grid on the new label gröna stugans väg. 60 minutes of glittering lo-fi compositions, to accompany you perhaps while in the bathtub, meditating, painting, or swimming. the artwork folds out to a mini poster made by ypin himself. c60 cassette, limited to 140 copies.
the fourth release in the modern underground music series: slices of underground house/beats/deepness from detroit & beyond, with tracks from melchior, slope 114, quelle chris and re-release of a rare chicago house gem from doc link. limited copies of this future classic.
intergraded is a new label started by midland to focus on releasing music by new artists, whether unknown, emerging or established but working under a new name. the first release sees body in the thames, peach, jay and webstarr help inaugurate the label. the idea for the label came about after being sent unreleased music and ideas by a number of artists over the last year. as i plan to focus graded on my own midland solo work for the foreseeable future, and with regraded occupying a different aesthetic plane altogether, the logical step was to start a new label that could help introduce this music to a wider audience. harry agius aka midland
two dutch institutions in delsin and 2000 and one team up for a reissue of the 1994 ep belongings. it was an early release on 2000 and one s influential 100% pure label and found him in full on space-techno.
reflex in waves brings together a series of sonic approaches manning has been developing for over a decade. specifically, mannings work is concerned with waves and the impacts of their resulting vibration. quietly producing audio works out of his studio in yeronga, on the south side of brisbane city, mannings works are based on a series of deeply personal instrument designs, tape manipulation and other exploratory approaches. his instruments, which are often percussive, use harmonically related materials that are activated by motor-driven strings. the resulting sound is a chaotic but pulse-like cluster of harmony.
das debütalbum der gruppe von januar 1967 enthält den welthit light my fire und den song the end, der unter anderem durch den film apocalypse now wieder bekannt wurde und dessen originalaufnahme teilweise auf plattenaufnahmen wegen seines textes zensiert wurde. dabei handelt es sich um die griechische sagengestalt Ödipus, ein königssohn, der unwissentlich seinen vater tötet, seine mutter heiratet und mit ihr schläft. die textzeilen: father i want to kill you, mother i want to fuck you erschienen der Öffentlichkeit als zu vulgär, wenngleich schon seit jahrtausenden selbige szene in den theatern aufgeführt wurde. weiterhin enthält das album das brecht/weill-lied alabama song.
oscillating between charming pop and jazz with a hip-hop vibe, uncle wellington creates a universe in which hybrid drums are seductively intertwining with melancholic folktronica. between acoustic beauty and analogue experiment. between raw poetry and sweet delusion.
fresh from his ævanishing point single on uk label hypercolour, which saw the lead track hit the beatport leftfield house & techno sales chart at #1 for four weeks, a sagittariun is back on his elastic dreams label with the æslightly ajar ep. as always, a sagittariun brings an eclectic melting pot of flavours to each of his eps, blending detroit techno, ambient house, highly charged electro, dramatic synths and transcendental vibes.
tape / cassette incl dl code, ltd to 100!
hippie priest returns to argot to release his second album, see it through. having made great strides at dialing in his production and strengthening his songwriting since the release of gaia variants in 2016, the young champaign-based producer focuses his sophomore longplayer around a narrative approach. see it through is a day in the life of a lioness, says hippie priest, beginning with the soft ambience of waking up in the morning, leading up to an intense hunt in the middle, and into evening revelry and eventual slumber. the albums 11 tracks cover a large stretch of sonic ground to tell this story. its glowing opener, umbrella keeper gives way to widescreen stompers thorn and quicksand that clear the way for more contemplative moments like crystal or cherry blossom. one cant help but imagine a dramatic hunt while listening to are you okay? or carnivorous displays on desire. even tender scenes are possible with closers tanuki and tired lioness, gorgeous movements in which hippie priests melodic profficiencies shine brightest. second album from the up-and-coming young producer from central illinois.
beraneks debut album, sound of danger, was released on mind expanding records in november 1981. nowhere near as accessible as the previous single, the album fared poorly commercially. withdrawing from the singles fun, kitsch pop, the album is cool and static, driven by thin rhythm boxes, cold synths, and glacial guitars. taking heavy cues from david bowie, all of the songs are sung in a nasally english accent, a rare occurrence in norway at the time. the lyrics are melancholic, but tinged with paranoia. there are also upbeat tracks that evoke a prog or glam sensibility a la king crimson, alan parsons, or roxy music. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. housed in the original jacket featuring red, black, and white lines that evoke a visualized richter scale designed by monica moltzau. each copy includes a 2-sided 8x11 insert with lyrics and an autographed press photo of beranek.
ross from friends returns to the lobster pot with a hard skatin, snake evadin, cherry chompin ep of luscious house bangers alongside raw stomping, broken beatdown escapades.
after making some serious waves over the past 12 months with the cult hit talk to me youll understand and following with an epic three-person live set, this third ep and sophomore release for the lobster family expands on the rff sound whilst stretching the sound pallet back to encompass the rawer end of the spectrum as seen on his debut for breaker breaker.
kein club ohne eine regelm§ige dubstep-veranstaltung! dubstep hat sich lngst zum festen bestandteil der club-kultur entwickelt. ursprnglich ein nischen-stil von clubgngern fr clubgnger, hat dubstep nun schon seit lngerem seinen weg in die gro§en clubs und charts gefunden, ohne etwas von seiner coolness einzub§en. die basslastigen, treibenden beats sind einfach der sound der stunde. dubstep 2017.1 the ultimate hits setzen wir nun unsere erfolgreiche dubstep-reihe fort. hier finden sich gleich 34 der strksten und angesagtesten club-hits aus diesem genre!
theo conard, also known as paxton fettel delivers his second lp on greta cottage workshop. entirely produced by mr fettel its an exemplary mix of predominantly instrumental contemporary jazz funk, sometimes featuring the vocal talents of one olivia lincoln.. from the very beginning it is totally and utterly heartfelt - until the floor churning and brazenly life affirming end his emotions are worn firmly on his sleeve. its a serious embodiment of proper fusion and a testament to a phenomenal producer progressively pushing his work in a playful, honest, admirable and honourable way whilst not taking himself too seriously!
la fete ep is a collection of 3 remixes of luc mariannis voyage vers l harmonie. they were made by crystal (beats in space nagano), john shade (bristol) and tin man (vienna).
burnski and jon woodall s constant sound label continues to reach skywards following the formers essential dna album, welcoming the ever-reliable laura jones and stephen brown into the mix with a collaborative effort that matches club precision with machine soul in equal measure. -crystalline- works around detroit motifs to great effect, while -concave- ramps up the swing factor for a spacey number that gets fancy with the fx. -pv- too does a fine job of making the synths ping around the mix with a jammed-out feel, while endian delivers a remix of -nothing lost- that leans on berlin techno dynamics while injecting some colour into the situation.
despite only a few releases, the electronic deep house sound of vibraphone records and the production team behind it, had a major impact on the international 1990 s dance scene. the original 90 s vinyl are now considered precious collectors items. revitalized by an increasingly new young audience interest, this label has reached a cult status and it has now been re-launched via juno records. for the first time in twenty years ttusr has produced three new exclusive tracks which will be included on this 12inch ep entitled liquid time.
sacral bass driven ceremonies out of the crypt of swiss artist and producer bit-tuner. 16 tracks exploring the lighter side of darkness, deepness and hypnotic ritual endeavours. in his energy-driven music and concerts, bit-tuner oscillates between bass music, electronica and techno, while he pulls his tracks together to become a gloomy, but euphoric bass monster. bit-tuner stands for heavy beats, blown up bass sounds, vicious dreamscapes, acid-driven melodies and disarming harmonies.
ozone 23 is the second release to explode out of the sp23 studio bunker. ozone - 23 psi (sirius and crystal distortion) lay down a breakneck slammer bursting with whiplash breakbeats, dark gleaming basslines and a relentless, driving flow. ultra detroit - ixindamix kicks the doors off a heaving detroit warehouse with a funky roller fuelled by searing synths, hypnotic vocals and a steely edged analogue warmth. u boat - jeff 23 and crystal distortion dive deep down into the abyss with a mechanical symphony of dark menace, charged frequency and sublime tension
support by: tony humphries, tensnake, dimitri from paris, miguel miggs, glenn underground, ashley beedle, sean mccabe, danny krivit, paul trouble anderson, cj mac, faze action, ted patterson, robert owens, ross allen, richard earnshaw, david harness, hot toddy, ridney
co-label owner sinfol, returns to anagram providing us with four distinct techno cuts that dip into the realm of dub. with this release, sinfol shows his ability to travel through various emotions and soundscapes while staying true to his own distinctive modern take on grooves.
electronic music approximately 35 years after bands like kraftwerk opened the magic box. a lot happened since then and it seems all is said, done and invented. however it is almost surprising that new things still pop up here and there when it comes to electronic music production.
her cocteau twins-meets-sbtrkt waves of avant-garde gorgeousness on youve never been alone (gilles peterson premiere) are perfect for dreaming as well as dancing to. q magazine. co-produced by airhead and mixed by stéphane alf briat (air)
inspired by a journey of a man, who is not afraid to leave everything behind and travel far beyond the stars, vakula sets off for the exploration on new sound magnitudes. written by david lindsay in 1920, a story of a fearless traveler who is exposed to sublime energies and unknown spheres concurs with vakulas perception of reality and his personal voyage to unknown dimensions. claimed to be a soundtrack to a voyage to arcturus, the album is an attempt to expend beyond conventions of the modern house music and dedication to daring ventures.
session victim love what they do. the pure joy they get from writing, producing and performing their unique blend of underground dance music oozes from their very pores, translating into pure good vibes for anyone witnessing the duo in action. as a label, we couldnt be more proud to see their growth and development from a couple of self confessed semi-reclusive studio geeks into the globe-trotting djs and headlining live-act they have now become. with their second lp for delusions of grandeur about to drop it is easy to hear their constant drive to push themselves emanating from their new material.
argot releases this deluxe, 4 tracker, from the detroit producer, for the benefit of all clublands residents. it provides djs and home listeners a diverse selection of musical amenities.
maneuvering the perilous depths of heartbreak and ecstasy, skin towns bewitching r&b pop stunner the room approaches the elusive mysteries of desire and longing with directness and urgency.
it has been four long years since noahs last album, blind alignments, was released here on thoughtless, and much has happened since: extensive tour dates, numerous singles and collaborations, a lingering break-up, a move across the atlantic, 80 releases here on preds thoughtless imprint, tests of new music technology, and the sudden death of his father, all this and more transpired as his latest full-length effort, third culture, took shape. traversing these highs and lows, the result breaks new ground for pred, building on the dub-inflected techno and house that fills his discography, yet reaching far beyond anything we have heard from him before.
art department presents martina topley bird featuring mark lanegan & warpaint crystalised is a re-imagining of the xxs modern classic of the same name. the original down-tempo version featured on the 12inch are remixes from directors cut aka bona-fide house legend frankie knuckles and eric kupper, french luminary agoria and close label associate deniz kurtel.
the first installment of alex agores mizz honey ep ensured the prolific german producer debuted fully on the say ahh! label. this second edition of the mizz honey series maintains those high standards and hopefully ensures the door remains open for subsequent agore output on the label run by the brotherly duo of mk and scottie deep. *x* sets the tone, looking to a salsoul gem for vocal inspiration and swamping the sample in a thick, bumping house groove spread across the a side that must have instantly grabbed the brothers kinchen. the flip pairs the finger snapping, soulful slam of *ice crystals* with the immediately infectious piano house business of *everyday (u lift me up)*.
wer schon das vergnügen hatte the brew uk auf der bühne zu erleben, weiß weshalb der ruf nach einem livealbum immer lauter wurde. die atemberaubende und energiegeladene show der drei britrocker aus grimsby sorgt nicht nur bei der band selbst, sondern auch bei ihren konzertbesuchern für schweißtreibende ekstase. live treten the brew uk von anfang das gaspedal bis zum anschlag durch und halten dieses bis zur letzten sekunde gedrückt. zu dieser emotionsgeladenen dynamik gesellt sich die charismatische bühnenpräsenz der drei briten, die mit viel herzblut und authentizität dargeboten wird.
nun kommt das album >live in europe< des englischen rock-trios endlich auf den markt. das 180 gramm doppel-vinyl transportiert die unbändige live-energie eines the brew uk konzertes in die heimischen vier wände.
the official biophila remix album. includes remixes by omar souleyman, death grips, these new puritans, hudson mohawke and matthew herbert, all of which have been specially mastered for this release by grammy-nominee mandy parnell. an emphasis was placed on making the album a cohesive whole, and the remixes selected accordingly from a multitude of potential candidates.
after much demand for a vinyl release the duo asked to make a short run of their latest remixes and were delighted to gain permission to release this legit but very limited 12 inch. only 300 copies worldwide, dont sleep cause when they are gone, they are gone!
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