2021 scooter 2 fach cd

3xcd im digipack

dreamy back-room disco from multi-instrumentalist brijean murphy (of toro y moi and poolside) and producer doug stuart.

nice tracks for club, radio , just pop appeal

new album from biga ranx.

reissue, on of the best albums of the 2000s.

10 years jubilŠums ausgabe von darwin deez

the monophonics are back with their new album >its only us<

incl. great collaborations

nick warren is bringing back the balearic vibe

melodious jazz

the hottest dance tracks in full lengh versions

the godfather of house for his unrivalled contribution to the house music we know today what started as an underground movement in chicago has grown to international heights thanks to frankie

originally released in 1986

jeep kjellberg, tomas barford and tomas hoffding aka whomadewho showcases pop, indie, techno, disco, punk and funk and anything they can imagine on the new watergate compilation 26

ladytrons first new album in 7 years comes in february 2019 via !k7.

jazzy and folksy dub disco-influenced synth-pop

initial an idea of hœbert n—i, inspired by icelandic/canadian astronaut bjarni tryggvason describings of time in space, n—i and howie b. created between 1998-2002 a real time soundtrack for take off, roundtrip in earths orbit and landing with a space viechle. excellent post millenuim cd release, a definitive ambient quality mark.

the take kontrol album by roni size

die neue soul togetherness 2018 enthŠlt 15 modern-soul-highlights des jahres, die teils erstmals auf tontrŠger erscheinen. darunter sind grandiose songs von cornell c.c. carter, kenny thomas, jaki graham, john reid und james day (in teils exklusiven extended versions), die rŸckkehr von change und the richie family, die beiden kŸnstler brian courtney wilson und lexi von motowns neuem gospel-label, dance-grooves der newcomer the apx und imaa, vintage-soul von ernest ernie & the sincerities, soul-garage-hymnen von dj spen und prefix one, sowie der fabelhafte mousse t feat. peven everett

>working class woman<, das anfang oktober auf ninja tune erscheint, ist die vierte und selbstreflexivste platte der in montreal lebenden produzentin marie davidson

5 cds compilation for all digweed fans! this time we head to tokyo and to one of the best underground clubs out there. contact is an amazing basement club with a low ceiling, minimal lighting and an incredible sound system

!k7 are pleased to announce forest swords as the next curator of the ever essential dj-kicks series. following acclaimed albums on ninja tune and tri angle, soundtrack and installation work, and remixes of the likes of bjork, matthew barnes aka forest swords has curated a 25-track compilation that draws a line between past inspirations and his current peers. like much of his own output, his dj-kicks skirts around pristine electronics and embraces more organic textures: 80s post punk (anna domino, dead can dance), classic 90s british electronica (orbital, mira calix), and smokey digi-dub (rhythm & sound), all rub up alongside some of the most forward-facing producers working today (demdike stare, laurel halo, fis). the compilation sifts through rhythms, shifting speeds and emotions: from pop icon neneh cherrys primal thudding to the zombified throb of exclusive forest swords track crow via deena abdelwaheedÕs clattering deconstructions to the euphoric two-step of djrum. its a collection of tracks that feels as restlessly curious and weighty as barnes own work.

berlins own steffen linck, a multi-instrumentalist known as monolink, announces his debut album amniotic, due april 20th via embassy of music subsidy embassy one. it is the experiential nature of monolinkÕs music that defies the muddy definition of modern live electronic music. armed with a singular blend of berlin underground culture with the pop-leaning sensibility of american electronica, steffen transports listeners into his own realm of sonic exploration. the music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals acting as a singular point of departure for this budding talent. amniotic stands as monolinks first complete body of work, following his 2017 ep burning sun via sol selectas, and the end, a collaborative record with acid pauli in 2015.

auch dieses neue a state of trance jahr beginnt mit dem gro§en festival in utrecht (nl) mit dj-star armin van buuren als headliner und vielen weiteren kŸnstlern der gro§en armada-familie. die offizielle compilation dazu prŠsentiert wieder die beste trance-music, die man derzeit auf dem markt bekommt. 40 exzellente tracks von etablierten top-produzenten und den heissesten newcomern der szene. mit armin van buuren, allen watts, ben nicky, david gravell, gareth emery, ilan bluestone, john oÕcallaghan, neelix, nwyr, purple haze, shinovi, u.v.a. be in the momen

das in berlin lebende, italienische dj/produzenten-duo tale of us hat in den letzten jahren eine rasante karriere hingelegt, die 2017 mit ihrem debŸtalbum -endless- bei der deutschen grammophon ihren vorlŠufigen hšhepunkt erreichte. ihr -fabric 97- mix ist eine eklektische tour de force mit vielen unveršffentlichten und exklusiven tracks, frischem material ihres labels afterlife, sowie profilierten kollegen von adriatique Ÿber efdemin vs. dj koze bis recondite und patrick bŠumel, plus natŸrlich dem eigenen exklusivbeitrag -error error-.

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou

without new jersey native kerri kaoz chandler, house specifically deep house would sound very different. ever since his teens he has been making and playing music with a unique sense of soul, jazz and deepness. from majors like atlantic, king street sounds and nervous via his own madhouse, his releases are never short of genre-defining classics that have spawned a thousand copycats. affectionately referred to as the stevie wonder of house, kerriÕs dj sets take him all over the world and often find him playing live keys next to his informed selections. heÕs meticulous about sound, too, which means that no-ones kicks hit quite like kerris. his instantly classic and timeless dj-kicks mix, though, takes him out of the club and through a world of influences and inspiration

this compilation spanning a period of 37 years features burnt friedmanÕs releases and edits thereof from vinyl-only labels (latency (fr), marionette (ca), dekmantel (nl) amongst others) plus 4 hitherto unreleased tracks, making them available on digital formats. friedmanÕs music from 1980 to 2017 covers a broad spectrum of played and programmed rhythmic styles that traverse not only club music from techno, electro and dub, but, above all, trace friedmanÕs own artistic development. a trajectory that owes a lot to his long-standing collaboration with can drummer jaki liebezeit, who died at the age of 79 in 2017. like liebezeit, friedman already explored even and uneven rhythms back in the late 1980s. this selection of 17 tracks documents this pursuit while bringing rough or discarded tracks to light, which did not fit onto any album or were intended for the nonplace label. the compilation runs the entire gamut of his work on percussion, keyboard, samplers and toys of all kinds using various production methods (tape, atari, midi, sampler, hard disk recording, digital audio tape). studio work (instant-composition, programming and recording) underwent major technological changes and revolutions in the 1980s and 1990s, but friedmanÕs distinctive signature style prevails throughout. surprisingly danceable tracks, interrupted by alien atmospheric periods, defy any genre.

brainwaltzeras debut lp poly-ana follows quickly on the heels of the producers aescoba ep also released this year via film. across thirteen tracks of both previously released material and fresh excursions into the artists world, brainwaltzera explores sounds ranging from luscious, downtempo grooves and expertly reduced braindance cuts with nods to early 90Õs experimental idm to harder, more caustic outings all bound together by a recurring theme of otherworldly ambience. taking its name from a variety of sources dear to the artist, including polyphonic analogue synthesizers and the pol-lyanna principle itself a theory that suggests individuals recall pleasurable experience more acutely than displeasing ones the title represents a meeting point in the artistic process between creative method and conceptual choices. production techniques range from more traditional hardware synthesis to the incorporation of a modified dot matrix printer acting as a modulation source for midi parameters.

following celebrated compilations from motor city drum ensemble and young marco Ð and with the second edition of its limited-capacity festival in croatia right around the corner Ð dekmantelÕs selectors series now continues with an edition curated by marcel dettmann

der spanische dj, produzent und labelbetreiber henry saiz prŠsentiert seine zweite balance-mix-cd, die vollstŠndig aus unveršffentlichtem material seines labels natura sonoris besteht, das derzeit 10-jŠhriges jubilŠum feiert. aufgenommen u.a. von vinyl und kassette, wurden die beiden exklusiven sets mit zahlreichen field recordings angereichert und perfektioniert. feat. henry saiz, petar dundov, tuff city kids, eduardo de la calle, brassica, u.v.a.

dj-kicks has tapped up life and death label founder dj tennis for the next instalment in its long running and landmark series, which is due for release on 14th july. the italian is the first artist to ever be granted not one but two discs across which to showcases his style, and he doesnt disappoint. the mix comes as a double cd and triple vinyl release and features four exclusive tracks. these include a brand new original from dj tennis featuring fink and called certain angels, plus new tennis versions of tunes by pole and frank brettschneider, and finally an unreleased track, paratrooper, from acclaimed tel aviv duo red axes. in programming these two diverse, eclectic and yet coherent rides, dj tennis shows off his singular knack for nailing an aesthetic that is subversive yet seductive in equal measure.

nach einer ausverkauften europa-tour zu ihrem letzten album star climbing (2014) sowie festivalauftritten rund um den globus zogen zoot woman sich 2015 ins studio zurŸck, um mit der arbeit an neuen songs zu beginnen. und wŠhrend die briten bisher nicht unbedingt zu den schnellsten bands der welt gehšrten zwischen ihren alben lagen auch schon mal sechs jahre flutschte dieses mal scheinbar alles wie von selbst. wenn ein song nicht funktionierte, haben wir ihn sehr schnell fallen lassen, statt wie sonst ewig daran herumzufeilen, so johnny. dadurch ist die platte spontaner und intuitiver.

the jazz -n-groove is a big number in house music circles. brian tappert & marc pomeroys productions are reowned for their soulful heart and exquisite musicmanship.

there arenÕt many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabotÕs hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kittÕs bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive.

beautiful piano melodies, ballads drawing their inspiration from jazz, classical music and cinematic imagery, hummed choruses, a mood at the crossroad of nostalgia and reverie, instruments with uncanny timbre and charm, chiseled percussions, added to a subtle electronic production, this is the recipe for tout va bien, the second solo album by french composer ezechiel pailhs.

slam! hardstyle ist eine der hei§esten hardstyle-compilationserien auf dem markt. die erste ausgabe 2017 slam! hardstyle vol.14 bietet wieder ein sattes doppelpaket mit 40 tracks sŠmtlicher hardstyle-protagonisten wie gunz for hire, b-front, masters of ceremony, dj isaac, noisecontrollers, tnt, bass modulators, resist, darren styles oder audiotricz.

3 x cd compilation, incl. top 80s hits. incl spandau ballet, paul young, japan, donna summer, the s.o.s. band and more

die ursprŸnglich aus sibirien stammende produzentin, sŠngerin und djane zŠhlt zu den umtriebigsten und interessantesten kŸnstlerinnen im elektronischen bereich. mit ihrem fesselnden mix aus house, techno und acid spielt nina kraviz mittlerweile in den angesagtesten clubs weltweit. nach ihrem mix fŸr die renommierte dj-kicks serie aus dem letzten jahr veršffentlicht sie nun einen exklusiven mix fŸr die fabric-serie. nina kravitz mixt sich gekonnt durch rare und unveršffentlichte tracks von u.a. bedouin ascent, frak, dj slip, woody mcbride, i-f, thomas p heckmann, aphex twin, air liquide und natŸrlich auch eigenem material.

auf ulrich schnauss 5tem studio-album -no further ahead than today- regieren einmal mehr die elektronisch eingespielten ambient-pop-hymnen, die lŠngst zu seinem markenzeichen geworden sind. diese sollten fans von kŸnstlern wie jon hopkins und brian eno interessieren. schnauss selbst ist umtriebig - seit 2014 ist er keyboarder bei tangerine dream, produziert unter eigenem namen remixes fŸr pop-kŸnstler wie depeche mode, pet shop boys, todd terje und bryan ferry und hat gerade fŸr die decca-compilation re:works bachs -prelude in c- neu in szene gesetzt. -no further ahead than today- ist klar mehr pop als ambient. starke melodien stehen im vordergrund, die stŸcke sind mit rhythmen unterlegt, zuweilen gar mit gesang begleitet, eine hymnische note ist immer prŠsent. spŠtestens seit seinen beiden solo-alben, die bei dem deutschen label city center offices erschienen, gilt schnauss als ein elektroniker, der manche tugenden des britischen indie-shoegaze-sounds auf seine klangvorstellungen ŸbertrŠgt.

big 2 cd mix by art department !

ben delay: mit seinem unverwechselbarem sound mischt der erfolgverwšhnte dj und produzent nun schon seit Ÿber fŸnfzehn jahren die internationale clubszene auf und setzt einen neuen ma§stab nach dem anderen. bei seinen zahlreichen bookings zeigt er, wie man die crowd zur ekstase bringt, an seinem sound kommt keiner vorbei. wir freuen uns daher umso mehr, dass der erfolgsverwšhnte dj ganz begeistert von der idee war, eine eigene compilation fŸr pink revolver zusammenzustellen und zu mixen. auf 2cds prŠsentiert ben delay ein dj-set mit genau den club-perlen, die er selbst ausgewŠhlt hat und mit denen er zielsicher wochenende fŸr wochenende die dancefloors im in und ausland zum brodeln bringt.

excellent selection thru da 80s

roger shah, der zusammen mit partner pedro del mar auch die erfolgreiche -mellomania--compilation veršffentlicht und mit topstars wie tiesto und armin van buuren zusammenarbeitet, liefert wieder zwei komfortable sets aus midsummer-sounds und relaxten beats ab. der perfekte soundtrack fŸr entspannte nachmittage, sonnenuntergŠnge, laue sommerabende und atmosphŠrische clubnŠchte!

fresh from the success of the peace of mind lp, mindtech recordings present their latest album project from belgian neurofunk duo human error! alongside their solo sinecore and t-psy aliases, sylvain colmant and gilles de ro have been collaborating as human error since 2010. with releases on close2death, future funk music and trust in music and their first album released by kaizaÕs t3k imprint in 2012, the duo have been a formidable force on the belgian scene for some time now. between a busy schedule playing shows all over europe they have spent the last two years in the studio gathering their best tracks, and now human error take their journey to the next level as their sophomore lp ÒintersectionÓ drops on mindtech.

seinen ursprung hat das holi in indien, wo es einmal im jahr als eines der heiligsten feste zelebriert wird. alle menschen bewerfen sich an diesem tag mit buntem pulver. alle schranken der gesellschaft scheinen aufgehoben