vinyl comes in a vacuum packed transparent sleeve cycle ep is the first public transmission from w.t.r, setting the syntax for subsequent label releases to come, cycle ep comes offered as a unique handmade vacuum packaged production, praising the records functionality as well as a utility for the worlds need to dance. the eponymous title track cycle brings the listener gale force into a tunnel, packed dense with repetitive computer servers, crashing through a thrum of gated rim shots and acid splashed cartoonish sequences, don’t be disturbed by the repetitive glitch of parasites rising slowly inside your ears. the alternatively named title chain guides the listener into an immersive walloping ravy realm, satisfying the desire for the motorik rhythmic. a slick, sensual and sublime introduction into the world of reless. and no need to introduce you to shlømo, a rising darkstar in french techno scene who s take on cycle pulls apart the harsh dystopian factory sounds cultivated in the original track, exploring a more organic and hazy constitution, retaining the stern demand for the listeners attention, while exploring the original records ability to make people communicate within any space and species, at any time of the night or day...

returning to kompakt after his quirky label debut mission to bars (kompakt 347), transcendental house music producer clarian resumes his search for mesmerizing soundscapes with a surreal hue on the ankh ep. three new tracks continue the spaceman chronicles, with the last ep’s protagonist embarking on a grander adventure than ever before – our unfortunate hero, who initially got stuck in a bar on a strange planet, now intends to travel to the outer rim of the known cosmos in a desperate bid to stop the ancient evil army of the space zombie lizard kings.

nice price deal !!! it s been a big shock for all of us to hear the sad news that our good friend andreas gehm passed away this year. his last big project is the -worldwide electronics- - series on his own label -cologne underground- which brings his friends from all over the world together. the idea of „worldwide electronics“ is to combine music from all over the world on one album (in fact, there will be a vol.2 too). the second idea was to combine well known artist with newcomer. when gehm, who runs cologne underground together with dbh distribution, ask the artist for tracks, he don’t ask for any specific style. the artist were free to deliver whatever they want. so at the end it ended up from deep house (oldschool definition, not edm definition) to acid. „worldwide electronics vol.1“ contains one track from greece (dimdj), germany (hardfloor), netherlands (baz reznik), england (perseus traxx), columbia(s.valencia) 2 tracks from japan (takeshi kouzuki and jin-cromanyon) and the first of hopefully a row of collaboration tracks from legowelt (netherlands) and elec pt.1 (germany) as „gehm & wolfers).

arkajo transmitting on the aniara frequency from excavations on the shores of the outer rim. locks your body into rhythm, exploring distant vistas in your mind. revitalizing sounds on a lovingly crafted 12- disc!

as half of heltah skeltah, 1/8 of the boot camp clik, and with a successful solo career in his own right, sean price (brooklyn, ny) had a cult-like following, releasing critically acclaimed projects such as ‘monkey barz,’ ‘jesus price supastar,’ and ‘mic tyson.’ sadly, sean price passed away in his brooklyn apartment in august of 2015. the entire music community has since been grieving his untimely death, though the release of this 30-track mixtape, now available on vinyl offers an opportunity for fans and friends alike to celebrate the life and career of the storied mc.
limited pressing on purple splatter double vinyl.

after five well-respected digital releases with the likes of frazer campbell and iuly.b, munster/berlin based onegroove records drops its first vinyl release with 3 friendly minimal groovers. very playful rimshot madness by iuly.b on side a, floegel and retza keeping it dubby on the flipside.

winter is coming! the soundtrack for game of thrones is scored by german composer ramin djawadi, best known for his grammy-nominated score for iron man, pacific rim, clash of the titans and for the tv series prison break. the fourth season soundtrack also features a single *the rains of castamere* by icelandic post-rock band sigur rós.
180 gram audiophile double vinyl, housed in a gatefold sleeve

this release was born of a cross country trip with an 808 drum machine by thomas ragsdale aka winter son, alongside jozef k, resident of famed manchester and ibiza clubnight sankey, as they join perseus traxx to hammer electricity out of machines. with it&#700,,,s rim shots and claps and other transistor rhythms reverberating across vast distances of space, side a is stripped back and deep from the outset, pushing forward as scattered tones, arpeggiations and disjointed voices leave their trails vanishing from perception. side b tightens up from the previous reverbs and throws acid into the mix, as the two join perseus traxx and the sound becomes more raw and urgent as the three of them jam on their chosen machines.

* kowton makes an emphatic return to livity sound this autumn with his first solo 12” for the label since 2012. * a foundation block of the label, kowton has also released on hessle audio, all caps and idle hands and most recently scored a hit with his ubiquitous -glock & roll- on young turks offshoot whities. his music s been remixed by karenn, kassem mosse and surgeon and in turn he s remixed work by paul woolford, tessela and untold. * now a regular some of the finest clubs around, kowton has played across europe both live with livity sound (alongside peverelist and asusu) and as a solo dj. in the past 12 months he s toured japan, america, australia and is set for repeat visits this autumn. * this new livity sound 12- see s kowton in a typically reductive mode: on repeat layers pulsing subs with weighty percussion and enveloping synths, holding patterns flips things into a streamlined modulating techno workout of abrasive drums and rotating rim shots.

old skool / 90s inspired analog underground house

the original opens with a field recording intro followed shortly after by heavy bass shots and a pulsating kick drum. snare patterns and an underwater synth melody hit the speakers with an abstract touch, while halfway through the pace changes with a new bass coming in. an experimental and brave track, it reflects idriss djing style and his long sets, going into different mental spaces, a wavelike combination of beats and up&down rhythms. eduardo de la calle s trademark analog sounds fill his tribute remix with acid keyboards, rim shot grooves, industrial noises and metallic vibes, swinging with a rolling bass line and bringing the original percussions to the fore.

limited 300 copies 2014 limited edition, reissue, remastered remastered reissue of one rare folk-disco project coming from lebanon.

zwei weisheiten aus dem modeselektions-einmaleins. erstens: eine selektion ist immer so gut wie der abstand zwischen ihren unterschiedlichsten gliedern, je größer, desto besser. zweitens: eine selektion ist umso besser, je öfter man überrascht wird und je mehr neue entdeckungen zu machen sind. bevor die lichter angehen, hier noch ein paar harte fakten: *modeselektion vol. 03* kommt erstmals ohne eigenen modeselektor-beitrag aus (vom souleyman-edit mal abgesehen), einfach, weil es so viel gute musik von alten und neuen freunden gab.

inspiring new techno release featuring phil madeiski, felix t and max mulder on upcoming vienna based label wild open space

our fourth release comes from ogris debris, part of the affine family (home of dorian concept and cid rim) and an internationally acclaimed producer duo from vienna. combining cutting-edge digital production with finest ingredients of techno and house, ogris debris create a unique brand of dance music that is widely acknowledged as innovative by the global scene.
for this release, ogris debris deliver a uk-bass influenced, chord-driven primetime house stomper, somewhat different to their previous releases. on the b-side, hyperdubs grime and funky don scratcha dva eases the rhythm with his rolling bassline sound for a weighty dj tool track, while the clonious diverts the energy with his soulfull keyboard skills and swinging drums into an infectious late-summer future funk affair.

makam – what ya doing: the hague based producer makam definitely didnt see jack play, simply because hes waaaay to young to be bragging about the history of house music. nevertheless mister guy blanken delivers a stunning anthem in the best of warehouse and music box traditions. keep those 909 rim shots coming please, but make way for the irresistible breakdown. makam – what ya doing (funkineven) more 909 sweetness comes from london based steven julien aka eglo-related vintage fetishist funkineven. while treating the original with respect, he adds some analogue acid dirt to it. in an everything but subtle way, that is. peak time stuff!

welcome return for this very sought-after rare electro 12 inch from tiny harlem label express records. big with the cosmic crowd as well as on the early hiphop scene, this is an extremely cool low-slung synth-heavy electro groover with a hypnotically smooth lead vocal, given a sharp percussive edge by the rattling congas and ticky-time chorus. written at a time in rap music history when the introduction of synthesizer technology created a wild flurry of creativity, this futuristic track by barry michael cooper (who went on to write the screenplays for movies new jack city and above the rim) was teletrons only ever release. film s gain was sadly musics loss as this was, and still is, a boundary-pushing, floor-filling monster. dont sleep!

slow motion family proudly presents the rimshooters (massimiliano pagliara & rotciv). name comes from a special obsession for rim shot drum sounds, typically found on famous and legendary roland drum computers such as tr-808, 909, 707, which both of them had already used in their individual productions. the final result is a mixture of classic and vintage sounding tracks yet modern, through the use of old synthesizers and drum machines as well as software artifacts and techniques.

nice price deal !!! der kroatische künstler eddy ramich ist bestens bekannt als teil des eddy meets yannah projekts auf compost records. auf dem wiener label personal records gerät er mit dieser feinen limitierten 10inch zwischen viele musikalische stühle im kosmos der elektronischen musik. auf der b-seite gibt es einen remix der krautrockigen wiener band jsbl (jacobs salty & bamboozling ladder). hinter dem kollektiv verbergen sich die vier produzenten dorian concept, the clonious, cid rim & willi rosner.

two years after their great received >under the bridge ep< gowentgone are back with their third full release on vidab records. the >walk with us ep< is another deep statement of gowentgones passion for housemusic and techno. >strange light< runs over eight minutes focusing on a central rim-theme that is embedded in a wall of layers. >move of the day< is a dynamic and simple mover that draws us deep into a tooly and mechanic sound. the ep s last track, >burning flowers< ist the pairs interpretation of house that morphs pleasingly into a spaced chillout zone. enjoy this one.

new offshoot to the mean record label – serialism records - combining avant-garde sounds with a seasoned technique for all things minimal. in this case >dried lubricant ep< is an example of quality which doesnt follow the common flow. on this 4 tracker, the classic breed of techno is harmonically mixed up with the quirkiness of our time. a various artist ep which doesnt eave space for misunderstandings. on the a side young frenchman cesar merveille and his obscure melodies and liquid bass lines takes us on moody journey followed by italian rico casazza who plays ironically with our heads in a more funked up style. on the b side ekkohaus opens up the dancefloor with heavy breaks and chorused rim shots while the fourth track from the brainchild of techno producer grimes adhesif delivers an industrial 909 style loopy piece. grimes is the label owner of mind your head records, and has produced tracks which have received much recognition from major djs and artists such as ricardo villalobos

goodlife, gigolo, hot banana or turbo are just four of the countless labels, where kiko has released some of his most eclectic productions. now it’s time for him to rock huntemann’s confused label. his sound is always trenched with electro, ebm and intergalactic disco elements - a certain ratio of retro. faces of life is no exception from this rule. saw-tooth basses a raw drumming and spaced out melodies pave the way for this rave club weapon from the outer rim of uranus. galaxia is another example for his approach towards electronic dance music – comparable to the dutch legend legowelt he simply knows about the analogue sound world. this is a big rock band shrivelled into a moog space ship

rock guitar driven breakbeat business with cool raps by nas and krs one from the rim doctors camp

dancefloor three tracker as the eidolon story continues. don t wake up is a down and dirty minimal house jam! sexy and corrupting whsipers hint at joining the dark side. the bassline moves and thumps along side the hollow rim shots and falling keys. a huge track with a remix already released on patrik skoog s we are label

new album from detest on cd, housed in full colour digipack.

sean price verstarb leider im august 2015. nun erscheint sein viertes studioalbum -imperius rex- mit produktionen von the alchemist, harry fraud, nottz und anderen. gastauftritte stammen von doom, prodigy, styles p, smif n wessun, rock, method man, raekwon, inspectah deck, junior reid, buckshot, ruste juxx, bernadette price und anderen. die cd ist in einem 84-seitigen buch verpackt, das rare fotos, exklusive fan-designs und ein faltposter des album-artworks enthŠlt.

modeselektion vol. 03- kommt erstmals ohne eigenen modeselektor-beitrag aus (vom souleyman-edit mal abgesehen), einfach, weil es so viel gute musik von alten und neuen freunden gab. das ganze ist daher erstmals auf einer zweifach-cd zu haben, au§erdem als digital bundle und, leicht abgespeckt, auch als doppel-12-inch-lp sowie auf zwei ep-auskopplungen auf vinyl. 19 tracks, lauter sŸ§e frŸchtchen. das maskottchen ist diesmal nicht umsonst der ananasaffe.

dave.i.d likes to think for himself. always has done. its the reason why his debut album didnt go quite according to his initial plan. he was going to make, to use his own words, >something pretty simple and straightforward<. but then he noticed lots of his friends were discovering new beliefs. some even tried to convert him. >im very open-minded to different beliefs, but i question and see things slightly differently,< he says. without necessarily wanting to, he found himself reflecting on existential questions. >the album is a record of the time that it was made, and thats what was going on in my life at the time. i didnt necessarily want to make the debut album like that. i felt i had to make it<. the cerebral inspiration catapulted him into musics outer rim. he beamed back a dark, dense sometimes confrontational sound, but ultimately compelling sound. but, in the end, it turned out to be a happy accident because the resulting record, called >response< appropriately enough, is mind-bendingly inventive, brilliantly off-kilter and constantly surprising. crucially, the tough sonics are paired with killer melodies: this is deep, heavy music you can hum. the records he was listening to while making >response< help make sense of his singular sound