top house release from the man !

micro mega ist eine mischung aus high-class-house,nu-disco, techno und dubstep. strip steve offerbart darin seine liebe zu rave (stomp), die sonnige seite der 80er (radiocheck) und zu darkeren sounds (calcium feat. the glow). hoehepunkt und erste single ist die koop mit dem kalifornischen dreampop-duo puro instinct, astral projection, ein musikalischer leckerbissen mit einflüssen von den beach boys bis chic.dem folgt der hypnotische dancefloor-knaller one thing, dessen kombination aus strip steve starken soundlines und robert owens himmlischer stimme magische momente ausloest.ein ueberaus gelungenes debuetalbum - von micro zu mega!

great forward thinking drum n bass monster

great minimal & detroitish bouncy release from frankie vega incl remixes by jason patrick, woody mcbride & drumcell !! far from 8mm, vhs and especially beta blueline projects a bouncy sound assortment of acidhouse minimal, detroit techno and ghetto tech. chicago based frankie vegas video bounce is a projection of throbbing bass, twisted keys, explosions of reverb, delay and sharp drums that altogether make up 1 party track undeniably fun to rumble through the speakers

the man behind chymera is brendan gregoriy. releasing music since 2005, the producer from dublin already has an impressive discography with releases on labels such as delsin or ovum. >ellipsis< and >eulogy< are sonic epics that never cease zu fascinate the listeners. they manage to be bold and sophisticated, powerful and elegant at the same time. they transform the dancefloor in an maelstrom with no way out, and yet they never give their electronic cool away, they always remain subtle and somewhat distant. the sounds form an imaginary landscape, they are a projection surface for one s desires

nu- trance melodies, micro loops of techno and the more sutil funk. butterfly kiss is even more behaved shamelessly and onírico. as dangerous as effective . the remixes completes the eclecticism of the maxi. yes maurice aymard is the dj, his fans dance in the studio. in shuberry it takes advantage of the hypnosis of the track and it reconstructs for the delight, more acid and dark, playing with the climax. in side b, alejandro vivanco, that it already woke up luciano (cadenza) including a tracks of his in his sci.fi.hi.fi. mix for soma, proposes a vision more experimental for the vinil. rythmical, textures, effects…. the risk is paradojica, there are no lines because he does t need them. the projection of his talent scares us , more closer than far away. you judge

goa sound 2023...

special request alias paul woolford!

ab syndrom, the berlin duo, is coming with their third album. plastik is a bit like the coming of age album of the band. it tells stories of growing up emotionally and being played into a hard and post capitalistic environment. nevertheless you will find some quite romantic lyrics and songs between lyrical metaphors and a rough and urban reality in berlin neukšlln, their neighborhood. the music on plastik is mainly a percussion driven and electronic laden journey. not your average pop arrangements but subtle compositions and laid back vocals with a certain chopped and screw twist. the bands musical projection is a most consequent advancement of their three albums and their body of work so far. bennet seuss, singer and composer is defining his own style in writing autobiographic lyrics with a certain twist to the obscure and umtransparent. a great album for sure. tracklist cd keine geister feng shui patchwork waterboarding u8 ffm fake starring contest 2009 hattori hanzo schwert deephouse und tiefenrausch

pastoral/tropical soundscapes and post-brutalist compositions by max loderbauer and jacek sienkiewicz from their ÒendÓ cd seem to evoke those situations where can actually hear objects, shapes and time flow itself, a sort of synaesthesia which erases and obliterates beginnings and ends of events, processes and phenomena. apocalyptic and contemplative spaces generated by this pair of seasoned sound creators explode genre bastions of ambient and idm, leading into the spectral areas once explored by such pioneers and popol vuh or ilhan mimaroglu. above all, etheric and extra-sensitive ÒendÓ marks the meeting of two incurable individualists, who use various tools of their trade to come up with a surprisingly atemporal effect, an insistent pulse of detail on an ever-morphing background. without vivid commentary and recognizable soundbites of the present, ÒendÓ is simultaneously an interesting projection of hopes and anxieties of the new age. core of tracks included on the record has been produced on the occasion of max and jacek appearing as a live duo during 2015Õs berlin atonal festival, which resulted in well received Òalpine-tatra-himalaianÓ ep Òridges-. remaining compositions are natural conclusion of their friendship, conversations, meetings, trips and recording sessions that operate according to the rule of free improvisation with a reduced instrumental setup.

6-page feature in the wire july 2014, featured on the hyperdub 10.3 compilation following up from the success of his emphatic pan releases dutch tvashar plumes and diversions 1994-1996 in 2012 (2 in facts albums of the year) pan is excited to announce koch (pronounced cotch), the new album from brummie/londoner lee gamble. sharing some stylistic affinity with his previous records, which excavated his deeply personal history with uk jungle and rave, and techno, this new work dives even deeper to reveal a singular and intimate musical vantage point, shifting to approaching music as projection, state,hallucination, an other place.

over the past couple of years, kellerkinds unique interpretation of house music has truly catapulted him out of the figurative basement and into the limelight. whether it was the disco-infused cool of backflash or the tribal rhythms found on his debut-album basement story, through hard work, rather than by miracle, marco biagini matured into a producer who is at the top of his game.

silent dust is the project of uk duo dan blishen (originally from manchester) and andy hobbs (hailing from kent), who produced drum & bass together for years under the respective monikers zyon base and hobzee. their self-titled debut,silent dust,brings their signature d&b sound into a different light, drawing from a wide range of influences - ambient, drum & bass, garage, dub, breakbeat and soundtracks. the result is a collection of deep, bass-laden productions that sound like absolutely nothing else, filled with lush arrangements, an array of found sounds (footsteps, vinyl crackle, sellotape stretching), cinematic vocal samples and glitchy, idiosyncratic drum programming. the album travels through a wide range of emotions and sounds - from the sublime intensity of the giant (equipped with floating operatic samples and tight drum programming) and the dark atmospheric grace of marlowe, to the weighted basslines of the club-suited zero nine zero and the sheer beauty of winter song lined with strings and a reggae-tinted vocal. though its driven by experimentation, this is a d&b record at heart: even the ambient tracks were written at 160-170 bpm. their debut album was originally signed to soul:r, but was pulled at the last minute: the duo bravely opted to start their own label, none60, to release their tour de force.silent dust is a downtempo, atmospheric album that will become an instant favourite for open minds, and for those who seek something new. one of the most unique records to come out of d&b this decade.