montréal synth pop police des moeurs are one of the finest and rawest bands in the minimal synth/wave and cold wave scene. dédales , their third full lenght, is keeping the pure energy of their previous efforts while leaving greater room for atmospheric and textural considerations. the album will lead you into the passage zone between civilisation and wilderness, a mysterious place where truth, lies, light and darkness collide. limited edition of 500 copies.

born as the daughter of two opera singers josin grows up constantly surrounded by music. for herself josin draws a lot of her inspiration of the northern world, which is as rich in contrasts as her music. it is rough and cold but full of nutrients and life. and if you wish you can exist in it and slowly but certainly and then forever recognise its beauty. currently the musician is working on her first album and new songs. although josin likes to choose a way between elegance and minimalism, the first tracks of the new recordings present themselves with a power that presses forward more determinedly. her producing also appears more open and experimental with electronical and classical elements. yet she maintains her natural otherness and intensity in a timeless way.

haunter records’ 2017 kicks off with two new displays of aural expansion by longtime members of the milan-based crew. twin singles from weightausend and petit singe that also mark the label’s first ventures into 7” format. through heavy use of darkened breakbeats and angular dynamics, each of the two producers sets out to have their unique sonic approach ring on throughout the sprawl.
hazina francia aka petit singe returns to give a sign of what’s to come in the very near future. her transdimentional approach is always prone to punctuate the spiritually intense quality of her taste for melody with heavy barrages of drums organized into hard-hitting grooves. each of the two tracks manages to balance in her world of feral beauty, pummeling the dancefloor while also dragging into psychedelic stupor.

five years deep into the game, all nine lives fully intact: utrechtian feral feline larry de kat prowls his way onto pets. and we really dont need to tell you how purrrrfectly apt this debut union is. fresh from launching his own katnip imprint (and putting the final touches on a hush-hush disco edit series), pets have managed to prise four of his finest, broadest creations from his creative claws. each one floorbound, each one backing up the hype hes enjoyed from the likes of axel boman, mark e and laurent garnier, each one making us feel like cats who got the creamiest of creams. i know you can hear me’ takes the lead on a more direct tip that you might expect from de kat. big pumps wrapped in a fine vibe balance of detroit and parisian house textures, but done with larrys signature dubby, jacking style, its the perfect paws-sitive statement of intent. slinking deeper into the ep, naakte groove lives up to its nude name with a lean-but-warm bass riff that purrs with finesse around a straight-up strutting drum arrangement. so much fun in such a tight, detailed groove, youll want this on loop forever.amlou stalks up behind with dusty, thumping charm. rolling and scratching like it was 20 years younger, theres an innate physicality in the drums that snaps you out when the big disco hook rides in from nowhere. finally we hit she doesnt. the dubbiest groove of the set, all eyes are on that bulbous sub, rippling synths and precision tuned snare shot. hypnotic, heavy, unhurried and heads down. these sounds are fur real. like all the best stray cats, expect larry to return to pets as and when he pleases.

forthright, razor sharp techno tracks running at a neck-breaking pace that will leave you breathless, remain neutral is all about the urgency and the purposely crafted indiscipline meant to make you twist your body in every directions. spoke throughout the feral scratches of overworked drum machines and the whiff distorted vocal samples taken from a tape found by chance, france via belgium s mehdi kernachi carries on with his exploration of the danger notion in electronic music -- borrowing as much to the slower, noisier industrial music of yesteryear as the speeded basement hysteria of rave culture -- applying the scorched-earth policy throughout his tracks.

british producer pris preps his sophomore ep for avian. love, labour, loss marks the berlin-based producer’s second outing on guy brewer’s avian label, and a further refinement of a production aesthetic that pitches caustic, heads down tool techno & greyscale idm against more meditative ambient & drone recordings.

cloud corridors is the first release of jan philipp longerich alias processed.sunshine and also the debut on his imprint fertile imagination music, which stands for puristic grooves, deep and dreamy vibes and an all in all raw sound that sticks tight to the original idea of a track. inspired by different formations of clouds and their movements, the record takes the lsistener from huge cloud castles in wolkenburg through cloud corridors down into the dark vibe of the fog. minimalistic drum manchine patterns, deep pads, hypnotic sequences and morphing basslines give the record its warm, lively and feral character. the lp was completely created out of live sessions with analog equipment and each track was recorded in one take. - these bouncing analog grooves are made for after hours in the early morning.

growing more deeply into raars punk ethos, maelstrom and louisahhh s tracks on the labels fourth release are as much about process as end product. several days of one-room, one-take live sessions involving guitar feedback, machine cacophony and endless growling and shouting resulted in hurry and listen. these song were molded into work that is at once unconventional and club-ready with much effort in preserving the feral qualities of the original material.

ferox label boss russ gabriel and freerotations steevio share the honours on this two track ep of live and improvised techno. 180g vinyl only.

on its sophomore release, raar s bold mission of unbridled techno with a punk-rock ethos is continued in tracks from label co-founder maelstrom and newest family member, specialivery. opium wars sets a seething tone, deftly holding a line of tension as machines moan and shriek. focused yet dissonant, the discomfort continues to build without resolution, playing the edge but never grasping hold . diameter of recess starts under the skin in maelstrom s typified controlled chaos. as it grows, the track becomes both an aching roar and a needle-sharp, frenzied insistence, a feral yearning and a frustrated surrender. swiss italian carlo bernasconi is a man of many aliases, the most ferocious of which is specialivery. having eagerly taken up the challenge to push further than the original demos sent, dust detector subsystem is a demonstration of this, cumulating in -an extremely rare, compulsive mental movement- presented in both teeth-bared, club-optimized and more pensive beatless versions. it is with great pride and pleasure that we present the evolution of raar. it is our greatest hope that this work inspires and liberates its listeners. released on 12inch via the vinyl factory

produced somewhere between a basement in brussels and an attic in the outskirts of paris, back when tape reel to reels, primitive rhythm boxes and analogue synths still carried a vague promise of the future, this music translated a certain atomic paranoia fuelled by the cold war industry. lo-fi music, abrasive, high pressure, dense, clipped to the max, like it was intended to punish any woofer that gets between it and the air.

the hypnus clergy is delighted to finally reveal our 10th sacrament. this time we have gathered yet again in choir to howl in unison as the midnight sun soar through the night.
support from antonio ruscito, arnaud le texier, artefakt, brando lupi, echologist, cio d or, david att, deepbass, eric cloutier, etapp kyle, exium, felix lorusso, gianluca meloni, iori, kwartz, mattias fridell, ness, nihad tule, nika khak, oscar mulero, rasmus hedlund, reggy van oers, samuli kemppi, setfan vincent, stephanie sykes, svreca, takaaki itoh, unam zetineb, victor martinez (error etica), vilix, vsk, warmth and still counting.

throw is the 1st track here, which manages to loop a refrain and bass that candy staton anthem, all the while sounding like a forgotten moodymann mpc jam. vocals, skipping snares, a bouncing tambourine & one of the finest bassline ever written (by someone else) compell you to dance. need your love is a heads down sample house jam. it’s looping vocal, super tight drums, woozy chord stabs and sirens make it feel like the result of a studio session between a 90’s dubbed out louie vega & man-like switch (before he went feral).

limited vinyl triple pack, incl * the illuminations * (39bc), * renata* (43bc), * gone feral* (41bc)

ibadan records releases new deep house/techno album s.a.t. from jerome sydenham, aybee and ron trent. a simple dinner in berlin transforms into a studio session, which in turn evolves into a track, which sets the spark for what has now materialized as one of the most highly anticipated albums of late.

exklusive 12inch vinyl mit drei exzellenten reinterpretationen von harold budd tracks von patten (warp), odd nosdam (anticon) und personable (opal tapes) aus der greather lengths 2cd-compilation. personable ist das alter ego von m geddes gengras (robedoor, pocahaunted, sun araw & the congos, la vampires). sein epischer dark star remix ist auf der 12inch in der kompletten 20 minuten version enthalten, waehrend die 2cd einen edit enthaelt.

what more can be said about need for mirrors? with a track record as long as my dick nfm have trail blazed through a veritable who s who of top d&b labels, including metalheadz, shogun, v recordings, dispatch, symmetry, clear skyz and their own imprint zoltar.
with *voltaire* causing upset with club sound system engineers worldwide as feral youths wile away into a sensory-overload downward spiral and *heron blue* making hints towards dillinjas take on strontium jazz this 12 inch is undoubtedly going to upset you. that is why we think you should take a punt and buy it.

james holden präsentiert den nachfolger seines 2006er debüts the idiots are winning, das vom guardian damals als das spektakulärste electronica-debütalbum seit boards of canadas music has the right to children bezeichnet wurde. auf the inheritors erforscht holden weiterhin die (un-)tiefen der elektronischen musik und liefert eine ausgewogene balance zwischen brachialen experimenten und transformativen trips.

ensemble skalectrik is a side-project of nick ekoplekz edwards. previous emissions include the self-released psycho-geographical abstraction of snuff mill tapes and a homage to maurizio bianchi via feral tapes. focusing entirely on spontaneous composition and one-take improvisation, ensemble skalectrik represents the most raw, extreme performance-based electronic music in edwards repertoire.

second 12 inch in the testpressing series, hand-stamped sleeve including insert with artwork by alex solman. mastered and cut by matt colton at alchemy, pressed at pallas so here we are at part two in the series: grows without bound on the a-side is a monster, a noisy analogue session resurrected from the burning embers of industrial and noise, harnessed into an unstable growl that slowly makes room for a barely-there percussive stumble - think somewhere between vainio and nate young. over on the flipside primitive equations takes for inspiration the bare-boned, hyper-tense production of photeks still devastating ni-ten-ichi-ryu, slugging out feral, steely noise and ardcore torque forged by calloused hands and burning minds to cruel, propulsive effect.

jonathan boulet liefert mit seinem zweiten album auf australiens bestem indielabel modular einen energiegeladenen ausbruch an melodien und harmonien auf unablaessiger, archaischer rhythmik. hier verschmelzen chorgesaenge, drums auf speed und rhythmische perkussion zu einem bombastischen power-pop, der an die besten tagen von julian cope und the teardrop explodes erinnert.

andrew t morgan aka ettiem is a newcomer for im a cliche. his release comes with a brif rework and cosmo vitelli edit.

hit the streets slams in from the start with a confident kick drum, using a collection of layered percussive elements and drums (check that cowbell) to create a solid groove. seductive vocal snippets give the track a focus throughout, whilst fritter artfully introduces fresh elements until its resolution. building chords, open hi-hats and a ripping old-school melody reminiscent of warehouse 303s keep boredom at bay. bonza. ridgee didgee steadily courses through deeper realms, again with that killer percussion. here not one but a variety of freaky vocals and playful samples co-habit a densely layered habitat of groove. feral elements are backed up by a driving aboriginal bassline, relentless til a brief half-time reprise. a limited 200 white vinyls are available.

you re the one is the first single taken from his forthcoming album as high as the sky which will be released on wagon repair in may. baby you re the one is fast out of the blocks with racing percussion and a plunging bass loop. a piercing metallic tone encircles a distorted vocal sample as subtle melodies rise to the surface of the mix, steadily intensifying to climax. on the flip side, crackbeat is a darker animal. kindling wild percussion carries an eerily distant key melody that supports a rich synth siren. teeming with activity, the synth melody is trailed by bubbling bass tones as a feral percussive drive chases to close.

2 cds unmixed with hard-back book case

fulminant alvum by kuf ! incl. stefan goldmann, raudive, peter kruder..

nice price deal !!!

gilles peterson prŠsentiert vierzehn neue, exklusive electronic-geheimtipps aus seinen playlists & dj-sets! die kźnstler bewegen sich im spannungsfeld zwischen hip hop, bassmusik, deep house, r&b, drum & bass und techno sowie allen subgenres dazwischen. -brownswood electric- veršffentlichte als eine der ersten samplerserien schon frźhzeitig tracks der heute erfolgreichen acts mount kimbie, 16bit, shlohmo und mosca!

when messiaen set out to transcribe birds songs as models for his compositions, he couldn t have predicted that by now wild birds would have started to learn mobile phone ringtone patterns. for a system of objects, raudive aka oliver ho maps an obliquely constructed world in which you lose all certainty of what is nature and what is design. raudive celebrates dance and auditory scenes as rituals, employing our surroundings as sources of ahistorical found sound - primitive technologies used to reach magickal states. a drum machine and a wooden stick, a sawtooth-shaped electric current and a split rock all turn into empirical objects of the same class, without a definite past or a predictable impact.