unslaved s punjab is a journey through three unconventional club tracks, hear genres entwined, sounds broken down and set free in the most spell-binding way. first track punjab is an eight minute creeper built from insane drum patterns and layered with an eerie, yet blissful melody. with an almost ambient quality, punjab is an off- kilter yet perfect. on the ip, b1 apogee is a dark masterpiece with the rawest, yet most striking of characters. a track that wouldn t have been out of place in early dubstep or grime circles with a spine-tingling bass line, apogee has that sparse, stripped-back feel where listeners discover hidden elements on each listen. exploring the murkiest corners of electronica, apogee is an intense mover that sets a high standard for the release.

ngly makes a return to l.i.e.s. following his highly lauded “speechless tape” ep from 2014. since then we have seen argentinian producer taking his live act around the world to much acclaim. luckily he s also been in the studio recording and finally delivering this new three track ep. here we get his signature dusty low slung sound full of basslines, creeper strings and driving drum programming. these are subtle yet effective funk-ridden club tools that are sure to move the floor and a precusor to even more from the in demand producer.

4x12 inch vinyl box, celebrating 15 years of pornographic recordings.

dead cert. records is a label devoted to techno in various forms...
features superb remix from new york based rob hampton aka dj spider

2nd part of his colourless series, great tarrida techno

martin gore, gründungsmitglied und songwriter von depeche mode, kündigt die veröffentlichung von mg an, einem atmosphärischen, 16 stücke umfassenden instrumentalalbum, das ende april auf mute erscheinen wird. martin gore begann die arbeit an mg in seinem heimstudio in santa barbara, kurz nach abschluss der delta machine-tour im märz 2013. mit der idee eines rein instrumentalen albums ging er allerdings schon geraume zeit schwanger. abgemischt wurde das album - wie zuletzt bereits das 2012er album *sssss* von vcmg, der zusammenarbeit von martin gore mit vince clark - vom kalifornischen produzenten q / Überzone. das album erscheint auf doppelvinyl im gatefold inklusive digital copy

locked groove marks his return to hotflush with the grandiose, puzzlingly-titled >enigma<. its a colossal record whose bass-centric melody looms large. large enough, even, to inspire what is nowadays a rare scuba remix. a counterpoint to these theatrics comes in the way of wandering in a cage, a broken-beat creeper flaunting the belgians ear for subtlety, and two beatdown versions of the title track that fit neatly into your dj toolbox.

following forthright dispatches on power vacuum and overlee assembly, j. tijn returns to pennyroyal to deliver another ep of weighty oh my god dat bass son can you feel it so hard so haad i think i just came up i never felt so lucid before it is as if i am being creeper massaged by the wet knuckles of every touch point of rave past present and future went out to buy a dyson came back with a hoover double drop youth led techno revival we ensure true rave survival.

this release will tip off a successful year, that has new release information seen the young producer tour around america, host his own rinse fm show all while running his ever dependable saints & sonnets imprint.

dont wanna go to ep features three deep and warmly textured productions. the title track is a creeper with its spoken vocal and popping synth work. take one step back matches smooth rhodes keys with sumptuous acoustic guitar and goosebump-inducing vocal. final cut honey bomb steps up the tempo and increases the funk. twisted electric riffs and echoing chimes working brilliantly together to create a dancefloor gem.

from the full length album, staight vacationing by andy vaz, soiree records is proud to present the unreleased mixes of feelin featuring vocalist eva soul. drivetrains reflection-a highpowered fusion bringing the feelin to a climatic, electrifying crescendo of deep scientific intelligence. andy vaz-original-it all begins here…the sumptuous voice of eva soul the colaboration of precision musicians and the absolute of machines, resulting in a feelin of authoritative electronic soul. norm tallys feelin-the late night creeper delivers another incendiary composition submerged in signature detroit intoxication

vanguard sound vol. 3 is the maiden voyage of the vanguard sound label. the mothership is helmed by dj/producers amir alexander and chris mitchell of the vanguard crew. fellow crew members include hakim murphy, g. marcell, dakini9 (lola) and dj spider. the ep series continues with four high intensity bangers that kick ass and take names. stripped down to the core essence, these tracks will bring that left of center otherworldly flavor to your sonic atmosphere. violence!

on the a-side we have the cheeky >24 hour party sausage<, where garry takes us back to the sounds of the early 90s uk rave scene. its a peak time old school vocal affair with a raw, analog bassline, stuttered drums and chopped up stabbed vocals. stepping up for remix duty on this future classic is the mole who flips the original on its head and creates a dancefloor creeper for those darker club moments. winding the bassline and metallic beats between the rawness of the original groove and imparting his trademark spooky percussion, rhythms and eerie vocals. b-side >vacation in sunderland< is a love story with a firm salute to the classic down tempo us house of the 90s. its time to dust off those shell suits, high top sneakers and cazal shades and get ready for another slung back, funked out garry todd house jam with growling, rolling bass and seductive vocals and keys. on the remix front fellow illusion family members death on the balcony step up with a classic house masterstroke that compliments garrys slower and sleazier original. here dotb pick up the pace in a brilliantly original rework that accentuates the vocals and piano hook to create a summer house anthem - a stylish finish to another diverse installment from the illusion crew.

troy pierce, marc houle & magda team up to present their first ever trio release on items & things, >down & out vol 1< - which takes its name from their newly created party series - events that are based around the dark & intimate, off the radar, and under the ground. troy pierce starts things off with >majikal<, introducing the eps dark magic with a climbing bassline, scattering, almost anxious percussion and buoyant sound effects panned throughout. ominous atmospheres and weighted textures produce a cinematic accompaniment to surveyors of uncharted terrain. building a continual tension-and-release cycle, the track is a lucid whirlwind of sonic imagery and trickery, balancing visceral sounds with the otherworldly. magda teams up with suade, a producer & friend from newcastle that we are sure to see more of, together they bring forth a true builder, a creeper, the type of track that reveals itself more with each layering sequence. a masterclass in dynamics, >fixation< is a dark groove thats haunted by a chilling vocal, wavering synth vibrato, unexpected melodies, and juxtaposes of funk. angular drums hit alongside swells of percussive echoes but, the focus of the track revolves around the bassline’s movement. as catchy as it is esoteric. marc houles >slowpe< ends the ep with a slightly slower pace, but in a disconcerting way: taking it down a few notches this one that transports the listener to the strangest dimension yet. filtered melodies start the tracks ascent, sounding like a trumpet thats been bent out of shape and played from the void. with dark textures compactly knit into a condensed wall of sound, a low-slung bassline trades places with eerie chords and sparse percussion

transmissions sends us four intercepted signals from the mothership hovering over the motor city primed for the peak-time dancefloor that range from outer space techno trips to alien hip-shaking deep house. theres no fads here and no so-hip move faking, just quality in its purest form, and that alone can seem alien back on earth in these times…

akiko kiyamas latest release features four tracks of intricate drum programming, bringing her characteristic warmth to the groove with their ghostly whispered vocal samples and the clicking and clanking poly-rhythmic sound made famous by the legendary berlin imprint, perlon. the first track, carnival, brings all the fun of the fair, a swirl of coloured lights barely glimpsed amongst the heaving throngs of somewhere like bar 25, followed on by an abstract slow burner which sneaks up on you with its sneezed vocal snippets and jangling bassline. talon, a real dancefloor creeper, clips along insistently and the final track, with its bass-guitar and pulsing synth line rounds of the record in perfect ethereal fashion. as akiko puts it herself, >deepness, depression, beauty, irony, fun - these are keywords for my music also my life itself<. you can definitely feel that there is much more thought put into these productions than just purely the need to move people on the dancefloor.

metronomy are back for 2009 with this perfect slice of pop pleasure taken from their fantastically received second album nights out. a multi layered party playlist that gurgles out anthems without pause! a sleeping giant of a dancefloor creeper that will be everyones favourite in approximately six months time. 9/10 nme

seth troxlers panic, stop. repeat! ep brings together all facets of the young berlin-via-detroit producers notoriously brilliant/bizarre persona, offering two new tracks (and one house-y remix) of sweaty, ecstatic dance music with a dirty mind and a heart of gold. >panic, stop. repeat!< uses its titular command as a guiding principle, eroding its own immaculate facade through a series of anxious freakouts. the track rolls along like a freight train with aloose screw-designed for precision and speed, but with mechanical parts that constantly jiggle free and whiz off into the stratosphere. as a leathery kick drum and a wickedly simple two-note bassline keep the pace, >panic, stop. repeat!< takes a series of surreal detours involving an ekg machine, a ladys feverish coos, and one particularly old-school sci-fi synth. next up, troxler melds minds with matthew dear on the collaborative >hurt<, a sexy beast of a track featuring bone-dry drum machines, a huge lead tom-tom, and dears terrifyingly deep spoken-word musings. paco osunas remix of >panic, stop. repeat!< rounds out the ep with an exhilarating take on troxlers original, building a subversive house creeper around panics heavy-breathing leading lady.

cosmic disco transmission from steve webster and toby jenkins aka higamos hogamos, including the emperor machine and musclehead mixes.record comes with unique voucher for free mp3-download of these tracks.

metronomy are back for 2009 with this perfect slice of pop pleasure taken from their fantastically received second album nights out. a multi layered party playlist that gurgles out anthems without pause - a sleeping giant of a dancefloor creeper that will be everyones favourite in approximately six months time.

hochexplosive mischung aus chicken lips und 70er progressive rock

u2x productions is pleased to announce their new release by recording artist niko marks, aka the maestro of dance music. side a - hueman density contains filtered strings that morph into a soulful rhythm that makes you want to dance your pants off...thats how funky it is! side b1 kicks off with a remix of west 8 mile which was released on logos recordings. it is an incredibly uplifting production built around a powerful groove that together with the southern soul vocals and jazzy keys creates an irresistible vibe on the dance floor. side b2 – stay or move on features amp fiddler on vocals. this one is a creeper...sure to catch you later with deep..

with the electronic justice 12inch, james t. cotton and d_marc cantu saw off another thick slab of classic chicago acid. opener >1mg< is a relentless teutonic grind, tightly constructed yet engraved with enough subversive tweaks to hint at the most experimental urges of james t. cotton_s other persona, tadd mullinix. >werkin house< and >static vision< follow close behind with the brooding squelch of a 303. and if these take us deep inside the darkest warehouse, then the title track reveals the inner depths of the artists themselves. >electronic justice< may well be 2am/fm_s manifesto, a rolling vocal creeper whose laser-beam pulses ebb and flow around a synthesized mantra: >experimental vision/ this is us, who we are/ this is our religion.< fitting words to chant, shout, or whisper in the flicker of a strobe at 2am, after all..

a1: bando, label owner strikes back with palo cero palo characteristic tune of his new sound , soft techno sequences over an electronic base rhythm with breaks for the dancefloor that others would define as hi tech. b1: tim baker. chicago based label owner of elephanthaus and realestate, 20 years djing and more than 10 producing for labels like ovum, nova mute and his owns. creeper has a chord sound that reminds to the classic basic channel / maurizio but with his own imprint, same style of his last release misconceptions of the misunderstood. b2: leandro gámez. dont break my heart is a minimal-tech track with vocals in the line of his last release me implica on circle music.

disruptor heads into 06 with >words are bulletsa<: a dark, funky and not so typical acid house creeper reminiscent of bryan s earlier works as barada (definitive/plus8) circa 94. thumping 303 starts things off soon joined by frantic percussion. a staccato synth line creeps in before all hell breaks loose in frenzy with our friend the mini moog taking the lead.

this cheeky one sider arrives just in time for christmas yet another bomb from the massive plump djs compilation saturday night lotion red shift is an ominous creeper that twists its way into your mind and stays there sinister synths and a growling bass ensure that this is yet another plumps killer (sb)

compiled by norm talley

martin gore, gruendungsmitglied und songwriter von depeche mode, kuendigt die veroeffentlichung von mg an, einem atmosphaerischen, 16 stuecke umfassenden instrumentalalbum, das ende april auf mute erscheinen wird. martin gore begann die arbeit an mg in seinem heimstudio in santa barbara, kurz nach abschluss der delta machine-tour im mŠrz 2013. mit der idee eines rein instrumentalen albums ging er allerdings schon geraume zeit schwanger. abgemischt wurde das album - wie zuletzt bereits das 2012er album sssss von vcmg, der zusammenarbeit von martin gore mit vince clark - vom kalifornischen produzenten q / ueberzone.

grandiose fabric-ausgabe der berliner djane oesterreichisch-karibischer abstammung, cassy, die sich mit vier festen dj-residenzen in den top-clubs panorama bar/berlin, rex/paris, trouw/amsterdam und output/nyc einen kultstatus in der house-szene erspielt hat. nach mix-cds fuer cocoon und panorama bar serviert uns cassy ihren rohen, unverfŠlschten house-sound in einem trickreich-komplexen mixset von reduziertem hedonismus und herzlichern aufrichtigkeit.

ambientish mixture of >future garage<, uk funky & techno w/ subtle rave facto