lp, dark blue coloured vinyl

classic crossover

the bill evans trio live at town hall, new york city, 1966. a varve acoustic sounds series reissue, remastered from the original tapes, pressed on 180 gram vinyl, housed in a gatefold sleeve.

remaster

black 180 gram vinyl in gatefold sleeve.

die schlager chart-hits des jahres 1961 auf vinyl-lp.

abstract electronica album with fluctuating sonic sounds and shapes. for more information please see the sales text below.

streng limitierte auflage. nur eine pressung. farbiges doppelvinyl, eine lp transparent bernsteinfarben, eine lp gelb glänzend. download code.

third part of the series with even more jukebox hits from the 50’s.

18 hits aus der wirtschaftswunderzeit.

reissue of the legendary 1975 bill withers album on audiophile 180 gram vinyl.

a classic withers album back on audiophile 180 gram vinyl.

a verve vital vinyl reissue, remastered from the original tapes.

a verve 60 vinyl reissue.

experimental electro stuff

hits from across bill withers’ legendary career on vinyl lp incl lean on me, just the two of us, aint no sunshine & lovely day !

one sided vinyl, hand stamped

famous rock songs from movie scores on double vinyl, compiled by cinezik.

dj tools, with insert

blue note presents the new album from jazz guitarist and composer bill frisell. the limited double vinyl lp is housed in a gatefold sleeve.

gestanztes 300g karton cover! alle elemente auf dem cover wurden von hand gestempelt.kommt mit download code und nummerierten einleger. gemastert von ruud lekx vom originalband. limitiert auf 200 copies.

the 1977 bill withers classic back on audiophile 180 gram vinyl.

20 rockabilly and twist classics on vinyl lp.

the 1959 chet baker album back on 180 gram vinyl. housed in a gatefold sleeve, featuring fotos from jean-pierre leloir.

the new album from grammy award winner bill laurence on double vinyl with etching on side d.

soil records setzt seine erkundung des zeitgenössischen techno mit den bemühungen eines neuen künstlers fort.

acidic powerhouse bill converse makes his debut on fit sound. his sound is a refreshing perspective informed by the midwest warehouse parties of which he was schooled mutated into his own blend. treading the line between melody and brutality, while never being heavy handed, converse has proved himself once again to be a true original lurking in the underground today.

“hulled” is a 25 minute journey spread across 4 tracks of glacial abandon. all tracks were recorded directly to tape with no overdubs, made at converse’s home studio. bill says these tracks represent “ocean waves in stormy conditions, dark grey blue water, or more generally speaking something ominous and beautiful.” the songs on this album reveal a sublime influence from detroit techno, idm, and acid. built around vintage synthesizer lines and gritty drum machine percussion, the tracks ebb and flow like the effect of sun shimmering on water, woozy, gauzy and ephemeral. all songs were mastered for vinyl by george horn at fantasy studios in berkeley. each ep is housed in a die-cute jacket designed by eloise leigh with peachy pink patterns landing on an alien water planet and seeing mysterious playing forms under the turquoise water. and the. each copy includes a postcard featuring photo of bill with notes.

mystic bill and his imprint physics. we are happy to present you bills 1996 banger * the neutral ep* re-mastered and back on black solid vinyl!

double pack of trippy jams from the midwest / bill converses first release outside of the us

pop makossa - the invasive dance beat of cameroon 1976–1984 the pop makossa adventure started in 2009, when analog africa founder samy ben redjeb first travelled to cameroon to make an initial assessment of the countrys musical situation. he returned with enough tracks for an explosive compilation highlighting the period when funk and disco sounds began to infiltrate the makossa style popular throughout cameroon.
double vinyl in gatefold sleeve, includes download code, 20 pages lp size booklet and 30x30cm poster.

spirit-guitar played in a polyglut of styles that melt together liquidly, like the glass slide figurations throughout the album. a landscape in song, and modern guitar on a personal high.

outta sight setzt seine serie mit lp-samplern zu legendären northern soul-clubs fort. diesmal wird das central drive in blackpool und seine kult-djs ian levine und colin curtis mit 13 legendären northern soul-tracks aus der hochphase des clubs zwischen 1971-1979 geehrt. mit ausführlichen liner notes von ian levine.

bodenständige und ehrliche songs mit gigantischer wirkung: ein kunstwerk von album.

murderous edit of i.b.m.s kill bill..re-arranged with one thing in mind!

the name jesse hackett may not immediately seem familiar, but the london-based producer has been on the radar of those in the know for several years. now, for the first time in his ten-year music career, hackett is finally stepping out as a solo musician under his own name with junk as the first record release on the new imprint of stones throw, circle star records. the vinyl lp includes a download code.

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

late night tales and bonobo were pretty much made for each other, it just took them a while to both realise it. stepping forward into the compiler’s spotlight for the 33rd edition is simon green – aka bonobo – a musician, producer and dj perfectly suited to soundtrack an evening spent reclining to some parallel beats.
heavyweight 180 gram double vinyl plus 12x12 inch print of the cover art and download code for the mixed and unmixed tracks.

bill withers >live at carnegie hall< was recorded almost 40 years ago on a rainy friday evening, but it is still regarded as one of the best live performances in the history of soul music.
music on vinyl is re-issuing this classic on 180 grams audiophile vinyl for the first time since 1975! comes in gatefold sleeve with printed innersleeves.

in a career laden with highlights and hallmarks in the annals of soul history, >just as i am< is rather overlooked as one of the best soul debuts ever issued. beautifully remastered, >just as i am< is presented to a new generation of listeners who may have missed out the first time.
give this classic record a spin, and get ready to be submersed in the soul of one of the true masters of the genre!
remastered re-issue on 180 grams audiophile vinyl, including the hitsingle >aint no sunshine<.

ex-harry pussy guitarist bill orcutt s 2009 side a new way to pay old debts was an instant classic for those attuned to his brand of stomach-scrapingly raw, hoary blues improvisation. few could have expected the album to be subsequently issued on cd by editions mego, but the more you thought about it the more it made sense - though all-acoustic, orcutt s music is every bit as extreme, violent and threshold-testing as that of, say, florian hecker, russell haswell or mika vainio. as if to prove it wasn t a token gesture towards eclecticism, mego boss peter rehberg has signed a brand new album from orcutt, and what an album it is. for the most part it s in that visceral, coruscating style that he s best known for, all finger-bleeding fretboard assaults that manage to sound at once virtuoso and completely out-of-control, reaching a psychotic climax on the visible bosom: but there are some more reflective passages too, hell, the title track might even be the most chilled thing he s ever recorded. the album was cut at d+m in berlin, which really teases every last drop of blood, sweat and tears out of the recording, which took place at orcutt s home studio in san francisco in spring of 2011. brutal, bludgeoning but incurably romantic, how the thing sings demands your steadfast attention. mind-blowing.

second part of the original soundtrack of quentin tarantinos masterpiece!!!