incl gerd janson remix

atic & exosphere with intricate sounds, aiming at the floors. pressed on grey marbled vinyl.

dark and driving techno from müzmin.

unreleased 90’s tracks from silverlining x blue project. for fans of early warp, artificial intelligence, b12 etc.. limited copies.

part 2 of the marina trench signature serie, with remixes by hugo lx and dj deep himself!

11 extraordinary cover versions of bob marley songs.

jazzy deephouse, incl ltd full cover

great deep house ep

colorado based producer gila with a 4 track ep for lex records.

sinnmusik present their 5th vinyl in the form of a action packed split ep.the back n front series reaches its 3rd edition with the help from jamie trench and label veteran georgi barrel. if you familiar with sinnmusiks output then you ll have heard jamie s cracking ep for the label already and if not you are in for a treat as he opens the record up with a bump.

roots for bloom bring in four new faces for the seventh release. we see label boss jamie trench deliver an edit and remix of daniel curpen - daddy was a thug, and david moran teams up with albert vogt for their track cut loose and then collabs with mark crumbs for tha bassment. the a side sees jamie bring a rolling dub edit to daniels original and then takes things a little darker for the a2 remix. david morans cut loose shows off the vocal talents of albert vogt which grooves along seductively, then tha bassment as expected brings things a little harder and more for those after hour spots.

in order to know virtue we must first acquaint ourselves with vice vice&virtue is a new electronic label from death on the balcony. v&v will strive to release quality, honest music aimed at the dancefloor with a view to longevity, integrity & musicality.

thomas neyens lässt sich von den wurzeln des frühen techno und der lo-fi electronica inspirieren und präsentiert eine einzigartige klangpalette, die auf einem diy- und rohen produktionsstil basiert.

180 g heavyweight vinyl with limited full cover! 90s infected french house

rock

second limited 12v vinyl release on moving rhythms with tracks from norwell, final dream, fractal and illusionconsumer.

printed on reverse board standard album sleeve, matt finished, shrink-wrapped.

great deep disco house ep !

the best of bob marley on premium picture vinyl.

* sheffield-based subaltern resident taiko returns to the imprint with a stunning selection of four distinctively grimy pieces of sub-bass science, proving once again his original take on the 140 bass realm. a. trenches introducing his unique style once again with a fresh twist, taiko delivers relentless earth-shattering bass waves in ‘trenches’, which graces the a side of the release. bells, strings and dark synths set the mood for a precisely executed wall of bass, complimented by subtle vocal work. b1. raid dramatic orchestral strings and horns set the stage for the grim reaper that is ‘raid’ - leading into a dark and roaring synth that accentuates the laid back bass-line. sure to shake every system it is unleashed on, the track keeps evolving and luring the listener ever deeper into a maze of darkness. you can run but you can’t hide… b2. mana pool ‘mana pool’ adds a more psychedelic and subtle edge to the release. synth loaded parts play in exchange with carefully laid out harmonic synth lines complementing the tasteful bass-lines, while remaining the raw edge of the release.

coloured double vinyl in gatefold sleeve.

classy housetunes with big kerri chandler and fang (dj deep & roman poncet) remixes!

seb zitos seven dials imprint serves up its third offering with jamie trench & khalil anthony continuing to champion the early garage flavours that the label is fast becoming known for. what was missing transports you back to the 90s with that ukg groove, bumping sub bass goodness and kahlil s gritty vocals. the dub mix leaves only a small portion of the vocals in the mix, chopping them todd the god style and giving the shuffling garage rhythm more room to breathe. on the b side label head, seb zito, switches things into peak-time roller territory, dampening the kick whilst putting more emphasis on the hats, dubbing out vocal snippets, adding acid flurries and throwing in an epic echoed breakdown. all three mixes make a clear nod to the past, whilst firmly setting themselves in the present gold again from seven dials.

roush warmly invites jamie trench to the vinyl series with take a peek ep that follows our winning formula: two original mixes and two remixes by different artists.

after a string of stellar releases with proper trax, cult trip, and mystical disco, grey people graces cgi with his latest. raised in chicago and currently residing in nashville, alex michalski treats us to another side of his sound as he completely forgoes sampling to give us four tracks of raw, stripped-down machine funk. the tunes presented here are culled from various hot and humid sessions in his home studio, armed with an arsenal of equipment old and new and cultivating a sound as diverse as it is nasty. witness the pluralist industrial jackin’ utopia that is grey people—from the crunchy, dissonant piano stomp of *trench foot*, and the equally crunchy, driving, new wave dirge of *moonstruck*, to the cosmic drift and thump of *lock the box* and the funked up fm slap-bass of *wild intentions*.

roots for bloom label boss jamie trench kicks off the label offshoot rfbcolours with a collaboration ep alongside rebel. the a side tracks come from jamie himself. -good love- has a stripped back garage feel with a jacking and filtered vocal carrying it, then stapled brings things across with a more techno feel with strong stabs and background drifting chords. the b side is where we see rebel s input, with the rolling and infectious in the end . the groove is again stripped back and simple but it s this that carries the vocal that demands your attention. the two then pair up for we don t fly first class and it s apparent to hear in the track where the two come together well. this one is driven by a huge sub bass line and simple stabs and talking and seductive vocal lines.

roots for bloom shag edits series returns with volume 3. m.james brings us a track that will catch any music lovers ear.

attributed with fueling music is loves recent rich rein of form is jamie trench, who himself continues along a flourishing 2013 after a set of very impressive releases on his own imprint roots for bloom as well tsuba limited.

four up-and-coming artists appear on shag edits volume 2 which is kick-started by rebels *you somebodies*, a bassy piece of looping filter house meant for peak time play. newcomer riri throws down jazzy horns, marching snares and acoustic rimshots in a slow moving *get it on*, while chockys *i like* features cut vocals caught between interchanging melodies of pulsating rhythms. jamie trench, responsible for the labels first ep, delivers sexy vocals in *locks, frocks & 2 floating sparrows*, a laid back disco joint with the same summery vibe as barmy miami night.

a killer underground house ep from rising star jamie trench. lead track cream with angus jefford is deep & groove heavy house, street lamps has a deeper vibe and ep closer back in the flow walks a dubbier path. another tsuba ltd essential!

with more then two decades behind the decks, this detroit native has the knowledge and experience to throttle a dance floor. this debut is celebrated with custom packaging designed and illustrated by trench wich expands into a 24 x 36 poster. this pivotal record is a must have for collectors, featuring remixes by pioneers that need no introduction, dj bone, aaron-carl and donna black

2024 vinyl repress with a new graphic identity, a colourful sticker and a sparkling records.

incl special d side

reissue of the classic 1973 trojan records compilation on yellow & black splatter coloured vinyl.

reissue of the rancid debut album.

faten kanaan’s fifth lp afterpoem is a mysterious, smudgy, bittersweet, and uniquely playful album.

benedikt freys neueste musik erzählt geschichten aus der vergangenheit, die mit dem kommenden verbunden sind. hereinspaziert und hinausgeschaut. es gibt nichts zu sehen und doch so viel zu hören.

reissue of the 1982 nazareth album, remastered and pressed on aqua coloured vinyl.

a compilation of bob marley classics on 180 gram vinyl.