scissor kick bietet sorgfältige introspektion, experimentierfreude und eine reichhaltige konzeptionelle entwicklung. die beatlosen zwischenspiele und ausgedehnten klangwelten, die auf früheren veröffentlichungen hervorstachen, sind hier voll und ganz zu hören. es ist klaustrophobisch, aber der raum wird an den richtigen stellen gefunden, spannung und entspannung bis zum letzten grad, ohne jemals zu einem trott zu werden. die perkussion bleibt, aber verlangsamt auf ein kriechen.
3am spares is a new collection of australian electronic dance music compiled andras and instant peterson that encompasses the darker sounds and later nights of the 1990s and beyond. following on from forerunner compilation midnite spares, this double lp draws from local 12? releases, cdrs and the archives of community radio station 3rrr fm to make a diverse and pumping scene audible once more.
sarrass returns with a new single taken from his forthcoming album, dirty gear. the a side is the spacefunk remix, by sarras, of a new day, a slo-mo fantasy of the original. this is such a feel-good track. the b side is the full length original mix only available on this single. an edit of the original version will appear on the album. classic sarras trademarks dirty and shiny all at the same time, brilliant tension building, never ends up where you think it will.
brendon moeller comes out from behind his beat pharmacy moniker to deliver his most upfront tracks yet. the jazz space ep is the first of three 4 tracker eps which will be released by third ear during 2007 as vinyl 12s, 4-track download eps, and to wrap the project up, as a cd comprising the 12 tracks. this music can best be described as tripped-out, post-minimal techno. beautifully produced and superbly mastered by stefan betke @ scape mastering, already being played by ricardo villalobos, craig richards, kenny hawkes, andrew weatherall, luke slater, derrick may, francois k, steve bug, luciano, timmy regisford, jimpster
we eroded pre-existent structures constructing an open heterotopic space, a horizontal and vertical thinking found its way through physical- and cyberspace, here, nothing manifested instantly - flippancy left space for any kind of interaction and appropriation. within (or well beyond) economic pressure points which diluted production, this was our opportunity to try out different potentials with no restrictions to the public, while simultaneously scrutinising the general framework of institutions and human behaviours. subversive potential always was variable, always asking, deconstructing and reconfiguring itself allowing new states of aggregation within diffuse interspaces and futures
roly porter bildete gemeinsam mit jamie teasdale (kuedo) das elektronik-projekt vex d. auf dem label planet mu feilten sie an stücken, welche die grundlage zu jenem sound bilden sollten, aus dem sich später dubstep entwickelte. nun ist roly porter bei triangle beheimatet, und er verschiebt die koordinaten seines sound-desings. waren seine beiden vorangegangenen roly porter alben von der idee beseelt, klangwelten zu erschaffen, die ohne rhythmus auskommen und sounds enthalten, die keine konkrete stimmung oder persönliche erfahrung verarbeiten, so erschafft er mit -third law- einen brückenschlag zu seinen anfängen. zwar halten nun wieder vereinzelt rhythmen einzug in seine stücke, jedoch werden diese derart verarbeitet, dass die funktionalität von club-musik völlig außer acht gelassen ist. die acht entstandenen sound-landschaften sind jedenfalls von majestätischer schönheit. das doppel-vinyl erscheint inklusive download-code.
next up on tirk we have a brand new act, named free school. hailing from birmingham, shoegaze duo andy and steve bring the sunny balearic sounds of summer and the icy kosmiche sounds of winter all in one sweeping hit. free school are maximalist and minimalist all at once.
the band like to compare themselves to caribou, orbital, hot chip, fourtet, and pet shop boys, all pretty good touchstones in our eyes, however it was the sheer gloriousness of their music that had us hooked.
their debut ep features the uplifting and euphoric >ranting and raving< and the 9 minute sound-movie >lemon<. remixes come from richard norris and his time and space machine project (we are going to have to put this guy on the payroll soon) and russian ice cool customer sportloto. free school also appear live (in sheep masks no less) so watch out for them at a venue near you. their debut album is in the pipeline and already sounding good.
die deadline ep lädt zu einer energiegeladenen nacht ein, die sich irgendwo zwischen einer 80er jahre disco-rollschuhbahn, oldschool prog house und einem sonnenaufgang über der adria verliert.
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