reggae

reggae

originally released 1990

a handcrafted journey through a post-punk ghetto house childhood. all colours are beautiful pt.i. 6 tracks by pablo mateo from lackrec in berlin.

the new saft ep series are continued with an excellent va featuring 3 of the freshest producers around.

super elegant 4 tracker ep bringing together detroit influences and 90s raw minimal with a dubby edge by up and coming artists pablo tarno & anthony constands.. included tolga fidan epic house remix. a little gem marking release number 20 of serialism catalog.

incl dj pippi & willie graf remix

200 ltd copies, huge tip

interaktives zusammenspiel trifft auf kammerorchester - wie geht das? auf seinem 15. album begibt sich pablo held auf eine reise tief in das paralleluniversum zwischen improvisation und komposition. begleitet wird er von seinem langjährigen trio, dem brasilianischen gitarristen nelson veras und dem eos chamber orchestra unter der leitung von susanne blumenthal. helds kompositionen, arrangiert von seinem langjährigen freund und mitarbeiter niels klein, erstrahlen in neuem licht und nehmen den hörer mit auf eine entdeckungsreise ins unbekannte.

world music, cuban jazz, latin funk, afro cuban

nice mixture of funk, brazil, latin and world music

jazz

reissue of the rare soundtrack to an obscure venezuelan sexploitation movie from 1976.

ltd to 300, colmarbled vinyl, hand numbered, anti static black inner and insert design w.photos

incl kai alce remix

remaster

dub-album izu dem 1978 veröffentlichten fuenf-sterne-album >africa must be free by 1983<

repress - der 10-track longplayer lässt die herzen der augustus pablo fans höher schlagen! hier ist die exklusive zusammenstellung aus den archiven der produzenten gussie clark aus den 70er jahren - sehr rares und unveröffentlichtes material inklusive der 12inch-single versionen von -no entry- und -classical illusion-, komplett mit dem king jammy dub, sowie die gesuchte micron 7inch version, uvm.

juan pablo torres war einer der besten posaunisten des latin-jazz in der zweiten hälfte des 20. jahrhunderts.

cuba disco- war das einzige album, das unter seinem namen in europa veröffentlicht wurde, es wurde 1984 in mailand aufgenommen und von aldo pagani produziert. in italien wirkte er im selben jahr an zwei platten von pino daniele und einer von astor piazzolla mit.

saft’s x series signs up accomplished french house artist pablo valentino for a new ep that features patchworks and includes a remix from seb wildblood.

remastered reissue of the legendary second album from pablo moses, originally released in 1980.

well-crafted 6-tracker from pablo bozzi on pinkman.

light blue vinyl!
fresh summer feeling with the rebel and pablo ruiz on legofunk 7- light blue version.

reissue , back from 1986

90ties inspirered chord techno tracks...

hand-stamped clear transparent vinyl. limited to 200 copies.

emotional soundscape with many nice chords

fracture has always tried to support upcoming and interesting newcomers, people they believe in. chevel is one of them, and in 2014 came his first ep for fracture under his alias signalweiss. he returns now for round two. in 4 years, he has managed to establish himself as a prolific and talented artist with a steady stream of records on labels such as stroboscopic artefacts. chevel is an artist who likes to mix things up, always striking an interesting balance between experimentation and more dance floor oriented tunes. with -feelings- and -forbona-, he creates quite abstract but still effective dance music. it is for the club, but it is not mindless bangers. in the hands of pablo mateo, -forbona- turns into a more mental piece of techno. all in all, this new fracture release provides great tools for the smarter selectors out there.

pablo gad joins king earthquake for this 2012 lp of firing uk steppers.

pablo is the former incarnation of big crown recording artists paul & the tall trees. paul schalda toured as a background vocalist and rhythm guitar player in charles bradley’s band, his extraordinaries. produced and mixed at transistor sound.

fort romeau returns with his first 12inch of 2018 following a string of releases on live at robert johnson, running back and ghostly international as well as appearances on compilations from rush hour, cocoon, and mule musiq. on the a side, pablo unfurls with swirling arpeggios which build to a euphoric crescendo while the more heady terracotta explores polyphonic syncopated fm sequences and ambiguous chord progressions.

the canadian producer has built an impressive discography in recent years with a stream of quality releases via labels such as clone s royal oak imprint, spring theory, lone s magicwire and most recently his -hope you re well- ep on ninja tune s technicolour imprint. pitchfork were quick to acknowledge his unique production style and innate ability to balance the openness and experimental qualities of the back room and the hooks and sonics of the main room describing previous single is it dry? as -a rarity: peak-time techno that won t rot your brain or insult your intelligence, with appeal from the basement to the big leagues-. following recent excursions channeling the big room sound, he returns with a sleeker, more refined ep. -for this record i pushed myself to keep things more minimal than usual, in a relative sense.- he explains. -focusing on repetition in melody, rhythm and harmony, putting a lot of trust in my initial ideas and letting them play out. it was harder to stop than to add more.- the resulting five tracks span upbeat opener napoletana - -a rough and ready duet between a mfb 522 drum machine and juno 106-, through the swirling improvised piano loops of last day - recorded in an hour just before he packed up his gear at the studio of fellow montreal residents braids and moved it all home, to the bumpy 2-step of less and less .

open s 5th release invites japan s sasaki hiroaki from yotsume music. sasaki s smooth blend of thoughful tech house has been presented in 2 original pieces as key ingredients for any after hours gathering expressing tripped out broken piano excursions with subtle driving drums. frazer campbell pulls his version back from the after party to the daytime with a version that raises the heartrate with bold 101 synth leads and chicago influenced percusion. finest hours pablo tarno joins the release with his signature sound of garage meets early techno providing a classy envelope of silk like power for the peak time floor.

1993 classic by uk alternative rockers. including creep!

the dj and producer from cantabria comes back into the picture with this ‘seconds of light’, which is released on his own seven villas music. boli&#769,,var goes deeper and deeper into velvet soul deep-house, with a dreamy touch which is especially present in the track which names the ep. therefore, it counts on a soft groove and an inherent club vibe which makes it perfect for summer sophisticated sets, or even for listening on one’s ‘me’ time. simo&#769,,n garci&#769,,a’s remix of ‘seconds of light’ darkens up the original, giving it an extra push of strong kick in order to take it to the late hours and the vibrating underground dancefloor. ‘all clear’ is under el txef_a’s approach, a modular, cosmic and disco kraut-rock space trip, with an acid reminiscence. illustrated escapisim whch does not forget about the dancefloor. ‘leaves without shadows’ was a track which was originally included in bolivar’s last compilation ‘the obscure figure’, also released in seven villas. pablo enjoys this time the collaboration of upercent from valencia, and also includes a remix by berlin’s duo youandme. deep but rhythmic, almost martial tech-house, which is as well danceable and in constant emotional progression. through his new ‘seconds of light ep’, pablo boli&#769,,var makes us involved in his sound imaginary, which is always wide, varied and gets given qualities which are linked to his music bet: quiality, good taste and international scope.

the ballroom basement of a hotel. the place for jack nicholsons mean encounter with a ghost or possibly the place for a cocaine laden sexual encounter with part of the media agency elite. the label worked there. and so did pablo. buying talent, slinging drinks, just a couple sneering punk kids looking towards a completely different berlin future. there was a time when rough and tumble crossed paths with diamonds. maybe it created diamonds in the rough? pablo always sent the label demos before the label was a label and could do something with them. pablo has had a string of successes since then (too numerous to point out) and the label became a label. became uncaged. time to let this relationship out of the cage. it is a long way from that ballroom basement, now time to do some thrusting, propelled, grinding, noisy, sonic shit together. house music? is it really? just in case you forgot that no one is all grim guts and clenched teeth, that wild abandon sometimes comes in the form of an ecstatic beach dance, nick höppner comes around and forces you to go out to hasenheide park for a picnic and to pick up a bag of dirt weed. >so fucking buy it<

frames is back this time with an outstanding various artists compilation, 4 hypnotic grooves for artistically sensitive music connoisseurs. something you can listen to and fall in love with anywhere anytime… timeless. vinyl only.

official deluxe gatefold sleeve edition, made with full approval of the original compilers. the original 1979 greensleeves “original rockers” compilation was instrumental in bringing the music of augustus pablo to an international audience and with this 2lp set greensleeves pay tribute to that landmark release with a second disc of further cuts of the original albums classic rhythms including some rare sides making their album debut.