by popular demand, orgues tip-top remix of henry saiz summer house hit gets a well deserved limited single sided run! play it in your car and melt the ice off the road.

here we find a couple of heavyweights facing off with one of the centre pieces of orgue electroniques acclaimed >strange paradise< album. on the one hand we have kink & neville watson (an unlikely pair blabla but you know all that) with a swooning but rather pressing epic that unexpectedly turns into a harmonious vortex. and once you have crossed its event horizon it proceeds to quite exquisitely tear you to shreads. marvel as you turn into jelly and watch your legs grow longer and longer in what not only seems like an eternity, but actually is cause umm technically, like, there aint no time in a black hole dude! code! speaking of which, if you ever do make it to the other side, you will find up n cummer willie burns (who is known to many as the brooklyn budgie smuggler) oldschool jacking the faders with two of the sikkest organic beat tracks north of the corpse of ron (who is in a dead heat with jimi, jim and james in the race for most desecrated musician in like 4evah). anyhow, these jamz come courtesy of the sp12. feel it feel it feel it feel it... boom knock out!

ok, to call this album long awaited or highly anticipated would be a non sequitur. what lies here before you is sculpted out of the blood and tears of 5 years of life, and all the dreams, imagination, tristesse and longing that goes along with it. the name orgue electronique shouldnt be new to you, cause it isnt. for over a decade it has been lurking in the periphery of house music - forever too early or too late for the trend, be it as a solo artist or working alongside legowelt. but it seems the apotheosis is finally here, in the form of this mesmerizing double album: wholly matured and further enhanced by collaborations with luminaries like robert owens, alden tyrell and cult hero fre2k. but to just dismiss this as a retro house record would be to sell it short in a big way. sure it was influenced by the usual bunch of pioneers and icons, but this is not an epigone, this is music that is. its warm and generous, made up of real emotions, of moments frozen in time and of the impassioned cries of a soul on the run. thats right, this aint no hipster shit dime-a-dozen facebook house gonzales! to finally let it go after so many years is - for all the parties involved - a strange yet exciting moment, not unlike the birth of an elephant baby. out of a human female

murphy jax returns with his 2nd twelve inch for clone after his big debut release, its the music, ft mike dunn. no surprise that its retro chicago inspired tracks. comes with one of those rare remixes by orgue electronique (actually two of those)

re-release of this legowelt classic. more of that unique disco/electro hybrid wich was the trademark of the hague at the time.

rare and limited re-release from this classix elektro ep ... tolles minialbum ! mix i-f with giorgio morder & dopplereffekt and a bit of drexciya. this is what you get: rocking disco electro tracks

big classic electro stuff on very limited red vinyl 200 copies worldwide

nice chicago influenced electro tracks by legowelts orgue electronique. incl james cotton remix

limited 12inch pressed for the japanese creme / bunker 2004 tour. with tracks from kassen, legowelt, bankok impact and orgue electronique..

limited ! eigentlich nur für japan !! (teaser 1):bangkok impakt - aus brigittes tagebuch,orgue electrinique - suck seed,legowelt - into the storm, schmerzlabor - off the road with jack kerouac, (teaser 2):legowelt - gia flies to scape, mr clavio - vinex deathwish ,kassen - walking, breathing (teaser 3):bangkog impact - daily 4 minutes,orgue electronique -behind the sun

even darker and more extreme than #1, with a.o. legowelt, kassen, schmerzlabor, nimoy, technician, etc.

new years deal - the next chapter in the creme organization ecplise series comes from cosmic garden with three original tracks and one remix from orgue electronique. little is known about cosmic garden other than he is from southern italy and has had two eps out in 2016, one on hotmix and one on cosmic rhythm. he heads out the blocks here with reptilian treant , six minutes of lo-fi deep house that is roomy and atmospheric. lazy synths bring soul and a gentle chatter of claps and hits helps drive it along. rare centaur is also way below the surface but is darker and more celestial, with turbulent bass, frantic claps and angelic chords glowing like a white light at the end of a tunnel. dutch house and electro don orgue electronique then remixes reptilian treant into something that is slick and serene, with metallic lines dancing above rubbery drums as big piano chords boucle up top. it is joyous and colourful and truly majestic before final track apocalyptic moose takes us back down into a mournful house vibe that echoes chicago with its roughhewn analogue textures and lovestruck chords.

the sun sinks, the sea is turning scarlet. on deck stand two, entwined, a final embrace. the plane is ready for its single passenger. heartache ascending into the heavens. -pilotes- is the third release of the 7inch dedicated label no more pop. by an obscure french synth pop band, performance, this double pack brings together both rare and unreleased material from the early 80s. the double 7inch features the original version, a dub version, a remake of the song s

collaboration project between jauzas the shining & victoria lukas featuring ekman and orgue electronique. lukas, drawing upon personal sensations, melds diary-like lyrics into dreamlike ambiance and textures, beautifully fusing with the infectious electro-pop grooves of jauzas the shining. songs encapsulating lost love and longings for sensation, emotional stimulation and experiencing feelings through those of another are conveyed via vocal pieces, cold sweat and coral eyes. ekman contributes a driving, acidic groove version of cold sweat more apt for the dancefloor, while orgue electronique pushes the electronic pop vibes into house territory. shadows written, recorded and produced by jauzas the shining & victoria lukas for last known trajectory 2014

an exquisite collection of cuts by orgue electronique, crystal maze, eshu and ohrwert cover the ninth field ep. limited as usual, no repress.

great 6 track double vinyl sampler with the coolest electro selection.... check the playlist

the smack is back >> for the last time << on auda with fatjacks very first production, in action just with tr-909 & tb-303. supported with a raw jackin acid remix by orgue electronique. limited edition of 123 handnumbered copies, translucent marbled vinyl, one-sided pressing.
watch out for --acidicted -- the new label by mr. adalberto aka fatjack for acid-houze-jack-trax!

the smack is back >> for the last time << on auda with fatjacks very first production, in action just with tr-909 & tb-303. supported with a raw jackin acid remix by orgue electronique. limited edition of 123 handnumbered copies, black vinyl, one-sided pressing.
watch out for --acidicted -- the new label by mr. adalberto aka fatjack for acid-houze-jack-trax!

hot remix package from creme. including remixes by unit 4 (deep driving nu school disco kind of thing), orgue electronique(an amazing chicago house remix with a strong bass line, very good!), and a more straight 4/4 mix by robotnick himself. its undecided yet whos the winner.

dubstep influenced original track plus more electro minimal remix by orgue electronique !!

a tribute to 'death wish'-actor charles bronson featuring spherical electro-funk by legowelt, orgue electronique, sendex, luke eargoggle, it & my computer and porndarstellar.

6 klasse electro(electro pop) remixes zum hit der volle pulle bei sven väth im set zu hören war!

zum finale der legendŠren, seit 19 jahren laufenden fabric cd-reihe erscheint mit -fabric 100 nun eine triple-cd der drei resident-djs craig richards, terry francis und keith reilly, die - jeder in seinem individuellen style. wŠhrend craig richards mit einer electro-infusion beginnt, nimmt sich terry francis frŸh-1990er einflŸsse an, bevor keith reilly das triple mit einem soulful, vocal-inspirierten house-mix abschlie§t.