incl. straykids weapon remix

2lp gatefold, spot-varnish, embossing and hot-foil printing of the belly band on a heavy weight cardboard

french electronica outfit zombie zombie are back with a new album.

impérieux begann die produktion von modus operandi in bulgarien und setzte sie während seines umzugs nach berlin im vergangenen jahr fort. der künstler sagt, es war eine melancholische zeit, der umgang mit dem kulturschock und einer neuen sprache war auch ohne pandemie eine herausforderung. diese ep ist eine reflexion dessen. dunkel und grüblerisch, simpel und surreal.

nørbak on eternal friction with remixes coming from stanislav tolkachev, pursent and svarog.

considering the massive output of tracks last year, the einmusik-lager gathers together to satisfy their fans with an own brandnew label - modus operandi. the first release is a piece of first class excellence. the three tracks >pate mo tu vae<, >tautai e< and >frickeldelle< have copious been tested about their dancing and raving qualities. especially einmusiks >pate mo tu vae < the profitesters like dj karotte praised to be marvellous

dritter streich von modus operandi !! einmusik knuepft ganz elegant an ihre hit single jittery heritage an und die gebrueder ton geben wieder alles für den floor..

after the fulminant launch of the label, modus operandi starts into the second round. this times releasing two new tracks of the gebrueder ton. der gelbe fluss streams like a sonic-river and carries anybody on who dares to come too close to the dancefloor. especially the second track denk an mich captures the ears of its listener. glass projekte – the latest track of the einmusik trio – this track develops massive, but not too heavy. and after the saw comes in it is all clear: go for the dancefloor, thats right. a very round thing, this record

from the pure beauty and bliss of the a-side with their irressistible funky beats amd melodic synth lines and the deep emotional electrofield stringladden 'going down on wordward' to the storming and uncompromising dancefloor bomb 'the 909 dice' on the b-side.. influenced by the birthplace, the motor city detroit..

original gatefold sleeve and features one bonus track. ltd to 500 copies

welcome back distant echoes on non series... techno!

in diesem speziellen mix album versammelt yukimatsu all seine produzentenfreunde. yukimatsus sets muss man gehört haben, um sie zu verstehen. vielseitig ist nicht einmal annähernd eine beschreibung seiner musikauswahl und mixing-skills, denn er spielt alles ohne vorurteile und ist einfach nur musikbegeistert. er ist extrem bescheiden, kann alles mischen und es interessant klingen lassen.

french elektronica outfit zombie zombie are back with a new album.

never sleep sind stolz darauf, einen meilenstein in der japanischen hardcore-new-rave-szene zu präsentieren.

limited pressing on sea blue coloured vinyl.

der legendäre electro-produzent carl finlow meldet sich mit einer 2x12 lp auf weißem vinyl bei science cult zurück.

deep cosmic spiritual house, transparent vinyl

rough and ready machine tracks from brazilian producer/december collaborator innsyter (la club resource). cyn002 picks up where coletivo vandalismo left off, channeling that same wild, diy bedroom studio spirit across nine individual recordings. opening with sprawling synth motifs fighting against a steady rhythm track, desintegrado sounds like an industrial dub punk trying to channel early cluster or moebius and strangely succeeding. the rest of the lp treats us to vaguely drexciyan, subaquatic electro (bries) and twisted lo-fi minimalism with bonus eerie monologue samples (superficial love). the one recurring theme on magnetic healing is innsyter s clear love for mournful, post-punk inspired melodies. it comes across loud and clear on almost every track yet never sounds tired. things eventually draw to a close with the hopelessly romantic new wave instrumental forest shaman - a short ballad for all those weary-eyed party-goers who stuck around til the sun came up!

nice price deal !!! 2003 classic!!

final song goes to the very heart of musics spiritual dimension by asking a number of musicians to select their ideal last song, either to serenade their final moments or to memorialize them after the fact. the participating artists deserve to be commended for their openness: theyre responding to one of the most personal questions one could ask. (several of those approached declined to take part- taboos are taboos, after all.)