Releases from artist / Veröffentlichungen von : SHIT

boing boing boing, boing boing boing, boing boing!!

breakbeats for the connoisseurs

vinyl only

experimental album

full picture sleeve with pvc outer sleeve. dj support: optimo, ivan smagghe, justin strauss, heidi lawden, and horse meat disco

real house shit!

300 copies only! hand-stamped gatefold vinyl, screen-printed sleeve / b stock , with crease in one corner of the cover , music is uneffected

90s infected house and breaks ep

endlich die vollständige vinyl veröffentlichung von dj absolutely shits chaos is a ladder ep. dont sleep. unverzichtbar!

limited reissue on dirty white vinyl.

the ep consists of two hypnotic house tracks with tribal percussion. these were created through a live improvisation by the japanese musician yoshitake expe. the third track is a dub version by valentino mora himself.

just fun

perfect time and circumstances for neil landstrumm and mat consume to revive their shit & cheap project.

limited pressing on red & blue swirl vinyl.

inclusive vin sol remix (nonplus / clone)

for intercontinental dance organizations (ido) third release, astrometric effect ep, sees the labels founder valentino mora collaborating for the first time with experimental japanese musician yoshitake expe. the ep comprises of 2 hypnotic house tracks with tribal percussions created through live improvisation between the pair and a third track, an effective dub version by valentino mora.

man powers me me me label proudly presents a very special new compilation, we we we, which will see all profits donated to the vital help refugees charity. the release boasts 25 new and exclusive tracks from a wide range of artists both new and established including pional, juan maclean, shit robot, medlar, asok, ian blevins and more. as well as the full album, two limited, vinyl-only samplers will also be released, with each featuring one exclusive track that is not available anywhere digitally.

nicolas lattansio, aka shit, was raised in temperley, a small borough in the city of buenos aires, argentina. in 1996, he had his first encounter with electronic music and has been inseparable ever since. hes in love with the beats and the dance floor. his tracks are played by the likes of djs pareja, alejandro paz, carisma and mijo. hes the founder and resident dj of te re cagamos la fiesta and tokyo, the festival. he defines his music as indie techno, with strong beats, vocals and plenty of attitude. without a doubt, shit is one of the most powerful projects in the neighborhood. the solo en la pista ep shows shit s veritable force in the blooming indie-techno scene growing out of mexico and south america, and the remix with mexico city s ali x x ximena (former azari iii) is an extremely strong dance floor track that has proven itself upon many floors and festivals from burning man and beyond over the course of 2017 in preparation for it s public launch this year.

a new my rules release from the always on-point justin van der volgen featuring two previously unreleased remixes that showcase his varied and unique style. the a-side sees him take both the original and spencer parker remixes found on the the 2016 shit robot single lose control and through editing, blending and layering of fx concocts one serious bomb of a mega mix. think classic dj bootleg remixes on legendary labels like razormaid, disconet and hot tracks. the b-side is an altogether different affair where justin dispenses with all of the original music and only keeps the vocal from felix dickinson s 2014 acid jam burning flame. what comes out the other end sounds like lee perry and murk made a tune once they got back from a sleazy ny after hours. early plays and support from gerd janson, john talabot, tim sweeney. vinyl only.

nice price deal !!! a new label from lille, france, gaazol arrives with their first release from japan s yoshitaca, resident of the esteemed imprint fasten musique. title track -induced arousal- is a deep and funky acid tinged house workout that should prove versatile either later or earlier in the night. the a side is completed by ittetsu s bass heavy remix with tight percussion and just the right touch of drama. finally, the entire b side is devoted to the rolling bassline of yoshitaca s -gypsy queen- which never lets up. this fine package is exclusively presented on 180gr. vinyl.

limited white label 12” of shit robot’s ‘end of the trail’ featuring alexis taylor (hot chip) on vocals, backed with the instrumental mix and a killer roman flügel remix.

autofacs gonna be a new one to you, but the names behind it—juan maclean and marcus lambkin, a.k.a. shit robot—most certainly are not. the dfa house, disco, and techno veterans have long been friends, sharing bills around the world, vocalists on records, engineers on mixing boards. for a while now, they ve also been collaborating in the studio, and it s with tremendous honor that we get to be the label that presents the world with the fruits of their labors. souls on ice is a snarled, fierce, aggressive four-tracker, all of it recorded live, which gives it a distinct loopiness and patience. the ep starts off on a bumpin techno tip and slowly drifts towards a spacier, groovier house sound. charged and punchy, its the kind of dance floor kick in the pants only wizards like juan and marcus can deliver. key selling points. debut release by autofac, a production duo comprised of dfa veterans juan maclean and shit robot. full international press and dj promo campaign.

heated heads delves into another dark corner of the american experiment, this time via the lone star state. graig clouse s shit & shine project has been a mainstay of the underground for well over a decade, having released unique sides for legendary labels like rhode island s load, riot season, gangsigns, powell s diagonal imprint, rocket recordings, conspiracy outta belgium and the inimitable editions mego, to name but a few. for this 12-, $&$ has invoked the ghosts of cb radio via the us trucking fraternity - 4 cut n shut jams that defy regular definition. backed so far by the likes ron morelli (l.i.e.s), the trilogy tapes, bill converse, jon k, nina (golden pudel), shapednoise

prspct rvlt 013!

shit robot reunites with nancy whang for a sharp blast of raw-to-the-floor acid house - spencer parker bosses it on the remix, delivering a road-tested, siren-and-sub ‘workmix’ and dub that’s in the (red) zone.

micra imprint has born and japanese artist now based in berlín yoshitaca delivered a 3 tracker ep for our 1st installment. we started a deep search of minuscule great beauty. we started the future.

marcus lambkin aka shit robot returns with his third full length album for dfa records, entitled what follows. the 11-track album was conceived and recorded at marcus’ home studio in a small town outside stuttgart, worked on in various new york studios and then mixed over the course of 11 intense & coffee-fuelled days in dfa label mate juan maclean’s new hampshire studio. the album follows lambkin’s previous long-players, from the cradle to the rave (2010) and we got a love (2014), which drew plaudits from the likes of the guardian and pitchfork, and featured reggie watts and james murphy among the array of contributors.
the double vinyl lp comes in a gatefold sleeve with download code included.

trippy electronix from shitcluster on panzerkreuz.

limited collectors edition of 300 copies only of this rare italian disco funk studio project from 1977 run by pino presti. today is very rare but the value of this reissue is that contains for the first time ever all the original versions plus the long version that never saw the light, because for some reason both 12 and the 7 inch original vinyl contains only the short cuts (called part 1 / part 2).

an irishman, an italian and a german walk into a bar kitjen. what sounds like your tipsy uncle telling you a joke, is actually the story behind kitjen 003. legendary shit robot (dfa) invited his buddies rino (space ranger) and kai p. to his lab to create two interpretations of rishi. the result is a killer 12inch that features two unapologetically hypnotic dance floor cuts. dont sleep!

melodymathics chalk up their 5th in the form of a limited edition 10 inch double pack vinyl and boy is it special. a pack featuring detroits own terrence parker alongside label head melodymann and no shit like deep finishing things off. an on point package of four classy house cuts where each one plays its part, add to that a couple of locked grooves and you have a must have record.

vinyl only release, timeless detroit rooted techno

craig clouse - aka shit and shine - follows up his stunning powder horn release on diagonal with this brand new set of pure heat for gangsigns. clocking in at just over 31 minutes, this brand new lp pushes on from the last just that little bit further, chopping and screwing its way from the dancefloor to the slow jam in six easy steps

double vinyl in a matte gatefold sleeve. includes cd-copy of the album.
dfa records is proud to present we got a love, the sophomore full-length by shit robot a.k.a. dublin native marcus lambkin. recorded in germany and new york, the nine-track album includes the killer recent singles, *feels real* and *we got a love*. like lambkins 2010 debut from the cradle to the rave, we got a love sports an array of guests that include dfa veterans nancy whang, museum of love and luke jenner (the rapture), plus hip-house hero lidell townsell and australian singer holly backler. the albums distinctive artwork was created in collaboration with irish graffiti artist maser.

dfa is pleased to announce a split 12inch single featuring remixes of shit robot by paul woolford and juan maclean by leon vynehall. extremely limited, so move quickly.

pheaky experimental disco, vinyl only. 300 copies for the world

dfa is proud to announce a new split single featuring both the juan maclean and shit robot. the single highlights the warped and wonky piano house both acts have become famous for. the juan maclean track features long time vocalist nancy whang (also of lcd soundsystem), who helps deliver yet another wildly catchy dance floor anthem, in line with prior collaborative successes “happy house” and “you are my destiny.” shit robot brings in famed stand up comedian (and closet soul vocalist) reggie watts whose incredible voice glides from falsetto to baritone in a single verse. the combination of the deep bass lines, wild voice and piano stabs weaving in and out make this one of the strongest and unique singles in the shit robot catalog. both shit robot & the juan maclean have full length albums due in 2014 on dfa records. limited to 500 stamped and numbered copies, includes digital download code.

much anticipated diagonal release from the shit & shine camp, features killer re-edit of synthetic flemm originally by theo parrish, 1st pressing with limited full colour sleeve

mirko loko, has always worn his detroit musical influences on his sleeve, counting pioneer carl craig as his mentor, and having worked with the likes of derrick may and stacey pullen in the studio. and on daybreak, mirko fully indulges in the one genre that seems never to get tarnished, the mechanical and industrial beats working off the deep and soulful strings and melancholic pads, a true hallmark of the classic sounds of the motor city

vinyl only. next get slow jam by deep mariano & yoshitaca. incl jay west remix.

the hi-nrg history of luke jenners hometown san francisco is freshly revived for shit robots cheekily-titled feels real, on which jenner plays the slinky sylvester to marcus lambkins patrick cowley wizardry

nite recordings third 12 inch brings a amazing production by deep mariano & yoshitaca together. this single gives us an original song called oh yeah! with a crazy voice sound and very fat bass line. in the other side of the vinyl we have a deep house song called smog, perfect for warming every dance-floor. also we have a remix from fer marino of oh yeah! which highlights the crazy voice with classic 909 drums. a must-have 12 inch that you can play a any time.

hot release by neil landstrumm & mat consume, who did a first shit & cheap release on scandinavia in 2001, and 2012 seems a good year to tear it down with a totally unexpected raw & raving electro banger for the dutch shipwrec label. inspired by 60s surf & garage and later punk & wave, the drum machines are set to give us the essential kicks, claps and hihats we need for that oldschool electro vibe. the trashmens surfin bird gets a remake dipped in acid and with shadowlands pre-dubstep skills take control, but nevertheless, all tracks have those wobly basslines typical to landstrumm’s music combined with unique vocals that make this release something special and definitely standing out! this release comes in a sick designed three colour silkscreen printed sleeve, limited to 300 copies including a download code to redeam the digital tracks from the label

first on only available via decks.de
incl lauhaus remix

shit robot returns with his first new material since the release of his debut long-player, >from the cradle to the rave<. after spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with lcd soundsystem during their final shows in nyc - the rebooted robot is back with >the green machine<. the first result of his stuttgart/new york studio adventures is a double-header of dancefloor jams, >teenage bass b/w >space race<, which is released on vinyl and digital on dfa on may 21 2012. its the first in a series of releases called >the green machine<, which will culminate in an album early next year. lead cut >teenage bass< rides a rude ebm bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. the hypnotic >space race< is a distant relative of 2007s chasm – a meandering, melodic, star-gazing robo-techno workout

nice price deal !!! rest! music invites us to the table and presents the debut of their compilation series restaurant. a delicious 3 course set menu of deephouse, slomo funk and disco delights the guest. for a starter tobias dziapko and thomas tuscherer aka morgenklang place the hors doeuvre on the spot outside and have an airy picnic.green & blue swingswith warm chords through the green grass and seduces with irresistable funk for a dance under the clear blue sky. deephouse á la haute cuisine.the next course is being served by superloader. herb lf and cassique, the makers of the netlabel supafeed.net, choke the tempo down to slomo house and present with walk with me! a hypnotic dubby builder with good old prescription records wink inclusive. discoshit (herb lf & phil decker) let the closing buffet fly in by aliens. imported warp basslines from distant galaxies wed with earthly disco to strangers, which makes its direct way to the dancefloor with spoken words and sugarhill hook. something for you mind, your body and your soul! save the vinyl! by the way she will be responsible for the next rest!release with her debut ep under her alias elina monova

say hello to rest! ...the new label of herb lf (westpark unit, gush collective, draft recordings, supafeed) and phil decker (sensual touch recordings)! for a start the two labelrunners are entering their brand new stage in person as their project discoshit. after recently having taken part on the rhythm kings compilation by traveller records, next to ooft, nicholas or leonidas, they now present their debut ep strike a pose! heavy bass dub meets deep disco on the starter strike a pose! with its dubby vibe it stands for the spirit of the time. sound of... raises the pressure with a symbiosis of 80s funk and pure housesound. its getting hot,baby! breakers and househeads agree on deep chords and swinging handclaps on the dancefloor. if roy ayers would do slomo house, it might sound like biwak. crackling jazz warms up the cold club or serves up the perfect pick for a sunrise set. filtermadness and sample patchwork, in the end number one sneaks into the prime time with finesse and pop appeal. on top of that strike a pose! is presented in a stylish cover artwork by elinasolomonov(arte tv).

from the very outset, the m.c.d.e. remix of shit robots >answering machine< picks up in a completely different realm from marcus lambkins original, which appears on his 2010 debut, from the cradle to the rave. the stuttgart-based producer has replaced janine >planningtorock< rostrons slowly rising vocal opener with outerspace emanations that fade as they drift into a constellation of wide house grooves and deep bass. rostrons own pizzo remix is up next, and in (a)typical fashion, she takes the song and shifts its mood by clearing away the dancier elements of its predecessor in favor of a foundation of strings in every form: plucked pizzicato notes, low cellos tones, and high pitched violins that flit through. last up is another rostron creation, the whisper remix, which actually outpaces lambkins version in bpm, but is lighter all the same. here, she uses synths almost as a wash of white noise – a whisper, if you will – and only drops heavier vocals here and there along the songs rustling path.

no info - just music.

at fatcat we are as excited about new signings psychedelic horseshit as we were on landing animal collective and black dice 8 years back, and believe they re a similarly vital band - pushing boundaries and creating something thrilling and unique. having avidly followed the band’s outpourings over the past few years, we can now announce psychedelic horseshit s label debut. previously appearing on hip us indies woodsist and siltbreeze, their second proper full-length marks a major shift, upgrading their sound and delivering a coherent set of bustling, uptempo, hook-laden, melted outsider pop songs.
comes with code for free digital download of this album.

in its original incarnation, shit robots -losing my patience- – a choice cut from 2010s from the cradle to the rave — strikes a balance between iciness and warmth, with hot chip frontman alexis taylors soulful vocals melting the tracks frosty synthlines. now, hot chip and unabombers remix the track and redefine its feel. hot chips new take on the single mystifies the original with deeply cut grooves, squelching bass and taylors heartbreaking, trilling vocals, pushed to lonesome front and center. the whole procession builds to a climax of chiming keys, striking percussion and synth melodies that corkscrew firmly into your head. the uks unabombers – the dj duo of luke cowdrey and justin crawford – take a cosmic approach, laying down synths that stretch toward infinity and holding off on vocals till near the songs midpoint. the dub remix gains traction and energy in its latter stages, with a heady mix of piercing synth squeals and taylors vocalizations set on repeat, like a mantra urging party goers to the dancefloor

head-turning singles >tuff enough< and >take em up< from marcus >shit robot< lambkins fantastic debut, from the cradle to the rave, get reinvented by two of the most talented dj/producers working in electronic music. on the a-side is germanys michael mayers epically inventive take on >tuff enuff<. less muscular than lambkins original, the remix softens things up by placing supple keys under the hardened exterior. the climax is an otherworldly listening experience that literally builds to take off. on the flip, john talabots remix of >take em up< starts like a laidback house party that builds just enough energy when its relocated under disco lights. the haunting opening — a swirling, ghostly blend of elliptical vocals and handclaps — leads to a sonic journey that is as smooth as it is wholly entrancing. this fantastic coupling of tracks is being produced in very short supply, so snap them up quickly!

slamming deep disco / space disco... incl mark e remix

>tuff enuff?< sounds just the way an affirmative answer to the titular question should: lean and muscular, with sinewy bass flexing its way straight through. its a song full of robust underpinnings and carefully placed counterbalances: synths that lustrously shimmer and slowly dissipate, keys that sparkle faintly at the quietest moments. the first single on from the cradle to the rave, the debut album from shit robot – aka marcus lambkin, aka >the godfather of dfa< – is a perfectly executed composition in >homage to chicago house, kraftwerk and gay electronic disco.< the b-side features a wild geese remix of >i found love<, another stellar track from lambkins debut. in the capable hands of djs dan foat and frank tope, the laidback original

marcus lambkin, aka shit robot, is joined on this excellent debut full length by a list of notable contributors: james murphy co-wrote several tracks and mixed the album, while juan maclean, planningtorock, lcd soundsystems nancy whang, hot chips alexis taylor, house of houses saheer umar and ex-nation of ulysses and the make-ups ian svenonious all contribute vocals and co-writing to >from the cradles…< stellar arc of songs.

simple things is very much within the spirit of fellow dfa stars hercules & love affair and their hybrid of pop and retro piano house, and the main mix of the track is a right old romp. todd terje is on hand to bring a taste of flamboyant nordic disco to the proceedings.

the return of mr lee aka joey negro with his better days records inc series another 4 classics moments get a timely re work.kicking off with a edit of the clash classic ærock the casbah stretched and extended for the dancelfoor..botty beats is a percussion fuelled electro tinged monster that has been big for greg wilson etc.the flipside has more latin infused boogie feel on gonna getcha and a more downtempo feel to mellow mellow rap on. another quality ep from mr lee

industrial hardcore/speedcore sampler by anarchi3 & middle m, brutal stuff presented on necrosociety!!

>doop< links the cellars of chicago with the sewers of the hague. dirty and dark dancefloor madness. >less bla bla bla, more cha cha cha,< says shitcluster , so lets jack. limited to 300 copies worldwide on lush coloured vinyl

limited 200 copies.. 4 sinister soundtracks of mental degradation, unless you really believe that >paranoia is the highest state of consciousness<

shitdisco follow up with their next single, the riotous >i know kung fu<. fun, intense, whooping indierock shenanigans all the way and the twelve inch comes with a noisy goose remix to boot. on the b side radioclit take on >ok< while nu-rave as a term appears to have been born for passions mix of >dream of infinity<

latest shit robot on the dfa label

the alienating narcosis of a ketamin-induced overdose, sheer dirty brown madness !!

the goal of nataural anthemes is to provide listeners with releases that are inspired by themes of sound. antheme 03: showcases the music of tokyo based artists ryo miyashita and hiragi(kazuki mochizuki). ryo and kazuki have contributed releases to well respected net labels unfoundsound and indigo magenta so their sound is welcomed by fans of both minimal and experimental aesthetics

ultraphat nyc disco punk

robot dystopia - limited to 150 copies...last copies on stock...freaky futuristic 4 track electro monster

two years on from his previous full-length, irishman-in-stuttgart marcus lambkin returns with what follows, his third album. recorded in his home studio, but mixed with juan maclean in new hampshire, it s a typically stylish and trippy set that methodically joins the dots between giorgio moroder, lcd soundsystem, italo-disco, german techno, balearic deep house, and intense chicagoan acid. lambkin has always been adept at making club music both left-of-centre and accessible, as if he secretly pines to make 80s synth-pop but is consistently drawn towards the dancefloor. this certainly explains the quantity and quality of the vocal numbers dotted throughout what follows.

mit dem neuen album we got a love meldet sich die musikalische dfa maschine shit robot eindrucksvoll zurŸck. hinter dem roboter mit den elektrisierenden beats und melodien verbirgt sich der ire marcus lambkin, der die neun songs auf we got a love in deutschland bzw. in new york aufgenommen hat. schon wie beim vorgaengeralbum from the cradle to the rave aus dem jahr 2010 versammelt lambkin auf dem neuen werk zahlreiche gastsŠngerinnen und gastmusikerinnen um sich, darunter dfas nancy whang, museum of love und luke jenner sowie hip-house-hero lidell townsell und die australische saengerin holly backler.

boundary-pushing, thrilling, unique: psychedelic horseshit blaze with a vitality reminiscent of fatcat alumni animal collective and black dice in those bands early, wildly creative incipience. laced marks a forward stylistic shift for the band, delivering a coherent set of bustling, hookladen, melted outsider pop songs. keeping a step ahead of the lo-fi scene they christened -shitgaze-, theyve drawn on a broad range of influences instead of the xeroxed anorexia of many of their peers, have ruffled feathers by critically speaking out, and carved out caustic, humorous social commentary.

2024 first time vinyl release, 140g double vinyl, remastered audio with restored artwork

rsd 2024 release, limited gatefold translucent orange vinyl 2xlp

we play house recordings crew

9-track album

2xlp, widespine jacket, marketing sticker, red & white split vinyl

limited edition transparent sea blue vinyl edition

incl acid jerks, fort knox 5, dj absolutely shit remixes. tip!

the 3rd box of boris classic collection with tracks from 2012-2013 in limited splatter vinyl!

here the part 3.4 from boris classic serian on red vinyl

repress