Releases from artist / Veröffentlichungen von : Max Loderbauer

max is just a legend

the latest in vladislav delay’s new label series finds the man himself & max loderbauer (nsi, sun electric) on top, uncompromising form. operating somewhere between wolfgang voigt s pounding waltzes and the tunnelling techno of rrose, the a-side s #2 tucks up militant triplets and chaotic, streaming synthlines to febrile effect. over on the flip #6 involves a hyper-accelerated production sounding something like dj stingray and villalobos having it out at breakneck momentum with a gush of stepping drum percolations and bouncing micro-melodies peaking for a delirious climax. it’s properly maladjusted business, and all... more

superb, expert neo-minimalism from the retiring berliner — veteran of collaborations like vilod (with ricardo villalobos), the moritz von oswald trio, nsi and sun electric — making a rare, treasurable solo foray. six tracks ranging from oscillatory steppers to eerie hauntings. beautifully sleeved, too.

synthesiser genius max loderbauer (nsi, sun electric, vilod, moritz von oswald trio) and techno experimentalist jacek sienkiewicz (recognition) combined for a stunning live show on the opening night of festival 2015. blending harmonic drones and almost unrecognizably distended vocal samples with adroitly weighted melodic passages, this collaboration was a masterclass in expertly crafted ambient music from two of the genres’ leading exponents. two passages from this set have been mastered and cut to vinyl in a special 12” with artwork by pedro maia based on his visuals for the show.

remixes by thomas fehlmann & margaret dygas.

again the berlin based instrumental trio: max loderbauer, c. puntin and s. rohrer. incl.download code

valleys, ravines, crags, inaccessible mountain peaks, abyss. since times immemorial, stark mountain landscape has always been humankinds inspiration and a constant reference point for many generations of exploratory artists. ridges is a result of a creative encounter between veteran of improvised avant-electronics max loderbauer (among others, co-creator of sun electric, member of moritz von oswald trio, and frequent collaborator of ricardo villalobos) and spiritus movens of warsaw-based label recognition jacek sienkiewicz.

the trained pianist max loderbauer, together with ricardo villalobos, has just breezily launched the jazz sanctuary of the munich-based ecm records into the ether as -re: ecm-. on the new adventure he now logically again finds himself working with sanctuaries. for the tool he uses for creating worlds is the finest modular synthesizer in the world, the buchla 200e

automat and max loderbauer open proceedings on the new selekt label quite masterfully with an auspicious 4 track ep - verstärker / hall / kompressor / echo. how did this come about? automat, busy recording their second album, came across max loderbauer in the neighbouring studio. they got along swimmingly and started working together straight away. everything played live, no overdubs as automats bass player georg zeitblom confirms - first take, no shake. the studio was stripped down to basics. no computers though: a tape machine, guitar amplifier, analogue eqs, rehearsal space: re-rewind, the crowd say bo selekter!

hot remixes by ricardo & tobias

killer dubbed out house stepper rv & ml version b/w some peverelist magic - tip!

electronica, ambient cd

a decade has passed since tobias freund and max loderbauer aka non standard institute (nsi) released their enigmatic collection of non-standards. playing with mystery is the name of the game here as well. the new cd, entitled with the code 5863, is the result of collecting creative moments over years and stringing together twenty short pieces that jointly amount to almost an hour of playtime.

pastoral/tropical soundscapes and post-brutalist compositions by max loderbauer and jacek sienkiewicz from their ÒendÓ cd seem to evoke those situations where can actually hear objects, shapes and time flow itself, a sort of synaesthesia which erases and obliterates beginnings and ends of events, processes and phenomena. apocalyptic and contemplative spaces generated by this pair of seasoned sound creators explode genre bastions of ambient and idm, leading into the spectral areas once explored by such pioneers and popol vuh or ilhan mimaroglu. above all, etheric and extra-sensitive ÒendÓ marks the meeting of two incurable individualists, who use various tools of their trade to come up with a surprisingly atemporal effect, an insistent pulse of detail on an ever-morphing background. without vivid commentary and recognizable soundbites of the present, ÒendÓ is simultaneously an interesting projection of hopes and anxieties of the new age. core of tracks included on the record has been produced on the occasion of max and jacek appearing as a live duo during 2015Õs berlin atonal festival, which resulted in well received Òalpine-tatra-himalaianÓ ep Òridges-. remaining compositions are natural conclusion of their friendship, conversations, meetings, trips and recording sessions that operate according to the rule of free improvisation with a reduced instrumental setup.

its again the berlin based instrumental trio: max loderbauer, claudio puntin and samuel rohrer.

the trained pianist max loderbauer, together with ricardo villalobos, has just breezily launched the jazz sanctuary of the munich-based ecm records into the ether as re: ecm. on the new adventure he now logically again finds himself working with sanctuaries. for the tool he uses for creating worlds is the finest modular synthesizer in the world, the buchla 200

berlin-based djs and composers ricardo villalobos and max loderbauer - two of the best-known names in contemporary electronica - share their admiration for music on ecm in a unique double-album of specially-created >sound-structures<. their project >re: ecm< will bring the labels music to a new listenership. it is certain to be one of the most talked-about albums of the season. using original ecm recordings as a starting point, villalobos and loderbauer create new music that bridges several worlds, including ecms world of space-conscious improvisation and composition and the worlds of ambient electronics and minimal techno. source materials on >re: ecmÓ include recordings of christian wallumr¿d, alexander knaifel, louis sclavis, john abercrombie, bennie maupin, arvo pŠrt, wolfert brederode, paul giger and more - looped, sampled, remixed and reworked in evocative new treatments. pleased with the duos creative response to his productions manfred eicher gave them carte blanche to carry on experimenting with the ecm titles of their choice. eicher subsequently supervised the mastering of >re: ecm< in munich, completing a unique sonic experience.

file under afrobeat electro house remixes

repress 2020 - black vinyl

remixes vol.1

max loderbauer, who has so far made consistently engaging contributions to the arjunamusic family, is back to lend his unique interpretive skills to the master recordings for the brightbird album by joão paulo esteves da silva, mário franco and samuel rohrer. loderbauer has set himself up for a challenge, since the original album’s completely improvised flow of small-ensemble, conversational jazz feels complete enough without outside intervention. however, loderbauer’s role as electronics operator in the similarly attuned ambiq trio has already shown that, through his mastery of tone color, he has a talent for teasing out the additional hidden details within an apparently ‘complete’ sonic environment. it’s a task he manages to accomplish without ever overriding or contradicting the cohesive message provided by his collaborators.

cynosure presents the fifth installment in the focal point compilation series. this time with a focus on various studio collaborations with mike shannon, featuring recorded sessions from mathew jonson to ricardo villalobos. a diverse selection of works ranging from a smooth 100 bpm house with the mole & hreno to a rolling deep techno at 127bpm with matt & mark thibideau. mike pulls a few gems out of the recording vault to share on a stunning triple vinyl gatefold package.

impressive, dense, epic, masterful electronic excursions.

released in may of last year, kerrier districts 4 album became an essential long player, not just because it was creator luke viberts first kd album offering in over a decade, but because it captured kerrier district at what it does best funky, sample heavy, entertaining, good time dance music.

after releasing his new album, film of life, late 2014, tony allen makes a bridge with modern club music through 2 remixes. house guru ricardo villalobos and partner max loderbauer present a rework of * african man* , in which they slowly drags it in a minimalist groovy mutation. on b-side, rising londoner fort romeau reveals a new facet of tonys piece * go back*, bringing deep graceful and elegant modern discoid rhythm mixed with damon albarns silky vocals.

top-remixes des 1990 er bleep-techno-klassikers -aftermath- von einem der derzeit besten produzentenduos der szene: ricardo villalobos & max loderbauer. das berliner duo schüttelt ein fast 20-minütiges minimal-bass-monster aus dem Ärmel und setzt mit der electro jazz version experimentell dort an, wo sein dub mix aufhört. limitierte 12- zum best-of-album -n.o.w is the time-, dessen ebenfalls limitiertes lp-boxset weitere remixes von lfo, morgen geist, special request, loco dice, mr scruff, u.v.a. enthält.

with its hq in rural germany - rockets & ponies is a coterie for the outsiders - those too strange for the normal business with an ethos that fosters freedom of expression, experimentation and an avant-garde approach. so who better to present a remix package of works by jazz luminary wolfgang haffner that includes ricardo villalobos & max loderbauer, nightmares on wax, and label padrone timo maas.

hauschkas first releases of 2012 come in the form of two stunning remix 12 inches that are pitched at the dancefloor and kick off a wider project of reinterpretations of his last full-length. here, ep1 sees two serious heavyweights of minimal techno delivering very different, yet complentary versions. this 12 inch is the first of two vinyl-only eps, running in advance of a full album of electronically-angled remixes of >salon des amateurs<.

ostgut ton launches a sublabel that will feature remixes of tracks that have been released on the motherlabel ostgut ton, unterton will also release other ostgut ton related or befriended artists and one-off projects. the releases are presented as stamped white labels with track details only. tobias. makes the start of the remix series with two of the tracks from his >leaning over backwards< album, the a-side sees efdemin remixing the title track >leaning over backwards< and on the b-side ricardo villalobos and max loderbauer give >girts< the remix treatment.

after the echocord jubilee compilation we are now back with a new artist on echocord. we welcome sasu ripatti aka vladislav delay from finland. sasu is known from many projects, like luomo and from the moritz von oswald trio. now that sasu have the quartet where he can fully search for the acoustic music and jazz-influences and beyond, the vladislav delay solo stuff will be again focused on electronic experiments. these 2 tracks give a light on where the project is heading. something old, something new. the remix is from no one else than ricardo villalobos and max loderbauer.

drei jahreszeiten nach dem leichtmetall album kommt nun das remix-tool dazu. grinser bringt einen zünftigen mix mit qutesch begleitung von cadenza s n.s.i. und umseitig bläst der bremer james din a 4 zum angriff auf die stolperfalle

compost prŠsentiert das 13. kapitel dieser bahnbrechenden, hoch geschŠtzten compilation serie. das gesamtpaket auf einer doppel-cd und 4-lp mit zwei gelben, zwei schwarzen scheiben. wie immer hat compost masterind michael reinboth diese compilation mit geschmack und sensibilitŠt fŸr ausgefallene tracks zusammengestellt. von schlagkrŠftigen floorfillern, Ÿber geisterhaften tunes oder latin , funk monstern, cinematischen epen, balearic, zerfransten tools, bis bitter-sŸ§en hybriden ist alles dabei was future jazz ausmacht. selbst die geklampfte version von maze twilight Ÿberrascht mit einem vibe, den fsoj immer ausgemacht hat. diverse magazine haben die fsoj serie als eine der besten compilation serien aller zeiten gefeiert oder gelistet. mit dem start der serie 1995 wurde das genre future jazz quasi aus der taufe gehoben.

last dj-kicks of the year and its a banger from our man seth troxler.

uk promoter arkitekt has commissioned robert dietz to helm its first mix compilation.