floorplan delivers two excellent reinterpretations of radio slave ‘feel the same’, the title track from the rekids founder’s forthcoming album. made up of former underground resistance member robert hood and his daughter lyric, the detroit duo needs little introduction and last year saw the release of their illustrious album ‘victorious’ on hood’s m-plant. the first remix of ‘feel the same’ extends to eight minutes long and is a journey, incorporating echoing chords, intricate percussion and a medley of esoteric effects whilst cackling laughter ebbs in and out of the mix. meanwhile, the flip sees a more up front interpretation with its heady hook, rolling drums and energetic claps.

zeb wayne returns with a majestic and scintillating song titled ‘wulfman’, featuring a trio of top tier remixers including alva noto, calibre and radio slave. following the release of ‘float’ on rekids last year, ‘wulfman’ is a beautiful song that demonstrates how musically versed wayne is as a producer, blending a serene vocal by ziwi, with intricate sounds to create a truly beautiful song from start to finish. alva noto, who composed the film score for the revenant alongside ryuichi sakamoto, as well as being the co-founder of esteemed minimal imprint raster noton, is the first of three heavyweight remixers. the renowned german producer employs his signature elements of grit, static and glitch resulting in an inimitable melancholic cut. well respected for traversing numerous electronic music sub-genres, as evident in his recent album on craig richards’ the nothing special, calibre ups the energy in his remix using sultry synths, syncopated percussion and mesmerising effects. concluding the colossal package, rekids founder radio slave creates a club-ready reinterpretation of his own, complete with fine-tuned kicks, looped vocals and a heady bassline.

running back welcomes kink on their new output

rekids founder radio slave readies a colossal double a-side titled ‘overdue’ this june. “‘the revenge’ is my homage to clubs like “rage- and my days growing up in london-, says matt edwards. “the reverse’ came from some late night studio sessions in february and i’ve had a lot of fun playing this out. all i can say is it’s very me - stripped back and made for the dance floor”. urban field recordings and a spoken word sample set the tone in ‘revenge’ before an onslaught of breaks erupt into a frenzy, the overall aesthetic borrows upon numerous uk rave hallmarks whilst sounding fresh and impeccably geared for modern dj use. meanwhile, ‘reverse’ is a quintessential radio slave record with its polished production, repetitive minimalism and atmospheric aura – rounding off a two-tracker expertly produced with the dancefloor in mind.

tuff city kids provide three scintillating remixes of iconic radio slave tracks this may. since launching the project in the late 00s, frankfurts gerd janson and phillip lauer’s tuff city kids moniker has become synonymous with quality that’s seen them cement a reputation as specialist remixers. the duo now reinterprets two radio slave productions released a decade ago. their take on bell clap dance captures the essence of the original by factoring in its various elements, such as its intricate hook and gloomy melody, whilst morphing it into an animated and echoing contemporary cut. radio slaves screaming hands then receives two new versions the dreamscape uk mix is suitably titled thanks to soaring pads, subtle breaks and a mesmerising bassline, whereas the krautdrums mix meanders forward with distorted kicks, stuttering effects and raucous acid

repress !!!radio slave readies a double a-side to mark the 100th release on rekids this february. having recently celebrated ten years, the consistency of music on matt edwards’ rekids is indisputable with releases from nina kraviz, mr. g, david morales, peggy gou and dj deep to name a few. aside from his a&r abilities edwards’ extensive understanding of electronic music is evident in his various pseudonyms. amongst these radio slave is easily his most illustrious and most fitting for the seminal label’s milestone 100th release. containing all the hallmarks of a radio slave production, ‘another club’ merges looped vocals with thudding kicks as echoing stabs and infectious hats work their magic. on the flip, ‘feel the same’ is a funky slice of detroit inspired house. early support from chris liebing, ryan elliot, dj hell, gerd janson, laurent garnier, dj deep, markus suckut..

incl radio slave remix, dan shake returns for his highly anticipated forth release on his label with support from the likes of jackmaster, radio slave and moxie.

closely following the release of her critically acclaimed album valor, trained musician dinky releases the second single from the album on crosstown rebels. the stunning slowly also gets the remix treatment from fellow panorama bar favorites and berliners matthew styles and radio slave.

having earned himself the status as one of madrids hottest techno-exports, regal is back on figure with a special ep comprising both new works from him plus two creative re-interpretations by none other than radio slave. original and remix rub shoulders on the records a-side, both revolving around its enticing vocal hook. while regal employs a skipping beat and skittish percussion to conjure up an air of mystery, radioslave crawls down further the rabbits hole and uncovers the track’s slumbering lunatic qualities. on the flipside regal is back in full control, albeit this time operating in a framework a tad more housy than usual: snappy snares slice up the bubbling acid-line on the fast whirling while its eponymus vocal sample ironically asks ‘did you see it?’. equally aptly-titled slab barges right in, wielding hefty drums and a bassline that oozes groove out of every loop. as part of the digital release, the ep comes with another atmospheric radioslave-rework of from other sounds, leaning on the ambient and heavy on the subs

following on from radio slaves vision that landed earlier on in the year, rekids assembles three colossal remixes from rodhad, obscure shape & shdw and johannes heil. rodhads remix leads the package with tantalising synths, filtered effects and stuttering percussion that together assist in generating an impending tension. on the flip, obscure shape & shdw immediately drop cavernous kicks before the originals distinguishable pads brighten up an otherwise dark and sinister aesthetic. tying up the package, johannes heils ethereal rendition echoes throughout providing a deep and mesmerising conclusion.

aus music ready a double vinyl remix package from cassys debut album, donna which came out in june 2016. with donna we hear a more personal side of cassy. co-produced by her soul brother king britt, cassy reconnects with her vocal talentwriting lyrics and singing on all tracks but one, making the album an intimate journey from the soul. cassy has en-listed some of her most respected peers, all of whom have put their own stamp on the original tracks. this makes the remix package the perfect contrast to the album, and also proves that cassys original music has the seal of approval from some of the finest house and techno heavyweights on the circuit today. marcel dettmann adds an endearing edge to move move, whilst ron bacardi picks up an undeniable pace on all i do. feel is taken on a cosmic journey with onsulade’s yoruba, and radio slave gives keep trying the remix treatment twice. finally keep trying is reworked on by friend & collaborator, djulz, julz takes takes things down a subtle, dubbier route with his edit, keeping cassys vocals a staple throughout.

one side limited pressing hand stamped hot on the heels of radio slaves stupendous ‘ vision’ single, comes an exclusive one-side limited re-vision courtesy of jon dixon (timeline / underground resistance). jon reinterprets matt’s original with a classic detroit influence to brilliant effect. a truly great remix available only available on a limited pressing..

repress 2016 -- radio slaves dont stop no sleep has gone under the knife with the remix treatment from some of electronic musics finest producers. robert hood, a tale of us, and roman poncet & dj deep all deliver their own takes on the original in their own unique styles and breathe new life into this classic slice of techno.

after the release of their album -black ships- earlier this year tokyo black star cybersamurais alex and isao are returning to the mothership innervisions with their new 12 inch. -caballero- is tune from the album with a brand new mixdown by andreas schorpp and Âme plus a little edit-help from dixon. on the b-side radio slave delivers a fantastic remix of -caballero- which transfers the repetitive and hypnotic patterns he is known for with an exotic more cosmic sounding touch. all in all we think that this is definitely the best tokyo black star release we ever had in our hands.

celebrating 10 years as a label, rekids founder radio slave delivers a mesmerizing production with a remix from ostgut ton’s marcel dettmann. since its birth in 2006 matt edwards’ rekids has played host to some of today’s most renowned names in house and techno, including the likes of nina kraviz, roman flu&#776,,,gel, shed and mr. g. with releases on the likes of r&s and running back, radio slave is one of the world’s finest producers, whose dance-floor focused cuts earned him the title of resident advisor’s most charted artist of 2015.
radio slave’s ‘vision’ is a dusky number possessing popping kicks and ebbing pads that meander forward as a murky voice proclaims the track title. meanwhile, marcel dettmann’s remix distorts the original whilst emphasising the low-end to give it a dark and ominous aesthetic.

francesco tristano really needs no introduction lately, his music speaks volumes and his reputation precedes him with that said we are happy to share place on lafayette with you once again, this time including some stunning remixes. the first one is a collaboration between two highly respected artists: thomas gandey and radio slave. the two take the track further into tech-house territory with the percussion driving while multiple layers begin the fall into one another, achieving a beautifully elegant and jazzy end result. gutis vision is much deeper, with hints of dub here and there as the artists drives the tension up and creates a stunning groove. the final remix come from tuff city kids, who are known for their sometimes unconventional approach to making music, and in this case, it works. they channel a raw vibe and create something that is quite possibly the furthest thing from the original in terms of percussion. the pianos keep the thread strong, and the rhythm takes care of the rest.

the next project on opilec music is a fine ep produced by label boss i-robots together with the legendary piatto brothers, alessandro and davide, and comes with an unreleased dub as well as a remix by rekids boss radio slave.

big time karlovak hero radio slave delivers a killer ep for the krlvk series. two groovers for the neverending dancefloors!

180g vinyl, fullcover, shrinked. after serving the past decade with numerous collaborations on some of the most recognised and respected labels, marco faraone new imprint >uncage< has finally set forth. with the partnership of his berlin-based friend norman methner, uncage strives for free musical expression and desire for artistic and musical expression, the search for established artists already on the scene and new upcoming talents, ready and willing to share this new project with the world. marco faraone debuts on uncage with his single >rotaryknobs<, remixed by two very prestigious international producers radio slave and markus suckut, artists who have given support to the project from the beginning. this label has set itself many new goals for the future. keep your ears open and get involved with the flow.

incl. markus suckut, parris mitchell & dj spider remixes! with the original release marking rekids return from hiatus, radio slave s the clone wars is now revisited with a trio of new interpretations from three distinctive talents on house & techno. on the a side, markus suckut moulds the original into the kind of no-nonsense rolling techno jam that has personified his releases for mosaic and figure. the b side enlists two us talents in the shape of parris mitchell and dj spider, with the former bringing a glitchy take on the jacking chicago house that mitchell perfected in his timeless productions for dance mania, and the latter shaping the track into crunchy weirdo techno that sits perfectly alongside his output for the trilogy tapes and his own ny-based plan b recordings.

2015 repress! after some time, a new radio slave single has landed and its on rekids label mates spencer parker s work them imprint.

originally released 18 months ago as a very limited 12 inch, hand stamped with custom made sleeve, radio slaves the clone wars, a record that already has a mythological status surrounding it, finally gets a long awaited release. complete with instrumental. accapella and tool, this techno rallying cry of a record is set to dominate the summer and wages war upon the clones. gaining support across the board from marcel dettmann and ben klock to derrick carter and spencer parker, get ready to go to war again this summer.

in a time before cdj loop buttons and stone-cold arrangement techniques, bonus beats and beat records were a vital tool for aspiring, working and tone-deaf djs. the third release in an unofficial beat-tracks sublabel (se redshape and todd osborn for further reference) rhythm trainx vol 1 tries to breathe new life into that lost craft with an all-star cast: manuel tur, i:cube, blank spanner, disco nihilist, Âme and radio slave. all in different bpm, varying styles and (un)fortunately a bit more than simple kick-drum-hi-hat patterns. built to last.

rekord 61s first release of 2015 is the strident *sverh* on his own konstruktiv imprint, backed with 3 remixes from radio slave.
radio slaves f.y.n remix 1 draws on the essence of daniel bell, combining a sparse drum track with occasional *sverh* vocal while f.y.n remix 2 kills the kicks completely and favours saturated bleeps and ominous atmospherics. f.y.n remix 3 continues the distorted motif but pairs it with pin sharp and powerful drums. a release that is sure to be deployed in multiple variants due to its jigsaw-like aesthetics.

work them records begins 2015 with a remix package of radio slaves 2014 release, werk, that takes in versions from dj richard, dan beaumont and s:vt. white materials man dj richard takes the cut into trippy, technoid house territory while dance tunnel impresario and london institution dan beaumont cracks out his 909 and servers up a strident pumper. work them artist s:vt closes the package with a powerful rework that channels the originals tone perfectly. with a release schedule that includes tracks and remixes from mr ties, adrianna lopez, young male and newcomer caiazzo from queens for 2015, work them records is looking sharp

the one and only radio slave is back on rb. this time with retro futuristic breakbeat-house and -techno. children of the e comes in two mixes for different moods and some locked grooves for double copy wizardry. inspired by the london warehouses of yesterday, fuelled by evian bottles and made in a fog horn frenzy. or as the man himself puts it: matt edwards goes back to his roots with children of the e: just another white kid from catford. ultimately, were all children of the e(arth)!

argentine musician daniel melingo is an established artist in his own right in the tango world, and his powerful and distinctive track narigon from 2005 is a classic, that got its deserved vinyl release on desolat special edition 002. this november desolat is proud to unveil three fantastic official remixes of narigon from radio slave & thomas gandey, ario and guti.

limited 2018 repress
stop…press…an extraordinary radio slave donation for running back! the man like matt edwards took care of a matter near to his and our heart: an ep dedicated to the crafty dj duke, his infamous power music label empire and those massive sounds dat ruled di sound factory nation. one side holds a modern track in an old fashioned style of lovin (quote freely adapted from courtney melody): think rs >tantakatan< straightened out. >thats all the record do? yeah, bitch, thats all the record do.< special thanks go to omar-s for clarifying these matters once and for all. already huge with big room boys Âme, natty dread josh wink and a few others. surprise, surprise! flip for a portrait of a young and restless todd terry circa 92 slipping on his bathroom rug while listening to some x-102. dirt mcgirt! those 3 people out there who still buy audio plastic might be delighted to find out that they get a special bunch of bonus tracks: super heavy efx sirens, street noise and soothing rain sounds. can you dig it?

legends radio slave on the new very special arts collective series. quote: just me and my moog. limited available collectors item.

radio slave follows up last years repeat myself on spencer parkers work them records with a 12 entitled werk set to drop on 2nd june

having started the year in strong fashion, fighting *the clone wars* on his own rekids imprint in january before following that with the rødhåd-remixed *repeat myself* on work them, matt edwards aka radio slave continues his 2014 ascension with his nonplus+ debut *dont stop no sleep*. another pared-down techno workout, *dont stop no sleep* is a classic radio slave roller imbued with the tougher edge of his earlier techno productions such as grindhouse and screaming hands, retaining the hallmarks of his most influential work whilst updating it with his now trademark energetic house style.

ltd 2014 repress
radio slaves >neverending< klingt wie die heisseste dub techno version von rj (sex trax / running back 12)... ein killer der nie enden dürfte ... >found a place< von tony lionni knüpft an die gloreichen piano house zeiten der frühen neunziger an , ein mark kinchen hätte diese bestimmt nicht besser hinbekommen... prima tracks für mädels, oder die es werden wollen... bzw einfach für ein geniales highlight im set...

we are excited to say the least about the remix 12inch of the new radio slave single that is currently destroying dance floors world wide on spencer parkers work them imprint, featuring remixes from the mighty bearweasel & rodhad...

over the last few months, the main focus in the rekids camp has been on nina kraviz and the remixing of her 2012 debut lp. now its time for a change, and its head honcho radio slaves turn to get in on the remix action, with his 2008 hit tantakatan getting a fresh makeover in the shape of mr. gs nightwatch dub and prins thomas diskomiks

since meeting in berlin a few years ago, spencer parker and ian pooley have enjoyed long and prolific music careers both individually and as a duo, with past releases on tsuba, rekids, cabin fever and plus 8 to name a few. hitting the ground running in 2013, they return for another helping of underground house on josh winks ovum imprint, following up from 2010s kinderteller ep

radio slave decides to join in the fun with his first release on rekids in over a year entitled >live edits<, and what a killer release it is.

two huge remixes for radio slave, made by kenny larkin and dj sneak... ltd 2012 repress

whats this tune? is a question djs are asked frequently, though very rarely by each other. >amame< has been floating around a very select dj circle on limited vinyl pressing for some four months, and the question has evolved to >how can i get hold of this tune?<. amame is a murk production from oscar g and ralph falcon under the guise of intruder. any murk production is a rare thing, and a record of this quality and breadth of appeal is perhaps even rarer. effortlessly straddling the often tricky to navigate border between house and techno, it features one of the most hypnotically memorable vocals of the year courtesy of jei. already being championed by the likes of kerri chandler, dennis ferrer, seth troxler and even ricardo villalobos has ensured that all those loitering around the booths of dc10s closing party and fabrics birthday were enquiring of its story. now the story can begin to be told… for part two radio slave gets both sides of the record to render his unmistakable style and production qualities to the original parts. these versions are super heavy and intoxicating even by his standards. hand stamped white label pressing

dancefloor killer -take a trip-, led by hector moralez vocals, is the story of a mad after hour where dj w!ld got two years ago in ibiza. a funky house track with old school beat and a mesmerising fat bass. remixer-s monikers do not necessarily need some more explainations, just feel the quality and consider their legacy. long-playing a-side -radio slave-s gotta get up remix- is the reflection of matthew edwards- love of re-edits and remixes, with his particular taste for jackin- sound beloved of house aficionados and fractured funk, oddball beats and mechanical soul. incendiary tune. veteran on the remix world, with highly expected remixes that drive dance floors across the globe to ecstatic conditions by means of his intense beats and rhythms, dj sneak delivers a furious banging house remix on b-side, with melodic rhythms that will suit dancers- soul. duo having instant chemistry as friends and in the studio, fries & bridges a.k.a phil weeks & hector moralez set the bar high with their consistent quality of house music. their -ghetto mix & dub- are sick, tight and tasty, and will for sure ingnite dancefloors worldwide.

thomas gandeys return is warmly welcomed by dance-floors worldwide. the artist formally known as cagedbaby has consistently made tough, deep, cutting techno and house based tracks, and his latest offering >the piano track< is no different. mr.gandey upped sticks to berlin last year and one can really hear the city that holds so much weight in the history of dance music, in this his latest production. like ronseal, the piano track does exactly what it says on the tin. its a track laced with piano hooks. its stylish, sophisticated and genre-busting, thomas gandey really has gone for the ultimate goose-bump rush! radio slave and thomas gandey have long admired each others work. they have a history of producing and djing together and like tom, matt (radio slave) also comes from brighton and now lives in berlin. after hearing the piano track he dived straight in to the remixing it. in actual fact radio slave remixed the track in a different key and tom re-played the piano making for a really special radio slave re-work

ultraphat radio slave and sebo k remixes !!!

part 2 : radio slave & jesper dahlbaeck remixes

after years of seeming decline, its refreshing to see the cultural melting pot that is new york firmly back on the global electronic music scene but with the city’s crime rates dropping and a more liberal attitude to partying abounding once more, an invigorated crew of djs and producers are now cropping up with increasing regularity. one such individual is italian-cum-new yorker antonio piacquadio. the ep is nonetheless sure to draw attention as a result of its remixes: both of which arrive courtesy from big-hitters from the techno/house hybrid.the first of these - from cecille mainstay butch – is typical of the sankeys resident, as he jettisons practically all else in favour of a catchy bassline and a smattering of luscious piano keys. in another coup for the label, radio slave then adds his own touch, performing a typical manoeuvre by taking no prisoners via his remix - a stirring concoction of subtle, ominous bells and sporadic, tight grooves.

alexkid has been releasing top drawer house music on labels such as f communications, rekids and ovum since 1997. with over 75 remixes on a labels such as simple, room with a view, get physical and g stone, its fair to say this man brings a certain level of quality to proceedings as this, his debut for freerange, will confirm

***vinyl only*** ultra limited special edition with youandmes secret vocal remix of the radio slave track k-maze

youandme & rhauder present their interpretations of the radio slave track >k-maze<.

this time around we will be celebrating the third release on arpa records from label owner dj sodeyama entitled >life<. this release sees the ever enterprising dj return to his roots with an uplifting house track with a deep rooted acid bass and a booty shaking groove that can explode on any dance floor. for the remixes arpa records have been lucky enough to invite the talents of the one and only radioslave who has provided the lucky listeners with over 12 minutes of pure unadulterated minimal bash

absolute absolute brings together radio slave and jerome sydenham in this evocative techno provocation! >absolute absolute< brought to us by radio slave is simply put, a stunning spacial hypno-sensitive techno trip. jerome sydenham fires back with a gritty pulsating remix. to round things off jerome sydenham delivers an additional deep dark tecno dub.

m.a.n.d.y. and matthew dear lit up new york city in 2010, with their buddies club night, and - as m.a.n.d.e.a.r. - with their own urban dancefloor myth, the unreleased track >buddies<. the cut fused deep hypnotism with dancefloor abandon, swirling sheen hints of disco and an infectious sing-along hook. by keeping it close to their chests for months on end, m.a.n.d.e.a.r. drove anticipation into fever pitch, and >buddies< finally burst out of the gate in october as the opener of thomas schumachers 8 years get physical music compilation. now, >buddies< is fully realized with reworks from some of the best in the business - m.a.n.d.y., radio slave, smash tv and siopis. philipp jung and patrick bodmer make >buddies< over into a sleek late night beast with their m.a.n.d.y. remix