90s styled electro

cool electro breaks tracks!

2018 repress! after two big ep s, dj/producer powerhouses steffi and martyn team up once again for their debut lp on 3024! punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel..

the second chapter of this young danish talent s spectrums, with more post-bass techno hybrids, and inspired by the early 90s sounds of belgian labels like r&s and buzz.

blue splatter vinyl lp w/ full colour sleeve

martyn teams up with om unit

repress by 3024, a label known for showcasing its wide ranging pallette of styles and flavors - and blue planet by pugilist is no different.

martyn teams up with om unit

martyns 3024 is back in 2020 with anunaku.

b-stock! cover with bent corner. 2018 repress! after two big ep s, dj/producer powerhouses steffi and martyn team up once again for their debut lp on 3024! punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel..

martyns 3024 is back with another strong v/a

3024 returns for another action packed v.a. ep with tracks from label head martyn, uk hard drum master nkc, washington dc local djoser and an unreleased gem from jacques greene!

drum n bass and percussion house tunes...

3024 is back with a quintessentially unique and current take on the hardcore continuum with a brand new various artists ep featuring music by label head martyn, advanced percussive science by yak, midsummer melancholy by baltra and avant-techno by the manchester/berlin duo juniper.

2018 repress! this 2x12inch ep is leon vynehall s second release on 3024. a very personal statement, this record shows vynehall s dedication and versatility in seven moving songs. uk garage meets big room house

dutch power duo doms & deykers a.k.a steffi and martyn step up to the plate with a brand new action packed offering. following up their fonts for the people ep and their track whirling on ostgut tons zehn lp, the two take their continuous collaboration to a new level. the three tracks on dedicated to those who feel see steffi and martyn recognizing their respective strengths, combining their 90s heritage with a vision of the future, modern techno soul with all its flaws and bright euphoric moments. dedicated to those who feel serves as the introduction to a full length doms & deykers lp, scheduled for later this year.

new years deal - 3024 welcomes a bright young lad from denmark to the label by the name of erosion flow. these three vibrant little nuggets of funk are the introduction to his ambitious spectrums series. artwork by erosie (no relation)

3024 is reissuing martyn s 2009 collaboration with hyperdub poet the spaceape, who passed away last october. is this insanity? comes from martyn s debut album great lengths and was his first collaboration with the spaceape. the vinyl also features the previously unreleased track camberwell green and the highly sought after remix of is this insanity by germany s techno don ben klock!

the illustrious duo doms & deykers debuts on 3024 with this three song fonts for the people ep!

reissue of 2008s highly sought after vancouver with a new special remix by head high aka shed.

i first met leon vynehall in berlin before a gig at the amazing about_blank. we had a fun conversation and he played a really good set that night. much later i realized i had been playing one of his tracks (total s) for ages! we stayed in touch and i asked if i could hear some of his new music. he sent me five tracks and i signed four, that is a pretty good score if you ask me! smart and conscious about his music and his output, i think this ep is really only the beginning for leon vynehall. i am glad i am able to give it a platform and share these amazing tracks with you. also special props to d&m for doing a great mastering job on these. - martyn

every label has a >release of doom<, a 12 inch that was an incredible pain in the ass to put together and where everything imaginable went wrong. well this new trevino record was it! i wont go into details but this ep is too good to let bad karma prevail. >gone< has been a staple in my sets ever since i first heard it and >regnie< is possibly one of the best nighttime highway driving tracks (try it!). trevino, is he the best golfer in techno, or the most innovative techno producer on the golf circuit? fact is, im so happy this record finally sees the light of day and would be even happier if youd be into it too...

over the last year i have traveled to canada frequently for gigs and got to know the small but healthy electronic music scene there. cities like montreal, vancouver and toronto have brought forth many established artists over the past few years, such as egyptrixx, azari & iii, basic soul unit, jacques greene, lunice and sixtoo, but 2012 has seen a new breed of no-nonsense house and techno producers come up via labels like turbo recordings and naked lunch. this *dovercourt ep* features three very talented producers: kevin mcphee, nautiluss and gingy. their tracks are a dedication to their hometown of toronto. being removed from the house/techno epicentres of berlin and london, these three are much less interested in what is fashionable or trendy, and more in bringing us straight to the point, no frails jacking house music. i have been playing these three extensively in my dj sets, and i hope you will too. so out to toronto, this one is for you! enjoy. martyn

this twentieth 3024 release is by my friend trevino. i am particularly proud to put this out because it was trevino (aka marcus intalex), who signed my very first tracks and gave me my break back in 2005 (a 12 inch called get down on his label revolve:r). in the last two years he has started taking his techno more seriously, writing new tracks at a very fast pace. i am glad people are taking notice of his music cos he is the real deal and it was tough picking tracks for this release cos he is making so many! ultimately we chose four that would clearly showcase marcus different sides and styles. so, seven years after my >get down<, i am proudly presenting the mighty trevino with his >tactical manoeuvre ep<.

two exclusive tracks from canadian wunderkind jacques green on 3024, showcasing a previously concealed dark and dusty side to his sound.

as obvious as techno and houses heavy influence is on 3024, one of the most consistent reference points has been the machine soul emanating from the city of detroit for the last 30 odd years. we will spare you yet another euro-centric pseudo-sociology lecture but the combination of geography, economics and community has produced music with an influence has consistently reached far beyond michigan state. for our 17th release 3024 is honoured to continue our trek into the analogue wilderness with another artist heavily inspired by the city, berlins near legendary redshape.

fresh from the pleasures of introducing jon convex to the world, 3024 heads off on a pair of tangents for the next project. the 14th release marks the labels first split 12 inch - a result of 2 tracks falling in to their collective lap that were too good to wait for individual releases. despite the 2 very different acts involved, the symmetry in both musical background and production methodology makes for a record as coherent as any in the labels back catalogue, with both artists closely linked to both 3024 and martyns career.

two brand new tracks from bristols emergent house prodigy. >batty knee dance< brings ultra syncopated 808s, neurotic synths and a mournful vocal refrain together in a tightly packaged low drag configuration. >ribble to amazon< maintains the levels of 808 astro physics but heads for the great outdoors with subtly staggered pads and an impossibly delicate lepidopteran melody basking in a 16:9 sunset.

nice price deal !!! >titan<. sometimes titles are just perfect, arent they? its a huge, sprawling beast that seems to inhale every mutant strain of bass music it can and exhales it in one exhilarating 4:20 blast. it opens with ominous rumbling and 8-bit bleeps (and crickets?) before ambient chords ascend out of the depths, dragging a twisting electro synth with them. that pulsating, spiraling synth slinks its way through the gossamer membranes of the track, contracting and expanding as needed, its bulbous, serrated ends emanating industrial howls like ghosts of rave sirens.

the second half of the great lengths remixes package offers 3 more vividly contrasting interpretations of album tracks. almost a year on from the release of his debut album >one< and with >saviour of techno< plaudits still bouncing off concrete walls, berghain lynchpin ben klock turns in a remix of is this insanity that distills everything inspirational about both the club and city he calls home. spaceapes cracked vocal is welded to a sort of cavernous piston driven groove while traces of the originals melody fractured into the briefest of shards fight their way to the surface only to sink back into the percussive smog. located well outside of the heavily scrutinised uk hype centres, manchesters rising star illum sphere continues to hone his already distinct sound on the flipsides brilliant orange reworking. a clanking off kilter groove rubs up against an extended mutation of the original melody that pushes the track towards a poignant climax, evoking all the ache of reaching for the stars and landing squarely on ones face.

ending the brief hiatus that followed the >great lengths< lp and accompanying world tour martyn and 3024 usher in the new decade with a brace of remixes from the deepest recesses of the quasi-house community. first out the gates is 3024-006, helmed by a pair of artists as unique as they are elusive, zomby and redshape.

special re-release , nice price
i always like to think my stuff is music for a warm but rainy day . low frequencies do something to your muscles when you listen to them. there have been studies of low frequencies contracting your muscles, and because they contract certain muscles you have the urge to move, you know, to get rid of that itchy feeling in your arms and legs. so that would be a reason to dance. hailing from eindhoven, which back in the day had ties with many chicago and detroit artists and labels. i think what makes music interesting is when an artist incorporates his/her influences and translates it into a unique sounding style. although it might sound a tad arrogant, i d like to think of my music as martyn music . i try not to think of it as dubstep or techno, or house or drum & bass, it s not about genres, it s about music