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The title track is a monstrous cut designed to get floors sweaty. With its futuristic synth smears, blasts of white noise and slick rubbery beats it is impossible to ignore. Full of atmosphere and some ghoulish voices, it s a fine affair from this Italian master. The Malandra Jr remix is even more tense, with industrial machine sounds zipping and fizzing about in a progressive groove, whilst Martin Patino deconstructs the whole thing and re-builds it as a jazzy minimal affair with sick chords, smears of colourful light and plenty of charisma. Lastly, Eddy Romero & Frink go for a dark, dubby, stripped back number that will please the real heads out there.