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Cómeme happily announces the release of Ana Helder's transcendental "Fiebre The Marte" E.P. that is both: extremely unique and extremely danceable!. If you have the chance to enjoy her D.j. sets, you will experience that

"togetherness in motion" of most different styles in an "Ana Helder - mood" that opposes to the genre dictatorships that are narrowing minds and oppressing physical expression on nowadays dancefloors! For the love of music, Helder from Rosario (Argentina) digs deep into the soulful discotheque, the dirtiest allies of the jacking zone and the most precious and hard-to-find gems of South American rock futurisms… This EP reflects that love and knowledge in a wonderful way by its richness of ideas and clever arrangements, and by its dedication and devotion to music. It can also be easily understood as a six-track album, and be enjoyed at your home stereo or on your portable speakers in the park… To reach that very natural, instrumental sound of "Fiebre de Marte", after writing the songs in her hometown Rosario, Argentina, Helder chose to integrate various musicians into her work, starting by the bass player Valentin Prieto, the drumming of Ani Castoldi from Buenos Aires. Another comemian trip would take her then to Cologne, where Pascal Schäfer would add sax and flute to the recordings… Editing sessions with Ismael Pinkler from Carisma, more detailed arrangement work with Matias Aguayo in "The District Union", Cómeme's own Berlin studio led to the final stage of mix down which was executed in close dialogue with Ana and Matias by Mr.Alejandro Paz himself. This production was therefore made with love and a comemist's collective spirit.

Don't Hide Be Wild - This track that starts in a bass and drums mood that could bring an ESG performance to mind, slowly and inexplicably morphes into a modern psychedelic discoteca monster that sucks you in deeper and deeper in the most old school sense of the term, and leads you to Mr. Pascal Schäfer's Saxophone frenzy. Track Con Flute immediately feels like a classic and hearing it you might wonder in which year it was recorded: 1979? 1994? 2014? 2025? For more timeless euphoria the disco always needs, this is a great present delivered by the overly talented Ms. Helder. Otra Cosa breathes a similar spirit, but turning the vinyl onto side B we are acquainted with the title track Fiebre De Marte, in a late night or early morning "keep on dancing" mood of slowly but steadily ecstasy induced pleasure around a deep wobbly bassline that comes from underneath and is answered by a vocal mantra and a hypnotically modulated synth. Chabond, the next song, features heavy drum and guitar action where rock embraces disco without fear, stomping, pumping and pounding its way through the city jungle. The EP closes with Cada Día Te Quiero Mas, which breathes the rhythms of Argentinean stadium crowds or popular "murga" carnival in combination with newyorkish wha pedal guitars and morphing synth bass.

If you want to support modern genre defying dance music made by women, the purchase of this vinyl is a must, and be sure you won't be deceived, as this record will grow on you more and more with time, and it has met the Cómeme's own 100% Dancefloor Approved Warranty standards.