this time unit work together with the new japanese talent satoshi otsuki on the a1 original, and after some amazing releases in labels like apollonia, or one records, io (mulen) bring a strong dub remix for dancefloor! 180gr. vinyl time!

vinyl only - limited 100 numbered copies pressing on marbled vinyl
first issue of the new flash forward unreleased series with a great team up : oneiric and man-d.a. ! emanuele luzzi, the man behind onirico (-stolen moments-) and oneiric (-blue envelope-), comes back with one exclusive unreleased track, composed at the time of -a tone colour of onirico- (1992). due to the hypnotic strings sample and emotional minimoog solo, -aurora- hits the target at first listening, reminding happy sounds from that period. ultimately, another great release from flash forward! man-d.a. - calling 313 : this track was conceived in 1992, during a very prolific period when he was remixing songs by juan atkins, underground resistance, blake baxter for the legendary umm label and the detroit influence is evident ! remastered for flash forward! past and furure classic !

special collaboration with friend label ‘simple music experience’ from bordeaux/marseille, contains original industrial, synth-pop, jakbeat, post-punk, experimental and contemporary music by underground artists from france.. originally released on tape (sm05) in 2016. 100% hit !

vinyl only - limited 400 copies pressing first issue of the new flash forward unreleased series with a great team up : oneiric and man-d.a. ! emanuele luzzi, the man behind onirico (-stolen moments-) and oneiric (-blue envelope-), comes back with one exclusive unreleased track, composed at the time of -a tone colour of onirico- (1992). due to the hypnotic strings sample and emotional minimoog solo, -aurora- hits the target at first listening, reminding happy sounds from that period. ultimately, another great release from flash forward! man-d.a. - calling 313 : this track was conceived in 1992, during a very prolific period when he was remixing songs by juan atkins, underground resistance, blake baxter for the legendary umm label and the detroit influence is evident ! remastered for flash forward! past and furure classic !

lumièreslanuit presents luciole — novembre 2013, a project by an unknown music composer close to the lln family.

colourful recordings welcome a new addition to the family with amsterdam crew dilated pupils dropping quantum space ep. a record setting a mark both sonically and musically with its warm thick sound signature and diverse track selection. if the a side is dreamy with floating textures and minimal grooves, b side is more earthy and straight up housy, yet still with a strong musical identity.

limited 100 copies vinyl only. technologic sound research finds its simmetry in a point among past, present and future. kr/lf platform, founded in italy by kill ref in 2016 really aims at it. krlf003 split vinyl release named purple split (from the cover colour) signed by the british patrick cooper (coefficient) on the a side and by the colombian alexander soto (gotshell) on b side. it&#146,s the first krlf release including digital bonus tracks: d-meson and t1995. supports: dave clarke, chris liebing, dax j, ilario alicante, joseph capriati, paula temple, randomer, carl craig, marco bailey, danny tenaglia, paco osuna, don rimini, sasha carassi, slam, damon wild.

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blend architect is a techno producer out of japan in the lineage of dj nobu or ken ishii. uncloud - his very first release - is composed by 2 movements with 2 variations each. cloud 1.1 sets the initial atmosphere for 1.2 to jump in and offer a more tense body that will play deeply with our intellect and physicality. an apparent minimal universe but full of subtle details. cloud 2.1 opens the b side with a futuristic high voltage cut. finally, cloud 2.2 brings the time back to present tense and the dance continues!

n.o.i.a. records is proud to announce the arrival of an eight track album from italian pair tengrams entitled outerspace blues. tengrams are brothers alessandro and davide piatto, who collectively have a deep and long understanding of dance music. davide runs the n.o.i.a. label and was one of italy s first touring electronic live acts, performing and recording with drum machines and synthesizers as early as 1978 as part of seminal italo outfit klein + m.b.o. since then they have released under an array of aliases, have clocked up numerous club hits and this new project brings them right back to their electronic roots.

die new yorker techno-produzentin umfang veröffentlicht ihr debütalbum auf technicolour/ninja tune! umfang ist waschechte new yorkerin, labelgründerin und techno-feministin. mit discwoman, ihrer eigenen plattenfirma, setzt sie seit 2014 der männerdominierten clubwelt eine weibliche alternative entgegen, in dem sie elektronische musik mit feministischen ansichten vereint und das talent von cis-, trans- und genderqueer-frauen fördert. ihre amorphen und polyrhythmischen techno-produktionen erfreuen sich schon jetzt großer beliebtheit, und mit ihrem albumdebüt -symbolic use of light- auf technicolour, welches mitte juni erscheint, wird die männerdomäne im nachtleben endgültig gebrochen werden.

dont sleep on this! two of the most talked about edits currently played by the martinez brothers, seth troxler and lots more.

auf seinem zweiten album für boysnoize records überzeugt der venezolanische und in barcelona lebende dj/produzent cardopusher mit disziplinierter und fokussierter effektivität. die 11 tracks - inklusive eines feature des deutsch-kubaners otto von schirach aus miami kreuzen detroit techno und chicago acid zu einem schweißtreibenden, körperbetonten barcelona basement-rave, der prächtig in dark rooms funktioniert.

over the last fifty years few musicians or performers have created as monumental and uncompromising a body of work as that of keiji haino. through a vast number of recordings and performances haino has staked out a ground all his own creating a language of unparalleled intensity that defies any simple classification. for all this, his 1981 debut album watashi dake? has remained enigmatic. originally released in a small edition by the legendary pinakotheca label, the album was heard by only a select few in japan and far fewer overseas. original vinyl copies became impossibly rare and highly sought after the world over. watashi dake? presents a haunting vision stark vocals, whispered and screamed, punctuate dark silences. intricate and sharp guitar figures interweave, repeat and stretch, trance-like, emerging from dark recesses. written and composed on the spot haino’s vision is one of deep spiritual depths that distantly evokes 1920s blues and medieval music yet is unlike anything ever committed to record before or since. coupled with starkly minimal packaging featuring the now iconic cover photographs by legendary photog rapher gin satoh, the album is a startling and fully realized artistic statement.

die legendären britischen rough trade-shops starten mit -behind the counter- eine release-serie mit einflüssen und inspirationen ihnen beliebter künstler. den anfang macht der in berlin lebende, britische neoklassik- und filmkomponist max richter, der einen faszinierenden einblick in seinen musikalischen kosmos gewährt, aus dem er seine einzigartige, künstlerische vision schöpft. die 36-track-compilation enthält musik von mogwai, boards of canada, let s eat grandma, kaitlyn aurelia smith, godspeed you! black emperor, philip glass, aphex twin und low, sowie klassische werke von rachmaninoff und bach, und erscheint als doppel-cd mit zwei mixsets und als triple-lp mit allen ausgespielten tracks, samt einem download-code zu den beiden mixsets.

“sadly, the future is no longer what it was (part three: memories live longer than dreams)” from leyland kirby on double vinyl, limited to 450 copies.

tough, noisy, industrial leaning techno stepper

late 1980/ earl 1990s ebm related, hard banging techno hybrid

180gr heavyweight vinyl pressing

produziert mit und von 11 verschiedenen freunden, weit entfernten fremden und naheliegenden verdächtigen. und geschrieben auch mit anderen anderen (etwa carsten friedrichs und maurice summen oder francoise cactus und wolfgang müller oder snap! und t.raumschmiere). faktenwillige schauen sich die imposante liste der beteiligten an und machen sich an die arbeit der differenzierung.

the broken glass is a work conceived and produced between austria and spain and represents the eleventh reference of the catalogue of stoerung label. in this collaboration field recordings and synthesis processed by asferico create cyclical and hypnotic structures, which mia zabelka furnishes with her violin and voice. the lp version consists of two versions of the piece, the first more minimalist and conceptual and the second more rhythmical and synthesizer based. through a display of distorted and isolated sounds, we are driven in the first version into an deep listening, as if sounds where placed under a microscope or we were contemplating them through a telescope. this approach lets us perceive the bare physicality of sounds in a way which enables us to grasp subtleties and aspects of sound which we are not used to. the second version continues where the first version left us, but in this piece, we are eventually flooded by hypnotic loops, white noise and synthesis and the experience has a different flavor. now what we have acquired through the first version, the enhancement of our listening and appreciation of subtleties of sounds, is inserted into a rhythmical structure which acts as a strong current, pulling us inside an ocean full of astonishing sounds.