previously unreleased score by hans zimmer, available for the first time in any format. mastered for the format and pressed on 140 gram vinyl - gunmetal grey coloured for the 12 inch lp, cadillac purple for the bonus 7 inch. housed in upgraded 400gsm gatefold jacket with embossing and spot gloss.
music is strongly linked to memory, sometimes just a simple note will trigger a deep feeling of nostalgia or emotion. the new homesick series was created by music enthusiasts who are living half a world away from their birthplaces. their concept is a play on memory, to re-edit and rework songs from the past into something which is timeless, tracks which feel fresh but retain their memories. for the first release, the homesick team have curated three pieces by drop out orchestra, late nite tuff guy, zimmer, and amadei. doo have carefully reworked -no scrubs- into a warm, bass driven, disco jam suited for the dancefloor, alntg has provided a solid groove theory lesson as only he can, and the ep is rounded-off with a special (double) bonus track for all the people who love 80s-era french pop music, reworked by zimmer and the asia-based newcomer amadei.
irgendwo zwischen abstract disco, minimalhouse und afterhour-techno versprüht der tim paris sound einen duft von unparfümierten aber wohlriechenden körpern und gibt dir das gefühl auf der richtigen party zu sein. vor allem >zimmer< mit seinem lapidaren männerchorhook lässt zu jeder tages- und nachtzeit die sonne aufgehen. achtung, hier kommt kumpelhouse
musik mit liebe und seele aus berlin-kreuzberg! nur ein genre? festgelegte bpm-zahlen? ein einheitliches soundbild? nur bestimmte themen? fehlanzeige. -meine musik? einfach guter geschmack-, sagt brkn und lacht. die schublade für seinen style müsste vermutlich erst noch gebaut werden. aber anstatt sich über derartige akustikarchitektur den kopf zu zerbrechen, macht brkn einfach, worauf er bock hat. egal, ob das jetzt soul, hip hop oder soul mit hip hop-einflüssen ist. wichtig ist nur, dass es geil klingt. auf platte und live.
here we go with three new tracks by jens zimmermann on snork enterprises records. this release is mechanic and organic in one way, also kind of robotic and humanoid. roboter eins and roboter zwei are two zimmermann subbass movers for the clubs. thrust and power on each side of the vinyl release
kinderzimmer productions zeichnen sich durch einen sehr eigenen stil aus. mehr als bei den meisten deutschsprachigen hip-hop-produktionen sind die stücke durch eine dynamische kombination von samples (oft jazzig bzw. funky, häufig zitate bekannter hip-hop-klassiker) geprägt, die für häufige stimmungswechsel sorgen. der sprechgesang textors ist geprägt durch eine sehr hohe geschwindigkeit, komplizierte satzkonstruktionen und die gelegentliche verwendung von fremdwörtern und fachbegriffen.
after a very successful debut ep on sound pellegrino (best seller on the label so far) and a single on the über cool blog/label discobelle, matthias zimmermann decided to present his new ep on tigersushi. matthias zimmerman is one of the most exciting new young producer on the future house and bass scene, mixing irresistible beats with beautiful melodies and balearic atmospheres.this new ep is part of a concept series of releases, each song has a characters name, each character is an inhabitant of an island that matthias imagined.
first on only on decks.de
jens zimmermann is known for his detailes work in the monosphere of techno. modulated bass, pitched drums and changings effects. the >we transfer< release are two new tracks in his well known style. side a with more atmosphere, the sound for the big floors and halls side b in a more oldschool like way for crashing the clubs - definitely jens zimmermann on his best!
spiel(z)immer developed close ties between electronic music and contemporary art. creative projects and extraordinary ideas are our strength. the music is playful, infatuated and versatile. we belong to the alternative electronic music, which reflects the diversity of the scene. created from pure gut feeling on a sunday morning.
first solo ep of jens zimmermann on vinyl club after remixing luc ringeisens s.i.i. on vinyl club #15. peak time club tracks with groovy shuffles on both sides, both tracks recorded live in jens studio.
played by ricardo villalobos, zip, vincent lemieux, audio werner, the mole ...
outstanding new vinyl club recordings ep by luc ringeisen and jens zimmermann (as remixer) at their absolute best! finest deep and abstract techno tracks.
hot off the heels of onur Özers most excellent mind melt album kasmir, released october of 2007, comes the reinterpretations on vakants vr division. wonderfully thought out, vr handles remixes exclusively leaving vakant itself pure to its artists. this constellation leaves everyone free to the corruption of their fancy, allowing the artists to choose their own remixers. with onur, finding willing interpreters is not a difficult task and the heavy of the heavies representing the light and dark sides of the force are here on vr04. on the a side loco dice, aka tunisian born yassine ben achour, takes onurs instrument laden >eclipse< and puts it through the treatment. what comes out the other end is popping state-of-the-art tech house with onurs depth and loco dices spontaneous flow. on the flip things get serious. jens zimmermann , the deep, deep, freak out master hailing from frankfurt, contributes his own spin on >sahara<
big support from ricardo villalobos, richie hawtin, karotte, dj koze , mark broom... after his special-edition release snork08x, finally here we go with the snork08 follow up, with two selected tracks of jens zimmermann, who is really well known from his releases on room recordings, k2, international freakshow, harthouse or treibstoff or for example his drumn bass past as dj gargamel. he also cooperated in producing the well known culture beat dance project from the early 90s
big with: agoria, tiefschwarz, c-rock, m.a.n.d.y., daniel stefanik, sebo k, dave ellesmere, satoshi tomiie, djulz, gregor tresher, jimpster, marc romboy, mike monday, miss jools,...! sebastian roya back on conaisseur with a big pounding groove-monster in his familar style and a cool minimalistic jens zimmermann remix
jens zimmermann öffnet räume die so grosszügig sind, dass die vollkommene entfaltung eines jeden noch so bizarren sounds garantiert wird. das alles ist so weit draussen, dass man sich wundert, wo man überhaupt gelandet ist
zimmermann alias jens zimmermann aka tyrell corp. aka dj gargamel is constantly changing yet always the same: a damn good producer. from his early days when he whipped up tracks by culture beats and out of the ordinary into dancey frenzy with well-known german producer torsten fenslau, to his drum n bass-fuelled moments of technical innovation, jens has never been one to stand still. constantly reinventing hilmself, he always managed to keep things ticking, making him one of the most sought-after producers in the late eighties and throughout the nineties. now, in 2007, after years of noise research and sound sculpting, he is re-emerging as zimmermann which stands for >new german minimal sound<. after three much-celebrated releases, aptly called zimmermann #1, #2 and #3 on room recordings, which were severely hyped up by germany s house fraternity, and releases and remixes on boxersport, k2,and hifreaks as well as on harthouse mannheim, the future is looking bright for jens
jens zimmermann s best record and strongest room 12inch so far. a masterpiece! pure innovation. minimal but with an immense strong impact on the floor. uses noises and sounds never been heard before on a club record. 10 of 10!