for the first release coming in 2017 macadam mambo strikes very hard with a very special ep of radical dance music by the german band the blech revisited by hambourg’s based artist wosto. the blech released 6 lp between 1985 and 1996. their albums have become a treasure-trove of extravagant, groovy dance hall artistry. the forcefulness with which the blech flung their conviction from the stage into the audience was at once hypnotic, irritating and erotic. here wosto has selected two tracks from the zip zip lp originally released in 1987 (nichts wie vorher and zip zip) and one from the ich wollte meine schuhe zerschneiden lp (die einame trane) released in 1989, and transform them into strong powerfull dancefloor cuts. be sure of the efficient of the product, no need to talk more, let the music speak by itself. special mention for the magnificient artwork of lyons based artist hugo charpentier from the mauvaise foi collective

following on from the under-the-radar success of mick wills edits of ale mania on sbz001, sign bit zero strides onwards with a set of punishing dancefloor interpretations of forgotten industrial gems handpicked by hamburg s wosto and label head honcho, kilian krings.

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the metallic compilation danzas electricas is back for a second volume ! curated by sacha mambo, it presents only artists from nowadays and takes distance from the edits to push original and weird electronic music of close artists friends from dresden, copenhagen, berlin, prague, lyon and hamburg. some of them are already relatives of macadam mambo : konsistent, wosto, heninspace eva geist or sacha himself and it introduces new acts : ekstern (nixxon & spacelex), service, houschyard or sauerstofff to present a good mixture of kraut, punk, industrial tracks, which never fall into dark.

the third release by the paris based public system recordings knows no bounds or borders. a massive 2x12 inch compilation featuring the likes of fallbeil, innsyter, morah, buttechno and many more from the realms of heavy rust and wild animals. the heart beat of industrial noise resonating through weathered metal surfaces. psr003 is certainly writhing with wild tribal movement informed by the ferocity of feverish drum programming, waterlogged flanging and carefully degraded waveforms creating this fully engrossing and almost unclassifiable techno selection. it certainly puts an emphasis on the body aspect of ebm.