bedrock is set to celebrate its milestone 100th single release in superb style with tracer, the second single from emerson, digweed & muir - a collaborative project of the highest order from three of the scene s most respected creative mavericks, whose huge debut fanfare (beddigi88) had fans everywhere begging for more. enlisting berlin s inspirational watergate resident ruede hagelstein on remix duty completes the perfect package to mark yet another bedrock landmark.

nice price deal !!! inclusive romanthony mix !!

2nd release for tracer record brings us a minimal groover by marc de vole plus 2 great mixes by lars wickinger and swallen.

strong minimal tech tracks! includes an atmospheric, dubby bip soup remix!

incl. do it feat.romathony !

inspiriert von 80er-jahre-ikonen wie duran duran, a-ha, peter gabriel, the outfield und springsteen ist der sound von heartracer eine nostalgische mischung aus verträumten synthesizern, melodiösen gitarren und schwelgerischem gesang.

incl remix by honey dijon & luke solomon

lp in gatefold sleeve, originally released in 1981

rod modell , from ambient to dub techno

black double vinyl.

limited vinyl

album by los angeles-based producer live for each moon

white vinyl in full colour sleeve, download code included.

dubbed out coastal ambience from best available technology aka kevin palmer.

comes with standard cover! token welcomes border one on their label

token welcomes border one on their label

new glasgow electro and techno label tremors presents our first vinyl release - aftershocks volume 1, a collection of remixes of tracks from our bandcamp releases. the a1 comes from electro legend dexter, a man who needs no introduction, remixing old boy s tracer. next up is james shinra (analogical force) one of our favourite contemporary electro artists, remixing arctor memory gene. on the b-side we have patrick walker (forward strategy group) remixing arctor s selfish lover into a slamming acid techno banger. rounding it off is relatively unknown hungarian producer david harleydson who has been self-releasing highly impressive electro albums through bandcamp. he has applied his own unique style in a remix of arctor the gulf.

redstone press is a new label from the highlands of scotland born out of long nights on homegrown soundsystems pushing the uk scene, with a unique northern edge that comes from the freedom and isolation felt in that part of the world. red001 compromises of three eclectic bass-driven cuts from delphic producer pseudopolis. the a side pulls no punches, pointing you front left with arpeggiated synths on at last and artillery like percussion on tracer. we can all groove is a grittier but more subtle workout on the reverse.

ltd marbled vinyl >>> 4 tracks that stretch across the versatile asc floor oriented stylistic approaches - point of origin dives deep with the title track, provides signature grey area experiments with collider and last known coordinates, and aims in a more straight ahead fashion for ground tracer while keeping the triplets subtle but evident. deadly rhythmic perfection and crisp sound design like only asc can provide across the whole ep.

bedrock frequencies curated by john digweed features some of the bedrock s head honcho s favourite artists, alongside exciting collaborations, label debuts, and some wonderful reinterpreted classics from the label s illustrious back catalogue. frequencies provides a snapshot of a perfect bedrock party, in the form of yet another musical masterclass from the bedrock boss as he takes the listener on an unrivalled, evolving journey from start to finish. the third & final sampler features music from saints & sinners, guy mantzur, emerson, digweed & muir, martin eyerer & patrick chardronnet, rob hes & laat.

sensory memory marks the second installment on echovolts brand new series of mini-albums that has opened them up to more experimental fare. the first tone of those series was set by messages from a better destiny from the up-start greek outfit templeyard studios and now australian producer kane ikin is about to follow.

attic music launches his new vinyl-only series, attic laqs, with the purpose to release always more music and artists. laq 01 is signed by allen, a north american producer already out on m_rec ltd. allen approaches attic music with four pieces of obsessive ritual techno, each one with different tone and deep intricate rhythmic programming. he weaves spectral throbs into obscure tunnel creating deep bubble of bass and hypnotic layered loops.

mindblowing longplayer

rough & deep analog sounding journey

genre-bending psychedelic disco-funk from forschungsgruppe grenzdynamik on 7 inch vinyl, limited to 500 copies.

optimo trax is an offshoot label of optimo music for tracks aimed at djs/dancefloors

the sub:stance vinyl only box set marks the 5th anniversary and final edition of the sub:stance night at berghain, marking its passing with 7 exclusive tracks by artists who have been central to its sound and prints of the legendary flyer artwork used to promote each event. sub:stance was the collision of two worlds – the vitality of uk bass music intertwined with berghain and all its sensory exhilaration and unique atmosphere....

fachwerk boss and dubby techno don mike dehnert steps away from his usual home for a new ep on delsin entitled!umgangston. its not his first time on the label following last years fachwerk album, but it does see him cast his sonic net a little further afield.

mit >life is full of possibities< von 2001 wurde dntel zu einer der wichtigsten figuren der glitch-szene, die der elektronischen musik eine neue dynamik und komplexität verlieh. unvergessliche songs wie >anywhere anyone< verschafften ihm eine treue fan-schar. seit dieser zeit sinnierte dntel, der mit bürgerlichem namen jimmy tamborello heißt, in zahllosen veröffentlichungen gefühlswelten und stimmungen nach. als teil von figurine entwickelte er einen mal anmutig-bezaubernden, mal irrwitzig-albernen techno-pop-sound. mit ben gibbard von death cab for cutie gründete er postal service, deren nummer such great heights wurde vom rolling stone unter die hundert wichtigsten songs des vergangenen jahrzehnts gewählt. dass tamborello als einziger electronic-act des nirvana-labels sub pop gesignt wurde, war zwar eine kleine sensation, rückte ihn aber aus dem blickfeld seiner europäischen fans. schon in den ersten momenten versetzt einen aimlessness mitten in den dntel-kosmos. von van dyke parks bis pavement, von den dead kennedys bis zu dr. dre hat popmusik aus kalifornien durch ihre emotionale abgründigkeit fasziniert. genauso zieht uns dntel in einen unwahrscheinlichen strudel aus irisierend schönen melodien und noch nie gehörten elektronischen klängen.
inklusive cd-version des albums.

shadow dancer is coming back with their 6th release for boysnoize records. paul and al farrier could be considered bnr veterans. with their consistently quality tracks and electryfying live and dj performances they have established themselves as one of top electronic artists around. the new ep is filled with futuristic deep, techno and classic electro (yess electro!!) sounds and the good stuff you need to get down to the floor. second city & jamma show their pure manchester warehouse style, where mashine code goes totally old-nu-school doppeleffektish and when we heared voice tracer we imediately thought of raster noton. thank you shadow dancer! the 4 track ep will be available on vinyl and as a digital download on the 16th of april. out on boysnoize records, april 16th 2012

cd format incl 3 bonus tracks

was i the wave? is the ophomore offering from montreal musician and producer miracle fortress (graham van pelt). miracle fortress gained international recognition in 2007 for his debut album five roses, a unique collection of psychedelic shoegazey-pop that garnered high praise from numerous outlets. it was also short listed for canadas polaris prize that year, alongside arcade fires neon bible and feists the reminder. while it bears little stylistic resemblance to his debut, was i the wave? is in some ways a similar offering, insofar as it takes us on a trip deep into van pelts unique musical mind. theres not much of an argument for calling this record indie-rock-its essentially an electronic offering--but existing fans wont find it too difficult to hear van pelts signature hooks swimming among the big synths, and deep beats. like five roses, it was created in isolation from top-to-bottom, with van pelt serving as composer, arranger, performer, producer, and engineer. taken as a product of his occasionally hermitic temperament, many of tracks here express themes of alienation, anonymity, or the desire for the assurances of intimacy.

2087 is inspired by the science fiction film -cyborg: 2087- (1966) by the writer arthur c. pierce, directed by franklin adreon. plot modification and soundtrack by jeff mills. it is the year 2087. the world had become a place where thoughts were not only monitored and restricted, but also, muted or reconstructed to favor the current rulers of earth and its inhabitants. the once exceptional human was merely reduced to a byproduct in the multi-dimensional industry of planetary hypostatisification. a boundless depository of cosmic energy controlled by an unknown force that had become too powerful to even reveal itself. a small and resourceful group of young scientists, engineers and devoted supporters create and send back through time a cyborg. a low technological invention consisting of human fibers and machine. out of desperation and precise planning, he is sent back to the year 1966 to prevent earths leading mathematician from thinking about the numeric breakthrough that would eventually lead to the mass thought control and human manipulation of the future. the cyborg (garth) soon discovers he is not alone in his mission, giving grave suspicion to possible traitors or spy within the young group of his creators. garth succeeds in finding and assassinating his target, but as the result, he alters the future and becomes the only remaining symbol of a time that never existed. a man out of time.