64 search results
Pre sale (17.11.2023)
acoustic sources-only mix
Acustica (Part 1)
Acustica (Part 2)
Acustica (Part 3)
Acustica (Part 4)
Acustica (Part 5)
Acustica (Part 6)
Acustica (Part 7)
Acustica (Part 8)
Acustica (Part 9)
Acustica (Part 10)
Acustica (Part 11)
Acustica (Part 12)
Acustica (Part 13)
Acustica (Part 14)
Acustica (Part 15)
Acustica (Part 16)
Acustica (Part 17)
Acustica (Part 18)
Acustica (Part 19)
Acustica (Part 20)
Acustica (Part 21)
Acustica (Part 22)
Acustica (Part 23)
Acustica (Part 14)
IN AGGREGATE / CAROB (10 INCH)
stefan goldmanns new ep on this 10 inch masterpiece
VECTOR RITUALS (LP+MP3)
12 Inch LP+MP3
SINGING WIRE / GEARED (7 INCH+MP3)
DANKE DINGO / IRON HIVE (7 INCH)
round three of the trilogy!
BADGER / SAWHORSE (7 INCH)
part 1 of a 3 part installment
LIVE AT PHILHARMONIE BERLIN (CD)
outstanding soundscapes in philharmonie berlin!
TEARS OF JOY
next stefan goldmann sureshot !
AN ARDENT HEART (MINIALBUM EP+CD)
an ardent heart is a focused techno mini album that brings forward stefan goldmann’s most dancefloor-centered material in a decade. the tracks push and pull relentlessly. despite their linear appeal, there is an intricately balanced interplay between the heavy-handed kicks, the bouncy bass accents and the sizzling, yet clear-cut details whipped up by the rallying drums. the peculiar, seemingly “vocalised” mode of synthesis is maybe the most unifying sonic characteristic of the six tracks and one coda. formant shaping, vowel filters and airstream perturbations let a wide range of sounding elements speak in the tongues of a cybernetic babylon. layered polymetric patterns perforate the aural plane with alien scripts. clearly structured, yet opaque messages that seem to have traveled for aeons emanate from the red-hot circuitry. they spill into a network of delays, channeled down into labyrinthine corridors, enveloped in electrostatic noise. most tracks build on chance patterns evoked with hardware sequencers and freeform modulation sources. the resulting synthetic systems are as cohesive as they exhibit vast internal variation and range. thus balancing simplicity and complexity right in the middle, the results are just as immediately gripping as they can feed sustained attention. a wide palette of distortion and overtones mark the contours of individual elements that seem to have near-physical qualities – as if there were metallic strings, thick membranes, a resonating sphere, all struck by electric mallets, caused to vibrate by mechanical bows and sung by silicone lips.
d edges cultured off shoot olga is back with a new ep, radiolarian, from german-bulgarian stefan goldmann. again it is a perfectly well sculpted ep with deep and sleek lines that get right into your head. the man behind it is the co-owner of the excellent macro label and for more than fifteen years has released intricate house and techno sounds. he is a deep thinker and master of hi-fidelity sound design and intricate grooves, so is perfect for this label. radiolarian is first and is seven sublime minutes of tunnelling techno rippled with neon melodies and firefly like pads that burrow into your brain. it is a high tempo and high impact track but a subtle one that works its magic slowly. building to a number of peaks, it then pulls back and the whole thing starts again. on the flip, streams is freaky and unhinged, with weird synth sounds making for a trippy atmospheres as minimal beats roll below. perfectly detailed so as to work on both head as well as heel, it rounds out another fine ep.
tough techno versions, derived from stefan goldmanns synth-heavy a1 film soundtrack. five cuts remixed into the mighty 4/4 grid (mostly). free wheeling hardware synthesis and heavy-handed beats line up for concrete-blasting impact on constructor and a-drive. the b2s spikes is a more loose affair around a scintillating analogue synth riff. contrastingly, inward slope features a warped beat layout and wavetable splashes, sounding like a weeping robot fighting with a cat. roadside lot is a soothing ambient fm tech tool. thats it. on to the next fifty.
nice price deal !!! his >sleepy hollow< on innervisions is regarded as the anthem of 2006, gaining respect from all over the place. this year stefan goldmann is back with his own label macro and the next level of post-minimal modernism: >aurora< and >beluga<. both already are a central part in the sets of richie hawtin, Âme, luciano, damian lazarus, loco dice, steve bug, peter kruder and the lucky few who already have it on cdr. stefan has released through high profile labels like innervisions, perlon, ovum and classic. he recently also became one of europe s most in demand remixers with highly acclaimed reworks for blackjoy, marc romboy, it and … coming up soon: dj gregory. so, macro is destined to be a premier platform for both, stefan s genre-bending outings and the utmost in quality by likeminded artists. what a start
techno exists in a distorted field. what is wrong elsewhere is right here. what shouldnt work works. awake at night and asleep by day. rough is beautiful, slick is rotten. with macro, things are always a bit more wrong than usual. and thats how they also end up being a bit more beautiful than usual. stefan goldmanns fossil water: fender bass tones weave a pad, from the thumping bottom up to the silky top, congregating into intense moments of dance floor bliss. the b-side throws us in at the deep end, with the tense yet laid back workout of nephelin, tipping over into the sheer techno claustrophobia of de-gauss. dark and warm like a stockholm syndrome: feeling cozy while the horror comes upon you.
REMASTERS VOL. 3
shimmer was the record that put stefan goldmann on the map of techno
industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench.
TRIPLE HOUSE EP (STEFAN GOLDMANN REMIX)
mome is quickly becoming something like frances new house god. his earthy vinyls for housewax and ftwr got him a great following with record collectors and house djs alike. appearing on appolonias fabric mix, several boiler room sets, and his for one day ep at 1 on decks buzz charts, mome quickly wins the hearts of dancers and players.
SIGNS TAKEN FOR WONDERS
a beat and a bassline: if you have a sweet tooth for what makes the world of dance music go round, stefan goldmann nails it four times in 4x4inch for you.+
ISCARIOTIC LIPS, REVERSE & REPAIR (STEFAN GOLDMANN EDIT)
written & produced by christopher ernst,mixed by stefan goldmann new yorks l estasi dell oro has become quite a phenomenon on the vinyl underground through his releases for voodoo down & his own flaneur audio imprint. the principles of what exactly makes his tracks pretty irresistible are brought to ultimate focus in iscariotic lips / reverse & repair: multiple layers of noisy bits, shuffling time signatures around until you lose all orientation. 5 over 4 over 3 bend your mind in several directions all at once
transit records kyoto drops its 3rd vinyl only title very soon in october - stefan goldmann – empty suit. this is a unique track that none other than stefan goldmann could make. this will be one of the most important 12 inch releases of 2013. dont miss!
GHOST HEMIOLA 132 EMPTY LOCKED GROOVES (2X12 INCH)
it is a double vinyl set of empty locked grooves that contains nothing but its very own surface noise - and physical structure. it is a sculptural revision of stefan goldmanns earlier locked groove-based double vinyl the grand hemiola, but it also serves as a genuine hauntological vinyl surface noise tool kit, out on its own. pulling a knife or other tool to its grooves allows for cutting your literally uniquely own beats directly into the record.
REMASTERS VOL 2
the a sides closing in with its broken funk predated a lot of convergence happening now between house and bass music. and last but not least, stefan goldmann provides a brand new, ultra-stripped down edit of the mesmerizing read that lips. essential all the way. remastered by d+ms rashad from the original dat source and cut to premium vinyl, they are finally available again in unprecedented quality.
kampong pressure - cover artwork incl. 20 page booklet w/ exclusive photos by dimitar variysky
stefan goldmanns adem finally brings a new concept of handling melodies to the world of house and techno. pushy synths tuned to arabian intervals, playfully pitch bent around one repeated note that sticks to the kick as if its life depends on it. its as if a parallel universes acid has been invented in some lunatic asylum in tirana. this primitive melody is as alienatingly synthetic as it is offensively brain-dissolving. in the hands of a dj, adem” is like the captagon formula in the hands of the bulgarian secret service: many deaths, big bucks. chalga, tallava, manele - call it anything. the b-side’s rigid chain is as detuned, yet strictly limited to a rogue off-beat bassline pumping in between metallic house drums. thats it.
EMPTYING THE VAULTS VOL. 3
victoriaville finishes the exploration of stefan goldmanns sweet track archives with 3 unreleased house gems. the main tracks here are pure dancefloor material, with electric bazaar centering on in-depth drum design. zobel network provides a prime example of neurofunk. hidden on the a side, chapter 2 is an early hint at stefan’s experimental edge. essential! revisiting the years 2000 - 2005,emptying the vaults highlights the era of stefan goldmanns uk years. often his actual releases with classic and ovum reflected just a part of the possible. now victoriaville proudly steps in to let the whole thing shine. restored from the original master tapes and cut by d&ms rashad, here’s some startling evidence of how deep the roots of house actually were in berlin years before the hype set in.
EMPTYING THE VAULTS VOL.2
part 2 of the series of 3 eps unraveling unreleased classic house tracks by stefan goldmann. victoriaville continues its research into stefan goldmanns sweet back catalogue with a triple vinyl series of never before released house material. revisiting the years 2000 - 2005, >emptying the vaults< highlights the era of stefan goldmanns “uk years. often his actual releases with classic, ovum and front room reflected just a part of the possible. now victoriaville proudly steps in to let the whole thing shine. restored from the original master tapes and cut by d&ms rashad, heres some startling evidence of how deep the roots of house actually were in berlin years before the still ongoing hype set in. >ghost revisited< and >crack it< build on lush house grooves, while >heatwave< leans to the dub side of things. enjoy and look out for part 3!
CANTO DELLA LIBERTA (STEFAN GOLDMANN / PINK LUNCH RMXS)
ltd warehouse found.. last copies of legendary classic label
PAIN (FREAKS REMIX)
lovely new song by berlins hottest export stefan goldman complete with a buggin naughty back room wobbler of a mix as supplied by the freaks with some cool vocal samples.
EMPTYING THE VAULTS VOL.1
number 1 in a series of 3 eps unraveling unreleased classic house tracks by stefan goldmann. victoriaville continues its research into stefan goldmanns sweet back catalogue with the world premiere of a triple vinyl series of never before released house material. revisiting the years 2000 - 2005, emptying the vaults highlights the era of stefan goldmanns uk years. often his actual releases with classic, ovum and front room reflected just a part of the possible. now victoriaville proudly steps in to let the whole thing shine. restored from the original master tapes and cut by d&ms rashad, heres some startling evidence of how deep the roots of house actually were in berlin years before the still ongoing hype set in. >cirque mecanique< is a throbbing groove work out with a dark edge, while >warm rush< brings sweet & pure deepness. >true dub< is an unreleased alternative version to 2002s >true< single - no vocals, just bass. enjoy and look out for parts 2 & 3!
THE GRAND HEMIOLA, INCL 144 LOCK GROOVES (2LP)
macro greets rhythmic expressionism: stefan goldmann’s “the grand hemiola” is the first real innovation in the vinyl format in years! 144 locked grooves build a toolkit that breaks out of the limitation of one 4/4 cycle and brings unique possiblities to create complex polyrhythms just with two decks and a mixer. stefan goldmann’s first ever double vinyl album is a take on the infinite possibilities of rhythmic layering. percussion-heavy, focussed on clashing metres, deeply exploring the sound set – from the orchestral “grand hemiola”, to the triplet-feel of “megi’s waltz”, from the 11/8 pattern of “double hendecagon” to the anti-loops of “away from the flock”: a unique, non-conformist album of haunted acoustics, haptic percussion and deep rhythmic expression. a true, first time invention comes on two sides of the vinyl set: “the grand hemiola” loop toolkit overcomes the time restriction of locked grooves: one record contains loops in 4/4, the other in 3/4 (employing the time differences of the rotation rates 33 and 45 rpm). in the mix, they sum up to an extended cycle of 3x 4/4 or 4x 3/4 and enable building complex “3 over 4” polyrhythms (“hemiolas”). you can mix loop into loop for hours without ever getting trapped. more than an album, this is a note: pitch down side d to approx. -1.5 to match the loops’ bpm rate on sides b & d
REMASTERS VOL 1
missing days and that ghost built the foundation for stefan goldmanns steady grip on todays state of the art in electronic music. both tracks were produced in 2001 and became the key works of his early years.
THE MAZE PART 1-3
do you remember why you started going out in the first place? if not, the maze will remind you with the largest feedback overdose since jimi and miles devastated the isle of wight. recorded in one take in an all-analog set up, stefan hooked up drum machines, distorition pedals and a theremin-controlled fuzz box for the ultimate screaming machine jam. now spanning two sides of a 12inch.
MACROPLY / SUBMERGE
jazzy deephouse / downbeats by stefan goldmann (macro), featuring kristiina tuomis voice on >submerge<.
YES TO ALL
fresh dub infected pumpin minimal techhouse bombs !! superb !!
LIFE CYCLE EP
ARCADE, STEFAN GOLDMANN REMIX
santiago salazar, ladies and gentlemen! member of underground resistance, producer of los hermanos, recording artist for planet e. a biography made in heaven. macro pulls the most incredible people these days and theres a method to the madness: >arcade< immediately shows why santiago is known to be one of detroits most forward thinking producers and djs. the chords! the hook! the synths! the drums! finally an anthem thats 0% retro and 100% euphoria. leaving the recent fashions behind, >arcade< spreads all the warmth and enthusiasm one could dream of this year. this is 2009! and if this wasnt enough: hot on the heels of >art of sorrow<, man of the moment stefan goldmann does his first remix for macro! his stunning version is a 15 minute monster. not just a jam, but a fully composed journey from deep reverberation to drum machine fueled peaks to a japanese flute and koto workout. depth on a new level. this is the difference this label makes - others do ambient, cosmic or krautrock. macro does the thrilling stuff.
ART OF SORROW (LTD EDITION)
limited to 666 copies - no digital release !! getting already support from paul woolford (2020 vision), nic fanciulli, ewan pearson, peter kruder, ame (innervision), michael mayer (kompakt) , timo maas (cocoon), santiago salazar (underground resistance, planet e, los hermanos), pepe bradock (atavisme)...
WOLVERINE / FIVE BOROUGHS
stefan goldmanns debut on mule electronic after several releases on innervisions, perlon, classic and his own label marco
VOICES OF THE DEAD (5X7INCH)
5x 7" Box
!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).
phreaky / twisted minimal techhouse styled ....
stefan goldmann (macro rec/innervisions) & kink zeigen hier in eleganter weise was eingängigen & popotretenden house ausmacht. auf der b-seite gibt es mit >the weasel< einen minimalen, technoiden track der schon auf rebel one erschienen ist
2003 classic back on stock!!! soulful deephouse track by stefan goldmann. includes techy edged riton re rub on the flip!!!
LUNATIC FRINGE, THE BRIBE
next goldmann hammer ep with pure deep hypnotizing head bangers !! support from richie hawtin, steve bug, troy pierce, agoria, ivan smagghe, josh wink, kristian beyer (ame) and many more
AFRICAN CHERI / STEFAN GOLDMANN MACRO VERSION
absolute hypnotische tribale techhouse platte , die schon jetzt auf den playlisten von steve bug, roman flügel, sasse, chloe, jimpster, john tejada, karotte etc zu finden ist !! einfach ganz fett!!
UNTITLED (STEFAN GOLDMANN & SOLID GROOVE REMIXES)
brill deep hypnotic techhouse remixes from solid groove & stefan goldmann!! yeahh
stefan goldmannn, known from music for freaks or ovum, with his first release for a german label.. experimental and smashing three tracker that can be already heard in sets by ricardo villalobos and luciano
JEREMIAS SCHWARZER SFERA (CD)
great electronic works by stefan goldman
Tre Pezzi I
Tre Pezzi II
Tre Pezzi III
stefan goldmanns veiki is a bold foray onto new rhythmic ground for machine-based dance music.
TACIT SCRIPT (CD)
the music in this album is derived from works originally commissioned for the five hour music theatre work alif, as premiered at berlins maerzmusik festival of 2016.
A1 (SOUNDTRACK) (CD)
based on the eponymous play by brothers and author/performer team tobi and mike mŸller at schauspielhaus zŸrich, swiss experimental documentary film a1 traverses through time and space along switzerlandÕs first and most elongated highway structure. rich in archival sources, it sheds light on the costs and benefits of rapid movement: social, migratory and ecological patterns, economic and military designs that are mostly not immediately obvious to the casual motorist. stefan goldmannÕs soundtrack engages the filmÕs multi-layered aesthetics full on, providing a dazzling array of short compositions. profoundly synthetic in production, this free-wheeling phantasmagoria of peculiar, yet intensely likeable miniatures branches off into all directions Ð from minimalistic to overflowing, calm to banging, nightmarish to soothing. the visual patina of historic documents is playfully mirrored in intense distortion and noise artifacts, bound into rhythmic units and melodies formed of ghost notes. finding ever new ways of mining his techno background to yield surprising new forms and ideas, stefan goldmann has proven his abilities in a dazzling range of projects over the past years. works for dance, ensembles, an opera and various object-based creations made him a natural choice for the job of finding a refreshing way of linking sound and image. on its own, the music holds up by putting the listener on a high-velocity road trip of the curious mind.
industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench
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