12inch. ltd. - onon (ideally written in kyrillyc letts which our database cannot display) are also known as topper and daniele papini! we continue on the new collaboration projects. this time it comes from the italian boys topper and daniele papini. recorded at pausenraum studio in berlin.
2017 reissue . the mission of pittsburgh tracks is to showcase dance music originating from the city of steel around the world through the medium of high-quality vinyl records. with this release. pittsburgh track authority come correct with their most dancefloor productions thus far. maintaining the deep moods of their releases on uzuri and further records. pta increase the energy levels and flex their skills on even more strains of techno and house music.
repress !! ultra heavy afro-beat rooted house techno compatible monster tune with additional percussion by burnt friedman. taken from crammed discs >tradi-mods vs rockers: alternative takes on congotronics< album - highly recommended!
dj ralf is the italian icon who runs the much loved laterra recordings label and management. and is now back with ‘er suonone’. a new track from margot that is all set to be a late summer smash. anyone who has heard the legendary dj ralf (a cult figure who has been the subject of a documentary. has played all over the world. runs his own legendary bella ciao party and holds a cult residency in cocorico) play recently will most likely have heard this track in his set. and it has been an unknown but much loved secret weapon for a while now. as such this one sided vinyl pressing will please many people who have been hunting it down. margot. of course. is an italian pair of accomplished producers who have released on. les disques de la mort. hell yeah and border community and run their own margot records label. ‘er suonone’ is a pumping. deep. slow burning bit of cosmic house that builds and builds and teasers listens without ever releasing the pressure. monstrous kick drums drive it down below. pixelated stabs add suspense in the distance and icy hi hats slither in the foreground. it’s the sort of track to drop right at the peak time and it will surely go right off. with people fist pumping along to the groove.
early support by dj ralf. prins thomas. ivan smagghe. erol alkan. ed (chemical brothers). jody wisternoff. sasha. innervisions. jared. luca c. nick warren. fatboy slim. edwin (the foals). reude hagelstein. catz n dogz. laurent garnier. dubfire. martin ikin…
young marco is a gentleman from amsterdam. this is his first offering for the esp institute. it makes us smile and we are sure you will smile too. with his head in the clouds. marco blends soaring melodies that harmonize beautifully over loop-de-loops of bass lines and bleeps. his warm analogue aesthetic invites us to his daydream. a place of innocence where we can do no wrong. dancing eyes-closed as the sun rises somewhere outside. this is pure feel good dance music. no gimmicks. no pretense. just right.
welsh born but raised in west africa and trained as a concert pianist ben onono has written best selling music for the likes of tim deluxe cicada bob sinclar and natalie imbruglia on this new twelve the remixes shine out with greg wilson and mish mash both turning in excellent club tracks
sterns edits returns after the sell-out success of its debut edition with another two catalogue reworks from ben gomori. this time he turns his attention to burkina faso s much-loved taxi-driver-turned-singer. amadou balaké. balaké ( porcupine in mandinka) is burkina faso s proudest musical export. and in 2013 he recorded his final album before passing away: in conclusion. the record saw him revisit some of his most popular tracks from his remarkable 50-year career. backed by an eight-piece burkinabé band who took the country s traditional sounds and brought them into a contemporary light. gomori retains the essence of the original recordings which were mostly captured in one take and marries them to vigorous afro-house stylings. bar konon mousso (musicien c est pas quelqu un) in which balaké tells of a bar lady being unimpressed by his profession. gets a gentle push towards the modern dancefloor. its wonderful sax lines resplendent. massa kamba is taken for a drive down the more traditional route. with commanding drums bolstering the original grooves and a marvelous triple harmony brass section at its core. balakes freewheeling style suits the hypnotic feel of the edits to a tee. sterns edits is an official collaboration between african music stalwarts sterns music and london s ben gomori.
‘the original sound of burkina faso’ follows the hugely successful ‘the original sound of mali’ compilation released in march this year. also on mr bongo. here we have a collection of songs that pay tribute to a truly golden age of music. touching on folk. funk. blues. highlife. disco. psyche. latin. rock and soul.
what s two metres tall. plays music on four channels. lives behind the iron curtain. has 1605 reasons to run an awesome label and flies over a 100 times per year? ladies & gentlemen meet umek. the 1605 boss returns on wax with four trademark techno jams which have been lightening up festivals & dancefloors worldwide over the last six months & will continue from now until the closing parties in ibiza at the end of the summer.
huge colombian felito records compilation! includes bonus dvd of the colombian gold documentary. which digs deep into the heritage of colombian music. tucked away deep in the heart of barranquillas infamous city center stands the remains of one of the most important record labels of colombias musica tropical scene: felito records. selected and dug up and out by sanjay agarwal. tip! this best of compilation features a blistering set of heavy cuts with deep indigenous undertones expressed in a stellar array of hybrid tropical sounds. established in the late 1970s by don felix butron. felito records became a powerhouse for the recording and preservation of afro indigenous rhythms in colombias caribbean coast. from its conception to its heydays in the 1980s and 90s. felito records produced and recorded some of the most prolific music at the time. pioneering a new and innovative sound that captured the rich diversity existing in colombias caribbean region.
shipwrec are opening a new style chapter with coco bryce. dub. jungle. skwee and breakbeat come together to form the signature sound of the myor label boss. from laid back caribbean rhythms to sweat dripping bedlam. coco bryce comes with melting pot bubbling over with influences and styles. mesak and fff have been drafted in on remix duties. each adding their own flavour to this heady brew. a 12- brimming with exotic spices and sounds from an artist who dares with his musical ingredients.
der braddock ist tot. lang lebe der baby craddock ! ( braddock is dead. long live the baby craddock !)el braddock ha muerto. viva el baby craddock ! vive pépé ! - this will be released in a limited serialised ( number stamped 1/3500. 2/3500. etc) edition of 3500. with full beautifil cover art made by pepe and will be sealed / shrinkwrapped.
after a fabulous summer and a mind-blasting krake festival. killekill takes its next step and kicks off another new label called vanta series. which is destined for small series of 12-es with out-standing dancefloor tracks. the name derives from vantablack. a colour from nano technology. which is the blackest black and actually invisible. vanta therewith stands for the total emptiness and is the perfect name for a label which does not have a defined identity itself but is a platform for different series. which will all have a concept and aesthetic in itself. the first series is called -the end is near-. it consists of 4 releases and comes with an artwork by french artist elzo durt. every release will contain a small poster. all four posters put together become elzo durt s piece -les anges de l apocalypse-. first record is by dez williams. who also released on shipwrec and bass agenda recently. a-side acidbanger is a serious banger and has future acid classic written all over it. the b-side comes with two acid variations - one more stingy. one emotional and psychedelic - which show the potential of this outstanding producer. open your ears and put the needle on - here is some acid!
following on from the last zeta reticula release (umeks alter ego) the mighty 1605 music therapy are back with 5 floor shaking electro techno & break beat inspired cuts. a main stay in the big man s set s for the last few months....
THE CAMPFIRE HEADPHASE (3X12 INCH GATEFOLD LP+MP3)
3x12" Vinyl lp UK15.10.13
nach der veröffentlichung des neuen albums tomorrows harvest. das von einer aufsehenerregenden internetmarketingstrategie begleitet wurde und boards of canada weltweit erstmals in die charts katapultierte. erscheint nun - aufgrund starker nachfrage - eine reissue-reihe mit all ihren bisherigen vinylformaten. jedes neue vinyl enthält diesmal zusätzlich einen downloadcode sowie einen boc sticker aus der jeweiligen zeitphase. zuerst erscheinen die alben music has the right to children (1998). geogaddi (2002) und the campfire headphase (2006). im zweiten schritt das minialbum twoism (1995) sowie die beiden eps in a beautiful place out in the country (2000) und trans canada highway (2006).
eine einzigartige fusion von afrobeat und morokkanischer gnawa musik vom französischen afro kollektiv fanga und dem führenden morocco maalem (gnawa master) abdallah guinea. für fans von mulatu astake. afro rock. nigeria 70 ...
inklusive code für kostenfreien mp3-download des gesamten albums.
great dont techno 4 tracker... new moves from cursor. ben pest & jerome hill ... cursor miner has built a solid reputation over the years for being a free thinker in the world of techno. breaks and bass music. and here for dont he delivers the massive >nonon<. with early support from perc. the track has to be heard to understand... it lures you into a trance then thunderous spastikesque drums pummel the listener into submission. in one word. classic. plus you get palinki. a warped techno bouncer. on the flip. another freethinker. ben pest treats us to >yam um sugli<. with deranged synths and drums practically oozing funk. this sounds like nothing else on the planet.. which is what dont is all about! finally. label boss jerome hill steps up to give a reworking to the aptly named >rumbler<. an intense techno bruiser!
orchestre poly-rythmo are national institutions in benin. west africa. formed during the late 60s. they soundtracked the years following benins independence under kerekous leninist - marxist regime. whipping up a groundbreaking fusion of traditional highlife. afrobeat. soul. funk and the indigenous styles and voodoo-led traditions of their homeland. their songs touched on all of their national languages – the mina french dialect. fon and yoruba – and confidently referenced a broad range of international music from james brown to johnny halliday.
second collection of four tracks by old and new artists on mathematics. soulful house from cris moss acid. contra communem opinionem. audio atlas. and late invitation. assorted warm. synth-heavy. melodic house and techno. for fans adonis. moroder
this is quite simply one of the most glorious records you will hear this year. it would be easy to lazily reference it against classic period rephlex/planet mu stuff (oops. i just did!). and indeed it appears to share some of the same heritage (even going so far as to feature a remix of rephlex artist global goon in its tracklisting) - but chris leary aka ochre is obviously a man on his own mission. gorgeously lush. but at the same time super-funky…as electronic as kraftwerk starring in a remake of tron. yet somehow as pastoral and organic as edward elgar…much like his label-mate ed chamberlain. leary manages that tricky task of being supremely technical in his programming and arrangements. but without losing the heart and soul of the music amidst all the studio trickery. you know that old chestnut often said when referring to vintage or classic music. >they dont make them like that any more<? well they do…and here it is! simply fantastic.
sick house release from the pig. we wonder which animal is behind this project. which was originally dubbed >cult copied<. this is a perfect execution of >borrowing. chopping<. taking from tracks that build up around samples themselves. in order to create new dance floor tracks in optima forma.