to celebrate their 20th release none60 have recruited naibu for two superb remixes!
naibu was given the choice of remixing anything in the none60 back catalogue and chose to remix silent dust’s collaborations with detroit’s selfsays to astounding effect, keeping the hip hop elements of the original and mixing them with his unique drum work and atmospherics. selfsays vocals jump around naibu’s reworkings superbly to create two essential hip hop/drum & bass crossover tracks.

silent dust return with their new album Òlisten to the nightÓ, building on the foundations of their self titled debut by adding collaborations with us indie hip hop mcs illingsworth, selfsays, zilla rocca, terror and manchesterÕs finest drs!
from the atmospherics of Òhalf nightÓ, the intricacies of ÒmythsÓ and the emotion of ÒrefuseÓ this is an album that demands attention and one that will reward repeat listeners.
set for release at the end of september the album is proceeded by the calibre remix of ÒrefuseÓ on september 14th.

silent dust is the project of uk duo dan blishen (originally from manchester) and andy hobbs (hailing from kent), who produced drum & bass together for years under the respective monikers zyon base and hobzee. their self-titled debut,silent dust,brings their signature d&b sound into a different light, drawing from a wide range of influences - ambient, drum & bass, garage, dub, breakbeat and soundtracks. the result is a collection of deep, bass-laden productions that sound like absolutely nothing else, filled with lush arrangements, an array of found sounds (footsteps, vinyl crackle, sellotape stretching), cinematic vocal samples and glitchy, idiosyncratic drum programming. the album travels through a wide range of emotions and sounds - from the sublime intensity of the giant (equipped with floating operatic samples and tight drum programming) and the dark atmospheric grace of marlowe, to the weighted basslines of the club-suited zero nine zero and the sheer beauty of winter song lined with strings and a reggae-tinted vocal. though its driven by experimentation, this is a d&b record at heart: even the ambient tracks were written at 160-170 bpm. their debut album was originally signed to soul:r, but was pulled at the last minute: the duo bravely opted to start their own label, none60, to release their tour de force.silent dust is a downtempo, atmospheric album that will become an instant favourite for open minds, and for those who seek something new. one of the most unique records to come out of d&b this decade.

awesome new mixes of the 1st pacific blue killer from sandwells rrose and silent servant! h&vs very own silent servant terrific new mixes as promised from the pacific blue / avian camp - rrose and silent servant pull no punches with these insistent takes on the brilliant original.

awesome new mixes of the 1st pacific blue killer from sandwells rrose and silent servant! limited solid sky blue vinyl 1st pressing with full colour printed insert artwork designed by sandwell / h&vs very own silent servant terrific new mixes as promised from the pacific blue / avian camp - rrose and silent servant pull no punches with these insistent takes on the brilliant original. as before this title features a limited 1st run on blue wax backed by a full colour printed insert lovingly designed mr. mendez himself.

the sixth studio album from jesca hoop.

12 inch colored vinyl, limited numbered, with handcrafted cage sleeve.

nach releases auf mule, ghostly und ki records erscheint das vierte album des koelner elektronikers till rohmann aka glitterbug auf gold pandas notown-label. ein grund für diese entscheidung war gold pandas brillanter, metropolen-erweckender, von reisen beeinflusster zweitling half of where you live (2013), der glitterbug maßgeblich zu den deepen und erhabenen klanglandschaften auf dust inspirierte.

nice price deal !!! having established himself as one of the most exciting new talents around with a series of genre busting singles akira kiteshi, aka glasgows tommy forrest, steps up to the plate with the release of his debut album, industrial avenue.
blurring the lines between 2-step influenced dubstep, electronica, bass music, whatever you want to call it, industrial avenue is a joyous tour de force that defies categorisation.
cd version of the full album included.

the black dog are a legendary live act whose ability to destroy venues and wreck soundsystems is undeniable. they blur the boundaries between djing and performance while possessing an excellent sense of where to take the crowd. live, they represent purist techno, which is also utterly crowd pleasing. on record, tbd are famous for delivering subtlety, emotion, and intellectual richness, as well as great tunes, but never in their career have they managed to convey the sheer visceral impact of their performances as on liber dogma. this album contrasts with last years extremely well-received ambient outings on music for real airports and the dadavistic orkestra collaboration with members of the psychick warriors of gaia. while none of the bands artistry and care has been lost, there is now a greater focus on a pure, and utterly exhilarating, vision of how techno can transform the dancefloor into a realm of complete pleasure.

debut release of armageddon project on industrial strength !! well known for their releases on the third movement

nach releases auf mule, ghostly und ki records erscheint das vierte album des kšlner elektronikers till rohmann aka glitterbug auf gold pandas notown-label. ein grund fŸr diese entscheidung war gold pandas brillanter, metropolen-erweckender, von reisen beeinflusster zweitling half of where you live (2013), der glitterbug ma§geblich zu den deepen und erhabenen klanglandschaften auf dust inspirierte.

2lp including insert with liner notes. chapter 3 out of 3. including 14 unreleased tracks! with music from the hacker, boy harsher, nuovo testamento, buzz kull..

5x12 inch lp + 4xcd + book.

murmurs from stockport (1982-1988). throughout history there are many examples of artists who did not receive the credit their work is due during the years they were active. k.s. eden is an artist who should be discussed in these terms.

marvelous re-issue of this classic dutch techno album from 1997.

reissue of omd’s 4th album from 1983. half-speed mastered at abbey road studios, comes with download code included.

!k7 are pleased to announce forest swords as the next curator of the ever essential dj-kicks series. following acclaimed albums on ninja tune and tri angle, soundtrack and installation work, and remixes of the likes of bjork, matthew barnes aka forest swords has curated a 25-track compilation that draws a line between past inspirations and his current peers. like much of his own output, his dj-kicks skirts around pristine electronics and embraces more organic textures: 80s post punk (anna domino, dead can dance), classic 90s british electronica (orbital, mira calix), and smokey digi-dub (rhythm & sound), all rub up alongside some of the most forward-facing producers working today (demdike stare, laurel halo, fis). the compilation sifts through rhythms, shifting speeds and emotions: from pop icon neneh cherrys primal thudding to the zombified throb of exclusive forest swords track crow via deena abdelwaheedÕs clattering deconstructions to the euphoric two-step of djrum. its a collection of tracks that feels as restlessly curious and weighty as barnes own work.

dvs1 aka zak khutoresky, us dj/produzent/labelbetreiber russischer herkunft, ist mit releases auf labels wie klockworks (ben klock), transmat (derrick may) und seinen eigenen imprints sowie regelmŠssigen dj-gigs im berghain und fabric ein aushŠngeschild des zeitgenšssichen techno. auf fabric 96 mit 29 tracks in 80 minuten besticht er mit seinen technischen skills und einem tracklisting mit hohem exklusivem anteil in form von u.a. neuen produktionen von steffi, oscar mulero, mark broom, rod, lando und kirill main auf den dvs1-eigenen label hush und mistress.

united by this ethos and a love for analogue electronic sounds, genuine artisans triad spent 2012 ensconced in the studio further shaping the essence of the sonic visions theyd already shared with the world into one solid statement of intangible intent - an aural essay in ong play format entitled utopia.

there will always be a bass drum making people dance, but it will rarely sound the same. techno and house are in continuous flux. there will always be people celebrating. and each year new kids join the scene, hungry for pleasure, for beauty, for ecstasy - for life.