ian sweet aka jilian medford

the prolific and versatile ian martin is represented on shipwrec with four tracks.

boris blank from yello

yello member ! 3rd studio album

caleto records presents ian tribb - on my way ep! incl. costas and nacho bolognani remixes

funk / soul / disco

timeless anthems !!! incl dixon and baikal rmx 2018 repress!

dieses 9 track album grey theatre für confused machines ist ein tiefes eintauchen und eine spielerische Übung mit seinen synthesizern. ein emotionales und mysteriöses hörerlebnis. ein portal zu seiner seele. manchmal melancholisch, fließt es wie wasser und lauert in den schatten der realität.

das album wird als sammlerkassette und als bandcamp-download erscheinen. tauchen sie ein in diese geheimnisvolle reise! wir leben alle in einem grauen theater...

remaster from 1996

vocal house, decks tip!

cd version of this album included!
ian simmonds album, >burgenland dubs< is the until now simmonds-ish quantum-cheer in regards to beat fiddling sound research plus orchestral radiance with a humane worldview and ethos.
come together in a castle located in the idyllic unstrut valley in burgenland, simmonds brushstrokes a moving manifest full of listening peak time for home and the open dance floor against a backdrop of stylistic prudishness. in a better sense, for the masses without the masses - electrical world music without the world, from a man of the world for the world!

repress , - individual lps in original replica flipback colour sleeves - 180g vinyl mastered from the original master tapes at abbey road studios, london - poly-lined & printed individual inner sleeves - contains link to online pdf with printable liner notes

strong analog house techno , top

original and ian pooley remix ... party shakin stuff

2022 reissue

incl. secretsundaze remix
support from: four tet, ben ufo, antal, call super, kyle hall, moxie

funkin disco boogie 7 inch

art yard records presents a new album of poetic landscapes by ian simmonds with collaborations from clemens kynast germany, fabian schutze germany, max moore, piano uk and kenji ikegami bamboo flute japan

90s inspired club friendly dj goodies

2021 reissue, 140g vinyl,remastered from the original analogue tapes

raw and 90s styled house banger, 1 per customer

ein kurzer besuch auf der indochinesischen halbinsel zur falschen zeit, als die weltweite pandemie ausbrach, führte ian richter zu einem mehr als eineinhalbjährigen aufenthalt in vietnam und zu einer tiefen liebesbeziehung mit der vietnamesischen volksreligion. ian war fasziniert von einem ort voller kultur und mystik, der hand in hand mit dem hyperkapitalismus existiert (obwohl er offiziell dem sozialismus verpflichtet ist).

im laufe der letzten 18 monate hat ian die klänge seiner begegnungen und erfahrungen geistig und körperlich aufgenommen. vom täglichen leben über industrie- und naturlandschaften bis hin zu altem und modernem tanz, wobei er das fremde mit dem vertrauten, die mystik mit der wissenschaft und die klaustrophobie mit der befreiung verband.

ltd to 500 copies

various artists lp incl das ding, les yeux interdits, ian martin

remaster

incl ian pooley remix

the production and dj sets from metabomen aka krause duo is constructed for the most part as a free-spirited bunch with a special twist. it doesnt matter whether the material is with a jazz catalog, a frizzy sound, a dragging house or a techno press. an inimitable signature is not only clearly identified, no, but for the listeners of krause duo the good ol 10-second preview doesnt need three guesses. the answer from every contestant in the studio booth comes as if shot out from a cannon, so distinct is that krause formulation. from depth and nevertheless a clubby art with stay-fresh ideas. here, reliable doesnt mean stagnant. for the (up to now) 34th release from musikkrause, ian simmonds is comfortably on hand for both sides of the vinyl disc in the studio. out comes two monumentally deep waltzes full of raunchy charm and a knee-deep appreciation for jazz. the impact of both tracks is so spiritual that to speak of dance music is not the issue at hand, but rather something of a ghostly slam to the body. if you listen closely enough you can hear the diligent work of your own being. by means of the poetically-painted tones of simmonds and the clutter, which despite the many tonal designs and devices in this >authoritive-techno<, it has no fore-bearer. you can also tell the form of the work undertaken by the joint venture krause/simmonds isnt complete by a long shot even though in this manifestation there is nothing left to add. the distribution of dynamics appears to be so well-coordinated that there is simply the thrill of savoring such thoughtful club music

90s rave