unearthed by groove archeologist betino errera. this black gem was cut in paris in 1980 by american vocalist robert helms. his french career being rather confidential with releases under his own name as well as bobby helms or simply bobby. the lay down girl album remained a well-kept secret for decades despite the fact that it contained two very strong disco-funk tunes.
pure records comes up with there next (double-) strike on vinyl: a big portion of pure sun. love & positive emotions - shaped into 4 masterpieces. an e.p. definitely supposed to banish winter depressions and evil
its not so easy to pigeonhole de:pots musical style: deep. groovy. smoky and pending somewhere between akufen. krause duo and cypress hill. with his vinyl-debut for sophisticated helmsmen. the analog-studio-punk from the provincial backcountry of eastern germany now delivers a proper dope-house masterpiece. fairly dragging the anxious legs of any foggy dancefloor. bigbait012 – thats five tracks. five statements. five unmistakably groovy and well-hung slices of contemporary house-music. giving the listener the opportunity to get a hint of what crazy and freaked-out experiments de:pot has figured out in his mind – highly contaminated dancefloor drugs for shuffle addicts
its about time that dresden based steve kasper comes around with his first solo ep on uncanny valley. after unvexed dub on uv010 and puli kali (rooted dub) together with goetterkreis on uv020 ep he provides four original cuts that extend the label s sound with some uk flavour.
fantastic voyage continues to bring the sugar series to vinyl. with 32 standout tracks selected by stuart colman from the 75-track 3cd set sassy sugar. sassy sugar is the successor to the thoroughly-recommended fantastic voyage compilations. heavy sugar (fvdv051) and savvy sugar (fvdv059). whereas those releases were devoted to new orleans and the west coast respectively. sassy sugar focuses on music city. nashville.
audiolith - musical luckybag with a masterplan. ten years from now. back in 2003 the label started as musical one-man-show without any kind of business plan. a decade has passed since then and audiolith grew into a proper company with two associates. employees. office. online mailorder store and not less than 200 releases under its belt. but still some things never change. especially when it comes to release politics. no matter what ever style comes in whenever the boss likes it there will be a release. no compromise. no fear of failure that is what audiolith is all about and lars lewerenz is. has been and stays the musically approving authority. no matter if we talk electropunk. drum n bass. indie or punkrock. hiphop. trap. deep. emotin-driven house or electropop. his widely varied taste is the reason why audiolith still remains fresh and surprising a musical luckybag. but one with a masterplan. now the year is 2013 and audiolith is still loved by many - and hated by some for giving away golden gifts to fans instead of waiting for presents itself.