phantasy is proud to welcome klaxons to the family with this exclusive vinyl only release. remixed by chemical brother and original producer of the title track from the forthcoming klaxons album love frequency, tom rowlands returns to phantasy after the huge 2013 double a sided single through me / nothing but pleasure. on the flip side, erol alkan (also a producer on the album) brings down the tempo and ups the dub on his mild pitch mix.

this 4 track 45rpm 7inch comes to you courtesy of copacetic frequency productions. 2 vocal cuts by ozzie dee & izaba, a melodica cut by ray ranking & the version by label owner dawehdread.

second release on belfast labe mystic arts comes from dj & production duo black bones.

made in the street is one of those records that s destined to stand the test of time.

feat bluespirit dub, pressed on heavywight vinyl

early 90 s uk balearic infused deep semi-acid house ep with two tracks from the mysterious catt records label. remastered for full dancefloor effect.

freaks frequency ist ein klassiker der analogen musik, der ursprünglich 1998 auf colin dales label abstrakt dance veröffentlicht wurde.

incl. robert armani, van czar, samuel l session remix! limited to 100 numbered copies

after the ukrainian double ep from sasha zlykh and trippsy, twig comes back with 4 tracks from the italian producer lapucci based in florence with his studio, delivering dubplates and mastering service around the world.

das spanische electro label mars frequency records feiert sein 10-jähriges bestehen mit einer limitierten vinyl-edition.

original release from 1995 on plus 8s sublabel probe.

celestial being sending out frequencies of love.

90 techno tracks

re:axis has been with the pr family for a while now and never fails to deliver. his new “chosen frequency ep” features 4 energetic and driving techno cuts.

repress 2020 - 3rd pleasure club comes again from n-gynn

various music styles, just special (request)

ll bill and vinnie paz return as heavy metal kings for a special limited-edition, black friday 7-inch drop featuring long-time collaborator lord goat (formerly goretex.) two new songs from heavy metal kings ill bill and vinnie paz featuring lord goat (formerly goretex)

a future boom-bap classic from emcee g roc gayle and moar aka the vibe drops.

nice groovin detroit house

carlton doom has existed only in the shadows of a 27 year old’s delphian consciousness, until now. necrodancer ep emerges as deep sea frequency’s fourth and most audacious offering, a four track package of mutated breaks and scuzzy electro due 5th october 2018. charged forward by a riotous bass line, the title track brings together crystalline high end amidst dizzying drums. ‘pipepipepipe’ is a maximal dose of big room energy followed by ‘bad batch’, a messed up trip of broken beats and swollen bass. closing off the ep, choppy breaks take the lead on ‘rot’.

for the first release of low frequency foundation, ander has prepared a triple treatment that honours this special occasion. the story told in da drin hetts is of illegal parties in zurich, as told by an astounded first timer. driving percussions combined with a solid bassline make this a hymn to the zurich club culture. canter takes you on a different kind of ride, relaxed, grounded, perfect for early morning relaxation after some pushy tracks. running out builds up tension again and surprises with off-guard synth lines and a some eerie vocals. perfect for setting the mood and building pressure at half past one.

dj seinfeld presents an immersive ep exploring the balance between fragility and force. ‘sakura ep’ is the third and most dynamic offering from deep sea frequency. four tracks draw from a multitude of influences, breaks, electro, dub and trance elements band together with a familiar lo-fidelity approach where distortion acts as an instrument of its own. ‘sakura’ is a subaquatic dose of old school electro with swollen bass and fuzzy harmonics. title track ‘segrada’ brandishes swirling melodies with layers of detail, followed by ‘belvedere’ which uses looped breaks and a sub-driven bassline to build animated funk. ‘battery’ closes things out with a nod to detroit, and a full on drum workout which plays with delicate melodic inflections over a cavernous low end.

mtd makes his debut on binary cells with -mokusha-. in this fourth vinyl episode, the italian based producer also known as sonntag morgen and methodical label head delivers three sophisticated gems designed for dancefloors, combining hypnotic bleeps, banging kicks and deeper textures. b2 also features a stunning remix from french craftsman birth of frequency.

few authentic electro producers from the uk can wear the badge legend with the same level of justification as phil klein aka bass junkie. active since the late 80s, phil has been peddling his own take on electro almost constantly, either as a solo artist or as part of numerous collabs with the likes of dynamix ii, keith tenniswood (radioactiveman) and si brown (dexorcist). dj, remixer, live act, and the man behind the killer battle trax label, there is nothing this junkie hasn’t done.
with essential releases on labels such dmx krew’s breakin records, andrea parker’s touchin bass, and billy nasty’s elektrix, the bass junkie sound spans the old school beats and vibes of the electro genre’s origins, to the borderline industrial. from funky to ferocious, bass junkie’s discography is a must have for anyone claiming passion for the genre - influential, individual, and infectious with every beat.
his low frequency fugitive ep is a welcome return for his bass junkie project, after several years working primarily on collabs. the ep brings four new tracks that maintain the bass junkie sound that brought him such success and notoriety in the first place, with a healthy dose of evolution too.
this is one fugitive everyone should try and track down...

on next metropolita, riccardo present a mix of different sound shadows, deep mood with soft and solid energetic groove... do down in his travel!

the second offering from deep sea frequency comes from valencia born pépe, and is an all-encompassing space age electro trip to the cosmos and back.

the project -get in touch- is based in mainz and berlin, and was founded by the guys behind orbit iii. their passion is to create a blend of trippy minimalistic sounds with classic house and techno elements and to get in touch with the music. for their first release they are proud to present a primetime killer remix from nicola kazimir contrasting the rather smooth original by willberg on side a. klaser&karrenberg, the highly recommended newcomers from mainz, showcase a dry acid interpretation of the playful floating orbit iii track on side b.

this 4-track ep combines ambient and techno elements to create immersive landscapes, which later on transform into the techno grooves. the concept of this release, “unknown frequency”, defines the limited nature of human perception, which is unable to experience the full universe of the sound.
on the a-side lies the main concept track as well as its landscape/ambient version. both works express the positive tension and harmonious excitement of the discoveries to come. on the b-side, first track - “traces” continues the search of the unknown. this time, darker regions of mind are explored by the sinister grooves and minimalistic atmospheres. final track “looking for the exit” is supposed to give an answer and release the tension of the ep, but after experiencing the unknown, nothing is the same anymore.

deep sea frequency set out in their pursuit of presenting chopped and screwed multi-dimensional dance floor and non dance floor frequencies to the world. first record by or:la, is a hypnotic dance floor excursion, steeped in borrowed japanese sound, polyrhythmic percussion and deeper than deep grooves.

after nearly a 17 month layoff the corner returns with 2 killer releases starting off with phil moffas frequency of noise. this features phil at his best showings with his deep driving polyrhythmic percussive beatings while coming at you with melodic textures this release is a well rounded ep for djing and listening pleasure. pressed onto 180 grams vinyl and limited run.

one day back in end of the eighties, a pair of friends began sharing a deep love for music, the music we have been supporting, playing and now, able to put it out for your listening pleasure: ‘mind merge lp’ is a beautiful quintessence of detroit electro, funk and techno, partially blending with contemporary electronic contaminations and we believe it’ll be as timeless as many of their records before.

nice to be vinyl only sublabel dedicated to the modern techno sonorities. we have the pleasure to present black series 01 with our man diego amura and the birth of frequencys remix.

nice price deal !!! phat dirty and freaky electro techno with lützenkirchen (great stuff rec) & mike monday remixes

another split is on the way of the suburban avenue team. this is the turn of two young and talented producers coming from the new school, both nostalgic of the techno of the origins: birth of frequency and mike storm a side is entrusted to the refined hands of the french producer, a1 no wonder” is a brilliant and direct techno track inspired by british school of the nineties. a2 the fugitive” is deeper and hypnotic. the precious b side is made by the dutch producer mike storm, both tracks b1 the one we know” and b2 into formation” are minimalistic and represent some old school spaced out techno trips retro-futuristic affairs continue..

vinly only, onur ozer releases solo ep from binh’s time passages under his new alias, onur.

yay recordings is more than happy to release a new ep and this time is the turn of the italian producer alex picone. analogue dreams and rough groove are the soul of this new record. !!! providing good vibes !!!

future times is very happy to announce a new record from rbl, who we haven t heard from since his 7- for ft (the second-ever release on the label) about 7 years back (!).tip once again the songs are split up into dance and romance sides, on the dance side we have -frequency illusion,- a glorious slap of vibro-house for the deejay crew, coming in hot like a rugged pal joey tune, and on the romance side we have the slow hypnotic funk of -number games,- complete with dope mantra vox and italian slo-house chug. this one is a doozy!!

rfsplit is a new series, a collaboration between crf and a guest label with two different artists. for the first release, we choose clft, the french label based in lyon.on the a side we ask birth of frequency to do two tracks, the scar and the fink, two hypnotic and abstract tunes, with a dry and claustrophobic atmosphere.clft choose 2030 on the b side with life’s lake and fallen-in, very detroit influenced with light pads and melodies.

pounding bassheavy prime time techno - incl nikola gala remix

778 frequency, is a vinyl imprint label formed this year. the main goal of the label is to present quality music in the well respected genres of house through to techno. despite the flexibility in its sound, 778 will always be a podium oriented label with its key mission underlying its core value of presenting quality over quantity music in true 778 frequency style. we present you the debut release called infinite or finite ep with 4 dance floor killers by vidinovski including a remix from ilian tape artist regen!

repress 2015 !! big remix clash from the rebirth camp! rennie foster, mark e & motor city drum ensemble mixes!!

*** vinyl only *** already rinsed by ricardo vilalobos & craig richards !
the myth. the legend. stl aka stephan laubner joins the lmd family. * on another frequency* showcases the stl signature sound to the fullest! this ep is an essential weapon for all types of dance floors! massive

brighton s ever-cultured black key label pushes on with another house connoisseur for its next release, namely the venerated scotland-based deep house producer brad peterson. opening up the ep is -monsoon- a nice and propulsive house jam that journeys through deep space with infectious drum hits and radiant synths fleshing out the rubbery groove. -sit back- is a more reflective and sombre cut, with wallowing, liquid chords draped over a ponderous, snaking bassline. the classy, cultured work continues on closer -cloud remedy- with its reverb coated hits, decisive drums and carefully spraying, ever shifting synth patterns. classic but not overly reverential of the past, it s a beautifully musical bit of deep house with gently tumbling, starry night sky melodies to die for.