a mesmerising performance from disquiet aka christof kurzmann (lloopp, vocals), sofia jernberg (vocals), martin brandlmayr (drums) and joe williamson (double bass).

this disquiet is a layering of many, the process is the result: a slow-churning, microtonal wash, at once liquid and brilliantly crystalline in affect. two timbres fracture into many. a tectonic drone slides below and aerates a chorus as vocals flicker in and out of being, wrestling with silence. cacophony blends into order as subtle harmonies appear. what bence has written falls somewhere between an electronic production and a classical composition. where these two forms intersect is where disquiet occurs.

great remixes by com truise, girl unit, keep shelly in athens and renaissance man.

egoless’ dubternal lp is an ode to the healing power of instruments.

just as magnified record grooves reveal dust constellations and lunar landscapes, so too does godblesscomputers’ third album. “solchi” is a deep search into previous moments in lorenzo nada’s lifetime, influenced by the presence and power of music. his process began with the recovery of some old cassettes, mixtapes nearly forgotten, audio recording of voices from his childhood, and lots of dusty jazz, soul, and hip-hop records. as the starting point of this travel merge with its end, past and present combine to form gbc’s current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks, colored by synthesizers, guitar echoes, scratches, samples, fading voices and kalimba. the album is a collection of sixteen stories, sixteen soundscapes, each of them gbc’s tribute to the path taken thus far, an homage to his love for music. the recording and studio work took place over a year, with the adding and subtracting of many elements. for this project, gbc invited several musicians into his home studio, both old friends and new. they helped to recreate the sounds of the original recovered recording, as well as add fresh ideas to the project.

fresh from charming the pants off us with the verdant echoes from the southern place 12-, italian producer piero paolinelli is back as sofa talk with a new single striding out on the ever fantastic tusk wax. this 12- comes steeped in different shades of party music, from the bouncy organ chords and motor city leads of -disquiet- through to the slickly diced up boogie tones of -elastic-. as well as paolinelli s mighty fine originals, the remixes come from some big hitters. ad bourke gets on board to turn -disquiet- into a energised, bubbling house burner while posthuman brings some of his trademark tough acid touches to elastic-.

berlin duo soukie & windish are releasing their second long-player work ‘loom’ on their home label ‘ursl records’ this coming may. an album for the moment, looming its way through our moves with its dreamy, escapist moods. loom carries accents of dirty micro-pop while managing to be both upbeat and deep simultaneously. it is an album of tension — pushing out through every carefully selected drum and every distant, distorted synth line. it marks the moment when you decide not to go home.

comes with exclusive cut out gatefold sleeve and download code of the album.

hidden orchestra sind zurück mit dem zweiten teil ihrer archipelago remixes-reihe, einer limitierten doppel-10 inch vinyl plus download card. *archipelago remixes vol.2* ist ein echter leckerbissen mit vier eklektischen remixes von dam mantle, mungos hi-fi, floex und submerse. streng limitiert auf 500 exemplare weltweit!

just as magnified record grooves reveal dust constellations and lunar landscapes, so too does godblesscomputers third album. solchi is a deep search into previous moments in lorenzo nadas lifetime, influenced by the presence and power of music. his process began with the recovery of some old cassettes, mixtapes nearly forgotten, audio recording of voices from his childhood, and lots of dusty jazz, soul, and hip-hop records. as the starting point of this travel merge with its end, past and present combine to form gbcs current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks, colored by synthesizers, guitar echoes, scratches, samples, fading voices and kalimba. the album is a collection of sixteen stories, sixteen soundscapes, each of them gbcs tribute to the path taken thus far, an homage to his love for music. the recording and studio work took place over a year, with the adding and subtracting of many elements.