quantum collage is the latest pseudonym of olaf gutbrod aka ohm-g. having built a reputation around his long list of chill out tracks produced while resident in ibiza, this release on martin gretschmann (acid pauli, console) and nico stojan’s ouïe sees him dive into some more electronic textures. ‘lucid dreaming’ is a chugging, groovy trip built around a shuffling beat and dubbed out percussion and horns, tapping into gutbrod’s talent for amplifying the vibe. ‘afrika im weltraum’ adds a little more tempo - a swirling, driving drum loop provides the basis for layers of extra percussion and spacey synths and various chants and radio broadcasts. her beauty certainly draws on some the mastery gutbrod showed in his releases on café del mar and hotel costes cds - a chilled out groover with the sunset / sunrise seemingly in mind.
gonzo-gonzos versatility as a performer on the dancefloor is a trait just as easy to recognize here on the offering of his collage ep, a release encasing two original tracks complimented by reworks. collage kicks in with a punchy bassline from the get go, captivating earwaves while setting the tone for a highly dynamic, glittery disco infused piece.
amazing!! long awaited reissue of horseshoe 2. now available for >normal< prices. this reissue is missing, comparing to the original from 1996, >bright night<. now >vibra< and >collage< has is own side for maximum soundquality. supported by steve bug, ricardo villalobos,.. to name a few. this is the start of a cabinet reissue series. your pleasure is our pleasure.
hello. this is pastamusik speaking. for more then 10 years the munich based label issues with constant inconstancy special musical tales from the underground. and since not all stories told and not all songs played and yet not all cows have returned home, we are ready to add another chapter within this tradition. pastamusik proudly presents with “collage” by macchina nera it’s first long player. the talented munich based dj and producer macchina nera already draw some attention with his first release in 2005 (under a different alias). followed by several releases on different labels around the world he finally found a solid home base with pastamusik, that resulted in a number of successful releases. so it was a logic consequence in taking the next step and to compile the highlights from his last two years productions in his first album. munich meets munich. or even better – munich meets the world. then all of the sudden tracks of macchina nera became regulars in the sets of various djs around the globe. and this is where he starts with his first album and tells with his unique symbiotic style of house, disco, techno and funk little musical tales from the cities and it’s clubs, from all night dance, glimmering dancefloors and dark corners, from big love and big dramas…..even if it only lasts for one night. and as versatile and diversified like these nights are the consistently energetic tracks, full of unexpected turns and small details that make it worth to listen a little closer enough said for now, let the music speak for itself. the album will be available in vinyl, cd and digital release, available at real record stores as well as in the digital world of internet. here comes the soundtrack for spring, summer, autumn an of course for winter. timeless! beautiful!. thank you!.kisses! your pastamusik.
similarly, this compilation is all about that - bringing interesting elements together. i have invited producers that envoke that magic within me. they have all touched my soul. great music is just like happiness, its only real when shared.
ida engberg describes collage like so: not many things in life beat the true experience of the perfect party. that definitive moment when location, music and people all come together in the same place to create that perfect shared experience. it is about that vibe that can only exist when all those components work together in perfect harmony.
this is the first step to your collage of sound! done by barcelonas florian gasperini and remixed by tobias felbermayr from munich. this realease contains four summer-festival-techhouse-bombshells! you will recieve more than a piece of great music, you will recieve a piece of art! stay tuned, this is just the beginning!
super fresh minimal techphunk tracks // collage is the debut for madrid s alex under on plus 8 (his first north american label release), delivering a sound that is complimented exactly by its title. a mastermind in blending a variety of electronic influences, his hybrid version of rhythm and sound is a moody mash up of jazzy yet experimental techno. his productions are based on deconstruction and variation with equal parts of humor and precision
bristol-based illustrator and musician adam higton welcomes you back into the mossy realm of the cosmic neighbourhood. with each song acting as a response to a series of paper-and-scissors compositions, collages ii documents the daily goings-on of an imagined world. sonically, this record straddles new and old, taking modular electronics, flutes, bells and softly pattering drum machines, before colouring them all with the amber glow of some forgotten, psychedelic kids tv programme. higton s benign toots and echoing jingles bring to mind daphne oram s early delay experiments or the meandering playfulness of tom cameron. radiophonic and time-worn, it still somehow sounds like the future.
with the simply gorgeous vicki collagen on the vocals, insignificant others make their debut on their own label with collagen. io music already has a string of hot electro records to it’s name and collagen is a very welcome addition to the label. key dj support: sander kleinenberg, pete tong, eric prydz, fergie, erol alkan, larry tee.
betrachtet man die bewegte biografie des can-bassisten holger czukay, könnte man zu dem schluss kommen, der experimentierfreudige musiker sei ein exzentrischer und unbändiger freigeist. doch czukay betonte in interviews immer wieder, dass er in seinem schaffen stets auf einen musikalischen partner angewiesen sei, egal ob in form eines konkreten gegenübers oder durch radiowellen und später das internet. doch die meisten seiner partner waren aus fleisch und blut. sein dem kino verwandtes gesamtwerk schmückt sich mit einer besetzung, die der eines scorcese-films gleichkommt: brian eno, phew, rolf dammers, david sylvian, annie lennox, jah wobble, die kollegen von can die aufzählung ließe sich noch weit fortsetzen. viele dieser meisterwerke sind heute vergriffen, und so hat es sich das label grönland, das anfang des jahres zu holgers 80. geburtstag bereits die vielbeachtete retrospektive cinema veröffentlichte, zur aufgabe gemacht, holgers musik in remasterten neuauflagen wieder zugänglich zu machen.
limitierte reissue des erfolgreichsten album des us-produzenten john beltran, eines klassikers des ambient-techno, erschienen im original 1996 auf peacefrog. -ten days of blue- ist ein zeitloses meisterwerk aus filigranen strukturen und herzergreifender romantik, dessen töne und rhythmen wie gemalt wirken. vergleiche mit tangerine dream und kraftwerk blieben entsprechend nicht aus. b-stock - covers are with a kink / crincle
limitierte reissue des erfolgreichsten album des us-produzenten john beltran, eines klassikers des ambient-techno, erschienen im original 1996 auf peacefrog. -ten days of blue- ist ein zeitloses meisterwerk aus filigranen strukturen und herzergreifender romantik, dessen töne und rhythmen wie gemalt wirken. vergleiche mit tangerine dream und kraftwerk blieben entsprechend nicht aus.
privately pressed to lp in 1978 under the name j. jasmine and made especially for the ann arbor film festival, with artistic collaboration from the festival’s founder and once group artist, george manupelli, my new music is the debut album by jacqueline humbert and david rosenboom. featuring a cast of mills college personalities like david behrman and sam ashley on backup vocal duties, this song cycle is at every turn boundary-pushing and gender-busting, yet still hilarious, sweet, and genuine, all delivered in a post-genre, art-song, cabaret musical style that happens to boast some serious avant-garde chops, courtesy of rosenboom. if it weren’t so spot on, you’d swear it was a guilty pleasure. as j. jasmine writes, my new music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person’s fantasies can contribute to another person’s freedom. get lost in j. jasmine’s world for a little long while, and be free.
pp serie is here to combine music by label artists & friends showcasing a broad spectrum of audio entertainment. “serie a” features: trance inducing collage, pop build up, homage to the almost forgotten communication medium telefon and a heavy acid tool.
,,artists included: tambien, rhode & brown, mr. tophat & obalski
one of the many delsin off shoots welcomes fast rising shlomo to the fray for a new ep featuring three singular originals and one excellent remix from artekfakt. the taapion records boss has previously released on wolfskuil and bright sounds and here serves up some truly sumptuous space techno. the artefakt remix is actually a collage of all three shlomo originals and is a suspenseful, hypnotic and sublime techno roller that carries you tiny another dimension. this is perfectly heady music for cerebral dance floors.
robot ranch records proudly presents a very special collaboration with the kyoto based dj and producer yusuke yamamoto from japan. after some great releases on eyepatch recordings, piston recordings, rough recordings and of course his own imprint canary recordings he comes now again with four high quality deep house tracks. pure dope to enjoy!
deluxe 31 track 180 gram 2x12 inch lp soundtrack to the citically acclaimed documentary *montage of heck*. personal home recordings of musical concepts and the wild imagination of rock icon kurt cobain. includes a digital download card for 320kbps mp4 audio of the entire soundtrack.
originally a batch of beats conceived in 2011 after the alchemist returned home from a trip to israel with a bag of records he gathered from numerous small stores and outdoor flea markets, israeli salad was initially set to be released as an instrumental project immediately but as beats from it were used on various projects and albums, the end result wound up sitting in a folder unfinished as a work in progress. last year, inspired by another trip to israel, the alchemist decided it was finally time for the project to see the light of day, hooking up with unga of haifas broken fingaz crew for the cover art.
originally a batch of beats conceived in 2011 after the alchemist returned home from a trip to israel with a bag of records he gathered from numerous small stores and outdoor flea markets, israeli salad was initially set to be released as an instrumental project immediately but as beats from it were used on various projects and albums, the end result wound up sitting in a folder unfinished as a work in progress. last year, inspired by another trip to israel, the alchemist decided it was finally time for the project to see the light of day, hooking up with unga of haifas broken fingaz crew for the cover art. pressing on avocado colored double vinyl, housed in gatefold sleeve, sticker sheet included.
saudade ist eine spezifisch portugiesische form des weltschmerzes. es läßt sich mit traurigkeit, wehmut, sehnsucht oder sanfte melancholie nur annähernd übersetzen. das wort steht für das nostalgische gefühl, etwas geliebtes verloren zu haben, wohlahnend, dass es nie wieder zurückkommt. das album ist stark beeinflusst von klassikern wie antonio carlos jobim, gal costa und luis bonfá, aber auch serge gainsbourg, ennio morricone und modernen künstlern wie der electro-samba-pionierin isabelle antena. saudade entstand mit hilfe einer vielzahl von gastmusikern.
nun auch endlich als lp erhältlich! fritz kalkbrenner, der mann mit der unverwechselbaren stimme, ist zunächst vor allen dingen für >sky and sand<, die hymne aus dem erfolgsfilm >berlin calling< bekannt gewesen. dieser track basiert auf einer idee von fritz und wurde in zusammenarbeit mit seinem bruder paul geschrieben und produziert. es ist seine stimme, die der großen hymne der nuller-jahre den stempel aufdrückt. doch fritz kalkbrenner kann noch viel mehr. dies hat er mit seinem umwerfend guten debütalbum eindrucksvoll unter beweis gestellt. der berliner hat techno den soul zurückgegeben, und das nicht alleine wegen seiner warmen und kraftvollen stimme. zurecht war >here today gone tomorrow< für den echo nominiert. und zurecht ist es ungeheuer erfolgreich.
delsin is proud to present this best of ambient -compilation by one of their all-time producer heroes john beltran. 16 tracks presented on triple vinyl and cd, including collage of dreams as featured on hbo s six feet under series, and other material from his sought after albums originally released on peacefrog and r&s. with extensive liner notes from the artist himself. really lovely..tip!
delsin is proud to present this >best of ambient<-compilation by one of their all-time producer heroes john beltran. 16 tracks, including >collage of dreams< as featured on hbos six feet under series, and other material from his sought after albums originally released on peacefrog and r&s. with extensive liner notes from the artist himself. really lovely..tip!
>if archetypal rock music claims -satisfaction- then the rhythmachine requieres emotion< wrote kodwo eshun in his 1998 book >more brilliant than the sun: adventures in sonic fiction.< today, almost ten years later, his theory is still correct, and it shows that his idea is explosive when the rhythmachine is programmed against the common sense. steven ford aka bruno pronsato knows all of this, because he knows rock music and its creative dead end street. he knows because he played in several rock bands in his hometown of seattle, trying time and again to play the same songs, and the same rhythms in new ways. but thats a long time ago. now, more than five years later, he generates music via synthezisers and computers - emotional rhythms far beyond any kind of cliché. his new longplayer >why cant we be like us< embodies his old passion for playing the drums as well as his addiction to ones and zeros. instead of creating streamlined minimal, he has more of an abstract sound on his mind - one that lives on a dark, organic and percussive note. nothing really new, he has always been unpredictable and funky with an organic twist between the beats. his tracks often rely on devious turns, flickering sounds, warm basslines and some free riding vocals. they still do, but more importantly now, they are more musical, more space filling and above all, much more percussive. his intention here is to provide you with a long player- not a compilation of danceable clubtracks. he wants to tell a story and he does it with nine long, grooving compositions that are full of rhythms that twist around bubbling sounds that seem to launch out of his very own inner space: sometimes a piano melody is dancing in space, then an undefinable vibrancy chirps out of the background, and in the next moment some unheared buzzing sighs in time and space. the only real red threat you can feel deeply is a soulful climax towards the last track >why cant we be like us<.