funk / soul, collectors item!

disco masterpiece, ultra limited copies

funk / soul 7 inch

top uk 1988 street boogie on 45 for the first time from the tape archives of london singer-producer tony shand.

previously unreleased

funk / soul

previously unreleased mix featuring vocal/instrumental versions on this exclusive single. classic boogie-funk recorded in 1982 at livingston studios, wood green !

classic early-80s new york boogie from greg henderson & leugene whitefield on 45 for the first time !

dub reggae

both classic mixes coupled together for the first time on one 12 inch

late 80s funk/soul

techno / electro

limited , 1 per customer

soul-disco-reggae-funk-fusion

supercool 80s vibe! tip!

legendary >all night long< remixed by ge ology

a compilation of independent soul from 1971-84 on double vinyl.

max ravitz aka pizzaboy

men with secrets aka donato dozzy und retina.it (lino monaco und nicola buono)

stunningly confident four track ep

third release of wata igarashi on the bunker new york

techno voyage

for record store day 2019

new 12 inch from the bunker new york.

ny techno

the bunker new york is excited to be releasing ldy oscs powerful debut ep magic of 8 which takes inspiration from liaisons dangereuses as much as it does from sähkö recordings and mayan cosmology.

the law of seven refers to the spiritualist philosopher gurdjieffs idea that the evolution of phenomena proceeds according to a universal seven-step process. clay tells us that while this idea did not strictly factor into the composition of these tracks, you could abstract some elements into the musical creation process. gurdjieff was quite a thinker, but also composed music so i thought the lines i was drawing carried some weight. in particular his notion that creation proceeds through increasing restrictions which i find to be incredibly relevant to my process at least. time limitations and performance settings particularly seem to allow me to be far more productive than just working freely with no solid end point in mind

lph060-pack-a play / pause a1. let me jacq 0:15 1:30 volume a1. let me jacq a2. one more time a3. movin kinda funky a4. don t wanna stop a5. war funk feels b1. java harem b2. never say never b3. just wanna play b4. make me feel good b5. bk slice artist jacques renault title bk club beats, breaks & versions label let s play house catalogue lph060 format lp dealer price £5.50 release date 20/07/2018 territory worldwide genre deep housedisco zip download audio samples & images description three years ago, a long-overdue and much-anticipated debut album from let s play house co-head jacques renault finally hit shelves, and now, the follow-up effort, the sophomore swing, arrives. if zentrum was a sprawling and aspirant full-length, bk club beats, breaks & versions is an exacting and focused rejoinder, a powerful, punchy, and succinct exposition of renault s skills and fortes. it s a deep-dive into the movements that sucked him into club music and a celebration of the inspirations that fueled his ascendance to dj and producer in his own right. what we give you here is an album of originals that have been conceived, orchestrated, and stitched together to function as a classic renault peak-hour set—classic house sounds sandwiched between hip-hop breaks and disco licks, all glued into place with his trademark full-bodied, colorful, swinging drums. the a-side has a daytime glimmer and glisten to it, a sunniness that imparts it with a distinct top-down-crisscross-through-the-city flavor. the flip is just as pumped and uptempo, but it has a rounder bottom and feels murkier, steamier, and, by extension, more late-night.

from the very first track, its clear that abby echiverris debut, the ab initio ep is something different and rare: a polished and fresh interpretation of electronic music that incorporates classic electro squelches with intricate broken beats and expansive synthesizer zone-outs.

body music, mind music, ass-shaking and head-boggling, clay wilsons third release on the bunker new york is a dance ep that manages to be both restrained and cacophonous, speaking to his classical training as well as his years as a dj, producer and sound tech. since we first met clay as a new-to-new york city bunker party regular back in the public assembly days, through releasing his earlier music and having him join us at numerous label showcases around the world, we’ve come to know him as an exceptional producer and dj, an essential part of the bunker family and a regular fixture in our lineups. this new release is an expression of the deep relationship weve all forged through years of raving together of freaking out to an unreleased track on the dance floor only to find out your friend made it and then getting a crew together to remix it and put it out!

*us import* tokyo s wata igarashi (bitta, midgar) is back with more heat on the bunker nyc. 4 deep and tripping tracks, reccomended for serious club use. tip!

when we started the bunker new york label in 2014 there was a short list of artists whose music we knew that we wanted to get out into the world. lori napoleon, aka antenes, was high up on that list, although at the time the brooklyn-based chicago native had yet to release her recorded music at all. five years on, after acclaimed records on l.i.e.s. and silent season, residencies at issue project room and bell labs plus a busy global touring schedule as both a dj and live performer, we are proud and excited to present loris ante meridiem ep under her antemeridian production moniker. she tells us that the antemeridian project is a special outlet for her more melodic synthesizer compositions and the name antemeridian refers to morning light and the meridian lines of the planet, the view you would have from above if you were already in the sky/space/seeing the atmosphere also from a great distance.

invoking the power of a stampeding herd of mythical beasts, the animais soar o alarme 12inch is a carnivalesque dancefloor exploration that highlights the unbridled percussive sound for which ninos du brasil have become known. according to the label: the a side presents the shadowy duos original track a rollicking and propulsive explosion of beats unified by steady stomping bellows of unknown origin. the b side sees the bunker resident dj patrick russell providing the first ever remix of a ninos du brasil track, imbued with the precision, discipline and restraint for which he has become known, making animais soar o alarme seem all the wilder for his skillful steadying hand

uwe schmidt has long been recognized as one of electronic musics most respected and versatile artists. a man of many talents, projects and identities including atom heart and senor coconut, uwes playfully ironic and acid- tinged atom tm moniker is perhaps the identity that most speaks to the new york dancefloors where the bunker makes its home. several atom tm releases are much-loved bunker classics and with the future nights 12inch uwe offers a heady experiment in what happens when a track takes you so far inside your own head that you’re in danger of losing your way back. . the a side is comprised of two fuzzy vocal techno tracks that are as fun to listen to as they will be to subject to some heavy tweaking in the hands of a capable dj. the b side, chemistry is particularly versatile and crazy-making with elements of darker techno stirred into a disorientingly stereophonic maelstrom that’s guaranteed to cause a dancefloor to lose its moorings until the only thing keeping reality from splintering is the tracks dry academic vocal reassuring us that its all just chemistry

j. f. burma is a new analog synth project of jeremy berman, a longtime friend of the bunker who we met via the forums of i-f’s cybernetic broadcasting system internet radio station in the early 2000’s. while living in brooklyn, jeremy spent many hours each week searching for undiscovered gems among the piles of records (and sometimes rat skeletons) at notorious greenpoint crate-digging spot the thing. inspired and educated by the music he was finding, he purchased his first modular and started building synthesizers and modules in spite of his lack of training in electrical engineering. currently, about half of his current eurorack rig has been diy’ed via trial and error.

the latest transmission from the world of gunnar haslam, kalaatsakia wildly sprawls across the intersections of techno and more abstract sounds to take us on a wideranging journey from the subterranean to the coastal, from blown-out dub tones through fractured rhythms. an incredible work that is not easy to pigeonhole, kalaatsakia is a full length album that navigates and sketches landscapes where new languages are created from old, dead ones to emerge as the lingua franca of interconnected immersive zones.

wata igarashi’s ciphers ep (mdg006) out in march 2016 is getting reworked. the artist involved were carefully chosen together with wata igarashi after some friendly exchanges during his last visit in europe. we want to deeply thank nuel, yves de mey, orphx, shawn o’sullivan, r²&#960,,,,, and ruff cherry for taking part to this project and giving their amazing contribute! the black vinyl comes with full artwork cover.

gunnar returns with scale no flam, his first 12inch single for the label. scale no flam is both a love letter and a demonstration of why he cant stop getting lost in the sound. according to gunnar, acid is just one of those things that creeps into your life and consumes everything around you - a psychedelic and textural approach to music that is simultaneously intense and smooth.

valere aude, the debut album from romans, a collaborative project between new york techno producer gunnar haslam and vienna-based acid evangelist johannes auvinen (aka tin man). featuring 12 tracks of hallucinogenic, psychedelic techno, valere aude is an acid-etched trip to the outer reaches of the mind.

each of the four untitled tracks offers a different bassline groove paired with slowly unfurling cosmic sound design, featuring synthesizer leads that sound like an aural glimpse into the inner workings of your brain.

!! ltd 50 % deal !! techno isnt a sound, its a feeling. that might not be quite how the saying goes, but after listening to ulysses new record on the bunker new york, youll be inclined to agree.

four tracks of back-to-basics, no-nonsense techno from derek plaslaiko.

zipper is zemi17s second release on the bunker new york, and sees him expanding his musical palette considerably, in which his gamelan derived sound design pushes further out towards the expanses of techno s realm. zipper is the product of years of work. the tracks on this record began as field recordings taken from indonesia insect sounds, gamelan, found sounds, says kuffner. each of these tracks comes from a different stage of my music-writing process over the years. i eventually developed a kind of sketch and improv technique, re-arranging groupings and arrangements of a series of elements. zipper reflects a culmination of this technique, and in my opinion, its representative of some of my best work

three cuts of heady, cerebral bliss guaranteed to push any dancefloor a little further out into the interstellar, in russell s hands, clay wilson s e4 becomes a spaced-out stepper s delight. his rework of romans coptos lets the acidic undertones of the original run free while snappy percussion holds focus. and while were not one to pick favorites, russells remix of zemi17s rangda, stripped to its bare essentials, is almost a purer representation of the original than the original itself, designed to lift a willing crowd into a trance state

it’s difficult to imagine the bunker new york without donato dozzy. the roster of artists who have played the party over the past decade-plus reads like a proper who’s who of modern techno and house, but if there s one artist in particular whose sound and vision has had an outsize impact on the bunker, both as a party and as a record label, it would be donato dozzy.

the stage is set from minute one on clay wilsons new 4 track ep, skandha, his second release for the bunker new york.

tough, to the point, no-nonsense machine music is a longstanding midwestern tradition. drawing a line all the way back to the old guard, the bunker new yorks latest ep is walk the distance, courtesy of mark verbos, a techno veteran and new yorker by way of milwaukee who put together four pieces of heavyweight dancefloor artillery, informed by an intimate, inside-out knowledge of the machinery used in the production of these tracks.

for more than a decade, the bunker new york has been a nexus point for the transnational techno community. a chance meeting at the bunker in 2011 brought together gunnar haslam and johannes auvinen (also known as tin man), who became fast friends and collaborators soon after, conceiving a joint project called romans. the bunker new york is proud to present romans ambulare aude, a collection of atmospheric acid techno tracks following the projects debut on auvinens own global a in 2014.