limited 2015 repress, marbled pink 180gr vinyl , just 200 copies , thats it.
part four in the series sees mosaic return to its signature sound of the late 90 s : deep techno-tinged house. first up is uk house legend nail , who was in hiding in london and suffolk for a while , but is now back in his bunker in nottingham making music once again. his offering, -pharoah,- was created on boxing day 2013 especially for mosaic and contains all the hallmarks of classic nail productions of the 90s whilst maintaining a foot firmly in the present. if you like your house deep and sample heavy this cut is definitely worth checking out...on the flip we have two tracks from newcomer annie errez. annie is a resident dj at the mint club in leeds and has been developing her production skills over the last few years with appearances on holic trax , saints & sonnets as well as a very fine release on strobewax which she co-runs with fellow mint club resident bobby o donnell. if deep techno- house is your cup of tea then put the kettle on and listen to the sublime -bell curve- and the dubbed out bass monster that is auguste.- we are sure that you will agree that there is no doubt that she will be a producer to keep an eye on in the future

includes a remix by mr g.

>the voices< is the debut 12 inch from bobby and annie. drawing on their experiences as residents at the mint club, uk, the pair have crafted a versatile ep that sits as comfortably in a peak time set as it does on a hazy 6am dance floor. taken from a collection of vocal out-takes the voices have been cleverly obscured through various production techniques and layered around drums and old school analogue synth lines to unique effect. the results are two haunting, hypnotic, yet upbeat dj tools. the title track, >voices<, uses deftly interwoven vocal samples as the focus and driving hook. shuffled percussion takes a back seat amidst a discordant, attention-grabbing synth interlude that harks back to the playful garage sound of90s chicago house. the outcome is dramatic, intense and functional. on the b-side, >loose ends<, is a more rugged affair that gives the bass and drums centre stage. the vocals are pitched and trippily float in and out of the track whilst the familiar sound of fairlight stabs punctuate the groove. the effect is eerie, yet accessible, and rounds off this stunning ep.

illusion recordings are back after a years break from releasing music for their 10th and most ambitious release. they took a break to step back and build a strong platform for the future and build a crew of high calibre artists who represent and showcase their musical identity which they have built over their first 9 releases and two sub labels.