excellent melodic pop/rock

finest melodic rock

140g black vinyl, 5mm spine, 2 x printed inner sleeves

reissue of the 1999 duster 6-track ep / mini album. limited mostly ghost white vinyl edition.

reissue of the 1999 duster 6-track ep / mini album. classic black vinyl edition.

coloured indie edition

3cd, 24pp booklet, gatefold sleeve

ltd colored national album day 2023 pressing

indie edition

the motion picture(50th anniversary edition)

afro exotique 2

vibraphone and keyboard player, master arranger and bandleader, mulatu astatke is one of the all time greats of ethiopian music and the creator of his own original music form, ethio jazz.

an audiophile blue note tone poet reissue - mastered from the original analog tapes, pressed on 180 gram vinyl, housed in a gatefold sleeve.

vinyl 1 only

including wanted on vinyl tracks by tiësto, nalin & kane, chicane, blue alphabet, marco bailey, tomaz vs filterheadz, the mackenzie and the moon.

soundtracks

cut from the original analog masters and pressed on 180 gram vinyl.

180 gram double vinyl with download code included.

the chisa years: 1965–1975 (rare and unreleased) is a compilation album by south african jazz trumpeter hugh masekela. the album consists of 14 rare or forgotten tracks recorded by stewart levine and hugh masekela from 1965 to 1975 when they ran their own chisa records label. thom jurek of allmusic wrote “in sum, there isn’t a weak moment on this entire collection. it’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. bbe records has done a stellar job in making this slab available.” dan nishimoto of the prefix magazine stated “the compilation focuses on masekela’s original idea of “african american music.” from the early experiments of the zulus (a group featuring m’bulu) in mixing doo-wop, rhythm & blues and south african gospel and the mbaqanga/”grazing in the grass”-style work of the generically named johannesburg street band to the clearly fela-influenced ojah (masekela’s band in the mid-’70s, consisting of players from ghana and nigeria) and the readyfor-primetime belting of m’bulu, each track reveals a multi-pronged effort to find and challenge the notion(s) of how african and american cultural forms could interact.”

omar s returns with a brand new double pack of fresh detroit techno.

modern