a deep, minimal and organic textural dancefloor journey.

porter brook debuts on trule with an ep bringing together deep, rugged techno with deftly programmed, steely uk breaks, intricate sound design, and shimmering pads.

4 track ep of psychedelic workouts

dub techno

floorfriendly techno bizz

3rd part

incl al wootton remix

dub flavoured sounds

stefàn dubs is part of the folklore crew operating out of toulouse, and is also the producer behind the excellent maquis son sistem records. stefàn dubs and folklore have been pushing their own style of contemporary, dub influenced dance music spanning garage, techno, house and jungle. the spring tones ep is a perfect fit for trule, drawing on these influences to create something new while remaining focused on dance floor functionality.

trule welcomes bakongo

following on from his ep on livity sound, al wootton comes home to trule with the maenads ep. four percussive, textural rhythm tracks. sparse and weighty, psychedelic but focused, and scattered with dub echoes. als core influences of uk garage, techno, dub and drum and bass are organically reshaped into new forms that never lose sight of dance floor functionality.

techno dub ep

dubstep lp

uk funky and dubwise

next killa on trule

ltd handstamped 10 inch - bash also known as julio bashmore

vol.3 , from breakish techno , to dub

vol 4 from dub to breakish techno

on the second trule release al wootton (aka deadboy) drops his first ever record under his own name. traces of dub, uk garage and techno inform the forward leaning, club-focused sound. on selah, al creates a driving steppers rhythm shot through with dub manipulations and uk swing. omega and untitled on the b side continue in the percussive, tracky, swung techno vein of the first trule record.

klint is the first release on trule, a label operated by al wootton aka deadboy to release straight up dance floor club tracks from across the spectrum.

for almost as long as there have been djs, there have been dj tools: bonus beats, acapellas and ambient overlays have long been the stock in trade of selectors interested in more than simple crossfades from outro to intro. but back at the beginning of 2007, luciano put a new twist on a triedand- true idea with no model no tool. the inaugural release on cadenza split composition, a sublabel of the iconic swiss imprint, no model no tool revitalized the recombinant concept, offering djs a selection of readymade miniatures that worked like sonic building blocks—oddly-shaped bits and pieces designed to be stacked and shuffled to the djs delight.