mike -agent x- clark kehrt mit vier neuen tracks zu third ear zurück.

mele boy alias thomas brinkmann

u.r.trax is back on trip with her first full ep for the label.

atmosphere tracks

ep 3

ep 2

8 shonky dance floor bombs

freerotation resident sam watson drops his second ep for third ear. techno. coordinates: hard. trippy.

new brendon moeller project exclusive to third ear

detroits scan 7 drop a fine ep of motor city electronic techno soul on third ear.

sean deason from detroit

raw electro and breakbeats

4 darker house tracks

limited to 200

part 4 of thomas brinkmanns retrospektiv serie limited

denite returs to third ear for this great >green cat ep<

2019 repress !! great package here on the new third ear just after the massive kyle hall >must see< ep. new tracks by mike huckaby, rick wade and rick wilhite (and two mike huckaby reconstructions)!

feeling warm sounds, good one

limited vinyl

music for vinyl!!

4 minimal grooving tracks

limited to 200 copies, this release is the second of the 5 12- from the thomas brinkmann retrospektiv 5xlp box set. the 5 individual 12- will be released through 2018/19. thomas brinkmann is one of the great producers of techno music and modern dance music.

ozel ab follows up releases on lobster theremin and workshop with this highly accomplished genre-busting ep for third ear. ozel ab approached third ear with a selection of tracks for us to consider, which he thought would suit the label. he was not wrong.

techno in the classic british tradition of surgeon, christian vogel, regis to name a few. simply put, beautiful, other-worldly, hypnotic, brilliantly functional. sam watson is virtually unknown outside the freerotation festival cognoscenti, where he is a resident, and his dj sets are legendary. this ep for third ear marks the start of a concerted effort by sam to put his name out there by releasing his tracks. chec

mathias schaffhauser, founder of german label ware records debuts on third ear with a 3 track 12inch. this is big-sky, expansive, driving techno even the beatless version of grad minus 12. mathias schaffhaeusers ware records had a very recognisable sound. it was one of the defining labels of the cologne sound, most associated with kompakt these days. but in the 90s and early 00s, ware was as significant a label, especially for djs. this release is very much a good example of that sound, still sounding fresh and bristling with good energy.

limited to 200 copies, this release is the first of the 5 12- from the thomas brinkmann retrospektiv 5xlp box set. the 5 individual 12- will be released through 2018. thomas brinkmann is one of the great producers of techno music and modern dance music.

ricardo villalobos remixes deardrum from alejandro mosso s album isolation diaries recently released on third ear. villalobos worked up a 40 minute jam from which this is a 9 minute section which moves from a gentle pattering of sounds into a full-on villalobos groove, taught and slinky at the same time, i.e. irresistibly funky. the jam then subsides into chattering noises before the groove begins again. burnt friedman s remix of isolation diaries is a slow burning super funky jam with classic burnt friedman dub elements laced through the track together with the melody twisted and phased. the closing track from the album, mounivers, completes this fine release.

thomas brinkmann is one of the great producers of techno music and modern dance music. he initially gained notoriety in the experimental electronic music and techno community for his full-length variations of material by wolfgang voigt under his mike ink moniker, and richie hawtin. the variations were made by playback of the original artist records on a turntable of brinkmann s design, which has two tone arms with separate outputs for left and right channels. the turntables were then pitched down from 33rpm to 27rpm and the results recorded and mixed. both voigt and hawtin were sufficiently impressed they released the results on their own labels. since then thomas brinkmann has produced some all-time classic dance tracks, many of which are collected here in what is a personal selection by thomas brinkmann himself. there are unreleased tracks, different versions, and tracks that have never been released on vinyl. a full colour 20-page book with track notes by thomas brinkmann and photos from his personal collection is included. limited edition box. highly recommended! ean4050486123461

nice price deal !!!

new talent from detroit. hazmat s infinite silence ep is as deep as they come, and is the first release in a new series of detroit artist releases from third ear. following on from third ear s landmark detroit beatdown series, the new detroit deep series of releases is just that. hazmat has played keyboards for artists such as bilal and mary j blige, as well as detroit legends kenny dixon jr, amp fiddler and delano smith. along the way, he started to make his own beats and his own tracks and is now ready to take things to the next level. he also plays keys with motown legacy artists touring bands, such as the the four tops, the detroit spinners, the gap band. it s not all about the beats and the synths, though. hazmat s work using the talkbox is right up there.

isolation diaries is argentinian producer alejandro mosso s 2nd album. it comes more than ten years after his debut, hiperborea in 2005. he says i think the album is warm, emotive and nostalgic but not dark nor sad. it is percussive and melodic but not laid back and balearic. it is tribal and organic but still very precise, as only electronic music can be. the grooves are strong and infectious and the sounds are rich and satisfying, resulting in music that sounds very organic and unpremeditated. the album is accompanied by a burnt freidman remix of the track isolation diaries, and a ricardo villalobos remix of deardrum.

alex burkat is back on third ear following his arresting debut, the 285 kent ep (3eep-2014_05). his signature sound is on full display here, again. the new ep is harder and faster than the 285 kent ep, more up , for a different time of night. 3am eternal music. many artists strive to sound like someone else. some strive for individuality and some of those succeed. alex burkat is one of those who has succeeded. his music is epic, wide-screen and lush, deep and with plenty of weight.

without artwork cover - only standard cover (see picture)...ltd warehouse / backstock - the midnite ep is the follow up ep to delano smith s sunrise ep on third ear recordings, released at the end of 2008. the sunrise ep was one of the underground house records of 2009, and the midnite ep is set to be one of the underground house records of 2010. both delano and us think the midnite ep is better than sunrise. after the sunrise ep, we decided to do it again and maintain the theme and name the next ep after a moment, a feeling within the dance floor experience. we decided on midnite. once again we have selected four tracks from a selection that delano sent us. you can play these tracks at any time of the day or night, and we encourage you to experiment in this way. however, dropping any of these tracks at midnite will ensure that you, your dance floor and all the people in the room will be set up for the journey. :-) a1: a special kind is constructed in the classic style of filtered samples from another record over a fat (really fat as this is a record made in detroit) kick drum. the samples are from ashford and simpson s stay free from 1979 on warner bros records. it is a sign of a good dance music producer that s/he can take an already great track and turn it into a dance floor bomb. delano has done this with a special kind. 117bpm. a2: dee s gruv is a very deep, very atmospheric groove. a crisp snare, a growling bass, a kick drum of varying intensity though the track framing the vibe, and a subtly modulating chord that goes on forever. hi-hats and ride cymbal move in and out of the track as it ebbs and flows. this kind of deep, grooving suspension of time is becoming a delano smith speciality. 122bpm. b1: the exploration is delano working through the same ideas as he explores in dee s gruv. hitting harder and driving faster than dees gruv, the exploration is a continuation of delano s search for the ultimate deep house groove. all students of electronic dance music should check this.

mike clark, detroit beatdown founder and former ur operative agent x, gives some love to weather report s wonderful river people. there are two versions on this translucent green 12inch. the beatdown rework and the house mix. both are stone-cold bombs. jaco pastorius awesome bass line and joe zawinul s cascading synths primed for the dance floor. mike has done an amazing job on a modern jazz classic. don t sleep on this. vinyl only. limited to 500.

techno from a new argentine producer. 4 cuts of grooves and moods for the heads and deeper dance floors. the 4th cut releasing ourselves shows luis luchetti to be willing to push the boundaries of a dance track in ways few producers could or would. when your smile reaches me is emotive techno of the highest order.

dj t-1000 drops 4 classic hard-edged cuts of pure detroit techno on third ear. born and raised in detroit and based in berlin dj t-1000 is alan oldham, owner of detroit labels generator and pure sonik, and a gifted techno dj. also an accomplished graphic illustrator, known globally for his iconic artwork for djax-up-beats, +8 records, transmat, astralwerks and many other electronic music labels, including third ear. alan did the artwork for the defenders of the deep house world ep curated by mike huckaby, and he has done the artwork for his third ear ep also.

following 2014 s well received album for third ear under his :brownstudy alias, life well lived , jason hogans steps away from the mic to focus on an lp of flawless instrumentals. returning to production under his own name for the first time since carl craig s planet e label released his album peter and the rooster in 1998, the age of scrap belies its title to instead deliver a forward thinking record rooted in classic detroit, fused with futurist sonics and dope beats. hogans seamlessly combines strains of house, jazz and hip hop, as well as the futurist bass pioneered by the likes of la s brainfeeder collective, throughout seven perfectly formed musical excursions. tip.

nice price deal !!! we need to say something about how the ep came about. why all the ngtv nrg? and how is it that pirahnahead has suddenly come with a full hand of top notch in your face techno when we all know him as one of the best soulful vocal house producers? the answer is in the tracks...

amir alexander on third ear. blazing. mastered by pole. limited to 300.

persian ahu karimi is a berlin resident. he began his musical exploits in a punk band in tehran but time and space and inertia have distilled his music into a rare spiritual essence, with a delicacy and evanescence like memory. the five tracks here have a gauze like quality.

debut release for ra journalist dan petry using the moniker ged. the dry river ep is an accomplished first outing that fans of drexciya, dave clarke and objekt should investigate. ged s sound is rooted in detroit electro, early rave, 90s warp sensibilities and the gorgeous electronica palettes of manchester s skam label, most notable on early boards of canada and bola s work. that is to say kicking drums, dark brooding undercurrents and delicious soundscapes. definitely worth checking.

"benjamin brunn s follow up to his highly regarded a sun life album on third ear. the plastic album is, like it s predecessor once again bursting with fat, glistening, gorgeous sounds. brunn s sound is instantly recognizable; the nord modular synth and roland 808 which feature on all his performances. yet, he s sounding as fresh, as enigmatic and as soulful as ever."

filippo blasi foglietti returns to third ear for his second release, the copy principle, following his well-received debut, the john nixon memorial ep. djs, notably ellen allien and peter van hoesen, and many others continue to play this deep and trippy record. the copy principle is a more urgent, more stripped back proposition than john nixon memorial ep, but is identifiably filippo blasi foglietti, at his deep and trippy best. the copy principle is one of scottish philosopher david humes best known ideas. hume (born 1711, died 1776) states that our ideas come from our impressions. he wrote, all our simple ideas in their first appearance are derivd from simple impressions, which are correspondent to them, and which they exactly represent

-it s very direct, danceable club music, anchored stylistically between electro, techno and industrial/newwave, strongly influenced by 80s acts liaisons dangereuses, ch bb, sporadically, daf and the consumed /concept period of richie hawtin.- is how hanno

brendon moeller returns to third ear after some years, following up his lauded jazz junk safari trilogy of eps with 4 peak time bombs. all 4 tracks blow up the dance floor. brendon moeller known for his sound design, has taken his sonics to extremes on all four tracks, pushing, twisting and teasing frequencies to the limit. the bass on all tracks is phenomenal. it s just as well that a master engineer like pole has mastered these tracks, maxing out the sound yet protecting the sound systems that these bombs will be played on. super fun.

nice to look... environmentally friendly produced cotton t-shirts, good quality (100percent cotton)

nice to look... environmentally friendly produced cotton t-shirts, good quality (100percent cotton)

nice to look... environmentally friendly produced cotton t-shirts, good quality (100percent cotton)