2022 repress on heavyweight 180 gram vinyl, housed in a generic sleeve.

2022 repress on 180 gram vinyl.

finally the full release of mathew jonson and freedom engine on the nothing special. pressed on 180 gram vinyl, housed in artwork sleeve.

new album from calibre on triple 180 gram vinyl.

2021 repress on heavyweight 180 gram vinyl, housed in a generic sleeve.

well deserved repress of calibre’s 2016 album “grow”. pressed on 180 gram 4x12 inch vinyl, housed in a gatefold sleeve with artwork from tns label head craig richards.

new calibre 4 track ep on craig richards’ the nothing special label, that plays with breakbeat garage, house and dubstep.

jonny rock a familiar face on the london house and disco scenes is recognized by many for working behind the counter at phonica records & blackmarket records during the 00s and as the dude for playing the guitar in freaks project. rock skillfully joins the dots between the old school house, underground disco and boogie vibes in a party setting.

one sided limited vinyl release: trippy, psychedelic electro-techno romp encouraging dance-floor ruckus and scrambled minds. complete with all manner of bleeps, voice manipulation and otherworldly sound effects.

somewhere between extraterrestrial techno and intergalactic disco lies oli silva. a waveform of multi-dimensional energy filled with analog heart and electric soul. his first outing finds him land his spaceship directly on craig richards the nothing special, with the genre bending unlikely punctuality ep.

craig richards 2013 track sleeping rough is finally repressed alongside two new mixes on the flip side b1: trying to sleep remix and b2: trying not to sleep remix.

“sometimes life can kick you in the nads”, says dominick martin (aka calibre). “when life does do that, i need to make music like this. with its tones of hope and gospel-level layers of self-recorded vocals. raw, uplifting, soulfull...” even to the most ardent of calibre follower, “grow” sounds like nothing else he’s done before. yet it’s not actually on the album it gave a name to. partly because its ultimately positive veneer (even though it was written in the midst of two toxic relationships - one personal, one with the bottle) doesn’t quite complement the deeper, more contemplative aesthetic of the album. but also because this is the start of a whole new story for calibre...

the nothing special releases 014 & 017 by tim wright, bundled up for a special price.

calibre’s new album “grow” for craig richard’s label the nothing special.
12 tracks pressed over 4 pieces of 12 inch 180 gram vinyl presented in gatefold sleeve.
all music written and produced by calibre. all artwork by craig richards.
mastered by lewis hopkin at star delta mastering.

three releases from dbridge & radioactive man aka dbrm on the nothing special label - all bundled up for one special price!

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards the nothing special label.

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards’ the nothing special label.

tim wrights *cant stop* from tns014 reworked by schatrax (aka josh brent), vromm and craig richards.

vinyl: 180 gram
drawings by: craig richards
mastering by: beau thomas
dj support from seth troller, neville watson, tim sweeny, doc martin, subb-an, slam, tensnake, ewan pearson ...

music by tim wright
drawings by: craig richards
mastering by: beau thomas
vinyl: 180 gram

at the 2014 sxsw festival in austin, texas, bacardi turned the movements of 100.000 wild bats into an exclusive music track. using bespoke motion tracking technology, the team used the swarming of the bats to trigger unique beats and mix the tracks tone and tempo as they flew. this limited vinyl pressing of 200 copies on 180 gram vinyl features three craig richards remixs of that track

chewed up and spat out the other side of the uks acid house scene, neville watson was bitten hard by the house music bug and has not looked back since. his brand of deep, raw and jacking house has been released on labels like clone, dissident, rush hour and creme organisation. neville says: i kind of like music that sounds like it is all about to start falling apart at any given moment. there is plenty of clean music that i do like but as a rule i like it rough.
pressing on heavyweight 180 gram vinyl with sleeve drawing by craig richards.

three brilliant electro tracks by dbrm aka dbridge and radioactive man. sleeve drawings by craig richards.

fresh music by trevino and drawings by craig richards

music by dominick martin, drawings by craig richards. limited to 300 vinyl pressing. dj support from: dj zinc, t++, mistajam, skream, jamie hypercolor, soulclap, a sagittariun, flight, spectrasoul, klaus fiehe om unit, dj marky, joszif.

music & drawings by craig richards.

trevino is the name marcus intalex has adopted for his ventures into house and techno productions. trevino music has been receiving heavy praise and support from top players in the 120-130bpm electronic music scene including scuba, oneman, loefah, & alexander nut. following his first releases for martyns 3024 label and naked lunch, this is his debut release for craig richards label.

after the success of the nothing special events a label of the same name begins. the events so far have been held at fabric of course and new york. the concept is simply that craig plays all night around live acts. previous guests have been pole, deadbeat, moritz von oswald trio, emperor machine, convextion, dopplereffekt. 2652, shackleton and conforce. the depth of craigs musical knowledge as a dj provides a sense of structure to the parties. the nothing special in weekly radio show format commences imminently. first release is by radionasty - the combined force of billy nasty and keith tenniswood.

calibreÕs new album - grow for craig richardÕs label the nothing special.
12 tracks on a limited edition cd.
all music written and produced by calibre. all artwork by craig richards.
mastered by lewis hopkin at star delta mastering.

wiederveröffentlichung der the specials-singles-compilation mit allen hit-singles der 80s ska-revival legende, wie u. a. gangsters, a message to you rudy, too much too young, ghost town u. v.m.

to accompany the release of especial s compilation mix cd, -eleccio- - offering of a snapshot of the first 9 eps on the label - a limited edition sampler ep is being released featuring 4 unreleased remixes from the label s roster to date. ever since the first white labels appeared at the end of summer 2013, emotional especial has had a busy release schedule, putting out music that are a slightly warped take on club music. mixing the influences of dub, electro, disco, proto-house, house and techno, a feeling, a sound, a vibe has appeared without any preordained plan. with the release of ees10cd - a dj meets studio compilation mix created by label mainstay and handyman, jamie paton - to mark the end of first series of the label, it was decided to included a couple of specal unreleased remixes to add a bit of new with the old in the mix. to that end this limited edition vinyl sampler was created to include the two remixes, plus the inclusion of another two gems that simply needed to see the light of day. first is the alternative -member- remix of inhalt by black merlin - a strings meets leather bar club-dub-out that takes things deeper and darker than before. this is followed by jamie delivering his own take of khidja s massive mustafa, with a warped, swamped out dub. next is another mix from cage & aviary of their pals, blancemange. brooding low-slung rerub dub anyone? finally there is a very special remix by khidja of the ganges orchestra. reissued on emotional rescue in 2013, this special remix takes the vocal mantra of the original and creates a balearic-raga tale that perfectly rounds off especial to date.

new longplayer from chicago based soul band fat night on limited double vinyl, housed in a gatefold sleeve.

vinyl edition featuring new art! features guest verses from cormega, n. o. r. e. , meyhem lauren, freddie gibbs, and more plus guest production from alchemist, dj premier, pete rock, and more

includes rhythmetic15 & a mysterious one sided vinyl (rhywhite01).

rhythmetic releases #13, 14 & 15 all bundled up for one special price!

following their acclaimed debut album, migration, on prins thomas internasjonal label in 2012, jamie paton and nigel hoyle (aka nigel of bermondsey) have seemed relatively quiet save for the odd remix here and there. tucked away deep in their south east london base though, a series of remixes and solo projects have been steadily forming. with new c&a material planned for 2014, plus more to come from jamies new solo efforts, as well as nigel making a long overdue reappearance in maurice & charles, now seems the right time to draw a line under their collective work to date. here then are a collection of unreleased interpretatons, including the sought after vocal remix of psychedlic darlings, in goats anthemic run to your mama. this is followed by a late night dub of 80s pop duo blancmange that mixes strings, guitar and some dub bass with a dose of space echo before bringing neil arthur s classicly recognisable refrain shining through. to finish is a remix of goats label mates teeth of the sea. fx-soundtrack vocal, bubbling 303 and 808 combine on a proper 3am dub that builds beyond some mere drug-chug.

mysterious restock from 2000 !! 4 track ep with his cool detroit like techno

limited 30th anniversary edition of the notwistÕs debut album.

lopatin aka oneohtrix point never

lopatin aka oneohtrix point never

a collection of 14 classic duets from marvin gaye.

strut’s acclaimed series of south african music stops in at 1975 to 1985 when the township jive / mbaqanga sound had begun to embrace soul and post-punk and a slew of rock bands following the huge success of homegrown heroes harari. hidden classics from the movers, elias maluleke, kabasa and many more.
180 gram 2x12 lp in gatefold sleeve with cd-copy included.

ob mit monsterproduktionen auf seinem eigenen label boysnoize records oder mit sensationellen dj-gigs vor tausenden tobenden fans, ob mit remixes fuer depeche mode und daft punk oder mit kooperationen mit kŸnstlern wie snoop dogg und chilly gonzalez, boys noize hat sich einen legendenstatus erarbeitet und steht heute mit an der spitze der weltweit besten djs/produzenten. sein fabric-set aus ueberdrehtem techno, turbogeladenem electro und hochenergetischem jackin house ist zugleich lehrstunde und repraesentatives markenzeichen, eine frenetische raveparty aus 70 pulsierenden, schwei§treibenden minuten