detroit electro sound in analogue production style by dip shim.

weird rhythm experiments from jo-i back on heavyweight vinyl.

re-release: released in 1993, the technology ep appeared on the start of a re-establishment of electro music and a beginning for the direct beat label. that would be a constant reminder of where to see aux88 material come to light. -technology- carried the aux88 brand onto radio, mainstream club and dance parties...become a sought after 12- by a band that proclaimed its sound as electro/techno . the techno bass mix is the original track, (now for the first time available) rhythm mix is a different animal on its own... within the track you can hear the growth of what would become the sound of emerging aliases in years to come and the use of distinct voices/vocals. with both versions from the original studio recordings in 1993, listeners will be treated to a major bonus point in the birth of the aux quadrant of projects to come. designed for a well-deserved space on the global dance floor.

nice price deal !!! pop influenced old school electro

after an italian-artists-only policy in 2016, un.t.o. goes international with its 6th release presenting the amsterdam-based producer jack roland. this one cuts a line between rough and ready electro and cutting edge techno.

how to make sense of a window aka hrdvsion & lee van dowski ! the 2 hottest producers of the moment jam together in a virtual studio over the ocean , lee pressureful minimal tek vs. nathan post technoid feeling . complex rhythms structures ,spaced out synths, weirds bleeps , all you need to get high after the after party .

pressed on 180 g vinyl, comes with full picture sleeve

vinyl only

dreamy and glimmering electronics from braintalk.

limited blue vinyl edition

nice price deal !!!

veteran uk producer/dj paul macs debut release for art shows his remarkable versatility and meticulous production skills. odd things amount to nothing is very much a modern techno wall-shaker. it’s incessant drones and wails ride upon a wave of relentless beats. the track pauses to catch its breath after a tremendous build before once again going clattering down the rails. the flipside is the track that original caught label-owner and a&r kirk degiorgios ear - a modern take on the classic chicago/detroit hybrid sound of the late-eighties, brought up-to-date with a crisp sound

steve tang & m dreams are on a roll, with wax dropping hot & thick, on steel. tang represents a retro-futurist vision of post-acid chicago house, all made with vintage tech & dripping with machine soul.

mystery metal

ltd 140g crystal clear vinyl, debossed cover sleeve, comes with insert sheet

must have for fans

house & techhouse

recovered from dat tapes

stay up forever records back on it! the entrepreneurs vs. trip hazard. banging! do you like drugs? repress on orange coloured 180 gram vinyl.

vinyl only

ambient/new age

limited repress of 500 copies in oversized gatefold sleeve!

no artwork-cover! plant43 is releasing his next album, scars of intransigence, on shipwrec in autumn 2014.

ltd coloured repress! plant43 is releasing his next album, scars of intransigence, on shipwrec in autumn 2014.

part 4 of the machine funk series by cygnus.

limited edition of 500 copies. new beat goodies from boy records.

limited repress

rubadub welcomes gosub s isophlux label. first up is a much needed repress of gosub s classic the future is enslaved which was originally released on glasgow s point.one recordings.

ako beatz is happy to have dj future deliver a serious 4 track ep. dj future pulls no punches on this release and also teams up with eric electric.

this electro release from the umx label brings you this time a variation of tracks a1 is a powerfull electro release with some oldskool hardcore sounds a2 is a more intelligent electro mix on the b side the b1 version is a great track wich leans more to the techno site but with electro influence and the b2 track is a more traditional electro track like you expect from ocitin .

** vinyl only ** for the 20th installment on ptx we invited our long time friends and studio neighbors martyné, jacob and bodin to bring some woscht aufs brot. we called, they delivered. get ready for this uncompromising double a-sider from offenbachs anti-bach department

great variaous artists ep incl tracks from pawas, blm and ethyl & flori , deep groovin house

following up the well received >relapse ep< on machining dreams, dj/producer steven tang presents >mmmmmusic< under his obsolete music technology moniker. the 4-track, 12 inch vinyl single focuses in on melody, which has become the signature sound and of his label, emphasis. upon first listen of the main title track, you will hear a driving tr-808 drum intro, then lush, emotive pads and strings comes in over the top to give the listener that emotional hook. setting off the track is the funky synth bass voice sounding , >mmmmmusic!< backing the title track is the stripped down >reprise version< and >chicago skyways pay toll mix<, where the synth bass voice is extracted and cut up into skyways frenetic drum programming style reminiscent of steve poindexters >work that motherfucker<. also includes the track, >distance.<

after releasing his heavens ep, chicago skyway is back on mos deep with another epic release, ranging from melodic deepness to wild-jackin dance floor-madness. check! the lager ep kicks off with bad driver, a raw and solid chicago-banger with an irresistible driving bass-line, rattling beats and atmospheric strings. for lager nord on the flipside chicago skyway teams up with his compadre dcook, delivering an emotional and dreamy classical detroit techno influenced track. lager is reworked by steven tang, another rising star in chicagos contemporary electronic-music scene, known for his obsolete technology imprint and his verged sessions on aestatic audio. stevens obsolete technology remix focuses on lush orchestrated strings and deep synths flowing over a massive foundation of thumping beats

played by karotte !!! with his newest ep on wagon repair (ghosts in the ai - wag058), mathew jonson looks to both the past and future to create a stunning release. track 1 - ghosts in the ai - is the first solo production that was made in wagon repairs new berlin studios. finally, in a real place to work, and with a lot of new gear to play with, mathew focuses on evoking both the future and technology to wonderful affect. track 2 - technology - comes from mathews past as it was created around the same time as tracks like octagon came out on iiwii. originally, it was going to be the first cut on his debut album that he was planning to release. on the day that mathew was looking for a b-side track for the ghosts in the ai ep, his brother, nathan (hrdvsion), played it over the phone asking him why he had not released it, as it was one of nathans favourites. it worked much better than the other track that was going to be on here so thanks, hrdvsion. track 3 - the alchemist - comes from mathews involvement this summer producing the music score for the old classic silent film faust, which was screened, complete with cobblestone jazz playing the score live, at the 2009 timewarp festival. the alchemist was written for the scene when faust is working in his laboratory then walks out into the snow to summon the devil to help with his work. a fitting piece indeed!

ep002 hosts fresh new material from the labels head, sync 24, the debut release for matt whitehead, an appearance from pyramid transmissions well respected label owner adj and the brighton based acid maestro junq. chunky analogue basslines accompanied with some great electronics

ltd re-press - early 90s carl craig detroit classic

new yorks dj spider with a strong triple header of percussive, dubby techno.

dj dkline & red polo with 3 hip hop flavoured booty breaks edits

classic gosub electro trax with low slung, modulated bass lines, off key pads and metallic percussion styles.. all tracks produced live using strictly ancient electrode technology

at the time of its original release in 1993, detroit techno producer carl craig was known mostly to a small circle of collectors in europe. his early releases on transmat and fragile had become cult classics on the techno underground. these were followed by a series of stunning releases on his co-owned retroactive label. 1993 saw carl launch his planet e label and he released an ep by 69 followed by an ep of material by art owner kirk degiorgio (future/past) and ed handley of the black dog (balil). it return it was agreed carl would record an ep for art - which became art 3. the new recordings included a dance floor stomper - >chicken noodle soup< and typically moody down-tempo grower >how the west was won< and an ambient end-piece >sleep<...

cd digipack with booklet

original 90s jungle and drum & bass

previously unreleased tracks

ltd to 2000