volume 2 in trax new re-issue series chicago trax, delves deeper into the archives to unearth more lost tracks from the legendary chicago house label.

pop will eat itself (they took the name from a feature in the nme) was formed in 1986 and became one of the most well-known grebo-acts before changing their style to alternative dance and industrial rock. in 1996 they disbanded the group and each of the bandmembers concentrated on solo projects before shortly reforming the band in 2005 to play some shows. these gigs were notable from their instant double live albums which were available only ten minutes after the gigs. in july 2011, graham crabb announced a new line-up with him as the only original member.
>new noise designed by a sadist< is the first release with new pwei-material since 1994.

2008 electrohouse rework of gloria gaynors all time classic!!

third album from british americana quartet the wandering hearts.

this is a crucial release for fans of locust and mark van hoen and is finally available on lp for the first time. presented on high-quality 160gram classic vinyl featuring original reproduction front cover artwork.

incl famous xmas songs like driving home for christmas & let it snow !

rock

80s disco and soul nuggets

hip hop instrumentals

lp, second album from faada freddy

koudlam returns to civilization with “precipice fantasy”.

eternal blue coloured vinyl.

incl her 80s no.1 world hit self control !

incl lauras no.1 hit self control ! 1984 album back on coloured vinyl !

hip hop

finely selected, wide range of 11 tracks form a full journey that embodies the prolific duo’s vibrant past decade. the doctrine-like title encourages listeners to introspect and challenge themselves. white double vinyl in gatefold sleeve with download code included.

light self all others emerged from a wealth of material collected over the period from 2019-2021

new release on non series white. this time by the dutch artist stefan vincent.

suprise drop from pinkman. only 100 copies

original motion picture soundtrack from the 1974 movie “foxy brown” back on vinyl.

neun grammy-awards, mehr als 50 millionen verkaufte platten und acht alben, die sich allesamt in den top 10 der us-charts platzieren konnten – sheryl crow gehört seit fast 25 jahren zu den absoluten stars der amerikanischen rockwelt.
ihr geheimrezept? sie ist seit jeher vor allem eins: sie selbst. »be myself« lautet der bezeichnende titel ihres neuen albums.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities.

second release on lan comes from willis himself. delivering three cuts of peaktime ordnance, the bordeaux native shows just why he was picked up by nous disques for a split ep alongside berceuse heroique. immersive opener ›expecting myself‹ juxtaposes waif-like electronics against the lo-fi percussive elements. gradually unfurling as the track progresses, the undulating synth swells coax the listener in while the punchy framework bumps along underneath.

the anonymous man power makes his debut on throne of blood with the labels first release in 2015. closely affiliated with jennifer cardinis correspondant records, hes been making waves across the underground over the past couple years with remixes and releases on labels including hivern discs, eskimo records, ene, infiné, rothmans, and is it balearic? with a debut lp in the can for correspondant and 12inches due on voyeurhythm, renate schalplatten, and discos capablanca, this unknown producer and dj is definitely one to keep an eye on in 2015.

parrish smith s debut of dystopic forbidding sets the tone of this label s impressive first release with a superb stark, acid ridden slab of body music. helena hauff adds to the proceedings with her remix of pankows >das vodkalied< taking no prisoners and using heavy percussion in contrast to a wonderfully tense set of arpeggiations, which all descend into skull crushing pressure. carrying over to the flip side are pankow, pioneers of the italian industrial/ebm scene, with two tracks from their legendary first tape -throw out rite- from 1983. with das vodkalied disembodied vocals are cut up and come from every direction driven by a raw, off-kilter energy and pounding beat. i m food for you cranks up the drive and anxiety to create a killer track based around stark arpeggiation. last of all, perseus traxx provides an acidic stripped down venting of frustrations which he spits out with vehemence.

self defence, a new label operating between catania/sicily and cologne/germany run by alessandro vaccaro and andy vaz proudly debuts with its first release.
on sdf-001 presenting eddie zarooks >nobody cares ep<, with remixes by lopaaz & don williams. eddiesown original mix opens understatedly, peppering its snappy low-end pulse and hovering synth chord with dub touches, before picking up the pace and activity level. subtle percussive and chordal accents appear from all corners and gradually accumulate until the track becomes a more forceful exercise in superb tech-house.

great darker influenced electro tech remixes by mick wills (gigolo), heinrich dressel, feedback and c34 vs andreas herz

released across 2 separately packaged 12s, feeling free could be the closest thing to a summer anthem that soul music has had in quite a while !! hoop , whose soulclap updates of 90s hip-hop classics have garnered praise and plays from all angles, has worked his sample-adelic magic using jazz pianos and horns to bring fresh harmonies to an already musically rich work. coming across like a drum heavy quantic, this mix is one for the beat heads, as is its flip-side partner, which is delivered by natural self , (breakin bread /tru thoughts). as usual his drums are raw, his bass looms large and the authentic live funk feel is kept alive and heavily kicking