3cd, 24pp booklet, gatefold sleeve

slamming remixes !!

ltd coloured repress

nycs legendary sam records dropped the mysteriously named k.i.d.s dont stop- in 1981. it has it all trancey arpeggios, vocoders & vocals trading off with each other, brass & some heavyweight disco drums that helped propel it forth into the hallowed category of club classic. the record perfectly suited the open minds and open ears of discerning disc jocks in locales such as new york and chicago where this sublime piece of electronic disco sleaze would get plenty burn on the city s infamous wbmx thus having a huge impact, along with a whole host of other similar records, on the burgeoning house scene that was germinating in the fertile mid western soil. b-side cut do it again is a pleasant enough early 80 s disco jam, but compared to the futuristic burner that is dont stop on the other side theres one clear winner. a must have for all cosmic, disco, funk aficionados. now made available again, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

2021 repress , red vinyl, absolutely seminal danny krivit re-edit of garys gang * lets lovedance tonight*! originally released on nurvous records a decade ago this finally sees the light of day again... original 12 inches go for $100 each on some marketplaces. re mastered for 2016 and released in conjunction with the original sam records.

red vinyl repress - another slamming post-disco number from the early 80s lifted from the legendary sam records vaults. this beat is mine has always been a big one, a boogie classic (featured in sean ps indispensable -boogie essentials list) and a sure fire party starter on any self respecting dance-floor! produced by gary r. turnier (of gary s gang fame) and andre booth (of northend, b.b.c.s. & a fame) the funk is definitely a factor on this cut! as if the original 1981 cut wasn t dope enough, boston mixtape, digging and edits king kon (of kon & amir, on track) got his hands on the reels and turned in a storming, respectful reworking for all you dj s out there who want that extra bomb factor in the booth! as usual with kon s edits this one packs a serious punch and this limited 12inch repress is a bonafide essential to have in your bag! don t snooze on this classic, now made available again, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

red vinyl repress reissue

ltd 7 inch - with danny krivit edits

with its lush live string and horn section, can’t stop loving you when originally released in 1990 was an immediate favorite in the uk, and represented famed house producer marshall jefferson’s movement toward utilizing live instrumentation in his productions. the track was released right around the time the kiss fm london launched as a legal radio station, and richard was support talent at the radio station launch party in hyde park london that was headlined by fellow chicagoans ten city.
the track also represented one of the last releases on the relaunched sam records imprint, before michael weiss ceased releasing new titles on sam and started nervous records.
krystal klear has shown a unique ability to recognize sonic elements trends from past eras, and re-shape them to work for today’s club crowds. with his two versions, he has done a masterful job remixing this early 90’s dance classic.

-gefährliche liebschaften- ist eine italienisch-französische verfilmung mit jeanne moreau in der hauptrolle. regie führte roger vadim, der zu dieser zeit nicht zuletzt wegen seiner geendeten ehe mit brigitte bardot in den schlagzeilen war. dessen idee war

another stone cold ny club jam from the archives of the legendary sam records label. feel alright does exactly as the title suggests! pure early 80s electronic disco joy for packed, sweaty dance-floors. not much is known about komiko, an undercover studio outfit that featured guest vocals from carol williams, tracey weber & vicky d and was produced by the criminally underrated darryl payne (who manned the boards for sinnamon, sharon redd, carol williams, nv & many more) but it s okay, as this - their sole release, more than makes up for it! a true boogie classic indeed feel alright was a huge club record that got spin from the garage to the streets of london. if you re into that sparse, electronic and funky early 80 s boogie / electro disco sound then you wont be disappointed with this one. a guaranteed floor-filler of the highest calibre! reissued in conjunction with sam records, new york city. fully remastered with all original 1981 label artwork intact. file under - essential disco

repress !!absolutely flawless boogie sounds on nycs sam records from 1982, greg henderson s -dreamin- was licensed from the tiny rain records label and no doubt gained some invaluable exposure to the early 80s post disco club scene that was in full swing at that time. breezy, soulful, sweet and most importantly of all funky, dreamin is an absolute pleasure to the ears. greg henderson only released a handful of records during his career (including the incredible henderson & whitfield - dancing to the beat) and was also involved in the production of some other classic boogie rarities (masterforce -dont fight the feeling, rome jeffries good love).dreamin has always been a sought after record, often fetching collectors prices of £100 - £200 a time. a sublime cut for all lovers of disco, boogie, funk and modern soul. now made available again, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

a boogie classic from 81 on the legendary sam label out of new york city! k.i.d. is the production pseudonym of british library record stalwart and munich machine member geoff bastow. bastow s career has been an extremely colourful one seeing him work with various artists including amanda lear, elton john, donna summer and la bionda amongst many others. -hupendi muziki wangu?- is swahili for -you don t like my music?- and the track has long been a classic with underground disco/boogie aficionados for many years and has been a staple in the record bags of many legendary jocks since it s release 35+ years ago. on the flipside we are treated to -it s hot-, another sleek cut of early 80 s boogie perfection aimed squarely at the dancers. truthfully though, the a-side steals here the show here, take a listen - you ll see what we mean! reissued in conjunction with sam records, new york city. fully remastered with all original 1981 label artwork intact. file under - *essential disco*

paradise garage anthem “let’s do it” by convertion with remixes by krystal klear to be released on original sam records label. 12” vinyl released on september 9, 2016 let’s do it by convertion was originally released in 1981 on sam records, and featured production by greg carmichael and vocals by leroy burgess. upon release this song immediately went into heavy rotation for larry levan at the paradise garage and for frankie crocker, then the number one rated disco jockey on new york city’s number 1 ranked radio station wbls. over the years it has become a staple of classic disco playlists worldwide. now remixed as a peak hour tune for today’s dancefloor, this 12” release includes two mixes produced by dec lennon p/k/a/ krystal klear. a dublin native and red bull music academy alumni, klear has made a steady rise to become one of the freshest new faces in music that both has the chops to destroy underground dance floors with his deep crate of records or spin out polished productions in the studio with legends like nile rodgers. klear’s musical accolades can be conveyed through his singles “tried for your love” that was championed by bbc r1 dj benji b for 13 weeks in a row, and “addiction” which has helped solidify main stage at top tier events such as sonar, fabric, space ibiza, and the famed panorama bar.

nycs legendary sam records dropped the mysteriously named k.i.d.s dont stop- in 1981. it has it all trancey arpeggios, vocoders & vocals trading off with each other, brass & some heavyweight disco drums that helped propel it forth into the hallowed category of club classic. the record perfectly suited the open minds and open ears of discerning disc jocks in locales such as new york and chicago where this sublime piece of electronic disco sleaze would get plenty burn on the city s infamous wbmx thus having a huge impact, along with a whole host of other similar records, on the burgeoning house scene that was germinating in the fertile mid western soil. b-side cut do it again is a pleasant enough early 80 s disco jam, but compared to the futuristic burner that is dont stop on the other side theres one clear winner. a must have for all cosmic, disco, funk aficionados. now made available again, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

killer 1975 gospel version of marlena shaws 1969 sister soul standard, a deep, socially conscious 45 asking some heavy questions about ghetto life set against a beautifully arranged, string heavy backdrop of low slung funk. a truly sought after rare groove, produced by the uks john abbey, the man who set up the legendary blues & soul magazine as well as the contempo, mojo and ichiban labels who worked with countless soul and funk artists throughout his lengthly career. quite tough to track down on 45, woman of the ghetto is now available again, dug out from the mighty sam records catalogue, the first release in their impressive discography now made available again on dinked 45 as it was presented in 1975, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

another slamming post-disco number from the early 80s lifted from the legendary sam records vaults. this beat is mine has always been a big one, a boogie classic (featured in sean ps indispensable -boogie essentials list) and a sure fire party starter on any self respecting dance-floor! produced by gary r. turnier (of gary s gang fame) and andre booth (of northend, b.b.c.s. & a fame) the funk is definitely a factor on this cut! as if the original 1981 cut wasn t dope enough, boston mixtape, digging and edits king kon (of kon & amir, on track) got his hands on the reels and turned in a storming, respectful reworking for all you dj s out there who want that extra bomb factor in the booth! as usual with kon s edits this one packs a serious punch and this limited 12inch repress is a bonafide essential to have in your bag! don t snooze on this classic, now made available again, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

absolutely seminal danny krivit re-edit of garys gang * lets lovedance tonight*! originally released on nurvous records a decade ago this finally sees the light of day again... original 12 inches go for $100 each on some marketplaces. re mastered for 2016 and released in conjunction with the original sam records.

brill disco edits from todd terje & jacques renault, andy ash, bonar bradberry - 2016 repress

sources is a brand new series which will examine the output of a number of extremely influential independent u.s. labels throughout the 1970s, 1980s and 1990s. in an age where corporate anonymity reigns supreme and music is being treated like aural wallpaper, the sources series will go back to a time when record labels really meant something via their a&r policies, their ground-breaking releases, their everyday modus-operandi and their general philosophies

just over a year ago, in july 2011, harmless records released their first installment in their new mixology series, releasing mixology-the definitive salsoul mixes. this triple album featured thirty-one tracks from discos premier label, salsoul. now the mixology series will return on 20th august 2012, with harmless records turning their attention to another of disco’s most important labels sam records.

the reasons of the space probes blackout are still unknown. sharp and synchronised movements revealed mysterious devices and something started to pulse in the cloudy air, followed by upbeat sonic layers. i thought i was listening to a new, indecipherable, form of language. at the same time, without any friction, the nature of the emission changed again into a sort of weaving of sonic textures twisting all around me, fast and shifty. the only evidence of the facts i just reported is what i leave for you to listen to.

dj support: danny howard, annie mac, mistajam, pete tong, charlie hedges, kraak & smaak

mastered by sven weisemann

dj support from danny howard, annie mac, mistajam, pete tong, charlie hedges, kraak & smaak, maxinne, todd terry, alex preston, full intention, gw harrison

south korea various artists remix/edit from some korean stuff

limited pressing on red/black & orange/black marbled double vinyl in gatefold sleeve with official key art from the game.

rant & rave welcomes samantha togni.