deep techno 12inch with 7 tracks!

in 1996 the schwerin hardcore-posse started their party series arounddoomsday in the busch club in schwerin, germany. a few years later the djs and producers milo, andi & lonely freek lived their techno-gabber parties in the most famous clubs of the republic and released 6 vinyl releases internationally under their label of the same name doomsday records from 2002 to 2008. untergrund ist untergrund is the last vinyl pressing of the guys with a clear message beyond the mainstream.

a must ! funky futuristic ep. housy grooves, bridging music, quantum physics and bits of philosophies under one entity. opening the a side with a swinging quantum irresistible dubby tune, following up on the b side with bouncy basslines and warm vibes. another future classic on rund supported by the cabinet crew

limited pressing on white vinyl.

regular pressing on black vinyl.

you seek shelter in the dreams that would break your life if they were real. and because you cannot live your dreams, you dream of me, make me your phantasy. at some point, you will seek shelter back in reality because you cannot stand your dreams. and what you dreamt of last night will be todays bitter reality. i am real and i can stand it.

part 2 of 3

dys functional electronic music is a compilation release from repitch recordings, celebrating the label’s first five years. its ambivalent title aims to represent the sonic behaviour of its content, often deviating from norms or distancing itself from common club functionalism. for this release, the 3 repitch masterminds ascion, d. carbone and shapednoise are joined by a selection of the artists who contributed shaping the repitch sound throughout the years, along with guests that inspired them in this adventure. during the past 5 years the main focus of the label was to set up a platform for experimentations across the dancefloor canon, establishing a standout musical identity. a spirit that resonates within each artist’s personal approach: from ascion’s dark breakbeats to the exaltics and and’s acid frontalism, shapednoise’s brooding noise, sote’s fractured rave, d. carbone and gaja’s intrusions into melody, pinch and the zenker brothers’ dub-infused atmospherics, skudge’s love of gloom and nuel’s idm-ish minimalism