incl woolfy version, tip!

acid infused techno from steve parker, remixed by jp enfant and saumeth.

das debütalbum des belgischen produzenten und des vastechoses-labels honcho, das für eine weile in den hintergrund gedrängt wurde, hätte zu keinem günstigeren zeitpunkt herauskommen können. entsprechend dem wahnsinn, den wir alle in uns selbst vergraben haben, klingt degenerate brain so, als ob es von künstlicher intelligenz in den händen von psychischen störungen und paranoia aufgezeichnet und korrumpiert wurde.

luke viberts first wagon christ album since 2011..

dies ist die erste vinyl veröffentlichung der inzwischen aufgelösten pariser formation none, die abgesehen von einem verstohlenen bandauftritt nur sehr wenige spuren ihrer aufnahmen hinterlassen hat. sie bleiben ihrem namen treu, indem sie die intensität ihrer live-auftritte konventionellen klangfixierungen vorziehen. obwohl nach der auflösung der band im jahr 2019 nur noch eine einzige aufnahme übrig war, ist der seltsam betitelte khneï khneï thnacapata thnacapata eine überzeugende demonstration der selbstbeherrschung und eines der wenigen relikte, die der kurzlebigen gruppe noch zu schätzen wissen.

hand-numbered purple vinyl 12inch in spray-painted sleeve limited to 200 copies (comes in different coloured sleeve, we cannot guarantee which one you will receive)

längst überfällig, aber hier kommt air lqds erster full-length-player.

incl rv800, havantepe mixes

die vierköpfige formation stammt ursprünglich aus brüssel hat sich mittlerweile aber in marseille, frankreich niedergelassen, wo sie auch iher cyber-gothic stücke produzieren.

&#8203,,&#8203,,introducing paris-based contemporary sculptor and music maker erwan sene joining the exponential unknown precept roster. gathering pieces thought of as little narratives for his debut release, not without a bit french irony around the concept of work, i heard you laughing wavers towards mechanical repetition and something more outdated at times. purposely slowing down the tempo to fit the apparent redundancy of an industrial environment and its steadily running engines. an eroded atmosphere of sorts, analogous to the smokestacks emanating from factory chimneys. accentuating the ambiguity of a wild thought which is hard to grasp. despite its machine-driven aspect, sene primary questions the difficulty to manage one s life stuck in a primitive mindset, making intuitive associations in a grid pattern. carbon copy music for the tangled minds out there, leaving room for nothing but sedated feelings.

milos arrives with his fifth release on his receptive visions label. two techno cuts with plenty of energy and emotion, aimed directly for the dance floor. contact high with it’s swirling sounds, moving in and out of this rather tasty techno groove. priming on the other side has solid drums with rave style stabs, that adds a different feel to this vinyl only release.

amsterdams worst kept secret makes it back to unknown precept with his long-awaited album and first solo output since the acclaimed divine bovine tape mini-album. inspired by an evening spent in a restaurant next to a car demolition site, eindkrak s long player debut echoes the distant sound of steel being crushed and cars pressed into cubes. all this noise, in combination with the taste of good italian food, lead to the eleven tracks making up for the aptly titled brullend staal — loosely translated to weeping steel. a leisurely stroll on crumpled metal sheets, the acidic hints of oxidized metal and the smell of gasoline. inaudible and distorted vocals as if smothered by the clatter and smokestacks of steel factories. eindkrak s first full-length is all about this disquietude made of melted and straightened scrap metal. a resounding and tumultuous din. try to eat some nice gnocchis while listening to this album, and you ll see what it is all about.

the latest milos instalment on his own receptive visions label. first cut energy tremor rolls along with it’s metallic beats and synth stabs, while samadhi which has a more energetic feel with it’s clattering drums and bubbly liquid keyboard lines, will certainly get the dance floor moving.

fashion flesh is the solo-output moniker of john talaga, based in bay city, usa, whose music first came to our attention back in 2016 with the release of an excellent 7-inch on detroit s est. 83 records. he should have been in the radiophonic workshop, but he was in the wrong place, wrong decade. instead, withdrawn comes as his first full-length album and makes up for the perfect introduction to talaga s synthesis of original and plasticized melodic collages, birthed from the guts of hand built exotic electronics and various audio devices — built from one s own design and heavily modified beyond audible recognition or return. from torn memories of pleasant dreams to plasticine free jazz sculptures, wavey electro cuts squealing like rubber tyres and pop hallucinations, fashion flesh highlights the beauty of confusion and anxiety throughout the breathing and illusive meanderings of his tape manipulations and hard copy cut-ups.

another receptive visions release from milos with two club ready cuts. perception point is a thrusting acid techno number with a catchy 303 loop. while floored with its distorted drums and spacey futuristic melody lines.

santiago leyba makes his vinyl debut on the label following the rooms tape released earlier this year. recorded simultaneously, life, money, work shows the new york-based artist by way of albuquerque, new mexico, portraying the different characters one might have in a broken mind. sketching a strong criticism of america by means of disorienting vocals and slow-paced d.i.y. electronics, santiago finds him performing alter-egos of sorts — ranging from forlorn ballad singing, to more guttural and strained barking seeking to describe a conflict in maintaining a unified persona. paid labor, sex, and consumer goods. how america tells you to grow up when there is nothing left but complacency and oppression through economic and social means. it all goes down to the shortcomings of humanity, the tangled webs we weave, the impossibility of justice and fairness, and the pressure those things put upon ourselves.

receptive visions returns with it’s second release, the trademark sound of milos is apparent on both sides of this 12 inch. a tale of two cities with a distorted 909, acid lines and ravey stabs is pure peak time goodness. while shifting perspective revolves around quirky keys and military style drums.

joining the unknown precept forces are c.g.i. records label head matthew wei- ner teaming up with christopher daresta as pyramid club. being known for their t.w.i.n.s. and anticipation solo activities, cyclic obsession comes as the debut re- lease of the four-handed formation taking its name from the eponymous venue which helped define the counterculture and queer sound of lower manhattan in the late 70 s.

milos returns with receptive visions after his limited hand stamped msr & milos recordings projects. a label focused on dancefloor techno, kicking off with the euphoric yet raw reconery flight with razor sharp hats and massive drops pave the way for guaranteed dancefloor response, flip for away days heads down with a distinct snarled ragged intensity and thick pulsating grooves… one to watch!

welcoming back our early label recrute maoupa mazzocchetti delivering the long-awaited follow-up to both his debut releases on unknown precept. emerging back in 2014 to then become an esteemed music maker in the inner-circles of the underground community, the brussels based sound artisan quickly established himself as a complete artist made of a peculiar and inexhaustible surge of inspiration -- always making sure to stay off the beaten paths while exploring the nooks and crannies of his disturbed and facetious mindset throughout his latest productions.

forthright, razor sharp techno tracks running at a neck-breaking pace that will leave you breathless, remain neutral is all about the urgency and the purposely crafted indiscipline meant to make you twist your body in every directions. spoke throughout the feral scratches of overworked drum machines and the whiff distorted vocal samples taken from a tape found by chance, france via belgium s mehdi kernachi carries on with his exploration of the danger notion in electronic music -- borrowing as much to the slower, noisier industrial music of yesteryear as the speeded basement hysteria of rave culture -- applying the scorched-earth policy throughout his tracks.

ixvlf is back at it again following the language of mini-album released earlier this year as part of our ongoing tape series. pushing it further from where we last left off, connor clasen’s vinyl debut reflects our ever growing desire to re-interpret club music in its most primitive and cartilaginous nature. while cleverly obscuring any reference to a specific period of time, involuntary movement shows a sense of the american-based producer stretching disorienting imagery over the existing landscape of proto-industrial — matching the visual interpretation of ailsa ogden undertaking the artwork by way of a new collaboration to be expanded over a handful of releases — where unpolished synthesizers and rhythm machines collide and bawl in a controlled crash. it is an exercise of existing in various states of detachment, a fixation on mechanical repetition and unpredictable behaviors through the haze of helium laughter. definitely one for the animals.

being at an albion gig is like entering a bedouin tent and smelling the scent of an exotic spice for the first time, at that point you can t imagine living without it for the rest of your life.- the psychedelic disco viking is back. master crate digger albion is a dj who doesn t merely take you on another drum journey, but adds an extra dimension where preconceptions don t apply. it can take a while to get used to it, but sophistication never went out of style, it just took more than three decades to catch up. when the coin finally dropped, albion was there to pick it up. when it comes to the mixtura series albion always opens up new ground. he only selects the finest cuts for our table like -burning disco- we here sexy sultry voice from a man who probably has a very large moustache dont you know i m dancing like an eagle in sky, people always ask me why? onto flamingo synths play in tandem with guitar and flute glides though a delay without a care in the world, add the horns and sexy porno voice and you got a winner. mustang is about letting the good times roll, freaky disco biscuits with dash of rock? yes please. comes correct on 180g white vinyl with no repress

key dj support: james ruskin, benjamin damage, perc, tlr, orde meikle/slam, iron curtis, marco zenker, dario zenker, lo shea, rsd, the organ grinder, john heckle, space dimension controller, benji b, randomer, dj deep, dexter, laurent garnier, altered natives, norman nodge, trickski, boys noize, vincent neumann milos has been causing quite a stir of late with his limited handstamped msr & milos recordings projects, gaining support from key players including ben sims, gez varley (lfo), and colin dale. now we look forward to receptive visions, a label focused on no bullsh*t, real dancefloor techno. kicking off with the euphoric yet raw -reconery flight-, razor sharp hats, and massive drops pave the way for gauranteed dancefloor response! flip for -away days-, heads straight down, with a distinct gnarled, ragged intensity and thick pulsating grooves! one to watch!

hold on tight for one of the biggest nocid business recordings release to date featuring two tracks of immense weight that appropriately mark the first vinyl release from the belgian label.

great dark techno 4 track release following up from the brilliant >the black ideal< compilation. 180 gram black vinyl comes in a heavyweight printed sleeve

support von raresh, brothers vibe, john tejada, magda, richie hawtin, mihai popoviciu, chris carrier, rene breitbarth
alexander shulgins theory says that man has produced endogenous hallucinogens in prehistoric times. in order to ensure his survival this had to regress. what remains in our generation are receptors, modern man has only receptors. with the ep only receptors les points debut with their eponymous label. four tracks aligned to stimulate the receptors on the dance floor.

after the amazing critical acclaim for his debut album drone logic, daniel avery lines up a select series of remix 12inches on phantasy from some of his favourite artists. danny daze takes naive response deeper into the realms of smart, late night techno with a remix that has been huge for avery and label boss erol alkan all summer. on the flip, londons perc turns reception into an industrial techno behemoth, tailor made for the darkest of hours in berghain

back in december 2012 we brought you the sounds of the unheard from our romanian ambassadors future nuggets. the compilation gained plaudits from across the globe and was even named by andrew weatherall as one of his compilations of the year. steaua de mare featured heavily and the band was instantly noted for their smokey psychedelic sound. their unique sound comes from many directions. they bring elements of prog, dub, psychedelic rock and contemporary gypsy music (manele) mainly from romania and bulgaria into the mix.

ambassadors reception is proud to present a new label to its ever growing roster.

at last the albion vinyl sampler sees the light of day! we have waited far too long for this hotcake, but as they say >the best things come to those who wait<. we have pressed up four crazy disco gems here on the vinyl sampler. we start with >leslie< by the nevaboston team originally released in 1978 on a rare as rocking horse shit italian 7 inch albion gives it his subtle but effective treatment blending both parts together to create a new take on this killer piece of music (wait for the horns to drop for maximum dance floor devastation). oh and i nearly forgot to mention this is exclusive to the sampler never ever released norma jordans >feel me< also gets the albion snip and this delightful tracks begins with a quite a dark intro, mutating acid & disco until normas inviting voice comes to the front and absolutely smashes any dance floor into smithereens. once again it’s limited edition with no repress so buy now or cry later.

3rd release from chilean imprint ojo de apolo is made by labelhead receptor aka jorge cortes and remixed by hauke freer.

albion got his first bookings in high school on his friends parties and played his first gig in a club in the early nineties. ten years later he rediscovered the sound of his childhood, disco. since then he has been throwing parties and playing in clubs, digging deep for records and obsessing about long forgotten music. in 2006 albion started making the astronomix and mixtura mixes for c-b-s which made him gain his reputation as a mixer of the most far out disco this side of the moon. hes now part of the heavy outfit which is ambassadors reception

disco obsessive loud e became famous with the launch of his internet radio station cbs and his re arranged versions of records he bought at flea markets, leaving out the odd parts of the songs. this limited 12inch contains three new edits from rotterdams hottest! london based label ambassadors reception is run under the a&r guidance of stevie kotey (bear funk).

the originators of the bear funk are introducing a new imprint for the hottest re edits around. the ambassadors call it diplomatic disco. on number 3, its rotterdams loud e again, culling three of his killer edits.

the originators of the bear funk are introducing a new imprint for the hottest re-edits around. number two comes from amsterdam’s tako (disko exotika) who delivers big time with a 4 tracks of truely out-there space disco.

ojo de apolo starts with receptor (jorge cortés), music producer and owner of this label that comes from santiago de chile. his work as receptor , from 2002 onwards, is geared towards a more deep-house sound in net and vinyl labels,such as: sushitech, winsome-music, plong!, adjunct, citymorb,them, thinner, etc. side b, includes a remix from the original track (fuerte y claro) made by ion ludwig from netherlands. his work is well knowed by releases in labels such as: stock5, resopal , underline and his own label quagmire among others

4 brilliant minimal spacin techno tracks on this underline sublabel !! played by dominik eulberg & guy gerber, magda… . jorge cortez aka receptor is known from underline002

the title track is a peculiar sound collage composed of playful percussion quaint synth pads and over swung patterns of jorges unique sound collection remix comes from apendics who injects a hefty doze of energy into the original

excellent quality techhouse to deep techno 4 tracker at the highest level !!!

excellent floating minimal clicker cuts a la sähkö !! >> magdas comment : super dark minimal - perfect

superb hypnotic clicky tech house w/ deep trippin abstract sound atmosphere

luke viberts first wagon christ album since 2011

the brussels-based razen make experimental and minimal music with unconventional instruments, focusing on tuning, intonation and the use of intervals.

limited to 300 copies!