ultrahard & faster kickin acid techno !!!

enzo leep brings to the collection 4 old school tracks to tear down the dancefloor.

180 gram pressing

180 gram pressing

reissue on 180 gram vinyl, housed in a gatefold sleeve with poster included.

brazil / latin jazz / afro

the 2006 album from uruguayan musician jaime roos available on vinyl for the first time.

next herdersmat compilation from mord on 4x12 inch vinyl.

4 classic powerful dancefloor oriented tracks

after signing on with gatto frittos mind-melting sound of love international volume 1, were back, we can smell summer and were putting you in the capable hands of festival favourites, washington dcs beautiful swimmers.

pressing on 180 gram vinyl.

auf dem neuen album der sängerin und gitarristin ulla haesen, rio so vim matar a saudade, verbinden sich die talente von drei gefeierten brasilianischen künstlern (kiko freitas, lula galvão, nelson faria) mit der passion einiger der besten musiker europas (decebal badila, alfonso garrido, jesse milliner, francesco petrocca, gabriel pérez, jürgen schuld, hendrik meurkens). das von klaus genuit meisterhaft aufgenommene projekt rio so vim matar a saudade, bietet uns eine musikalische brücke, gebaut mit liebe, neugier und einer persönlichen sehnsucht nach dem glanz fremder kulturen. pressung auf schwarzem 180 gramm vinyl.

the fifth instalment of the hoxton records story turns to alan castro, who has already had a busy year appearing on the likes of for club, stamp and soundterasse. the vibe is stripped down and unhinged on this record, with lead track el avion de la mentira unfurling in a strange tapestry of samples, found sounds and off kilter synth rubs strapped to a crafty set of drums. modebaku delivers a more streamlined version of the track that keeps things freaky, but much more linear than the wayward original. sequela on the flip is no slouch in the adventurous department either, with swathes of modulating tones and wild sonic matter flinging around a funky shuffle, which ted amber then dutifully bolsters with a rubbery b-line on his more functional but still daring version

als “vorbildliche musikalische begleitung zu einem vollen tanzsaal” konzipiert, reinterpretiert “blue latin” ein musikalischen genres - jazz. schon vor jahrzehnten galt jazz als die tanzmusik par excellence und gerardo frisina liefert, modernisiert, von afro-kubanischen, brasilianischen und latin-jazz-elementen kontaminiert, vor allem tanzbar gemacht. das fast meditative “incanto” vereint spirituelle jazz-einflüsse und afrikanische atmosphäre.

latest dancefloor bomb by the talented spanish brothers acidic cut up sampled peace devision styled a side and a tripped out massive filtered flipside

after signing on with gatto frittos mind-melting sound of love international volume 1, were back, we can smell summer and were putting you in the capable hands of festival favourites, washington dcs beautiful swimmers.