inspired by life long dedication to music and a rebel in the underground dance scene santiago de chile based producer jeaven presents his debut on resopal. his playground effects ep is a three-tracker showing his personal definitions of contemporary house / detroity - minimal - or how should we name it ? simply ... music! playground effect, the ep title is a great description of jeavens music, where everything is in constant and vibrant motion. from the the way the tracks evolve - to sound design to the beat-programing – there are no presets. the title track seems to spin at two velocities at once, balancing a driving, linear groove with half-speed voices to create a sense of suspended animation. centralized goes even deeper, with a rippling bass melody that gets deep inside your stomach. all three tracks on this ep are like springtime on hot wax.
fresh after the release of their debut album on simple, the second motorcitysoul ep in quick succession is as accomplished as we have come to expect from the frankfurt deep house duo matthias vogt and c - rock.
lp+cd. with transit, his new solo album, the indefatigable bert dockx (flying horseman, dans dans) has added a compelling new facet to his ever-expanding, deeply personal musical universe.as weve come to expect from this always original musician, these are anything but servile covers. he pays tribute to the original song by radically making it his own.
the official silverdome (zoetermeer, holland) anthem, produced by heavyweight hardcore producers dj neophyte & tha playah with powerful vocals by mc alee!
black strobe return with the second single from forthcoming album >burn your own church>. again produced by paul epworth ( bloc party ) and mixed by alan moulder ( nine inch nails / marilyn manson ) its a high-octane electronic cover of >im a man< by rock n roll/blues icon bo diddly, 12inch includes remix from detroits prodigious techno connoisseur audion
man play dead consist of pj davy and danny graham the boys collaborate on the original mix to deliver a beefy chunked up break house burner with a techy edge made up of body moving rhythms and a dark b line on the b side is moonfaces remix which takes the original on a deeper journey
james holden präsentiert den nachfolger seines 2006er debüts the idiots are winning, das vom guardian damals als das spektakulärste electronica-debütalbum seit boards of canadas music has the right to children bezeichnet wurde. auf the inheritors erforscht holden weiterhin die (un-)tiefen der elektronischen musik und liefert eine ausgewogene balance zwischen brachialen experimenten und transformativen trips.
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