supported by jeremy p. caulfield, lars sommerfeld, mike shannon, shinnedoe, florian meindl and 3 channels

those cheeky blag boys have gone and done it again 2 slammin d&b remixes of some well known tracks...mia s paper planes (fresh from its apperance in the massive slumdog movie) gets beefed up and torn down, for fans of high contrast etc..the flipside sees blag pay homage to hip hop royalty in the shape of public enemy whose classic >shut em down< vocal gets laid over some seriously heavy beats & bassline.. 2 killers not to be missed

glitchy house re edit of mias paper planes

vinyl debut from vladw, with remix support from robert s.

** 2019 reissue ** lcd + pcp is a massive collaboration for this release: carl craigs label planet e is set and ready to rerelease one of the tunes produced as paperclip people, throw. the a-side on this 12 vinyl features a cover of the song by james murphy and his merry band of music makers, better known as lcd soundsystem. lcd soundsystem has been using its cover of throw in live sets for some time. guest of the 2005 lcd live performance at the el rey theater received a shocking surprise. while the band was closing out the night with an extended version of yeah. somewhere around the eight or nine minute mark, bassist tyler pope began jammin on the famous groove from throw. the crowd watched in shock and awe as the band slowly, one-by-one, joined in, morphing yeah into throw seamlessly. by the time james murphy grabbed the mic and declared in full falsetto i wanna see your haaaaaaaaaaand! everyone basically unloaded on themselves. truly a classic act for a classic track! this release will be the first time the lcd studio rendition has ever been made available on wax

carl craig needs no introduction, he has been at the forefront of the international techno scene for over 20 years and has amassed a truly enviable back catalog of releases utilizing various pseudonyms and collaborating with many different artists during his stellar career. one of the detroit natives most enduring and popular guises has been his paperclip people project which has been active since 1991. country boy goes dub was originally released in 1996 on the seminal paperclip people long-player the secret tapes of dr.eich. its blend of samples, metallic drum machines, 808s, guitar loops and serious dubwise tendencies made it stand out instantly. as with a lot of craigs legendary productions it had that otherworldly swing, an incessant groove and a melding of various styles, sounds and influences informing its spirit.

its the monster paperclip people hit, remixed by slam and pressed onto vinyl for the first time. this is a limited edition, one-sided, with 3 locked grooves

the classic 1996 paperclip people album by carl craig gets remastered for a brand new 2012 edition on double lp. spanking new artwork too...!

fantastic dubfire & loco dice remixes!

planet e continue to delve into their extensive back catalog for another re-issue in their classics series.. carl craig s paperclip people with their seminal 4 my peepz track being made available once more, this time out with a previously unreleased mix of the title track, as well as a much-sought, ultra-rare derrick may mix of jerry lewis..

ultraphat detroix classix .2 trax with timeless attitude…heavy rotation on sven väth playlist !!

standard weight, red and white double vinyl

steve gunn and david moore s let the moon be a planet is a volume of improvisatory exchanges between classical guitar and piano, and a meeting place where two artists become acquainted through instrumental dialogue without a single expectation distracting them from the joy and open field possibility of collaboration.

earwax is back on planet rhythm with a fulminant 4-tracker.

die debüt lp des duos sunflower aquarium bietet ein umfassendes spektrum an elektronischem Ökosystem. dylan batelic (paper-cuts) und thomas martin (furious frank) vereinen sich zu einer 7 track kollektion mit tiefem, immersivem tiefgang, die den zyklus des lebens durch ebbe und flut der jahreszeitlichen entwicklung des klangs verkörpert.

def leppard live at the zappos theatre in planet hollywood, las vegas, 2019. limited pressing on blue triple vinyl, housed in a gatefold sleeve.

the follow up to shawns timespan album for pittsburgh tracks is the next planet over an ep featuring four new tracks from pittsburghs synth maestro. the ep opens with works on paper, which is like a cross section of shawns acclaimed improvised live techno sets. the collection continues with last light on and switching rails two deep, driving synth numbers that are the product of shawns interaction with the beautiful surroundings of pittsburgh and its midwestern grit. finishing the ep is one more sometime a rare downtempo excursion propelled by synth bass and lush atmospherics. the follow up to shawns timespan album for pittsburgh tracks is the next planet over an ep featuring four new tracks from pittsburghs synth maestro. the ep opens with works on paper, which is like a cross section of shawns acclaimed improvised live techno sets. the collection continues with last light on and switching rails two deep, driving synth numbers that are the product of shawns interaction with the beautiful surroundings of pittsburgh and its midwestern grit. finishing the ep is one more sometime a rare downtempo excursion propelled by synth bass and lush atmospherics.

limited edition 7inch split release detroit new wave flav. electro tracks.. check!!

limited edition lp on silver coloured vinyl in printed innersleeve

xmas with status quo incl. rockin all over the world !!

2x12 inch gaatefold lp

3rd album of aufgang

b-stock! cover with bent corner. vinyl unaffected & mint. pubs lauded ambient classic from 2000 has repressed. 2 x12inch remastered and cut by d&m includes bonus track which was originally on the japanese cd re-issue from 2004 and new artwork

limited white and purple 180 gram double vinyl plus orange 10 inch, housed in a gatefold sleeve with download code included.

pubs lauded ambient classic from 2000 has repressed. 2 x12inch remastered and cut by d&m includes bonus track which was originally on the japanese cd re-issue from 2004 and new artwork

long distance calling live at kulturkirche hamburg altona. triple vinyl release, housed in a gatefold sleeve.

schwarzes vinyl (180g) / cover auf dickem karton / download-code (mp3, 320kbit/s), incl. 4c einleger / lyricsheet / label-sticker)

take a step back for sbt003, a va compilation of hot club-ready lo-fi house jams. hand-stamped white labels as usual encased in brown manilla sleeves. the shoe changed, the vibe stayed. step back trax - handle with care.

on ‘loveplaydance’, legendary tokyo dj and producer toshio matsuura charts a new direction. casting musical cornerstones in a fresh light, the toshio matsuura group features tom skinner (drummer for sons of kemet and owiny sigoma band amongst others) as its musical director, as well as some of the uk’s most exciting jazz-influenced musicians. drawing on years of surveying and curating different corners of music, matsuura deftly combines this talented pool of players into one singular, wide-ranging album.

10 jahre nach ihrem debüt „fliang“ zeigt sich claudia koreck in neuem gewand: zweisprachig, mit internationalem sound und einem staraufgebot an musikern, die an der entstehung von „holodeck“ mitwirkten.

“a safe place to be naked” is s. fidelity’s debut album, which will be released on may 5th via jakarta records. it features 12 tracks, capturing the producer’s quest for a fresh sound, which he elaborated over the last two years, locked in his tiny basement studio in berlin. evolving from there the he has also released an ep with feelin music in 2014, and “sidekicks”, a joint project with long-term friend and collaborator bluestaeb in 2016. by working with artists like tru thoughts singer harleighblu and label mate juju rogers as well as fellow producers bluestaeb and shuffle jack, his lp “a safe place to be naked” plays with sampled vocals and even his own voice – often distorted, but still present. s. fidelity was born in st. gallen, switzerland, mainly works in berlin and currently resides in london. as a producer he developed a unique and always driving sound, combining sampling techniques and classic beat making with unusual drum patterns, modern synth and atmospheric sound effects. s. fidelity’s laid-back eclecticism is marked by a deep knowledge and fascination for pop culture as a whole. his idea of fresh hiphop references to various genres, including jazz, ambient, disco and electronica. the lp contains an a2 poster & download code.

times are ruff is here with the 11th edition of its imprint, showcasing some of the styles the label stands for, percussive, jazzy, hypnotic and rhythmic house-music. tar011 is a dance floor oriented 4-tracker by alex fields and pete bandit. the guys behind the collaborative times are ruff project & label (which they do together with resistance orchestra) bring you this time two solo tracks each. 

alex fields brings two tracks to the table which both are based on a jazzy foundation without becoming lazy. fields pushes his drums and patterns to overdrive to uplift every dancefloor, while keeping the melody side musically interesting with jazzy solos. bandit keeps it more rhythmic and straight-forward on his side, with a percussive driven beat-track and a small wink to earlier more hypnotic tar releases with his track ruff street.

15 tracks full of surprising twists and turns and genre defying sounds and rhythmic patterns.inclusive download code und poster!

in june 2011 dj phono will release his first album on hamburgs record label diynamic. >welcome to wherever you re not< is a work of heart, of emotions of awakened, flourishing, and unrequited feelings. its something of a kind that could neither be accomplished within a nights work nor even in a cycle of nights, but only in good time.

a1 = techhouse version von golden brown (the stranglers)